Written by
Bob Hicok |
Drunk, I kissed the moon
where it stretched on the floor.
I'd removed happiness from a green bottle,
both sipped and gulped
just as a river changes its mind,
mostly there was a flood in my mouth
because I wanted to love the toaster
as soon as possible, and the toothbrush
with multi-level brissels
created by dental science, and the walls
holding pictures in front of their faces
to veil the boredom of living
fifty years without once
turning the other way. I wanted
the halo a cheap beaujolais paints
over everything like artists gave the holy
before perspective was invented,
and for a moment thought in the glow
of fermented bliss that the bending
of spoons by the will was inevitable,
just as the dark-skinned would kiss
the light-skinned and those with money
and lakefront homes would open
their verandas and offer trays
of cucumber sandwiches to the poor
scuttling along the fringes of their lawns
looking for holes in the concertina wire.
Of course I had to share this ocean
of acceptance and was soon on the phone
with a woman from Nogales whose hips
had gone steady with mine. I told her
I was over her by pretending I was just
a friend calling to say the Snow Drops
had nuzzled through dirt to shake
their bells in April wind. This
threw her off the scent of my anguish
as did the cement mixer of my voice, as did
the long pause during which I memorized
her breathing and stared at my toes
like we were still together, reading
until out eyes slid from the page
and books fell off the bed to pound
their applause as our tongues searched
each others' body. When she said
she had to go like a cop telling a bum
to move on, I began drinking downhill,
with speed that grew its own speed,
and fixed on this image with a flagellant's
zeal, how she, returning to bed, cupped
her lover's crotch and whispered not
to worry, it was no one on the phone,
and proved again how forgotten I'd become
while I, bent over the cold confessional,
listened to the night's sole point of honesty.
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Written by
Bliss Carman |
There is fog upon the river, there is mirk upon the town;
You can hear the groping ferries as they hoot each other down;
From the Battery to Harlem there's seven miles of slush,
Through looming granite canyons of glitter, noise, and rush.
Are you sick of phones and tickers and crazing cable gongs,
Of the theatres, the hansoms, and the breathless Broadway throngs,
Of Flouret's and the Waldorf and the chilly, drizzly Park,
When there's hardly any morning and five o'clock is dark?
I know where there's a city, whose streets are white and clean,
And sea-blue morning loiters by walls where roses lean,
And quiet dwells; that's Nassau, beside her creaming key,
The queen of the Lucayas in the blue Bahaman sea.
She's ringed with surf and coral, she's crowned with sun and palm;
She has the old-world leisure, the regal tropic calm;
The trade winds fan her forehead; in everlasting June
She reigns from deep verandas above her blue lagoon.
She has had many suitors,--Spaniard and Buccaneer,--
Who roistered for her beauty and spilt their blood for her;
But none has dared molest her, since the Loyalist Deveaux
Went down from Carolina a hundred years ago.
Unmodern, undistracted, by grassy ramp and fort,
In decency and order she holds her modest court;
She seems to have forgotten rapine and greed and strife,
In that unaging gladness and dignity of life.
Through streets as smooth as asphalt and white as bleaching shell,
Where the slip-shod heel is happy and the naked foot goes well,
In their gaudy cotton kerchiefs, with swaying hips and free,
Go her black folk in the morning to the market of the sea.
Into her bright sea-gardens the flushing tide-gates lead,
Where fins of chrome and scarlet loll in the lifting weed;
With the long sea-draft behind them, through luring coral groves
The shiny water-people go by in painted droves.
Under her old pink gateways, where Time a moment turns,
Where hang the orange lanterns and the red hibiscus burns,
Live the harmless merry lizards, quicksilver in the sun,
Or still as any image with their shadow on a stone.
Through the lemon-trees at leisure a tiny olive bird
Moves all day long and utters his wise assuring word;
While up in their blue chantry murmur the solemn palms.
At their litanies of joyance, their ancient ceaseless psalms.
There in the endless sunlight, within the surf's low sound,
Peace tarries for a lifetime at doorways unrenowned;
And a velvet air goes breathing across the sea-girt land,
Till the sense begins to waken and the soul to understand.
There's a pier in the East River, where a black Ward Liner lies,
With her wheezy donkey-engines taking cargo and supplies;
She will clear the Hook to-morrow for the Indies of the West,
For the lovely white girl city in the Islands of the Blest.
She'll front the riding winter on the gray Atlantic seas,
And thunder through the surf-heads till her funnels crust and freeze;
She'll grapple the Southeaster, the Thing without a Mind,
Till she drops him, mad and monstrous, with the light ship far behind.
Then out into a morning all summer warmth and blue!
By the breathing of her pistons, by the purring of the screw,
By the springy dip and tremor as she rises, you can tell
Her heart is light and easy as she meets the lazy swell.
With the flying fish before her, and the white wake running aft,
Her smoke-wreath hanging idle, without breeze enough for draft,
She will travel fair and steady, and in the afternoon
Run down the floating palm-tops where lift the Isles of June.
With the low boom of breakers for her only signal gun,
She will anchor off the harbor when her thousand miles are done,
And there's my love, white Nassau, girt with her foaming key,
The queen of the Lucayas in the blue Bahaman sea!
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Written by
Rudyard Kipling |
Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!
"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?
Are ball-rooms fittest for the ink you spill?
Was there no other cheaper house to seek?
You might have left them all at Strawberry Hill.
We never harmed you! Innocent our guise,
Dainty our shining feet, our voices low;
And we revolved to divers melodies,
And we were happy but a year ago.
To-night, the moon that watched our lightsome wiles --
That beamed upon us through the deodars --
Is wan with gazing on official files,
And desecrating desks disgust the stars.
Nay! by the memory of tuneful nights --
Nay! by the witchery of flying feet --
Nay! by the glamour of foredone delights --
By all things merry, musical, and meet --
By wine that sparkled, and by sparkling eyes --
By wailing waltz -- by reckless gallop's strain --
By dim verandas and by soft replies,
Give us our ravished ball-room back again!
Or -- hearken to the curse we lay on you!
The ghosts of waltzes shall perplex your brain,
And murmurs of past merriment pursue
Your 'wildered clerks that they indite in vain;
And when you count your poor Provincial millions,
The only figures that your pen shall frame
Shall be the figures of dear, dear cotillions
Danced out in tumult long before you came.
Yea! "See Saw" shall upset your estimates,
"Dream Faces" shall your heavy heads bemuse,
Because your hand, unheeding, desecrates
Our temple; fit for higher, worthier use.
And all the long verandas, eloquent
With echoes of a score of Simla years,
Shall plague you with unbidden sentiment --
Babbling of kisses, laughter, love, and tears.
So shall you mazed amid old memories stand,
So shall you toil, and shall accomplish nought,
And ever in your ears a phantom Band
Shall blare away the staid official thought.
Wherefore -- and ere this awful curse he spoken,
Cast out your swarthy sacrilegious train,
And give -- ere dancing cease and hearts be broken --
Give us our ravished ball-room back again!
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