Written by
William Vaughn Moody |
After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I
Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his ***** band,
For all their gaze is fixed so stern ahead,
For all the fatal rhythm of their tread.
The land they died to save from death and shame
Trembles and waits, hearing the spring's great name,
And by her pangs these resolute ghosts are stirred.
II
Through street and mall the tides of people go
Heedless; the trees upon the Common show
No hint of green; but to my listening heart
The still earth doth impart
Assurance of her jubilant emprise,
And it is clear to my long-searching eyes
That love at last has might upon the skies.
The ice is runneled on the little pond;
A telltale patter drips from off the trees;
The air is touched with southland spiceries,
As if but yesterday it tossed the frond
Of pendant mosses where the live-oaks grow
Beyond Virginia and the Carolines,
Or had its will among the fruits and vines
Of aromatic isles asleep beyond
Florida and the Gulf of Mexico.
III
Soon shall the Cape Ann children shout in glee,
Spying the arbutus, spring's dear recluse;
Hill lads at dawn shall hearken the wild goose
Go honking northward over Tennessee;
West from Oswego to Sault Sainte-Marie,
And on to where the Pictured Rocks are hung,
And yonder where, gigantic, wilful, young,
Chicago sitteth at the northwest gates,
With restless violent hands and casual tongue
Moulding her mighty fates,
The Lakes shall robe them in ethereal sheen;
And like a larger sea, the vital green
Of springing wheat shall vastly be outflung
Over Dakota and the prairie states.
By desert people immemorial
On Arizonan mesas shall be done
Dim rites unto the thunder and the sun;
Nor shall the primal gods lack sacrifice
More splendid, when the white Sierras call
Unto the Rockies straightway to arise
And dance before the unveiled ark of the year,
Sounding their windy cedars as for shawms,
Unrolling rivers clear
For flutter of broad phylacteries;
While Shasta signals to Alaskan seas
That watch old sluggish glaciers downward creep
To fling their icebergs thundering from the steep,
And Mariposa through the purple calms
Gazes at far Hawaii crowned with palms
Where East and West are met, --
A rich seal on the ocean's bosom set
To say that East and West are twain,
With different loss and gain:
The Lord hath sundered them; let them be sundered yet.
IV
Alas! what sounds are these that come
Sullenly over the Pacific seas, --
Sounds of ignoble battle, striking dumb
The season's half-awakened ecstasies?
Must I be humble, then,
Now when my heart hath need of pride?
Wild love falls on me from these sculptured men;
By loving much the land for which they died
I would be justified.
My spirit was away on pinions wide
To soothe in praise of her its passionate mood
And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay
On me and the companions of my day.
I would remember now
My country's goodliness, make sweet her name.
Alas! what shade art thou
Of sorrow or of blame
Liftest the lyric leafage from her brow,
And pointest a slow finger at her shame?
V
Lies! lies! It cannot be! The wars we wage
Are noble, and our battles still are won
By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat
And scramble in the market-place of war;
Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son,
This delicate and proud New England soul
Who leads despisèd men, with just-unshackled feet,
Up the large ways where death and glory meet,
To show all peoples that our shame is done,
That once more we are clean and spirit-whole.
VI
Crouched in the sea fog on the moaning sand
All night he lay, speaking some simple word
From hour to hour to the slow minds that heard,
Holding each poor life gently in his hand
And breathing on the base rejected clay
Till each dark face shone mystical and grand
Against the breaking day;
And lo, the shard the potter cast away
Was grown a fiery chalice crystal-fine
Fulfilled of the divine
Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed
Huge on the mountain in the wet sea light,
Whence now, and now, infernal flowerage bloomed,
Bloomed, burst, and scattered down its deadly seed, --
They swept, and died like freemen on the height,
Like freemen, and like men of noble breed;
And when the battle fell away at night
By hasty and contemptuous hands were thrust
Obscurely in a common grave with him
The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb
In nature's busy old democracy
To flush the mountain laurel when she blows
Sweet by the southern sea,
And heart with crumbled heart climbs in the rose: --
The untaught hearts with the high heart that knew
This mountain fortress for no earthly hold
Of temporal quarrel, but the bastion old
Of spiritual wrong,
Built by an unjust nation sheer and strong,
Expugnable but by a nation's rue
And bowing down before that equal shrine
By all men held divine,
Whereof his band and he were the most holy sign.
VII
O bitter, bitter shade!
Wilt thou not put the scorn
And instant tragic question from thine eye?
Do thy dark brows yet crave
That swift and angry stave --
Unmeet for this desirous morn --
That I have striven, striven to evade?
Gazing on him, must I not deem they err
Whose careless lips in street and shop aver
As common tidings, deeds to make his cheek
Flush from the bronze, and his dead throat to speak?
Surely some elder singer would arise,
Whose harp hath leave to threaten and to mourn
Above this people when they go astray.
Is Whitman, the strong spirit, overworn?
Has Whittier put his yearning wrath away?
I will not and I dare not yet believe!
Though furtively the sunlight seems to grieve,
And the spring-laden breeze
Out of the gladdening west is sinister
With sounds of nameless battle overseas;
Though when we turn and question in suspense
If these things be indeed after these ways,
And what things are to follow after these,
Our fluent men of place and consequence
Fumble and fill their mouths with hollow phrase,
Or for the end-all of deep arguments
Intone their dull commercial liturgies --
I dare not yet believe! My ears are shut!
I will not hear the thin satiric praise
And muffled laughter of our enemies,
Bidding us never sheathe our valiant sword
Till we have changed our birthright for a gourd
Of wild pulse stolen from a barbarian's hut;
Showing how wise it is to cast away
The symbols of our spiritual sway,
That so our hands with better ease
May wield the driver's whip and grasp the jailer's keys.
VIII
Was it for this our fathers kept the law?
This crown shall crown their struggle and their ruth?
Are we the eagle nation Milton saw
Mewing its mighty youth,
Soon to possess the mountain winds of truth,
And be a swift familiar of the sun
Where aye before God's face his trumpets run?
Or have we but the talons and the maw,
And for the abject likeness of our heart
Shall some less lordly bird be set apart? --
Some gross-billed wader where the swamps are fat?
Some gorger in the sun? Some prowler with the bat?
IX
Ah no!
We have not fallen so.
We are our fathers' sons: let those who lead us know!
'T was only yesterday sick Cuba's cry
Came up the tropic wind, "Now help us, for we die!"
Then Alabama heard,
And rising, pale, to Maine and Idaho
Shouted a burning word.
Proud state with proud impassioned state conferred,
And at the lifting of a hand sprang forth,
East, west, and south, and north,
Beautiful armies. Oh, by the sweet blood and young
Shed on the awful hill slope at San Juan,
By the unforgotten names of eager boys
Who might have tasted girls' love and been stung
With the old mystic joys
And starry griefs, now the spring nights come on,
But that the heart of youth is generous, --
We charge you, ye who lead us,
Breathe on their chivalry no hint of stain!
Turn not their new-world victories to gain!
One least leaf plucked for chaffer from the bays
Of their dear praise,
One jot of their pure conquest put to hire,
The implacable republic will require;
With clamor, in the glare and gaze of noon,
Or subtly, coming as a thief at night,
But surely, very surely, slow or soon
That insult deep we deeply will requite.
Tempt not our weakness, our cupidity!
For save we let the island men go free,
Those baffled and dislaureled ghosts
Will curse us from the lamentable coasts
Where walk the frustrate dead.
The cup of trembling shall be drainèd quite,
Eaten the sour bread of astonishment,
With ashes of the hearth shall be made white
Our hair, and wailing shall be in the tent;
Then on your guiltier head
Shall our intolerable self-disdain
Wreak suddenly its anger and its pain;
For manifest in that disastrous light
We shall discern the right
And do it, tardily. -- O ye who lead,
Take heed!
Blindness we may forgive, but baseness we will smite.
|
Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."
|
Written by
Alan Seeger |
You have the grit and the guts, I know;
You are ready to answer blow for blow
You are virile, combative, stubborn, hard,
But your honor ends with your own back-yard;
Each man intent on his private goal,
You have no feeling for the whole;
What singly none would tolerate
You let unpunished hit the state,
Unmindful that each man must share
The stain he lets his country wear,
And (what no traveller ignores)
That her good name is often yours.
You are proud in the pride that feels its might;
From your imaginary height
Men of another race or hue
Are men of a lesser breed to you:
The neighbor at your southern gate
You treat with the scorn that has bred his hate.
To lend a spice to your disrespect
You call him the "greaser". But reflect!
The greaser has spat on you more than once;
He has handed you multiple affronts;
He has robbed you, banished you, burned and killed;
He has gone untrounced for the blood he spilled;
He has jeering used for his bootblack's rag
The stars and stripes of the gringo's flag;
And you, in the depths of your easy-chair --
What did you do, what did you care?
Did you find the season too cold and damp
To change the counter for the camp?
Were you frightened by fevers in Mexico?
I can't imagine, but this I know --
You are impassioned vastly more
By the news of the daily baseball score
Than to hear that a dozen countrymen
Have perished somewhere in Darien,
That greasers have taken their innocent lives
And robbed their holdings and raped their wives.
Not by rough tongues and ready fists
Can you hope to jilt in the modern lists.
The armies of a littler folk
Shall pass you under the victor's yoke,
Sobeit a nation that trains her sons
To ride their horses and point their guns --
Sobeit a people that comprehends
The limit where private pleasure ends
And where their public dues begin,
A people made strong by discipline
Who are willing to give -- what you've no mind to --
And understand -- what you are blind to --
The things that the individual
Must sacrifice for the good of all.
You have a leader who knows -- the man
Most fit to be called American,
A prophet that once in generations
Is given to point to erring nations
Brighter ideals toward which to press
And lead them out of the wilderness.
Will you turn your back on him once again?
Will you give the tiller once more to men
Who have made your country the laughing-stock
For the older peoples to scorn and mock,
Who would make you servile, despised, and weak,
A country that turns the other cheek,
Who care not how bravely your flag may float,
Who answer an insult with a note,
Whose way is the easy way in all,
And, seeing that polished arms appal
Their marrow of milk-fed pacifist,
Would tell you menace does not exist?
Are these, in the world's great parliament,
The men you would choose to represent
Your honor, your manhood, and your pride,
And the virtues your fathers dignified?
Oh, bury them deeper than the sea
In universal obloquy;
Forget the ground where they lie, or write
For epitaph: "Too proud to fight."
I have been too long from my country's shores
To reckon what state of mind is yours,
But as for myself I know right well
I would go through fire and shot and shell
And face new perils and make my bed
In new privations, if ROOSEVELT led;
But I have given my heart and hand
To serve, in serving another land,
Ideals kept bright that with you are dim;
Here men can thrill to their country's hymn,
For the passion that wells in the Marseillaise
Is the same that fires the French these days,
And, when the flag that they love goes by,
With swelling bosom and moistened eye
They can look, for they know that it floats there still
By the might of their hands and the strength of their will,
And through perils countless and trials unknown
Its honor each man has made his own.
They wanted the war no more than you,
But they saw how the certain menace grew,
And they gave two years of their youth or three
The more to insure their liberty
When the wrath of rifles and pennoned spears
Should roll like a flood on their wrecked frontiers.
They wanted the war no more than you,
But when the dreadful summons blew
And the time to settle the quarrel came
They sprang to their guns, each man was game;
And mark if they fight not to the last
For their hearths, their altars, and their past:
Yea, fight till their veins have been bled dry
For love of the country that WILL not die.
O friends, in your fortunate present ease
(Yet faced by the self-same facts as these),
If you would see how a race can soar
That has no love, but no fear, of war,
How each can turn from his private role
That all may act as a perfect whole,
How men can live up to the place they claim
And a nation, jealous of its good name,
Be true to its proud inheritance,
Oh, look over here and learn from FRANCE!
|
Written by
Eugene Field |
I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.
At breakfast, then, it would befall that Sister Jane would say:
"Mother, if you have got the things, I'll make some cake to-day!"
Poor mother'd cast a timid glance at father, like as not--
For father hinted sister's cooking cost a frightful lot--
But neither she nor he presumed to signify dissent,
Accepting it for gospel truth that what she wanted went!
No matter what the rest of 'em might chance to have in hand,
The whole machinery of the house came to a sudden stand;
The pots were hustled off the stove, the fire built up anew,
With every damper set just so to heat the oven through;
The kitchen-table was relieved of everything, to make
That ample space which Jane required when she compounded cake.
And, oh! the bustling here and there, the flying to and fro;
The click of forks that whipped the eggs to lather white as snow--
And what a wealth of sugar melted swiftly out of sight--
And butter? Mother said such waste would ruin father, quite!
But Sister Jane preserved a mien no pleading could confound
As she utilized the raisins and the citron by the pound.
Oh, hours of chaos, tumult, heat, vexatious din, and whirl!
Of deep humiliation for the sullen hired-girl;
Of grief for mother, hating to see things wasted so,
And of fortune for that little boy who pined to taste that dough!
It looked so sweet and yellow--sure, to taste it were no sin--
But, oh! how sister scolded if he stuck his finger in!
The chances were as ten to one, before the job was through,
That sister'd think of something else she'd great deal rather do!
So, then, she'd softly steal away, as Arabs in the night,
Leaving the girl and ma to finish up as best they might;
These tactics (artful Sister Jane) enabled her to take
Or shift the credit or the blame of that too-treacherous cake!
And yet, unhappy is the man who has no Sister Jane--
For he who has no sister seems to me to live in vain.
I never had a sister--may be that is why today
I'm wizened and dyspeptic, instead of blithe and gay;
A boy who's only forty should be full of romp and mirth,
But I (because I'm sisterless) am the oldest man on earth!
Had I a little sister--oh, how happy I should be!
I'd never let her cast her eyes on any chap but me;
I'd love her and I'd cherish her for better and for worse--
I'd buy her gowns and bonnets, and sing her praise in verse;
And--yes, what's more and vastly more--I tell you what I'd do:
I'd let her make her wondrous cake, and I would eat it, too!
I have a high opinion of the sisters, as you see--
Another fellow's sister is so very dear to me!
I love to work anear her when she's making over frocks,
When she patches little trousers or darns prosaic socks;
But I draw the line at one thing--yes, I don my hat and take
A three hours' walk when she is moved to try her hand at cake!
|
Written by
Lucy Maud Montgomery |
My Claudia, it is long since we have met,
So kissed, so held each other heart to heart!
I thought to greet thee as a conqueror comes,
Bearing the trophies of his prowess home,
But Jove hath willed it should be otherwise
Jove, say I? Nay, some mightier stranger-god
Who thus hath laid his heavy hand on me,
No victor, Claudia, but a broken man
Who seeks to hide his weakness in thy love.
How beautiful thou art! The years have brought
An added splendor to thy loveliness,
With passion of dark eye and lip rose-red
Struggling between its dimple and its pride.
And yet there is somewhat that glooms between
Thy love and mine; come, girdle me about
With thy true arms, and pillow on thy breast
This aching and bewildered head of mine;
Here, where the fountain glitters in the sun
Among the saffron lilies, I will tell
If so that words will answer my desire
The shameful fate that hath befallen me.
Down in Jerusalem they slew a man,
Or godit may be that he was a god
Those mad, wild Jews whom Pontius Pilate rules.
Thou knowest Pilate, Claudia -- a vain man,
Too weak to govern such a howling horde
As those same Jews. This man they crucified.
I knew nought of himhad not heard his name
Until the day they dragged him to his death;
Then all tongues wagged about him and his deeds;
Some said that he had claimed to be their King,
Some that he had blasphemed their deity
'Twas certain he was poor and meanly born,
No warrior he, nor hero; and he taught
Doctrines that surely would upset the world;
And so they killed him to be rid of him
Wise, very wise, if he were only man,
Not quite so wise if he were half a god!
I know that strange things happened when he died
There was a darkness and an agony,
And some were vastly frightenednot so I!
What cared I if that mob of reeking Jews
Had brought a nameless curse upon their heads ?
I had no part in that blood-guiltiness.
At least he died; and some few friends of his
I think he had not very many friends
Took him and laid him in a garden tomb.
A watch was set about the sepulchre,
Lest these, his friends, should hide him and proclaim
That he had risen as he had fore-told.
Laugh not, my Claudia. I laughed when I heard
The prophecy. I would I had not laughed!
I, Maximus, was chosen for the guard
With all my trusty fellows. Pilate knew
I was a man who had no foolish heart
Of softness all unworthy of a man!
My eyes had looked upon a tortured slave
As on a beetle crushed beneath my tread;
I gloried in the splendid strife of war,
Lusting for conquest; I had won the praise
Of our stern general on a scarlet field;
Red in my veins the warrior passion ran,
For I had sprung from heroes, Roman born!
That second night we watched before the tomb;
My men were merry; on the velvet turf,
Bestarred with early blossoms of the Spring,
They diced with jest and laughter; all around
The moonlight washed us like a silver lake,
Save where that silent, sealéd sepulchre
Was hung with shadow as a purple pall.
A faint wind stirred among the olive boughs
Methinks I hear the sighing of that wind
In all sounds since, it was so dumbly sad;
But as the night wore on it died away
And all was deadly stillness; Claudia,
That stillness was most awful, as if some
Great heart had broken and so ceased to beat!
I thought of many things, but found no joy
In any thought, even the thought of thee;
The moon waned in the west and sickly grew
Her light sucked from her in the breaking dawn
Never was dawn so welcome as that pale,
Faint glimmer in the cloudless, brooding sky!
Claudia, how may I tell what came to pass?
I have been mocked at when I told the tale
For a crazed dreamer punished by the gods
Because he slept on guard; but mock not thou!
I could not bear it if thy lips should mock
The vision dread of that Judean morn.
Sudden the pallid east was all aflame
With radiance that beat upon our eyes
As from noonday sun; and then we saw
Two shapes that were as the immortal gods
Standing before the tomb; around me fell
My men as dead; but I, though through my veins
Ran a cold tremor never known before,
Withstood the shock and saw one shining shape
Roll back the stone; the whole world seemed ablaze,
And through the garden came a rushing wind
Thundering a paeon as of victory.
Then that dead man came forth! Oh, Claudia,
If thou coulds't but have seen the face of him!
Never was such a conqueror! Yet no pride
Was in itnought but love and tenderness,
Such as we Romans scoff at; and his eyes
Bespake him royal. Oh, my Claudia,
Surely he was no Jew but very god!
Then he looked full upon me. I had borne
Much staunchly, but that look I could not bear!
What man may front a god and live? I fell
Prone, as if stricken by a thunderbolt;
And, though I died not, somewhat of me died
That made me man. When my long stupor passed
I was no longer MaximusI was
A weakling with a piteous woman-soul,
All strength and pride, joy and ambition gone
My Claudia, dare I tell thee what foul curse
Is mine because I looked upon a god?
I care no more for glory; all desire
For conquest and for strife is gone from me,
All eagerness for war; I only care
To help and heal bruised beings, and to give
Some comfort to the weak and suffering.
I cannot even hate those Jews; my lips
Speak harshly of them, but within my heart
I feel a strange compassion; and I love
All creatures, to the vilest of the slaves
Who seem to me as brothers! Claudia,
Scorn me not for this weakness; it will pass
Surely 'twill pass in time and I shall be
Maximus strong and valiant once again,
Forgetting that slain god! and yetand yet
He looked as one who could not be forgot!
|
Written by
Edward Estlin (E E) Cummings |
a clown's smirk in the skull of a baboon
(where once good lips stalked or eyes firmly stir
red)
my mirror gives me on this afternoon;
i am a shape that can but eat and turd
ere with the dirt death shall him vastly gird
a coward waiting clumsily to cease
whom every perfect thing meanwhile doth miss;
a hand's impression in an empty glove
a soon forgotten tune a house for lease.
I have never loved you dear as now i love
behold this fool who in the month of June
having certain stars and planets heard
rose very slowly in a tight balloon
until the smallening world became absurd;
him did an archer spy(whose aim had erred
never)and by that little trick or this
he shot the aeronaut down into the abyss
-and wonderfully i fell through the green groove
of twilight striking into many a piece.
I have never loved you dear as now i love
god's terrible face brighter than a spoon
collects the image of one fatal word;
so that my life(which liked the sun and the moon)
resembles something that has not occurred:
i am a birdcage without any bird
a collar looking for a dog a kiss
without lips;a prayer lacking any knees
but something beats within my shirt to prove
he is undead who living noone is.
I have never loved you dear as now i love.
Hell(by most humble me which shall increase)
open thy fire!for i have had some bliss
of one small lady upon earth above;
to whom i cry remembering her face
i have never loved you dear as now i love
|
Written by
Anne Kingsmill Finch |
A Greedy Heir long waited to fulfill,
As his Executor, a Kinsman's Will;
And to himself his Age repeated o'er,
To his Infirmities still adding more;
And nicely kept th' Account of the expected Store:
When Death, at last, to either gave Release,
Making One's Pains, the Other's Longings cease:
Who to the Grave must decently convey,
Ere he Possession takes the kindred Clay,
Which in a Coach was plac'd, wherein he rides,
And so no Hearse, or following Train provides;
Rejecting Russel, who wou'd make the Charge
Of one dull tedious Day, so vastly Large.
When, at his Death, the humble Man declar'd,
He wished thus privately to be Interr'd.
And now, the Luggage moves in solemn State,
And what it wants in Number, gains in Weight.
The happy Heir can scarce contain his Joy,
Whilst sundry Musings do his Thoughts employ,
How he shalt act, now Every thing's his Own,
Where his Revenge, or Favour shall be shown;
Then recollecting, draws a counterfeited Groan.
The Avenues, and Gardens shall be chang'd,
Already he the Furniture has ranged.
To ransack secret Draw'rs his Phancy flies,
Nor can th' appearing Wealth his Mind suffice.
Thus he an Age runs o'er betwixt the Porch
Of his Friend's House, and the adjacent Church:
Whilst the slow Driver, who no reck'ning kept
Of what was left, indulging Nature, slept;
Till on a Bank, so high, the Wheel was borne
That in a Moment All must overturn:
Whilst the rich Heir now finds the giving Dead
Less weighty in his Gold, than in his Lead;
Which falling just on his contriving Breast,
Expell'd the Soul, leaving the corpse to rest
In the same Grave, intended for his Friend.
Then why shou'd We our Days in Wishes spend,
Which, e'er we see fulfill'd, are often at an End?
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Written by
Kahlil Gibran |
One heavy day I ran away from the grim face of society and the dizzying clamor of the city and directed my weary step to the spacious alley. I pursued the beckoning course of the rivulet and the musical sounds of the birds until I reached a lonely spot where the flowing branches of the trees prevented the sun from the touching the earth.
I stood there, and it was entertaining to my soul - my thirsty soul who had seen naught but the mirage of life instead of its sweetness.
I was engrossed deeply in thought and my spirits were sailing the firmament when a hour, wearing a sprig of grapevine that covered part of her naked body, and a wreath of poppies about her golden hair, suddenly appeared to me. As she she realized my astonishment, she greeted me saying, "Fear me not; I am the Nymph of the Jungle."
"How can beauty like yours be committed to live in this place? Please tell me who your are, and whence you come?" I asked. She sat gracefully on the green grass and responded, "I am the symbol of nature! I am the ever virgin your forefathers worshipped, and to my honor they erected shrines and temples at Baalbek and Jbeil." And I dared say, "But those temples and shrines were laid waste and the bones of my adoring ancestors became a part of the earth; nothing was left to commemorate their goddess save a pitiful few and the forgotten pages in the book of history."
She replied, "Some goddesses live in the lives of their worshippers and die in their deaths, while some live an eternal and infinite life. My life is sustained by the world of beauty which you will see where ever you rest your eyes, and this beauty is nature itself; it is the beginning of the shepherds joy among the hills, and a villagers happiness in the fields, and the pleasure of the awe filled tribes between the mountains and the plains. This Beauty promotes the wise into the throne the truth."
Then I said, "Beauty is a terrible power!" And she retorted, "Human beings fear all things, even yourselves. You fear heaven, the source of spiritual peace; you fear nature, the haven of rest and tranquility; you fear the God of goodness and accuse him of anger, while he is full of love and mercy."
After a deep silence, mingled with sweet dreams, I asked, "Speak to me of that beauty which the people interpret and define, each one according to his own conception; I have seen her honored and worshipped in different ways and manners."
She answered, "Beauty is that which attracts your soul, and that which loves to give and not to receive. When you meet Beauty, you feel that the hands deep within your inner self are stretched forth to bring her into the domain of your heart. It is the magnificence combined of sorrow and joy; it is the Unseen which you see, and the Vague which you understand, and the Mute which you hear - it is the Holy of Holies that begins in yourself and ends vastly beyond your earthly imagination."
Then the Nymph of the Jungle approached me and laid her scented hands upon my eyes. And as she withdrew, I found me alone in the valley. When I returned to the city, whose turbulence no longer vexed me, I repeated her words:
"Beauty is that which attracts your soul, and that which loves to give and not to receive."
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Written by
Robert William Service |
Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side;
The river is a-flop with fish, and ripples silver-clear;
The midnight sunshine brims yon cleft -- we think it's the Divide;
We'll get there in a month, maybe, or maybe in a year.
It doesn't matter, does it, pal? We're of that breed of men
With whom the world of wine and cards and women disagree;
Your trouble was a roofless game of poker now and then,
And "raising up my elbow", that's what got away with me.
We're merely "Undesirables", artistic more or less;
My horny hands are Chopin-wise; you quote your Browning well;
And yet we're fooling round for gold in this damned wilderness:
The joke is, if we found it, we would both go straight to hell.
Well, maybe we won't find it -- and at least we've got the "life".
We're both as brown as berries, and could wrestle with a bear:
(That bannock's raising nicely, pal; just jab it with your knife.)
Fine specimens of manhood they would reckon us out there.
It's the tracking and the packing and the poling in the sun;
It's the sleeping in the open, it's the rugged, unfaked food;
It's the snow-shoe and the paddle, and the campfire and the gun,
And when I think of what I was, I know that it is good.
Just think of how we've poled all day up this strange little stream;
Since life began no eye of man has seen this place before;
How fearless all the wild things are! the banks with goose-grass gleam,
And there's a bronzy musk-rat sitting sniffing at his door.
A mother duck with brood of ten comes squattering along;
The tawny, white-winged ptarmigan are flying all about;
And in that swirly, golden pool, a restless, gleaming throng,
The trout are waiting till we condescend to take them out.
Ah, yes, it's good! I'll bet that there's no doctor like the Wild:
(Just turn that bannock over there; it's getting nicely brown.)
I might be in my grave by now, forgotten and reviled,
Or rotting like a sickly cur in some far, foreign town.
I might be that vile thing I was, -- it all seems like a dream;
I owed a man a grudge one time that only life could pay;
And yet it's half-forgotten now -- how petty these things seem!
(But that's "another story", pal; I'll tell it you some day.)
How strange two "irresponsibles" should chum away up here!
But round the Arctic Circle friends are few and far between.
We've shared the same camp-fire and tent for nigh on seven year,
And never had a word that wasn't cheering and serene.
We've halved the toil and split the spoil, and borne each other's packs;
By all the Wild's freemasonry we're brothers, tried and true;
We've swept on danger side by side, and fought it back to back,
And you would die for me, old pal, and I would die for you.
Now there was that time I got lost in Rory Bory Land,
(How quick the blizzards sweep on one across that Polar sea!)
You formed a rescue crew of One, and saw a frozen hand
That stuck out of a drift of snow -- and, partner, it was Me.
But I got even, did I not, that day the paddle broke?
White water on the Coppermine -- a rock -- a split canoe --
Two fellows struggling in the foam (one couldn't swim a stroke):
A half-drowned man I dragged ashore . . . and partner, it was You.
* * * * *
In Rory Borealis Land the winter's long and black.
The silence seems a solid thing, shot through with wolfish woe;
And rowelled by the eager stars the skies vault vastly back,
And man seems but a little mite on that weird-lit plateau.
No thing to do but smoke and yarn of wild and misspent lives,
Beside the camp-fire there we sat -- what tales you told to me
Of love and hate, and chance and fate, and temporary wives!
In Rory Borealis Land, beside the Arctic Sea.
One yarn you told me in those days I can remember still;
It seemed as if I visioned it, so sharp you sketched it in;
Bellona was the name, I think; a coast town in Brazil,
Where nobody did anything but serenade and sin.
I saw it all -- the jewelled sea, the golden scythe of sand,
The stately pillars of the palms, the feathery bamboo,
The red-roofed houses and the swart, sun-dominated land,
The people ever children, and the heavens ever blue.
You told me of that girl of yours, that blossom of old Spain,
All glamour, grace and witchery, all passion, verve and glow.
How maddening she must have been! You made me see her plain,
There by our little camp-fire, in the silence and the snow.
You loved her and she loved you. She'd a husband, too, I think,
A doctor chap, you told me, whom she treated like a dog,
A white man living on the beach, a hopeless slave to drink --
(Just turn that bannock over there, that's propped against the log.)
That story seemed to strike me, pal -- it happens every day:
You had to go away awhile, then somehow it befell
The doctor chap discovered, gave her up, and disappeared;
You came back, tired of her in time . . . there's nothing more to tell.
Hist! see those willows silvering where swamp and river meet!
Just reach me up my rifle quick; that's Mister Moose, I know --
There now, I've got him dead to rights . . . but hell! we've lots to eat
I don't believe in taking life -- we'll let the beggar go.
Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in.
The morning mist is coral-kissed, the morning sky is gold.
The camp-fire's a confessional -- what funny yarns we spin!
It sort of made me think a bit, that story that you told.
The fig-leaf belt and Rory Bory are such odd extremes,
Yet after all how very small this old world seems to be . . .
Yes, that was quite a yarn, old pal, and yet to me it seems
You missed the point: the point is that the "doctor chap" . . . was ME. . . .
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Written by
Emily Dickinson |
The Robin is a Gabriel
In humble circumstances --
His Dress denotes him socially,
Of Transport's Working Classes --
He has the punctuality
Of the New England Farmer --
The same oblique integrity,
A Vista vastly warmer --
A small but sturdy Residence
A self denying Household,
The Guests of Perspicacity
Are all that cross his Threshold --
As covert as a Fugitive,
Cajoling Consternation
By Ditties to the Enemy
And Sylvan Punctuation --
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