Best Famous Utility Poems

Here is a collection of the all-time best famous Utility poems. This is a select list of the best famous Utility poetry. Reading, writing, and enjoying famous Utility poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of utility poems.

Search and read the best famous Utility poems, articles about Utility poems, poetry blogs, or anything else Utility poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Henry Wadsworth Longfellow | Create an image from this poem

To A Child

 Dear child! how radiant on thy mother's knee,
With merry-making eyes and jocund smiles,
Thou gazest at the painted tiles,
Whose figures grace,
With many a grotesque form and face.
The ancient chimney of thy nursery!
The lady with the gay macaw,
The dancing girl, the grave bashaw
With bearded lip and chin;
And, leaning idly o'er his gate,
Beneath the imperial fan of state,
The Chinese mandarin.

With what a look of proud command
Thou shakest in thy little hand
The coral rattle with its silver bells,
Making a merry tune!
Thousands of years in Indian seas
That coral grew, by slow degrees,
Until some deadly and wild monsoon
Dashed it on Coromandel's sand!
Those silver bells
Reposed of yore,
As shapeless ore,
Far down in the deep-sunken wells
Of darksome mines,
In some obscure and sunless place,
Beneath huge Chimborazo's base,
Or Potosi's o'erhanging pines
And thus for thee, O little child,
Through many a danger and escape,
The tall ships passed the stormy cape;
For thee in foreign lands remote,
Beneath a burning, tropic clime,
The Indian peasant, chasing the wild goat,
Himself as swift and wild,
In falling, clutched the frail arbute,
The fibres of whose shallow root,
Uplifted from the soil, betrayed
The silver veins beneath it laid,
The buried treasures of the miser, Time.

But, lo! thy door is left ajar!
Thou hearest footsteps from afar!
And, at the sound,
Thou turnest round
With quick and questioning eyes,
Like one, who, in a foreign land,
Beholds on every hand
Some source of wonder and surprise!
And, restlessly, impatiently,
Thou strivest, strugglest, to be free,
The four walls of thy nursery
Are now like prison walls to thee.
No more thy mother's smiles,
No more the painted tiles,
Delight thee, nor the playthings on the floor,
That won thy little, beating heart before;
Thou strugglest for the open door.

Through these once solitary halls
Thy pattering footstep falls.
The sound of thy merry voice
Makes the old walls
Jubilant, and they rejoice
With the joy of thy young heart,
O'er the light of whose gladness
No shadows of sadness
From the sombre background of memory start.

Once, ah, once, within these walls,
One whom memory oft recalls,
The Father of his Country, dwelt.
And yonder meadows broad and damp
The fires of the besieging camp
Encircled with a burning belt.
Up and down these echoing stairs,
Heavy with the weight of cares,
Sounded his majestic tread;
Yes, within this very room
Sat he in those hours of gloom,
Weary both in heart and head.

But what are these grave thoughts to thee?
Out, out! into the open air!
Thy only dream is liberty,
Thou carest little how or where.
I see thee eager at thy play,
Now shouting to the apples on the tree,
With cheeks as round and red as they;
And now among the yellow stalks,
Among the flowering shrubs and plants,
As restless as the bee.
Along the garden walks,
The tracks of thy small carriage-wheels I trace;
And see at every turn how they efface
Whole villages of sand-roofed tents,
That rise like golden domes
Above the cavernous and secret homes
Of wandering and nomadic tribes of ants.
Ah, cruel little Tamerlane,
Who, with thy dreadful reign,
Dost persecute and overwhelm
These hapless Troglodytes of thy realm!
What! tired already! with those suppliant looks,
And voice more beautiful than a poet's books,
Or murmuring sound of water as it flows.
Thou comest back to parley with repose;
This rustic seat in the old apple-tree,
With its o'erhanging golden canopy
Of leaves illuminate with autumnal hues,
And shining with the argent light of dews,
Shall for a season be our place of rest.
Beneath us, like an oriole's pendent nest,
From which the laughing birds have taken wing,
By thee abandoned, hangs thy vacant swing.
Dream-like the waters of the river gleam;
A sailless vessel drops adown the stream,
And like it, to a sea as wide and deep,
Thou driftest gently down the tides of sleep.

O child! O new-born denizen
Of life's great city! on thy head
The glory of the morn is shed,
Like a celestial benison!
Here at the portal thou dost stand,
And with thy little hand
Thou openest the mysterious gate
Into the future's undiscovered land.
I see its valves expand,
As at the touch of Fate!
Into those realms of love and hate,
Into that darkness blank and drear,
By some prophetic feeling taught,
I launch the bold, adventurous thought,
Freighted with hope and fear;
As upon subterranean streams,
In caverns unexplored and dark,
Men sometimes launch a fragile bark,
Laden with flickering fire,
And watch its swift-receding beams,
Until at length they disappear,
And in the distant dark expire.

By what astrology of fear or hope
Dare I to cast thy horoscope!
Like the new moon thy life appears;
A little strip of silver light,
And widening outward into night
The shadowy disk of future years;
And yet upon its outer rim,
A luminous circle, faint and dim,
And scarcely visible to us here,
Rounds and completes the perfect sphere;
A prophecy and intimation,
A pale and feeble adumbration,
Of the great world of light, that lies
Behind all human destinies.

Ah! if thy fate, with anguish fraught,
Should be to wet the dusty soil
With the hot tears and sweat of toil,--
To struggle with imperious thought,
Until the overburdened brain,
Weary with labor, faint with pain,
Like a jarred pendulum, retain
Only its motion, not its power,--
Remember, in that perilous hour,
When most afflicted and oppressed,
From labor there shall come forth rest.

And if a more auspicious fate
On thy advancing steps await
Still let it ever be thy pride
To linger by the laborer's side;
With words of sympathy or song
To cheer the dreary march along
Of the great army of the poor,
O'er desert sand, o'er dangerous moor.
Nor to thyself the task shall be
Without reward; for thou shalt learn
The wisdom early to discern
True beauty in utility;
As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.

Enough! I will not play the Seer;
I will no longer strive to ope
The mystic volume, where appear
The herald Hope, forerunning Fear,
And Fear, the pursuivant of Hope.
Thy destiny remains untold;
For, like Acestes' shaft of old,
The swift thought kindles as it flies,
And burns to ashes in the skies.

Written by Charles Bukowski | Create an image from this poem

Yes Yes

 when God created love he didn't help most
when God created dogs He didn't help dogs
when God created plants that was average
when God created hate we had a standard utility
when God created me He created me
when God created the monkey He was asleep
when He created the giraffe He was drunk
when He created narcotics He was high
and when He created suicide He was low

when He created you lying in bed
He knew what He was doing
He was drunk and He was high
and He created the mountians and the sea and fire at the same time

He made some mistakes
but when He created you lying in bed
He came all over His Blessed Universe.
Written by C K Williams | Create an image from this poem

Tar

 The first morning of Three Mile Island: those first disquieting, uncertain, 
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof
off our building,
and all morning, trying to distract myself, I've been wandering out to 
watch them
as they hack away the leaden layers of asbestos paper and disassemble 
the disintegrating drains.
After half a night of listening to the news, wondering how to know a 
hundred miles downwind
if and when to make a run for it and where, then a coming bolt awake 
at seven
when the roofers we've been waiting for since winter sent their ladders 
shrieking up our wall,
we still know less than nothing: the utility company continues making 
little of the accident,
the slick federal spokesmen still have their evasions in some semblance 
of order.
Surely we suspect now we're being lied to, but in the meantime, there 
are the roofers,
setting winch-frames, sledging rounds of tar apart, and there I am, on 
the curb across, gawking.

I never realized what brutal work it is, how matter-of-factly and harrow-
ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are 
bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the 
underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, 
chokes and clogs,
a dense, malignant smoke shoots up, and someone has to fiddle with a 
cock, then hammer it,
before the gush and stench will deintensify, the dark, Dantean broth 
wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on 
your boots or coveralls,
it sears, and everything is permeated with it, the furnace gunked with 
burst and half-burst bubbles,
the men themselves so completely slashed and mucked they seem almost 
from another realm, like trolls.
When they take their break, they leave their brooms standing at attention 
in the asphalt pails,
work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch 
along the precipitous lip,
the enormous sky behind them, the heavy noontime air alive with shim-
mers and mirages.

Sometime in the afternoon I had to go inside: the advent of our vigil was 
upon us.
However much we didn't want to, however little we would do about it, 
we'd understood:
we were going to perish of all this, if not now, then soon, if not soon, 
then someday.
Someday, some final generation, hysterically aswarm beneath an at-
mosphere as unrelenting as rock,
would rue us all, anathematize our earthly comforts, curse our surfeits 
and submissions.
I think I know, though I might rather not, why my roofers stay so clear 
to me and why the rest, 
the terror of that time, the reflexive disbelief and distancing, all we should 
hold on to, dims so.
I remember the president in his absurd protective booties, looking 
absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus-
quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling-
ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck 
the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was 
scribbled with obscenities and hearts.
Written by Carl Sandburg | Create an image from this poem

Knucks

 IN Abraham Lincoln’s city,
Where they remember his lawyer’s shingle,
The place where they brought him
Wrapped in battle flags,
Wrapped in the smoke of memories
From Tallahassee to the Yukon,
The place now where the shaft of his tomb
Points white against the blue prairie dome,
In Abraham Lincoln’s city … I saw knucks
In the window of Mister Fischman’s second-hand store
On Second Street.

I went in and asked, “How much?”
“Thirty cents apiece,” answered Mister Fischman.
And taking a box of new ones off a shelf
He filled anew the box in the showcase
And said incidentally, most casually
And incidentally:
“I sell a carload a month of these.”

I slipped my fingers into a set of knucks,
Cast-iron knucks molded in a foundry pattern,
And there came to me a set of thoughts like these:
Mister Fischman is for Abe and the “malice to none” stuff,
And the street car strikers and the strike-breakers,
And the sluggers, gunmen, detectives, policemen,
Judges, utility heads, newspapers, priests, lawyers,
They are all for Abe and the “malice to none” stuff.

I started for the door.
“Maybe you want a lighter pair,”
Came Mister Fischman’s voice.
I opened the door … and the voice again:
“You are a funny customer.”

Wrapped in battle flags,
Wrapped in the smoke of memories,
This is the place they brought him,
This is Abraham Lincoln’s home town.
Written by Les Murray | Create an image from this poem

The Quality Of Sprawl

 Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image. 

Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds. 

Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring. That is Society. That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth. 

Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official. Sprawl is never brutal,
though it's often intransigent. Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl. 

Sprawl occurs in art. The fifteenth to twenty-first
lines in a sonnet, for example. And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them. 

Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl. 

Sprawl is really classless, though. It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon. Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country. And would thatit were more so. 

No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things. It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility. It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely. Though people have been shot for sprawl.

Written by Ted Hughes | Create an image from this poem

Examination at the Womb-Door

 Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.

Given, stolen, or held pending trial?
Held.

Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.

Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.

But who is stronger than Death?
 Me, evidently.
Pass, Crow.
Written by Russell Edson | Create an image from this poem

The Fight

 A man is fighting with a cup of coffee. The rules: he must not 
break the cup nor spill its coffee; nor must the cup break the 
man's bones or spill his blood. 

 The man said, oh the hell with it, as he swept the cup to 
the floor. The cup did not break but its coffee poured out 
of its open self. 

 The cup cried, don't hurt me, please don't hurt me; I am 
without mobility, I have no defense save my utility; use 
me to hold your coffee.
Written by John Berryman | Create an image from this poem

Dream Song 2: Big Buttons Cornets: the advance

 The jane is zoned! no nightspot here, no bar
there, no sweet freeway, and no premises
for business purposes,
no loiterers or needers. Henry are
baffled. Have ev'ybody head for Maine,
utility-man take a train?

Arrive a time when all coons lose dere grip,
but is he come? Le's do a hoedown, gal,
one blue, one shuffle,
if them is all you seem to réquire. Strip,
ol benger, skip us we, sugar; so hang on
one chaste evenin.

-”Sir Bones, or Galahad: astonishin
yo legal & yo good. Is you feel well?
Honey dusk do sprawl.
-”Hit's hard. Kinged or thinged, though, fling & wing.
Poll-cats are coming, hurrah, hurray.
I votes in my hole.
Written by Thomas Moore | Create an image from this poem

Ode to the Sublime Porte

 Great Sultan, how wise are thy state compositions!
And oh, above all, I admire that Decree,
In which thou command'st, that all she politicians
Shall forthwith be strangled and cast in the sea.

'Tis my fortune to know a lean Benthamite spinster --
A maid, who her faith in old Jeremy puts;
Who talks, with a lisp, of the "last new Westminster,"
And hopes you're delighted with "Mill upon Gluts";

Who tells you how clever one Mr. Fun-blank is,
How charming his Articles 'gainst the Nobility; --
And assures you that even a gentleman's rank is,
In Jeremy's school, of no sort of utility.

To see her, ye Gods, a new number perusing --
Art. 1 - "On the Needle's variations", by Pl--e;
Art. 2 - By her fav'rite Fun-blank - so amusing!
"Dear man! he makes poetry quite a Law case."

Art. 3 -"Upon Fallacies", Jeremy's own --
(Chief Fallacy being, his hope to find readers); -
Art. 4 - "Upon Honesty", author unkown; --
Art. 5 - (by the young Mr. M--) "Hints to Breeders".

Oh, Sultan, oh, Sultan, though oft for the bag
And the bowstring, like thee, I am tempted to call --
Though drowning's too good for each blue-stocking hag,
I would bag this she Benthamite first of them all!

And, lest she should ever again lift her head
From the watery bottom, her clack to renew --
As a clog, as a sinker, far better than lead,
I would hang round her neck her own darling Review.
Get a Premium Membership
Get more exposure for your poetry and more features with a Premium Membership.
Book: Radiant Verses: A Journey Through Inspiring Poetry

Member Area

My Admin
Profile and Settings
Edit My Poems
Edit My Quotes
Edit My Short Stories
Edit My Articles
My Comments Inboxes
My Comments Outboxes
Soup Mail
Poetry Contests
Contest Results/Status
Followers
Poems of Poets I Follow
Friend Builder

Soup Social

Poetry Forum
New/Upcoming Features
The Wall
Soup Facebook Page
Who is Online
Link to Us

Member Poems

Poems - Top 100 New
Poems - Top 100 All-Time
Poems - Best
Poems - by Topic
Poems - New (All)
Poems - New (PM)
Poems - New by Poet
Poems - Read
Poems - Unread

Member Poets

Poets - Best New
Poets - New
Poets - Top 100 Most Poems
Poets - Top 100 Most Poems Recent
Poets - Top 100 Community
Poets - Top 100 Contest

Famous Poems

Famous Poems - African American
Famous Poems - Best
Famous Poems - Classical
Famous Poems - English
Famous Poems - Haiku
Famous Poems - Love
Famous Poems - Short
Famous Poems - Top 100

Famous Poets

Famous Poets - Living
Famous Poets - Most Popular
Famous Poets - Top 100
Famous Poets - Best
Famous Poets - Women
Famous Poets - African American
Famous Poets - Beat
Famous Poets - Cinquain
Famous Poets - Classical
Famous Poets - English
Famous Poets - Haiku
Famous Poets - Hindi
Famous Poets - Jewish
Famous Poets - Love
Famous Poets - Metaphysical
Famous Poets - Modern
Famous Poets - Punjabi
Famous Poets - Romantic
Famous Poets - Spanish
Famous Poets - Suicidal
Famous Poets - Urdu
Famous Poets - War

Poetry Resources

Anagrams
Bible
Book Store
Character Counter
Cliché Finder
Poetry Clichés
Common Words
Copyright Information
Grammar
Grammar Checker
Homonym
Homophones
How to Write a Poem
Lyrics
Love Poem Generator
New Poetic Forms
Plagiarism Checker
Poetics
Poetry Art
Publishing
Random Word Generator
Spell Checker
Store
What is Good Poetry?
Word Counter