by
William Butler Yeats
I
What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -
O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
|
by
Rudyard Kipling
(EDWARD VII.)
1910
Who in the Realm to-day lays down dear life for the sake of a land more dear?
And, unconcerned for his own estate, toils till the last grudged sands have run?
Let him approach. It is proven here
Our King asks nothing of any man more than Our King himself, has done.
For to him above all was Life good, above all he commanded
Her abundance full-handed.
The peculiar treasure of Kings was his for the taking:
All that men come to in dreams he inherited waking: --
His marvel of world-gathered armies -- one heart and all races;
His seas 'neath his keels when his war-castles foamed to their places;
The thundering foreshores that answered his heralded landing;
The huge lighted cities adoring, the assemblies upstanding;
The Councils of Kings called in haste to learn how he was minded --
The kingdoms, the Powers, and the Glories he dealt with unblinded.
To him came all captains of men, all achievers of glory
Hot from the press of their battles they told him their story.
They revealed him their lives in an hour and, saluting departed,
Joyful to labour afresh -- he had made them new-hearted.
And, since he weighed men from his youth, and no lie long deceived him,
He spoke and exacted the truth, and the basest believed him.
And God poured him an exquisite wine, that was daily renewed to him,
In the clear-welling love of his peoples that daily accrued to him.
Honour and service we gave him, rejoicingly fearless;
Faith absolute, trust beyond speech and a friendship as peerless.
And since he was Master and Servant in all that we asked him,
We leaned hard on his wisdom in all things, knowing not how we tasked him.
For on him each new day laid command, every tyrannous hour,
To confront, or confirm, or make smooth some dread issue of power;
To deliver true, judgment aright at the instant, unaided,
In the strict, level, ultimate phrase that allowed or dissuaded;
To foresee, to allay, to avert from us perils unnumbered,
To stand guard on our gates when he guessed that the watchmen had slumbered;
To win time, to turn hate, to woo folly to service and, mightily schooling
His strength to the use of his Nations, to rule as not ruling.
These were the works of our King; Earth's peace was the proof of them.
God gave him great works to fulfil, and to us the behoof of them.
We accepted his toil as our right -- none spared, none excused him.
When he was bowed by his burden his rest was refused him.
We troubled his age with our weakness -- the blacker our shame to us!
Hearing his People had need of him, straightway he came to us.
As he received so he gave -- nothing grudged, naught denying,
Not even the last gasp of his breath when he strove for us, dying.
For our sakes, without question, he put from him all that he cherished.
Simply as any that serve him he served and he perished.
All that Kings covet was his, and he flung it aside for us.
Simply as any that die in his service he died for us!
Who in the Realm to-day has choice of the easy road or the hard to tread?
And, much concerned for his own estate, would sell his soul to remain in the sun?
Let him depart nor look on Our dead.
Our King asks nothing of any man more than Our King himself has done.
|
by
Amy Lowell
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney. Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares
into the air
and nods -- forward and back. The red rose in his hand
is a crimson splash
on his yellow coat. Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods. The
fire makes
the red rose in his hand glow and twist. Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The
rose in his hand
shoots its petals up in thin quills of crimson. Then
they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick. The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears. The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful,
new,
gaily-coloured lead soldiers. They belong to him, and
he is very proud
and happy. He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand. He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late. The
pitcher falls,
and as it goes, he sees the white water flow over its lip. It
slips
between his fingers and crashes to the floor. But it
is not water which oozes
to the door. The stain is glutinous and dark, a spark
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes. Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
by
Vachel Lindsay
Where a river roars in rapids
And doves in maples fret,
Where peace has decked the pastures
Our guardian angels met.
Long they had sought each other
In God's mysterious name,
Had climbed the solemn chaos tides
Alone, with hope aflame:
Amid the demon deeps had wound
By many a fearful way.
As they beheld each other
Their shout made glad the day.
No need of purse delayed them,
No hand of friend or kin —
Nor menace of the bell and book,
Nor fear of mortal sin.
You did not speak, my girl,
At this, our parting hour.
Long we held each other
And watched their deeds of power.
They made a curious Eden.
We saw that it was good.
We thought with them in unison.
We proudly understood
Their amaranth eternal,
Their roses strange and fair,
The asphodels they scattered
Upon the living air.
They built a house of clouds
With skilled immortal hands.
They entered through the silver doors.
Their wings were wedded brands.
I labored up the valley
To granite mountains free.
You hurried down the river
To Zidon by the sea.
But at their place of meeting
They keep a home and shrine.
Your angel twists a purple flax,
Then weaves a mantle fine.
My angel, her defender
Upstanding, spreads the light
On painted clouds of fancy
And mists that touch the height.
Their sturdy babes speak kindly
And fly and run with joy,
Shepherding the helpless lambs —
A Grecian girl and boy.
These children visit Heaven
Each year and make of worth
All we planned and wrought in youth
And all our tears on earth.
From books our God has written
They sing of high desire.
They turn the leaves in gentleness.
Their wings are folded fire.
|
by
Rg Gregory
(i)
i believed in flower-power (the triumph of the meek)
the thought that what a wind could bend was not to be
derided for its weakness but known to draw its calm
from a corporate sense of self (its many-ed history)
that tyranny (in the long blow) lacked the will to break
that heaped-up suffering gave to sufferers a balm
and through such evolution (such dog-eared mystery)
there would grow an end to the strong is right mystique
and that ordinariness unarmed (however weak its knee)
could hymn its own upstanding (as honoured as a psalm)
i believed in flower-power (the triumph of the meek)
though evidence was mocking (less song than threnody)
i savoured the impossible without a qualm
(ii)
and sought to make it practical – to bed worn earth
with a seed that tried to answer those dire conundrums
(making of every longed-for scene a landscape bleak)
to bring exciting prospects to a life of humdrums
reveal the spirit-ordinary in its dancing worth
yet the visions my dreams gave voice to failed to speak
they fell foul (inevitably) of panjamdrums
but even amongst those who grasped a notion of their girth
not one could get the fullest beatings of these sun-drums
the simple clarity the dreams had turned opaque
and after thirty years (too frayed to fight such dearth)
who should know better (so much beaten by life’s tantrums)
i believe in flower-power (the triumph of the meek)
|
by
William Carlos (WCW) Williams
By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast—a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen
patches of standing water
the scattering of tall trees
All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines—
Lifeless in appearance, sluggish
dazed spring approaches—
They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind—
Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined—
It quickens: clarity, outline of leaf
But now the stark dignity of
entrance—Still, the profound change
has come upon them: rooted they
grip down and begin to awaken
|
by
Robert William Service
Out of the night a crash,
A roar, a rampart of light;
A flame that leaped like a lash,
Searing forever my sight;
Out of the night a flash,
Then, oh, forever the Night!
Here in the dark I sit,
I who so loved the sun;
Supple and strong and fit,
In the dark till my days be done;
Aye, that's the hell of it,
Stalwart and twenty-one.
Marie is stanch and true,
Willing to be my wife;
Swears she has eyes for two . . .
Aye, but it's long, is Life.
What is a lad to do
With his heart and his brain at strife?
There now, my pipe is out;
No one to give me a light;
I grope and I grope about.
Well, it is nearly night;
Sleep may resolve my doubt,
Help me to reason right. . . .
(He sleeps and dreams.)
I heard them whispering there by the bed . . .
Oh, but the ears of the blind are quick!
Every treacherous word they said
Was a stab of pain and my heart turned sick.
Then lip met lip and they looked at me,
Sitting bent by the fallen fire,
And they laughed to think that I couldn't see;
But I felt the flame of their hot desire.
He's helping Marie to work the farm,
A dashing, upstanding chap, they say;
And look at me with my flabby arm,
And the fat of sloth, and my face of clay --
Look at me as I sit and sit,
By the side of a fire that's seldom lit,
Sagging and weary the livelong day,
When every one else is out on the field,
Sowing the seed for a golden yield,
Or tossing around the new-mown hay. . . .
Oh, the shimmering wheat that frets the sky,
Gold of plenty and blue of hope,
I'm seeing it all with an inner eye
As out of the door I grope and grope.
And I hear my wife and her lover there,
Whispering, whispering, round the rick,
Mocking me and my sightless stare,
As I fumble and stumble everywhere,
Slapping and tapping with my stick;
Old and weary at thirty-one,
Heartsick, wishing it all was done.
Oh, I'll tap my way around to the byre,
And I'll hear the cows as they chew their hay;
There at least there is none to tire,
There at least I am not in the way.
And they'll look at me with their velvet eyes
And I'll stroke their flanks with my woman's hand,
And they'll answer to me with soft replies,
And somehow I fancy they'll understand.
And the horses too, they know me well;
I'm sure that they pity my wretched lot,
And the big fat ram with the jingling bell . . .
Oh, the beasts are the only friends I've got.
And my old dog, too, he loves me more,
I think, than ever he did before.
Thank God for the beasts that are all so kind,
That know and pity the helpless blind!
Ha! they're coming, the loving pair.
My hand's a-shake as my pipe I fill.
What if I steal on them unaware
With a reaping-hook, to kill, to kill? . . .
I'll do it . . . they're there in the mow of hay,
I hear them saying: "He's out of the way!"
Hark! how they're kissing and whispering. . . .
Closer I creep . . . I crouch . . . I spring. . . .
(He wakes.)
Ugh! What a horrible dream I've had!
And it isn't real . . . I'm glad, I'm glad!
Marie is good and Marie is true . . .
But now I know what it's best to do.
I'll sell the farm and I'll seek my kind,
I'll live apart with my fellow-blind,
And we'll eat and drink, and we'll laugh and joke,
And we'll talk of our battles, and smoke and smoke;
And brushes of bristle we'll make for sale,
While one of us reads a book of Braille.
And there will be music and dancing too,
And we'll seek to fashion our life anew;
And we'll walk the highways hand in hand,
The Brotherhood of the Sightless Band;
Till the years at last shall bring respite
And our night is lost in the Greater Night.
|
by
Emile Verhaeren
The ferryman, a green reed 'twixt his teeth,
With hand on oar, against the current strong
Had rowed and rowed so long.
But she, alas! whose voice was hailing him
Across the far waves dim.
Still further o'er the far waves seemed to float,
Still further backwards, 'mid the mists, remote.
The casements with their eyes.
The dial-faces of the towers that rise
Upon the shore,
Watched, as he strove and laboured more and more.
With frantic bending of the back in two,
And start of savage muscles strained anew.
One oar was suddenly riven,
And by the current driven,
With lash of heavy breakers, out to sea.
But she, whose voice that hailed him he could hear
There 'mid the mist and wind, she seemed to wring
Her hands with gestures yet more maddening
Toward him who drew not near.
The ferryman with his surviving oar
Fell harder yet to work, and more and more
He strove, till every joint did crack and start,
And fevered terror shook his very heart.
The rudder broke
Beneath one sharp, rude stroke;
That, too, the current drove relentlessly,
A dreary shred of wreckage, out to sea.
The casements by the pier,
Like eyes immense and feverish open wide,
The dials of the towers—those widows drear
Upstanding straight from mile to mile beside
The banks of rivers—obstinately gaze
Upon this madman, in his headstrong craze
Prolonging his mad voyage 'gainst the tide.
But she, who yonder in the mist-clouds hailed
Him still so desperately, she wailed and wailed,
With head outstretched in fearful, straining haste
Toward the unknown of the outstretched waste.
Steady as one that had in bronze been cast,
Amid the blenched, grey tempest and the blast.
The ferryman his single oar yet plied.
And, spite of all, still lashed and bit the tide.
His old eyes, with hallucinated gaze,
Saw that far distance—an illumined haze—
Whence the voice sounded, coming toward him still.
Beneath the cold skies, lamentable, shrill.
The last oar broke—
And this the current hurried at one stroke,
Like a frail straw, towards the distant sea.
The ferryman, with arms dropped helplessly
Sank on his bench, forlorn.
His loins with vain efforts broken, torn.
Drifting, his barque struck somewhere, as by chance,
He turned a glance
Towards the bank behind him then—and saw
He had not left the shore.
The casements and the dials, one by one.
Their huge eyes gazing in a foolish stare.
Witnessed the ruin of his ardour there;
But still the old, tenacious ferryman
Firm in his teeth—for God knows when, indeed—
Held the green reed.
|
by
Andrew Barton Paterson
You talk of riders on the flat, of nerve and pluck and pace --
Not one in fifty has the nerve to ride a steeplechase.
It's right enough, while horses pull and take their faces strong,
To rush a flier to the front and bring the field along;
Bur what about the last half-mile, with horses blown and beat --
When every jump means all you know to keep him on his feet.
When any slip means sudden death -- with wife and child to keep --
It needs some nerve to draw the whip and flog him at the leap --
But Corrigan would ride them out, by danger undismayed,
He never flinched at fence or wall, he never was afraid;
With easy seat and nerve of steel, light hand and smiling face,
He held the rushing horses back, and made the sluggards race.
He gave the shirkers extra heart, he steadied down the rash,
He rode great clumsy boring brutes, and chanced a fatal smash;
He got the rushing Wymlet home that never jumped at all --
But clambered over every fence and clouted every wall.
You should have heard the cheers, my boys, that shook the members' stand
Whenever Tommy Corrigan weighed out to ride Lone Hand.
They were, indeed, a glorious pair -- the great upstanding horse,
The gamest jockey on his back that ever faced a course.
Though weight was big and pace was hot and fences stiff and tall,
"You follow Tommy Corrigan" was passed to one and all.
And every man on Ballarat raised all he could command
To put on Tommy Corrigan when riding old Lone Hand.
But now we'll keep his memory green while horsemen come and go;
We may not see his like again where silks and satins glow.
We'll drink to him in silence, boys -- he's followed down the track
Where many a good man went before, but never one came back.
Amd, let us hope, in that far land where the shades of brave men reign,
The gallant Tommy Corrigan will ride Lone Hand again.
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