Written by
Andrei Voznesensky |
My doc announced yesterday :
"You may have talent, though it's hidden,
your beak, however, is frost-bitten,
so stick at home on a cold day".
The nose, eh?
As irretrievable as time,
conforming to the laws of medicine,
your nose, like that of any person,
keep growing
steadily,
with triumph!
The noses of celebrities,
of guards
and ministers of ours
grow, snoring restlessly like owls
at night, along with plants and trees.
They're cool and crooked, resembling bills,
they're squeezed in doors,
get hurt by boxers,
however, our neighbour's noses
screw into keyholes, just like drills!
(Great Gogol felt by intuition
the role they play in man's ambition.)
My friend Bukashkin who was boozy
dreamed of a nose
that grew like crazy:
above him, coming like a bore,
upsetting pans and chandeliers,
a nose
was piercing
the ceilings
and threading
floor upon the floor!
"What's that? -- he thought, when out of bed.
"A sign of Judgement Day -- I said --
And the inspection of the debtors!"
He was imprisoned on the 30th.
Perpetual motion of the nose!
It's long, while life is getting shorter.
At night on faces, pale as blotter,
like a black hawk, or pumping hose,
the nose absorbs us, I suppose.
They say, the Northern Eskimos
kiss one another with the nose
It hasn't caught on here, of course.
© Copyright Alec Vagapov's translation
|
Written by
Sylvia Plath |
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.
They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.
My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.
I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.
I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.
The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.
Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.
Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.
The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
|
Written by
Robert William Service |
Oh, have you forgotten those afternoons
With riot of roses and amber skies,
When we thrilled to the joy of a million Junes,
And I sought for your soul in the deeps of your eyes?
I would love you, I promised, forever and aye,
And I meant it too; yet, oh, isn't it odd?
When we met in the Underground to-day
I addressed you as Mary instead of as Maude.
Oh, don't you remember that moonlit sea,
With us on a silver trail afloat,
When I gracefully sank on my bended knee
At the risk of upsetting our little boat?
Oh, I vowed that my life was blighted then,
As friendship you proffered with mournful mien;
But now as I think of your children ten,
I'm glad you refused me, Evangeline.
Oh, is that moment eternal still
When I breathed my love in your shell-like ear,
And you plucked at your fan as a maiden will,
And you blushed so charmingly, Guenivere?
Like a worshiper at your feet I sat;
For a year and a day you made me mad;
But now, alas! you are forty, fat,
And I think: What a lucky escape I had!
Oh, maidens I've set in a sacred shrine,
Oh, Rosamond, Molly and Mignonette,
I've deemed you in turn the most divine,
In turn you've broken my heart . . . and yet
It's easily mended. What's past is past.
To-day on Lucy I'm going to call;
For I'm sure that I know true love at last,
And She is the fairest girl of all.
|