Written by
Robert Frost |
`You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?'
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.
`What do you want with one of those blame things?'
I asked him well beforehand. `Don't you get one!'
`Don't call it blamed; there isn't anything
More blameless in the sense of being less
A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.'
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn't move,
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
`The best thing that we're put here for's to see;
The strongest thing that's given us to see with's
A telescope. Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it might as well be me.'
After such loose talk it was no surprise
When he did what he did and burned his house down.
Mean laughter went about the town that day
To let him know we weren't the least imposed on,
And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn't take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don't cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad
About his telescope. Beyond the age
Of being given one for Christmas gift,
He had to take the best way he knew how
To find himself in one. Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn't sentient; the house
Didn't feel anything. And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?
Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living on the Concord railroad,
As under-ticket-agent at a station
Where his job, when he wasn't selling tickets,
Was setting out, up track and down, not plants
As on a farm, but planets, evening stars
That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn't do a thing but split
A star in two or three, the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It's a star-splitter if there ever was one,
And ought to do some good if splitting stars
'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we?
Do we know any better where we are,
And how it stands between the night tonight
And a man with a smoky lantern chimney?
How different from the way it ever stood?
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Written by
Gary Snyder |
For All
Ah to be alive
on a mid-September morn
fording a stream
barefoot, pants rolled up,
holding boots, pack on,
sunshine, ice in the shallows,
northern rockies.
Rustle and shimmer of icy creek waters
stones turn underfoot, small and hard as toes
cold nose dripping
singing inside
creek music, heart music,
smell of sun on gravel.
I pledge allegiance
I pledge allegiance to the soil
of Turtle Island,
and to the beings who thereon dwell
one ecosystem
in diversity
under the sun
With joyful interpenetration for all.
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Written by
Robert Bly |
I start out for a walk at last after weeks at the desk.
Moon gone plowing underfoot no stars; not a trace of light!
Suppose a horse were galloping toward me in this open field?
Every day I did not spend in solitude was wasted.
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Written by
Marvin Bell |
In a wilderness, in some orchestral swing
through trees, with a wind playing all the high notes,
and the prospect of a string bass inside the wood,
I, or someone like me, had a kind of vision.
As the person on the ground moved, bursting halos
topped first one tree, then another and another,
till the work of sight was forced to go lower
into a dark lair of fallen logs and fungi.
His was the wordless death of words, worse
for he remembered exactly where the words were
on his tongue, and before that how they fell
effortlessly from the brainpan behind his eyes.
But the music continued and the valley of forest floor
became itself an interval in a natural melody
attuned to the wind, embedded in the bass of boughs,
the tenor of branches, the percussion of twigs.
He, or someone like him, laughed at first,
dismissing what had happened as the incandescence
of youthful metabolism, as the slight fermentation
of the last of the wine, or as each excuse of love.
Learning then the constancy of music and of mind,
now he takes seriously that visionary wood
where he saw his being and his future underfoot
and someone like me listening for a resolution.
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Written by
Rudyard Kipling |
1899
Now, this is the cup the White Men drink
When they go to right a wrong,
And that is the cup of the old world's hate--
Cruel and strained and strong.
We have drunk that cup--and a bitter, bitter cup--
And tossed the dregs away.
But well for the world when the White Men drink
To the dawn of the White Man's day!
Now, this is the road that the White Men tread
When they go to clean a land--
Iron underfoot and levin overhead
And the deep on either hand.
We have trod that road--and a wet and windy road--
Our chosen star for guide.
Oh, well for the world when the White Men tread
Their highway side by side!
Now, this is the faith that the White Men hold--
When they build their homes afar--
"Freedom for ourselves and freedom for our sons
And, failing freedom, War."
We have proved our faith--bear witness to our faith,
Dear souls of freemen slain!
Oh, well for the world when the White Men join
To prove their faith again!
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Written by
Gary Snyder |
Smokey the Bear Sutra
Once in the Jurassic about 150 million years ago,
the Great Sun Buddha in this corner of the Infinite
Void gave a Discourse to all the assembled elements
and energies: to the standing beings, the walking beings,
the flying beings, and the sitting beings -- even grasses,
to the number of thirteen billion, each one born from a
seed, assembled there: a Discourse concerning
Enlightenment on the planet Earth.
"In some future time, there will be a continent called
America. It will have great centers of power called
such as Pyramid Lake, Walden Pond, Mt. Rainier, Big Sur,
Everglades, and so forth; and powerful nerves and channels
such as Columbia River, Mississippi River, and Grand Canyon
The human race in that era will get into troubles all over
its head, and practically wreck everything in spite of
its own strong intelligent Buddha-nature."
"The twisting strata of the great mountains and the pulsings
of volcanoes are my love burning deep in the earth.
My obstinate compassion is schist and basalt and
granite, to be mountains, to bring down the rain. In that
future American Era I shall enter a new form; to cure
the world of loveless knowledge that seeks with blind hunger:
and mindless rage eating food that will not fill it."
And he showed himself in his true form of
SMOKEY THE BEAR
•A handsome smokey-colored brown bear standing on his hind legs, showing that he is aroused and
watchful.
•Bearing in his right paw the Shovel that digs to the truth beneath appearances; cuts the roots of useless
attachments, and flings damp sand on the fires of greed and war;
•His left paw in the Mudra of Comradely Display -- indicating that all creatures have the full right to live to their limits and that deer, rabbits, chipmunks, snakes, dandelions, and lizards all grow in the realm of the Dharma;
•Wearing the blue work overalls symbolic of slaves and laborers, the countless men oppressed by a
civilization that claims to save but often destroys;
•Wearing the broad-brimmed hat of the West, symbolic of the forces that guard the Wilderness, which is the Natural State of the Dharma and the True Path of man on earth: all true paths lead through mountains --
•With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by the stupidity of
those who think things can be gained and lost whereas in truth all is contained vast and free in the Blue Sky and Green Earth of One Mind;
•Round-bellied to show his kind nature and that the great earth has food enough for everyone who loves her and trusts her;
•Trampling underfoot wasteful freeways and needless suburbs; smashing the worms of capitalism and
totalitarianism;
•Indicating the Task: his followers, becoming free of cars, houses, canned foods, universities, and shoes;
master the Three Mysteries of their own Body, Speech, and Mind; and fearlessly chop down the rotten
trees and prune out the sick limbs of this country America and then burn the leftover trash.
Wrathful but Calm. Austere but Comic. Smokey the Bear will
Illuminate those who would help him; but for those who would hinder or
slander him,
HE WILL PUT THEM OUT.
Thus his great Mantra:
Namah samanta vajranam chanda maharoshana
Sphataya hum traka ham nam
"I DEDICATE MYSELF TO THE UNIVERSAL DIAMOND
BE THIS RAGING FURY DESTROYED"
And he will protect those who love woods and rivers,
Gods and animals, hobos and madmen, prisoners and sick
people, musicians, playful women, and hopeful children:
And if anyone is threatened by advertising, air pollution, television,
or the police, they should chant SMOKEY THE BEAR'S WAR SPELL:
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
And SMOKEY THE BEAR will surely appear to put the enemy out
with his vajra-shovel.
•Now those who recite this Sutra and then try to put it in practice will accumulate merit as countless as the sands of Arizona and Nevada.
•Will help save the planet Earth from total oil slick.
•Will enter the age of harmony of man and nature.
•Will win the tender love and caresses of men, women, and beasts.
•Will always have ripe blackberries to eat and a sunny spot under a pine tree to sit at.
•AND IN THE END WILL WIN HIGHEST PERFECT ENLIGHTENMENT.
thus have we heard.
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Written by
Algernon Charles Swinburne |
The burden of fair women. Vain delight,
And love self-slain in some sweet shameful way,
And sorrowful old age that comes by night
As a thief comes that has no heart by day,
And change that finds fair cheeks and leaves them grey,
And weariness that keeps awake for hire,
And grief that says what pleasure used to say;
This is the end of every man's desire.
The burden of bought kisses. This is sore,
A burden without fruit in childbearing;
Between the nightfall and the dawn threescore,
Threescore between the dawn and evening.
The shuddering in thy lips, the shuddering
In thy sad eyelids tremulous like fire,
Makes love seem shameful and a wretched thing.
This is the end of every man's desire.
The burden of sweet speeches. Nay, kneel down,
Cover thy head, and weep; for verily
These market-men that buy thy white and brown
In the last days shall take no thought for thee.
In the last days like earth thy face shall be,
Yea, like sea-marsh made thick with brine and mire,
Sad with sick leavings of the sterile sea.
This is the end of every man's desire.
The burden of long living. Thou shalt fear
Waking, and sleeping mourn upon thy bed;
And say at night "Would God the day were here,"
And say at dawn "Would God the day were dead."
With weary days thou shalt be clothed and fed,
And wear remorse of heart for thine attire,
Pain for thy girdle and sorrow upon thine head;
This is the end of every man's desire.
The burden of bright colours. Thou shalt see
Gold tarnished, and the grey above the green;
And as the thing thou seest thy face shall be,
And no more as the thing beforetime seen.
And thou shalt say of mercy "It hath been,"
And living, watch the old lips and loves expire,
And talking, tears shall take thy breath between;
This is the end of every man's desire.
The burden of sad sayings. In that day
Thou shalt tell all thy days and hours, and tell
Thy times and ways and words of love, and say
How one was dear and one desirable,
And sweet was life to hear and sweet to smell,
But now with lights reverse the old hours retire
And the last hour is shod with fire from hell;
This is the end of every man's desire.
The burden of four seasons. Rain in spring,
White rain and wind among the tender trees;
A summer of green sorrows gathering,
Rank autumn in a mist of miseries,
With sad face set towards the year, that sees
The charred ash drop out of the dropping pyre,
And winter wan with many maladies;
This is the end of every man's desire.
The burden of dead faces. Out of sight
And out of love, beyond the reach of hands,
Changed in the changing of the dark and light,
They walk and weep about the barren lands
Where no seed is nor any garner stands,
Where in short breaths the doubtful days respire,
And time's turned glass lets through the sighing sands;
This is the end of every man's desire.
The burden of much gladness. Life and lust
Forsake thee, and the face of thy delight;
And underfoot the heavy hour strews dust,
And overhead strange weathers burn and bite;
And where the red was, lo the bloodless white,
And where the truth was, the likeness of a liar,
And where the day was, the likeness of the night;
This is the end of every man's desire.
L'ENVOY
Princes, and ye whom pleasure quickeneth,
Heed well this rhyme before your pleasure tire;
For life is sweet, but after life is death.
This is the end of every man's desire.
|
Written by
Amy Clampitt |
An ingenuity too astonishing
to be quite fortuitous is
this bog full of sundews, sphagnum-
lined and shaped like a teacup.
A step
down and you're into it; a
wilderness swallows you up:
ankle-, then knee-, then midriff-
to-shoulder-deep in wetfooted
understory, an overhead
spruce-tamarack horizon hinting
you'll never get out of here.
But the sun
among the sundews, down there,
is so bright, an underfoot
webwork of carnivorous rubies,
a star-swarm thick as the gnats
they're set to catch, delectable
double-faced cockleburs, each
hair-tip a sticky mirror
afire with sunlight, a million
of them and again a million,
each mirror a trap set to
unhand believing,
that either
a First Cause said once, "Let there
be sundews," and there were, or they've
made their way here unaided
other than by that backhand, round-
about refusal to assume responsibility
known as Natural Selection.
But the sun
underfoot is so dazzling
down there among the sundews,
there is so much light
in that cup that, looking,
you start to fall upward.
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Written by
Dale Harcombe |
Your ears will never hear sounds
that to me are ordinary as air.
From the hour that you were born
the tight white shell of silence
closed around you.
You edged away from friendship.
Silence clung and stung like sand,
smothering words before they could
break free.
Sand has a brittle sound
as it stutters underfoot.
But you are no longer like sand.
Though your ears will still never hear,
words gather, demanding as seagulls.
Now, you stretch wings towards the sky.
Glide closer to other lives.
Reach them with the rising tide
of your imperfect speech.
*first published Westerly 1993 - Republished Central Western Daily January 12, 1996
recently republished in ‘On Common Water’ the Ginninderra 10th birthday anthology
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Written by
James Dickey |
Memory: I can take my head and strike it on a wall on Cumberland Island
Where the night tide came crawling under the stairs came up the first
Two or three steps and the cottage stood on poles all night
With the sea sprawled under it as we dreamed of the great fin circling
Under the bedroom floor. In daylight there was my first brassy taste of beer
And Payton Ford and I came back from the Glynn County slaughterhouse
With a bucket of entrails and blood. We tied one end of a hawser
To a spindling porch-pillar and rowed straight out of the house
Three hundred yards into the vast front yard of windless blue water
The rope out slithering its coil the two-gallon jug stoppered and sealed
With wax and a ten-foot chain leader a drop-forged shark-hook nestling.
We cast our blood on the waters the land blood easily passing
For sea blood and we sat in it for a moment with the stain spreading
Out from the boat sat in a new radiance in the pond of blood in the sea
Waiting for fins waiting to spill our guts also in the glowing water.
We dumped the bucket, and baited the hook with a run-over collie pup. The jug
Bobbed, trying to shake off the sun as a dog would shake off the sea.
We rowed to the house feeling the same water lift the boat a new way,
All the time seeing where we lived rise and dip with the oars.
We tied up and sat down in rocking chairs, one eye on the other responding
To the blue-eye wink of the jug. Payton got us a beer and we sat
All morning sat there with blood on our minds the red mark out
In the harbor slowly failing us then the house groaned the rope
Sprang out of the water splinters flew we leapt from our chairs
And grabbed the rope hauled did nothing the house coming subtly
Apart all around us underfoot boards beginning to sparkle like sand
Pulling out the tarred poles we slept propped-up on leaning to sea
As in land-wind crabs scuttling from under the floor as we took runs about
Two more porch-pillars and looked out and saw something a fish-flash
An almighty fin in trouble a moiling of secret forces a false start
Of water a round wave growing in the whole of Cumberland Sound the one ripple.
Payton took off without a word I could not hold him either
But clung to the rope anyway it was the whole house bending
Its nails that held whatever it was coming in a little and like a fool
I took up the slack on my wrist. The rope drew gently jerked I lifted
Clean off the porch and hit the water the same water it was in
I felt in blue blazing terror at the bottom of the stairs and scrambled
Back up looking desperately into the human house as deeply as I could
Stopping my gaze before it went out the wire screen of the back door
Stopped it on the thistled rattan the rugs I lay on and read
On my mother's sewing basket with next winter's socks spilling from it
The flimsy vacation furniture a bucktoothed picture of myself.
Payton came back with three men from a filling station and glanced at me
Dripping water inexplicable then we all grabbed hold like a tug-of-war.
We were gaining a little from us a cry went up from everywhere
People came running. Behind us the house filled with men and boys.
On the third step from the sea I took my place looking down the rope
Going into the ocean, humming and shaking off drops. A houseful
Of people put their backs into it going up the steps from me
Into the living room through the kitchen down the back stairs
Up and over a hill of sand across a dust road and onto a raised field
Of dunes we were gaining the rope in my hands began to be wet
With deeper water all other haulers retreated through the house
But Payton and I on the stairs drawing hand over hand on our blood
Drawing into existence by the nose a huge body becoming
A hammerhead rolling in beery shallows and I began to let up
But the rope strained behind me the town had gone
Pulling-mad in our house far away in a field of sand they struggled
They had turned their backs on the sea bent double some on their knees
The rope over their shoulders like a bag of gold they strove for the ideal
Esso station across the scorched meadow with the distant fish coming up
The front stairs the sagging boards still coming in up taking
Another step toward the empty house where the rope stood straining
By itself through the rooms in the middle of the air. "Pass the word,"
Payton said, and I screamed it "Let up, good God, let up!" to no one there.
The shark flopped on the porch, grating with salt-sand driving back in
The nails he had pulled out coughing chunks of his formless blood.
The screen door banged and tore off he scrambled on his tail slid
Curved did a thing from another world and was out of his element and in
Our vacation paradise cutting all four legs from under the dinner table
With one deep-water move he unwove the rugs in a moment throwing pints
Of blood over everything we owned knocked the buckteeth out of my picture
His odd head full of crashed jelly-glass splinters and radio tubes thrashing
Among the pages of fan magazines all the movie stars drenched in sea-blood
Each time we thought he was dead he struggled back and smashed
One more thing in all coming back to die three or four more times after death.
At last we got him out logrolling him greasing his sandpaper skin
With lard to slide him pulling on his chained lips as the tide came,
Tumbled him down the steps as the first night wave went under the floor.
He drifted off head back belly white as the moon. What could I do but buy
That house for the one black mark still there against death a forehead-
toucher in the room he circles beneath and has been invited to wreck?
Blood hard as iron on the wall black with time still bloodlike
Can be touched whenever the brow is drunk enough. All changes. Memory:
Something like three-dimensional dancing in the limbs with age
Feeling more in two worlds than one in all worlds the growing encounters.
Copyright © James Dickey 1965
Online Source - http://www.oceanstar.com/shark/dickey.htm
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