10 Best Famous Uncontrolled Poems

Here is a collection of the top 10 all-time best famous Uncontrolled poems. This is a select list of the best famous Uncontrolled poetry. Reading, writing, and enjoying famous Uncontrolled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of uncontrolled poems.

• All Famous Uncontrolled Poems

 For all we have and are,
For all our children's fate,
Stand up and take the war.
The Hun is at the gate!
Our world has passed away
In wantonness o'erthrown.
There is nothing left to-day
But steel and fire and stone!
 Tough all we knew depart,
 The old Commandments stand: --
 "In courage keep your heart,
 In strength lift up your hand."

Once more we hear the word
That sickened earth of old: --
"No law except the Sword
Unsheathed and uncontrolled."
Once more it knits mankind,
Once more the nations go
To meet and break and bind
A crazed and driven foe.

Comfort, content, delight,
The ages' slow-bought gain,
They shrivelled in a night.
Only ourselves remain
To face the naked days
In silent fortitude,
Through perils and dismays
Renewed and re-renewed.
 Though all we made depart,
 The old Commandments stand: --
 "In patience keep your heart,
 In strength lift up your hand."

No easy hope or lies
Shall bring us to our goal,
But iron sacrifice
Of body, will, and soul.
There is but one task for all --
One life for each to give.
What stands if Freedom fall?
Who dies if England live?

 At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock

just below
the gun-metal blue window
and immediately there is an echo

off in the distance,
then one from the backyard fence,
then one, with horrible insistence,

grates like a wet match 
from the broccoli patch,
flares,and all over town begins to catch.

Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,

where in the blue blur 
their rusting wives admire,
the roosters brace their cruel feet and glare

with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.

Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,

the many wives 
who lead hens' lives
of being courted and despised;

deep from raw throats
a senseless order floats
all over town. A rooster gloats

over our beds
from rusty irons sheds
and fences made from old bedsteads,

over our churches 
where the tin rooster perches,
over our little wooden northern houses,

making sallies 
from all the muddy alleys,
marking out maps like Rand McNally's:

glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,

each one an active 
displacement in perspective;
each screaming, "This is where I live!"

Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?

You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled

"Very combative..."
what right have you to give 
commands and tell us how to live,

cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?

The crown of red
set on your little head
is charged with all your fighting blood

Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence

Now in mid-air
by two they fight each other.
Down comes a first flame-feather,

and one is flying,
with raging heroism defying
even the sensation of dying.

And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;

and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung

with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.


St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;

of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."

Old holy sculpture
could set it all together
in one small scene, past and future:

Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.

But in between
a little cock is seen
carved on a dim column in the travertine,

explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;

yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.

Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,

still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,

a new weathervane
on basilica and barn,
and that outside the Lateran

there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see

that event the Prince
of the Apostles long since
had been forgiven, and to convince

all the assembly
that "Deny deny deny"
is not all the roosters cry.

In the morning
a low light is floating
in the backyard, and gilding

from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?

gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,

the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.

The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.

 Spring wafts up the smell of bus exhaust, of bread
and fried potatoes, tips green on the branches,
repeats old news: arrogance, ignorance, war.
A cinder-block wall shared by two houses
is new rubble. On one side was a kitchen
sink and a cupboard, on the other was
a bed, a bookshelf, three framed photographs.

Glass is shattered across the photographs;
two half-circles of hardened pocket bread
sit on the cupboard. There provisionally was
shelter, a plastic truck under the branches
of a fig tree. A knife flashed in the kitchen,
merely dicing garlic. Engines of war
move inexorably toward certain houses

while citizens sit safe in other houses
reading the newspaper, whose photographs
make sanitized excuses for the war.
There are innumerable kinds of bread
brought up from bakeries, baked in the kitchen:
the date, the latitude, tell which one was
dropped by a child beneath the bloodied branches.

The uncontrolled and multifurcate branches
of possibility infiltrate houses'
walls, windowframes, ceilings. Where there was
a tower, a town: ash and burnt wires, a graph
on a distant computer screen. Elsewhere, a kitchen
table's setting gapes, where children bred 
to branch into new lives were culled for war.

Who wore this starched smocked cotton dress? Who wore
this jersey blazoned for the local branch
of the district soccer team? Who left this black bread
and this flat gold bread in their abandoned houses?
Whose father begged for mercy in the kitchen?
Whose memory will frame the photograph
and use the memory for what it was

never meant for by this girl, that old man, who was
caught on a ball field, near a window: war,
exhorted through the grief a photograph
revives. (Or was the team a covert branch
of a banned group; were maps drawn in the kitchen,
a bomb thrust in a hollowed loaf of bread?)
What did the old men pray for in their houses

of prayer, the teachers teach in schoolhouses
between blackouts and blasts, when each word was
flensed by new censure, books exchanged for bread, 
both hostage to the happenstance of war?
Sometimes the only schoolroom is a kitchen.
Outside the window, black strokes on a graph
of broken glass, birds line up on bare branches.

"This letter curves, this one spreads its branches
like friends holding hands outside their houses."
Was the lesson stopped by gunfire? Was
there panic, silence? Does a torn photograph
still gather children in the teacher's kitchen?
Are they there meticulously learning war-
time lessons with the signs for house, book, bread?

 ACT I. SC. I

Enter Teryth from riding, Winefred following.

T. WHAT is it, Gwen, my girl? why do you hover and haunt me? 

W. You came by Caerwys, sir? 
T. I came by Caerwys. 
W. There
Some messenger there might have met you from my uncle. 
T. Your uncle met the messenger—met me; and this the message:
Lord Beuno comes to-night. 
W. To-night, sir! 
T. Soon, now: therefore
Have all things ready in his room. 
W. There needs but little doing. 
T. Let what there needs be done. Stay! with him one companion,
His deacon, Dirvan Warm: twice over must the welcome be,
But both will share one cell.—This was good news, Gwenvrewi. 
W. Ah yes! 
T. Why, get thee gone then; tell thy mother I want her.

Exit Winefred.

No man has such a daughter. The fathers of the world
Call no such maiden ‘mine’. The deeper grows her dearness
And more and more times laces round and round my heart,
The more some monstrous hand gropes with clammy fingers there,
Tampering with those sweet bines, draws them out, strains them, strains them;
Meantime some tongue cries ‘What, Teryth! what, thou poor fond father!
How when this bloom, this honeysuckle, that rides the air so rich about thee,
Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral,
Some pageant which takes tears and I must foot with feeling that
Alive or dead my girl is carried in it, endlessly
Goes marching thro’ my mind. What sense is this? It has none.
This is too much the father; nay the mother. Fanciful!
I here forbid my thoughts to fool themselves with fears.

Enter Gwenlo.
. . . . . . . . 

ACT II.—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within. Re-enter Caradoc with a bloody sword.

C. My heart, where have we been? What have we seen, my mind?
What stroke has Caradoc’s right arm dealt? what done? Head of a rebel
Struck off it has; written upon lovely limbs,
In bloody letters, lessons of earnest, of revenge;
Monuments of my earnest, records of my revenge,
On one that went against me wh?reas I had warned her—
Warned her! well she knew. I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet;
Perhaps we struck no blow, Gwenvrewi lives perhaps;
To makebelieve my mood was—mock. O I might think so
But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still,
Still the scarlet swings and dances on the blade.
So be it. Thou steel, thou butcher,
I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops
Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what,
What have we seen? Her head, sheared from her shoulders, fall,
And lapped in shining hair, roll to the bank’s edge; then
Down the beetling banks, like water in waterfalls,
It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes!
In all her beauty, and sunlight to it is a pit, den, darkness,
Foam-falling is not fresh to it, rainbow by it not beaming,
In all her body, I say, no place was like her eyes,
No piece matched those eyes kept most part much cast down
But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning;
Round and round they came and flashed towards heaven: O there,
There they did appeal. Therefore airy vengeances
Are afoot; heaven-vault fast purpling portends, and what first lightning
Any instant falls means me. And I do not repent;
I do not and I will not repent, not repent.
The blame bear who aroused me. What I have done violent
I have like a lion done, lionlike done,
Honouring an uncontrolled royal wrathful nature,
Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece. Henceforth
In a wide world of defiance Caradoc lives alone,
Loyal to his own soul, laying his own law down, no law nor
Lord now curb him for ever. O daring! O deep insight!
What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering
Who, like me, knowing his nature to the heart home, nature’s business,
Despatches with no flinching. But will flesh, O can flesh
Second this fiery strain? Not always; O no no!
We cannot live this life out; sometimes we must weary
And in this darksome world what comfort can I find?
Down this darksome world c?mfort wh?re can I find
When ’ts light I quenched; its rose, time’s one rich rose, my hand,
By her bloom, fast by her fresh, her fleec?d bloom,
Hideous dashed down, leaving earth a winter withering
With no now, no Gwenvrewi. I must miss her most
That might have spared her were it but for passion-sake. Yes,
To hunger and not have, y?t hope ?n for, to storm and strive and
Be at every assault fresh foiled, worse flung, deeper disappointed,
The turmoil and the torment, it has, I swear, a sweetness,
Keeps a kind of joy in it, a zest, an edge, an ecstasy,
Next after sweet success. I am not left even this;
I all my being have hacked in half with her neck: one part,
Reason, selfdisposal, choice of better or worse way,
Is corpse now, cannot change; my other self, this soul,
Life’s quick, this k?nd, this k?en self-feeling,
With dreadful distillation of thoughts sour as blood,
Must all day long taste murder. What do n?w then? Do? Nay,
Deed-bound I am; one deed treads all down here cramps all doing. What do? Not yield,
Not hope, not pray; despair; ay, that: brazen despair out,
Brave all, and take what comes—as here this rabble is come,
Whose bloods I reck no more of, no more rank with hers
Than sewers with sacred oils. Mankind, that mobs, comes. Come! 

Enter a crowd, among them Teryth, Gwenlo, Beuno.
. . . . . . . .

After Winefred’s raising from the dead and the breaking out of the fountain.

BEUNO. O now while skies are blue, now while seas are salt,
While rushy rains shall fall or brooks shall fleet from fountains,
While sick men shall cast sighs, of sweet health all despairing,
While blind men’s eyes shall thirst after daylight, draughts of daylight,
Or deaf ears shall desire that lipmusic that ’s lost upon them,
While cripples are, while lepers, dancers in dismal limb-dance,
Fallers in dreadful frothpits, waterfearers wild,
Stone, palsy, cancer, cough, lung wasting, womb not bearing,
Rupture, running sores, what more? in brief; in burden,
As long as men are mortal and God merciful,
So long to this sweet spot, this leafy lean-over,
This Dry Dene, now no longer dry nor dumb, but moist and musical
With the uproll and the downcarol of day and night delivering
Water, which keeps thy name, (for not in r?ck wr?tten,
But in pale water, frail water, wild rash and reeling water,
That will not wear a print, that will not stain a pen,
Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be,
And not from purple Wales only nor from elmy England,
But from beyond seas, Erin, France and Flanders, everywhere,
Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
. . . . . . . .
What sights shall be when some that swung, wretches, on crutches
Their crutches shall cast from them, on heels of air departing,
Or they go rich as roseleaves hence that loathsome c?me hither!
Not now to n?me even
Those dearer, more divine boons whose haven the heart is.
. . . . . . . .
As sure as what is most sure, sure as that spring primroses
Shall new-dapple next year, sure as to-morrow morning,
Amongst come-back-again things, th?ngs with a revival, things with a recovery,
Thy name…
. . . . . . . .

 Here is nothing new nor aught unproven," say the Trumpets,
 "Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
 (Trumpets in the marshes-in the eyot at Runnymede!)

"Here is neither haste, nor hate, nor anger," peal the Trumpets,
 "Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
 (Trumpets round the scaffold af the dawning by Whitehall!)

 . . . . . . .


"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
 "He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
 Trumpets at the gang-plank where the brawling troop-decks fill!

Ancient and Unteachable, abide--abide the Trumpets!
 Once again the Trumpets, for the shuddering ground-swell brings 
Clamour over ocean of the harsh, pursuing Trumpets--
 Trumpets of the Vanguard that have sworn no truce with Kings! 

All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.

Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.

Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.

Till our fathers 'stablished,, after bloody years, 
How our King is one with us, first among his peers. 

So they bought us freedom-not at little cost-- 
Wherefore must we watch the King, lest our gain be lost.

Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.

Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."

(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)

Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.

They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--

Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!

Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.

He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.

He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.

He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.

He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --

Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.

Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.

We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.

We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.

Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.

Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--

Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.

Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.

Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!

Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--

All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King !

 A few grains of dust more or less 
On ancient shoulders 
Locks of weakness on weary foreheads 
This theatre of honey and faded roses 
Where incalcuable flies 
Reply to the black signs that misery makes to them 
Despairing girders of a bridge 
Thrown across space 
Thrown across every street and every house 
Heavy wandering madnesses 
That we shall end by knowing by heart 
Mechanical appetites and uncontrolled dances 
That lead to the regret of hatred 

Nostalgia of justice

 Now is the time for mirth,
Nor cheek or tongue be dumb;
For with the flow'ry earth
The golden pomp is come.

The golden pomp is come;
For now each tree does wear,
Made of her pap and gum,
Rich beads of amber here.

Now reigns the rose, and now
Th' Arabian dew besmears
My uncontrolled brow
And my retorted hairs.

Homer, this health to thee,
In sack of such a kind
That it would make thee see
Though thou wert ne'er so blind.

Next, Virgil I'll call forth
To pledge this second health
In wine, whose each cup's worth
An Indian commonwealth.

A goblet next I'll drink
To Ovid, and suppose,
Made he the pledge, he'd think
The world had all one nose.

Then this immensive cup
Of aromatic wine,
Catullus, I quaff up
To that terse muse of thine.

Wild I am now with heat;
O Bacchus! cool thy rays!
Or frantic, I shall eat
Thy thyrse, and bite the bays.

Round, round the roof does run;
And being ravish'd thus,
Come, I will drink a tun
To my Propertius.

Now, to Tibullus, next,
This flood I drink to thee;
But stay, I see a text
That this presents to me.

Behold, Tibullus lies
Here burnt, whose small return
Of ashes scarce suffice
To fill a little urn.

Trust to good verses then;
They only will aspire,
When pyramids, as men,
Are lost i' th' funeral fire.

And when all bodies meet,
In Lethe to be drown'd,
Then only numbers sweet
With endless life are crown'd.

 Leisure, thou goddess of a bygone age,
When hours were long and days sufficed to hold
Wide-eyed delights and pleasures uncontrolled
By shortening moments, when no gaunt presage
Of undone duties, modern heritage,
Haunted our happy minds; must thou withhold
Thy presence from this over-busy world,
And bearing silence with thee disengage
Our twined fortunes? Deeps of unhewn woods
Alone can cherish thee, alone possess
Thy quiet, teeming vigor. This our crime:
Not to have worshipped, marred by alien moods
That sole condition of all loveliness,
The dreaming lapse of slow, unmeasured time.

   Told by Lalla-ji, the Priest

         "And when the Summer Heat is great,
           And every hour intense,
         The Moghra, with its subtle flowers,
           Intoxicates the sense."

   The Coco palms stood tall and slim, against the golden-glow,
   And all their grey and graceful plumes were waving to and fro.

   She lay forgetful in the boat, and watched the dying Sun
   Sink slowly lakewards, while the stars replaced him, one by one.

   She saw the marble Temple walls long white reflections make,
   The echoes of their silvery bells were blown across the lake.

   The evening air was very sweet; from off the island bowers
   Came scents of Moghra trees in bloom, and Oleander flowers.

         "The Moghra flowers that smell so sweet
           When love's young fancies play;
         The acrid Moghra flowers, still sweet
           Though love be burnt away."

   The boat went drifting, uncontrolled, the rower rowed no more,
   But deftly turned the slender prow towards the further shore.

   The dying sunset touched with gold the Jasmin in his hair;
   His eyes were darkly luminous: she looked and found him fair.

   And so persuasively he spoke, she could not say him nay,
   And when his young hands took her own, she smiled and let them stay.

   And all the youth awake in him, all love of Love in her,
   All scents of white and subtle flowers that filled the twilight air

   Combined together with the night in kind conspiracy
   To do Love service, while the boat went drifting onwards, free.

         "The Moghra flowers, the Moghra flowers,
           While Youth's quick pulses play
         They are so sweet, they still are sweet,
           Though passion burns away."

   Low in the boat the lovers lay, and from his sable curls
   The Jasmin flowers slipped away to rest among the girl's.

   Oh, silver lake and silver night and tender silver sky!
   Where as the hours passed, the moon rose white and cold on high.

         "The Moghra flowers, the Moghra flowers,
           So dear to Youth at play;
         The small and subtle Moghra flowers
           That only last a day."

   Suddenly, frightened, she awoke, and waking vaguely saw
   The boat had stranded in the sedge that fringed the further shore.

   The breeze grown chilly, swayed the palms; she heard, still half awake,
   A prowling jackal's hungry cry blown faintly o'er the lake.

   She shivered, but she turned to kiss his soft, remembered face,
   Lit by the pallid light he lay, in Youth's abandoned grace.

   But as her lips met his she paused, in terror and dismay,
   The white moon showed her by her side asleep a Leper lay.

         "Ah, Moghra flowers, white Moghra flowers,
           All love is blind, they say;
         The Moghra flowers, so sweet, so sweet,
           Though love be burnt away!"