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Best Famous Unbent Poems

Here is a collection of the all-time best famous Unbent poems. This is a select list of the best famous Unbent poetry. Reading, writing, and enjoying famous Unbent poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of unbent poems.

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Written by William Cullen Bryant | Create an image from this poem

Spring in Town

 The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses--showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.

Within the city's bounds the time of flowers
Comes earlier. Let a mild and sunny day,
Such as full often, for a few bright hours,
Breathes through the sky of March the airs of May,
Shine on our roofs and chase the wintry gloom--
And lo! our borders glow with sudden bloom.

For the wide sidewalks of Broadway are then
Gorgeous as are a rivulet's banks in June,
That overhung with blossoms, through its glen,
Slides soft away beneath the sunny noon,
And they who search the untrodden wood for flowers
Meet in its depths no lovelier ones than ours.

For here are eyes that shame the violet,
Or the dark drop that on the pansy lies,
And foreheads, white, as when in clusters set,
The anemonies by forest fountains rise;

And the spring-beauty boasts no tenderer streak
Than the soft red on many a youthful cheek.

And thick about those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose trade it is to buy,
And bake, and braid those love-knots of the world;
Who curls of every glossy colour keepest,
And sellest, it is said, the blackest cheapest.

And well thou may'st--for Italy's brown maids
Send the dark locks with which their brows are dressed,
And Gascon lasses, from their jetty braids,
Crop half, to buy a riband for the rest;
But the fresh Norman girls their tresses spare,
And the Dutch damsel keeps her flaxen hair.

Then, henceforth, let no maid nor matron grieve,
To see her locks of an unlovely hue,
Frouzy or thin, for liberal art shall give
Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight
Had blushed, outdone, and owned herself a fright.

Soft voices and light laughter wake the street,
Like notes of woodbirds, and where'er the eye
Threads the long way, plumes wave, and twinkling feet
Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space,
Scarce bore those tossing plumes with fleeter pace.

No swimming Juno gait, of languor born,
Is theirs, but a light step of freest grace,
Light as Camilla's o'er the unbent corn,
A step that speaks the spirit of the place,
Since Quiet, meek old dame, was driven away
To Sing Sing and the shores of Tappan bay.

Ye that dash by in chariots! who will care
For steeds or footmen now? ye cannot show
Fair face, and dazzling dress, and graceful air,
And last edition of the shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels unheeded rattle by.


Written by Victor Hugo | Create an image from this poem

Nero's Incendiary Song

 ("Amis! ennui nous tue.") 
 
 {Bk. IV. xv., March, 1825.} 


 Aweary unto death, my friends, a mood by wise abhorred, 
 Come to the novel feast I spread, thrice-consul, Nero, lord, 
 The Caesar, master of the world, and eke of harmony, 
 Who plays the harp of many strings, a chief of minstrelsy. 
 
 My joyful call should instantly bring all who love me most,— 
 For ne'er were seen such arch delights from Greek or Roman host; 
 Nor at the free, control-less jousts, where, spite of cynic vaunts, 
 Austere but lenient Seneca no "Ercles" bumper daunts; 
 
 Nor where upon the Tiber floats Aglae in galley gay, 
 'Neath Asian tent of brilliant stripes, in gorgeous array; 
 Nor when to lutes and tambourines the wealthy prefect flings 
 A score of slaves, their fetters wreathed, to feed grim, greedy 
 things. 
 
 I vow to show ye Rome aflame, the whole town in a mass; 
 Upon this tower we'll take our stand to watch the 'wildered pass; 
 How paltry fights of men and beasts! here be my combatants,— 
 The Seven Hills my circus form, and fiends shall lead the dance. 
 
 This is more meet for him who rules to drive away his stress— 
 He, being god, should lightnings hurl and make a wilderness— 
 But, haste! for night is darkling—soon, the festival it brings; 
 Already see the hydra show its tongues and sombre wings, 
 
 And mark upon a shrinking prey the rush of kindling breaths; 
 They tap and sap the threatened walls, and bear uncounted deaths; 
 And 'neath caresses scorching hot the palaces decay— 
 Oh, that I, too, could thus caress, and burn, and blight, and slay! 
 
 Hark to the hubbub! scent the fumes! Are those real men or ghosts? 
 The stillness spreads of Death abroad—down come the temple posts, 
 Their molten bronze is coursing fast and joins with silver waves 
 To leap with hiss of thousand snakes where Tiber writhes and raves. 
 
 All's lost! in jasper, marble, gold, the statues totter—crash! 
 Spite of the names divine engraved, they are but dust and ash. 
 The victor-scourge sweeps swollen on, whilst north winds sound the horn 
 To goad the flies of fire yet beyond the flight forlorn. 
 
 Proud capital! farewell for e'er! these flames nought can subdue— 
 The Aqueduct of Sylla gleams, a bridge o'er hellish brew. 
 'Tis Nero's whim! how good to see Rome brought the lowest down; 
 Yet, Queen of all the earth, give thanks for such a splendrous crown! 
 
 When I was young, the Sybils pledged eternal rule to thee; 
 That Time himself would lay his bones before thy unbent knee. 
 Ha! ha! how brief indeed the space ere this "immortal star" 
 Shall be consumed in its own glow, and vanished—oh, how far! 
 
 How lovely conflagrations look when night is utter dark! 
 The youth who fired Ephesus' fane falls low beneath my mark. 
 The pangs of people—when I sport, what matters?—See them whirl 
 About, as salamanders frisk and in the brazier curl. 
 
 Take from my brow this poor rose-crown—the flames have made it pine; 
 If blood rains on your festive gowns, wash off with Cretan wine! 
 I like not overmuch that red—good taste says "gild a crime?" 
 "To stifle shrieks by drinking-songs" is—thanks! a hint sublime! 
 
 I punish Rome, I am avenged; did she not offer prayers 
 Erst unto Jove, late unto Christ?—to e'en a Jew, she dares! 
 Now, in thy terror, own my right to rule above them all; 
 Alone I rest—except this pile, I leave no single hall. 
 
 Yet I destroy to build anew, and Rome shall fairer shine— 
 But out, my guards, and slay the dolts who thought me not divine. 
 The stiffnecks, haste! annihilate! make ruin all complete— 
 And, slaves, bring in fresh roses—what odor is more sweet? 
 
 H.L. WILLIAMS 


 




Written by Claude McKay | Create an image from this poem

The White House

 Your door is shut against my tightened face,
And I am sharp as steel with discontent;
But I possess the courage and the grace
To bear my anger proudly and unbent.
The pavement slabs burn loose beneath my feet,
A chafing savage, down the decent street;
And passion rends my vitals as I pass,
Where boldly shines your shuttered door of glass.
Oh, I must search for wisdom every hour,
Deep in my wrathful bosom sore and raw,
And find in it the superhuman power
To hold me to the letter of your law!
Oh, I must keep my heart inviolate
Against the potent poison of your hate.
Written by Emile Verhaeren | Create an image from this poem

The Silence

Ever since ending of the summer weather.
When last the thunder and the lightning broke,
Shatt'ring themselves upon it at one stroke,
The Silence has not stirred, there in the heather.


All round about stand steeples straight as stakes,
And each its bell between its fingers shakes;
All round about, with their three-storied loads,
The teams prowl down the roads;
All round about, where'er the pine woods end,
The wheel creaks on along its rutty bed,
But not a sound is strong enough to rend
That space intense and dead.


Since summer, thunder-laden, last was heard.
The Silence has not stirred;
And the broad heath-land, where the nights sink down
Beyond the sand-hills brown.
Beyond the endless thickets closely set,
To the far borders of the far-away.
Prolongs It yet.


Even the winds disturb not as they go
The boughs of those long larches, bending low
Where the marsh-water lies,
In which Its vacant eyes
Gaze at themselves unceasing, stubbornly.
Only sometimes, as on their way they move,
The noiseless shadows of the clouds above.
Or of some great bird's hov'ring flight on high,
Brush It in passing by.


Since the last bolt that scored the earth aslant,
Nothing has pierced the Silence dominant.


Of those who cross Its vast immensity,
Whether at twilight or at dawn it be,
There is not one but feels
The dread of the Unknown that It instils;
An ample force supreme, It holds Its sway
Uninterruptedly the same for aye.
Dark walls of blackest fir-trees bar from sight
The outlook towards the paths of hope and light;
Huge, pensive junipers
Affright from far the passing travellers;
Long, narrow paths stretch their straight lines unbent.
Till they fork off in curves malevolent;
And the sun, ever shifting, ceaseless lends
Fresh aspects to the mirage whither tends
Bewilderment


Since the last bolt was forged amid the storm,
The polar Silence at the corners four
Of the wide heather-land has stirred no more.


Old shepherds, whom their hundred years have worn
To things all dislocate and out of gear,
And their old dogs, ragged, tired-out, and torn.
Oft watch It, on the soundless lowlands near,
Or downs of gold beflecked with shadows' flight,
Sit down immensely there beside the night.


Then, at the curves and corners of the mere.
The waters creep with fear;
The heather veils itself, grows wan and white;
All the leaves listen upon all the bushes,
And the incendiary sunset hushes
Before Its face his cries of brandished light.
And in the hamlets that about It lie.
Beneath the thatches of their hovels small
The terror dwells of feeling It is nigh.
And, though It stirs not, dominating all.
Broken with dull despair and helplessness,
Beneath Its presence they crouch motionless,
As though upon the watch—and dread to see.
Through rifts of vapour, open suddenly
At evening, in the moon, the argent eyes
Of Its mute mysteries.
Written by William Butler Yeats | Create an image from this poem

The Double Vision Of Michael Robartes

 I

On the grey rock of Cashel the mind's eye
Has called up the cold spirits that are born
When the old moon is vanished from the sky
And the new still hides her horn.

Under blank eyes and fingers never still
The particular is pounded till it is man.
When had I my own will?
O not since life began.

Constrained, arraigned, baffled, bent and unbent
By these wire-jointed jaws and limbs of wood,
Themselves obedient,
Knowing not evil and good;

Obedient to some hidden magical breath.
They do not even feel, so abstract are they.
So dead beyond our death,
Triumph that we obey.

 II

On the grey rock of Cashel I suddenly saw
A Sphinx with woman breast and lion paw.
A Buddha, hand at rest,
Hand lifted up that blest;

And right between these two a girl at play
That, it may be, had danced her life away,
For now being dead it seemed
That she of dancing dreamed.

Although I saw it all in the mind's eye
There can be nothing solider till I die;
I saw by the moon's light
Now at its fifteenth night.

One lashed her tail; her eyes lit by the moon
Gazed upon all things known, all things unknown,
In triumph of intellect
With motionless head erect.

That other's moonlit eyeballs never moved,
Being fixed on all things loved, all things unloved.
Yet little peace he had,
For those that love are sad.

Little did they care who danced between,
And little she by whom her dance was seen
So she had outdanced thought.
Body perfection brought,

For what but eye and ear silence the mind
With the minute particulars of mankind?
Mind moved yet seemed to stop
As 'twere a spinning-top.

In contemplation had those three so wrought
Upon a moment, and so stretched it out
That they, time overthrown,
Were dead yet flesh and bone.

 III

I knew that I had seen, had seen at last
That girl my unremembering nights hold fast
Or else my dreams that fly
If I should rub an eye,

And yet in flying fling into my meat
A crazy juice that makes the pulses beat
As though I had been undone
By Homer's Paragon

Who never gave the burning town a thought;
To such a pitch of folly I am brought,
Being caught between the pull
Of the dark moon and the full,

The commonness of thought and images
That have the frenzy of our western seas.
Thereon I made my moan,
And after kissed a stone,

And after that arranged it in a song
Seeing that I, ignorant for So long,
Had been rewarded thus
In Cormac's ruined house.


Written by Hilda Doolittle | Create an image from this poem

Adonis

 1. 

Each of us like you 
has died once, 
has passed through drift of wood-leaves, 
cracked and bent 
and tortured and unbent 
in the winter-frost, 
the burnt into gold points, 
lighted afresh, 
crisp amber, scales of gold-leaf, 
gold turned and re-welded 
in the sun; 

each of us like you 
has died once, 
each of us has crossed an old wood-path 
and found the winter-leaves 
so golden in the sun-fire 
that even the live wood-flowers 
were dark. 

2. 

Not the gold on the temple-front 
where you stand 
is as gold as this, 
not the gold that fastens your sandals, 
nor thee gold reft 
through your chiselled locks, 
is as gold as this last year's leaf, 
not all the gold hammered and wrought 
and beaten 
on your lover's face. 
brow and bare breast 
is as golden as this: 

each of us like you 
has died once, 
each of us like you 
stands apart, like you 
fit to be worshipped.
Written by Adela Florence Cory Nicolson | Create an image from this poem

Camp Follower's Song, Gomal River

   Along the hot and endless road,
     Calm and erect, with haggard eyes,
   The prisoner bore his fetters' load
     Beneath the scorching, azure skies.

   Serene and tall, with brows unbent,
     Without a hope, without a friend,
   He, under escort, onward went,
     With death to meet him at the end.

   The Poppy fields were pink and gay
     On either side, and in the heat
   Their drowsy scent exhaled all day
     A dream-like fragrance almost sweet.

   And when the cool of evening fell
     And tender colours touched the sky,
   He still felt youth within him dwell
     And half forgot he had to die.

   Sometimes at night, the Camp-fires lit
     And casting fitful light around,
   His guard would, friend-like, let him sit
     And talk awhile with them, unbound.

   Thus they, the night before the last,
     Were resting, when a group of girls
   Across the small encampment passed,
     With laughing lips and scented curls.

   Then in the Prisoner's weary eyes
     A sudden light lit up once more,
   The women saw him with surprise,
     And pity for the chains he bore.

   For little women reck of Crime
     If young and fair the criminal be
   Here in this tropic, amorous clime
     Where love is still untamed and free.

   And one there was, she walked less fast,
     Behind the rest, perhaps beguiled
   By his lithe form, who, as she passed,
     Waited a little while, and smiled.

   The guard, in kindly Eastern fashion,
     Smiled to themselves, and let her stay.
   So tolerant of human passion,
     "To love he has but one more day."

   Yet when (the soft and scented gloom
     Scarce lighted by the dying fire)
   His arms caressed her youth and bloom,
     With him it was not all desire.

   "For me," he whispered, as he lay,
     "But little life remains to live.
   One thing I crave to take away:
     You have the gift; but will you give?

   "If I could know some child of mine
     Would live his life, and see the sun
   Across these fields of poppies shine,
     What should I care that mine is done?

   "To die would not be dying quite,
     Leaving a little life behind,
   You, were you kind to me to-night,
     Could grant me this; but—are you kind?

   "See, I have something here for you
     For you and It, if It there be."
   Soft in the gloom her glances grew,
     With gentle tears he could not see.

   He took the chain from off his neck,
     Hid in the silver chain there lay
   Three rubies, without flaw or fleck.
     She answered softly "I will stay."

   He drew her close; the moonless skies
     Shed little light; the fire was dead.
   Soft pity filled her youthful eyes,
     And many tender things she said.

   Throughout the hot and silent night
     All that he asked of her she gave.
   And, left alone ere morning light,
     He went serenely to the grave,

   Happy; for even when the rope
     Confined his neck, his thoughts were free,
   And centered round his Secret Hope
     The little life that was to be.

   When Poppies bloomed again, she bore
     His child who gaily laughed and crowed,
   While round his tiny neck he wore
     The rubies given on the road.

   For his small sake she wished to wait,
     But vainly to forget she tried,
   And grieving for the Prisoner's fate,
     She broke her gentle heart and died.
Written by Emile Verhaeren | Create an image from this poem

If it should ever happen that

If it should ever happen that, without our knowledge, we became a pain or torment or despair one to the other;
If it should come about that weariness or hackneyed pleasure unbent in us the golden bow of lofty desire;
If the crystal of pure thought must fall in our hearts and break;
If, in spite of all, I should feel myself vanquished because I had not bowed my will sufficiently to the divine immensity of goodness;
Then, oh! then let us embrace like two sublime madmen who beneath the broken skies cling to the summits even so—and with one flight and soul ablaze grow greater in death.

Book: Radiant Verses: A Journey Through Inspiring Poetry