Written by
Samuel Taylor Coleridge |
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.
But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
>From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!
Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shall learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.
|
Written by
William Wordsworth |
Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur. Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
|
Written by
William Wordsworth |
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?
|
Written by
Walt Whitman |
1
SAUNTERING the pavement, or riding the country by-road—lo! such faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face—the always welcome, common, benevolent face,
The face of the singing of music—the grand faces of natural lawyers and judges, broad
at
the
back-top;
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
of
orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face;
The ugly face of some beautiful Soul, the handsome detested or despised face;
The sacred faces of infants, the illuminated face of the mother of many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp’d by the clipper;
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
faces:
I see them, and complain not, and am content with all.
2
Do you suppose I could be content with all, if I thought them their own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be—cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry,
Its veins down the neck distended, its eyes roll till they show nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn’d-in nails,
The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee;
An unceasing death-bell tolls there.
3
Those then are really men—the bosses and tufts of the great round globe!
Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me.
I see your rounded, never-erased flow;
I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats;
You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum;
And I knew for my consolation what they knew not;
I knew of the agents that emptied and broke my brother,
The same wait to clear the rubbish from the fallen tenement;
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
myself.
4
The Lord advances, and yet advances;
Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming;
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums.
This face is a life-boat;
This is the face commanding and bearded, it asks no odds of the rest;
This face is flavor’d fruit, ready for eating;
This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake;
They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific;
In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me;
I read the promise, and patiently wait.
This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
man,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.
5
The old face of the mother of many children!
Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue,
Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the
sky.
She sits in an arm-chair, under the shaded porch of the farmhouse,
The sun just shines on her old white head.
Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
wheel.
The melodious character of the earth,
The finish beyond which philosophy cannot go, and does not wish to go,
The justified mother of men.
|
Written by
Henry Wadsworth Longfellow |
Should you ask me,
whence these stories?
Whence these legends and traditions,
With the odors of the forest
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?
I should answer, I should tell you,
"From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands
Where the heron, the Shuh-shuh-gah,
Feeds among the reeds and rushes.
I repeat them as I heard them
From the lips of Nawadaha,
The musician, the sweet singer."
Should you ask where Nawadaha
Found these songs so wild and wayward,
Found these legends and traditions,
I should answer, I should tell you,
"In the bird's-nests of the forest,
In the lodges of the beaver,
In the hoofprint of the bison,
In the eyry of the eagle!
"All the wild-fowl sang them to him,
In the moorlands and the fen-lands,
In the melancholy marshes;
Chetowaik, the plover, sang them,
Mahng, the loon, the wild-goose, Wawa,
The blue heron, the Shuh-shuh-gah,
And the grouse, the Mushkodasa!"
If still further you should ask me,
Saying, "Who was Nawadaha?
Tell us of this Nawadaha,"
I should answer your inquiries
Straightway in such words as follow.
"In the vale of Tawasentha,
In the green and silent valley,
By the pleasant water-courses,
Dwelt the singer Nawadaha.
Round about the Indian village
Spread the meadows and the corn-fields,
And beyond them stood the forest,
Stood the groves of singing pine-trees,
Green in Summer, white in Winter,
Ever sighing, ever singing.
"And the pleasant water-courses,
You could trace them through the valley,
By the rushing in the Spring-time,
By the alders in the Summer,
By the white fog in the Autumn,
By the black line in the Winter;
And beside them dwelt the singer,
In the vale of Tawasentha,
In the green and silent valley.
"There he sang of Hiawatha,
Sang the Song of Hiawatha,
Sang his wondrous birth and being,
How he prayed and how be fasted,
How he lived, and toiled, and suffered,
That the tribes of men might prosper,
That he might advance his people!"
Ye who love the haunts of Nature,
Love the sunshine of the meadow,
Love the shadow of the forest,
Love the wind among the branches,
And the rain-shower and the snow-storm,
And the rushing of great rivers
Through their palisades of pine-trees,
And the thunder in the mountains,
Whose innumerable echoes
Flap like eagles in their eyries;-
Listen to these wild traditions,
To this Song of Hiawatha!
Ye who love a nation's legends,
Love the ballads of a people,
That like voices from afar off
Call to us to pause and listen,
Speak in tones so plain and childlike,
Scarcely can the ear distinguish
Whether they are sung or spoken;-
Listen to this Indian Legend,
To this Song of Hiawatha!
Ye whose hearts are fresh and simple,
Who have faith in God and Nature,
Who believe that in all ages
Every human heart is human,
That in even savage bosoms
There are longings, yearnings, strivings
For the good they comprehend not,
That the feeble hands and helpless,
Groping blindly in the darkness,
Touch God's right hand in that darkness
And are lifted up and strengthened;-
Listen to this simple story,
To this Song of Hiawatha!
Ye, who sometimes, in your rambles
Through the green lanes of the country,
Where the tangled barberry-bushes
Hang their tufts of crimson berries
Over stone walls gray with mosses,
Pause by some neglected graveyard,
For a while to muse, and ponder
On a half-effaced inscription,
Written with little skill of song-craft,
Homely phrases, but each letter
Full of hope and yet of heart-break,
Full of all the tender pathos
Of the Here and the Hereafter;
Stay and read this rude inscription,
Read this Song of Hiawatha!
|
Written by
Henry Wadsworth Longfellow |
When the summer fields are mown,
When the birds are fledged and flown,
And the dry leaves strew the path;
With the falling of the snow,
With the cawing of the crow,
Once again the fields we mow
And gather in the aftermath.
Not the sweet, new grass with flowers
Is this harvesting of ours;
Not the upland clover bloom;
But the rowen mixed with weeds,
Tangled tufts from marsh and meads,
Where the poppy drops its seeds
In the silence and the gloom.
|
Written by
William Matthews |
"First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it. "Your wife will die of it
within a year." But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her. I couldn't stop
personifying it. Devious, dour,
it had a clouded heart, like Iago's.
It loved disguise. It was a garrison
in a captured city, a bad horror film
(The Blob), a stowaway, an inside job.
If I could make it be like something else,
I wouldn't have to think of it as what,
in fact, it was: part of my lovely wife.
Next, then, chemotherapy. Her hair fell
out in tufts, her color dulled, she sat laced
to bags of poison she endured somewhat
better than her cancer cells could, though not
by much. And indeed, the cancer cells waned
more slowly than the chemical "cocktails"
(one the bright color of Campari), as the chemo
nurses called them, dripped into her. There were
three hundred days of this: a week inside
the hospital and two weeks out, the fierce
elixirs percolating all the while.
She did five weeks of radiation, too,
Monday to Friday like a stupid job.
She wouldn't eat the food the hospital
wheeled in. "Pureed fish" and "minced fish" were worth,
I thought, a sharp surge of food snobbery,
but she'd grown averse to it all -- the nurses'
crepe soles' muffled squeaks along the hall,
the filtered air, the smothered urge to read,
the fear, the perky visitors, flowers
she'd not been sent when she was well, the room-
mate (what do "semiprivate" and "extra
virgin" have in common?) who died, the nights
she wept and sweated faster than the tubes
could moisten her with lurid poison.
One chemotherapy veteran, six
years in remission, chanced on her former
chemo nurse at a bus stop and threw up.
My wife's tumor has not come back.
I like to think of it in Tumor Hell
strapped to a dray, flat as a deflated
football, bleak and nubbled like a poorly
ironed truffle. There's one tense in Tumor Hell:
forever, or what we call the present.
For that long the flaccid tumor marinates
in lurid toxins. Tumor Hell Clinic
is, it turns out, a teaching hospital.
Every century or so, the way
we'd measure it, a chief doc brings a pack
of students round. They run some simple tests:
surge current through the tumor, batter it
with mallets, push a wood-plane across its
pebbled hide and watch a scurf of tumor-
pelt kink loose from it, impale it, strafe it
with lye and napalm. There might be nothing
left in there but a still space surrounded
by a carapace. "This one is nearly
dead," the chief doc says. "What's the cure for that?"
The students know: "Kill it slower, of course."
They sprinkle it with rock salt and move on.
Here on the aging earth the tumor's gone:
My wife is hale, though wary, and why not?
Once you've had cancer, you don't get headaches
anymore, you get brain tumors, at least
until the aspirin kicks in. Her hair's back,
her weight, her appetite. "And what about you?"
friends ask me. First the fear felt like sudden
weightlessness: I couldn't steer and couldn't stay.
I couldn't concentrate: surely my spit would
dry before I could slather a stamp.
I made a list of things to do next day
before I went to bed, slept like a cork,
woke to no more memory of last night's
list than smoke has of fire, made a new list,
began to do the things on it, wept, paced,
berated myself, drove to the hospital,
and brought my wife food from the takeout joints
that ring a hospital as surely as
brothels surround a gold strike. I drove home
rancid with anger at her luck and mine --
anger that filled me the same way nature
hates a vacuum. "This must be hell for you,"
some said. Hell's not other people: Sartre
was wrong about that, too. L'enfer, c'est moi?
I've not got the ego for it. There'd be
no hell if Dante hadn't built a model
of his rage so well, and he contrived to
get exiled from it, for it was Florence.
Why would I live in hell? I love New York.
Some even said the tumor and fierce cure
were harder on the care giver -- yes, they
said "care giver" -- than on the "sick person."
They were wrong who said those things. Of course
I hated it, but some of "it" was me --
the self-pity I allowed myself,
the brave poses I struck. The rest was dire
threat my wife met with moral stubbornness,
terror, rude jokes, nausea, you name it.
No, let her think of its name and never
say it, as if it were the name of God.
|
Written by
Rudyard Kipling |
Written for John Lockwood Kipling's
They killed a Child to please the Gods
In Earth's young penitence,
And I have bled in that Babe's stead
Because of innocence.
I bear the sins of sinful men
That have no sin of my own,
They drive me forth to Heaven's wrath
Unpastured and alone.
I am the meat of sacrifice,
The ransom of man's guilt,
For they give my life to the altar-knife
Wherever shrine is built.
The Goat.
Between the waving tufts of jungle-grass,
Up from the river as the twilight falls,
Across the dust-beclouded plain they pass
On to the village walls.
Great is the sword and mighty is the pen,
But over all the labouring ploughman's blade--
For on its oxen and its husbandmen
An Empire's strength is laid.
The Oxen.
The torn boughs trailing o'er the tusks aslant,
The saplings reeling in the path he trod,
Declare his might--our lord the Elephant,
Chief of the ways of God.
The black bulk heaving where the oxen pant,
The bowed head toiling where the guns careen,
Declare our might--our slave the Elephant,
And servant of the Queen.
The Elephant.
Dark children of the mere and marsh,
Wallow and waste and lea,
Outcaste they wait at the village gate
With folk of low degree.
Their pasture is in no man's land,
Their food the cattle's scorn;
Their rest is mire and their desire
The thicket and the thorn.
But woe to those that break their sleep,
And woe to those that dare
To rouse the herd-bull from his keep,
The wild boar from his lair!
Pigs and Buffaloes.
The beasts are very wise,
Their mouths are clean of lies,
They talk one to the other,
Bullock to bullock's brother
Resting after their labours,
Each in stall with his neighbours.
But man with goad and whip,
Breaks up their fellowship,
Shouts in their silky ears
Filling their soul with fears.
When he has ploughed the land,
He says: "They understand."
But the beasts in stall together,
Freed from the yoke and tether,
Say as the torn flanks smoke:
"Nay, 'twas the whip that spoke."
|
Written by
Ruth Padel |
(published on BLINKING EYE, http://www.blinking-eye.co.uk/writer/padel2.html )
Then spoke the thunder, shattering the looming blackness of our national life. The rumble that breaks a spell of the dry season
– Saro-Wiwa, "The Storm Breaks"
Does a zebra foal dream? Head lower, lower
under lenticular dark cloud,
he drags harlequin fetlocks, porcelain
quails' egg hooflets through pimpling dust,
slower, slower through the silver
rainbow night, this soot and fester
cellar-lighting, electricity of the blue
and evil eye. Night ringed with eyes,
gutter-glow of new-soused theatre,
hyena, leopard, caracal (that caramel cat
with ear tufts, anxious to feed her cubs)
watching the lame foal weakened by drought.
All you know is, that you don't know,
and are afraid. Moonshadow
where the big rocks laugh apart.
Predator-senses. Cilia. Heat detectors
crowd this long auditorium, segment
after segment of the midnight shuffle-plains.
They radar in on bodies, fluids, molecules
of flesh that do not know they glow, they draw.
Let's give him one dream-memory,
a zebra wish fulfilled in dazing plod,
some sheer green wall of sugarcane.
And look - he's made it through
into the bleach and blaze, rose curdling
over indigo and lard, this granult scar
of dawn. One more dawn nearer the water.
Sky blood-taggled, blood-tufted,
rushes over him like a white bowl
at the end of things, the little safe horizon
of a pilot's dial,
an inventory of therapeutic gems.
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Written by
James Wright |
Just off the Highway to Rochester, Minnesota
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
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