Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye."
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye."
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America."
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love."
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
(to be continued)
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Written by
William Topaz McGonagall |
'Twas in the year of 1897, and on the 22nd of June,
Her Majesty's Diamond Jubilee in London caused a great boom;
Because high and low came from afar to see,
The grand celebrations at Her Majesty's Diamond Jubilee.
People were there from almost every foreign land,
Which made the scene really imposing and grand;
Especially the Queen's carriage, drawn by eight coloured bays,
And when the spectators saw it joyous shouts they did raise.
Oh! if was a most gorgeous sight to be seen,
Numerous foreign magnatss were there for to see the queen;
And to the vast multitude there of women and men,
Her Majesty for two hours showed herself to them.
The head of the procession looked very grand -
A party of the Horse Guards with their gold-belaced band;
Which also headed the procession of the Colonial States,
While slowly they rode on until opposite the Palace gates.
Then the sound of the National Anthem was heard quite clear,
And the sound the hearts of the mighty crowd it did cheer;
As they heard the loyal hymning on the morning air,
The scene was most beautiful and surpassing fair.
On the house tops thousands of people were to be seen,
All in eager expectation of seeing the queen;
And all of them seemed to be happy and gay,
Which enhanced the scene during the day.
And when Field Marshal Roberts in the procession passed by,
The cheers from thousands of people arose very high;
And to see him on his war horse was inspiring to see,
Because he rode his charger most splendidly.
The Natal mounted troops were loudly cheered, they looked so grand,
And also the London Irish Emerald Isle Band;
Oh if was a most magnificent sight to see.
The Malta Militia and Artillery,
And the Trinidad Artillery, and also bodies of infantry,
And, as the crowd gazed thereon, it filled their hearts with glee.
Her Majesty looked well considering her years,
And from the vast crowd burst forth joyous cheers;
And Her Majesty bowed to the shouts of acclamation,
And smiled upon the crowd with a loving look of admiration.
His Excellency Chan Yin Hun in his carriage wan a great attraction,
And his Oriental garb seemed to give the people great satisfaction;
While the two little Battenberg's carriage, as it drove along,
Received from the people cheering loud and long.
And when the Dragoon Guards and the Huasars filed past at the walk,
Then loudly in their praise the people did talk;
And the cavalry took forty minutes to trot past,
While the spectators in silent wonder stood aghast.
Her Majesty the Empress Frederick a great sensation made,
She was one of the chief attractions in the whole cavalcade;
And in her carriage was the Princess Louise, the Marchioness of Lorne,
In a beautiful white dress, which did per person adorn.
The scene in Piccadilly caused a great sensation,
The grand decorations there were the theme of admiration;
And the people in St. James Street were taken by surprise,
Because the lovely decorations dazzled their eyes
The 42nd Highlanders looked very fine,
When they appeared and took up a position on the line;
And the magnificent decorations in the Strand,
As far east as the Griffin wets attractive and grand.
And the grandstand from Buckingham Palace to Temple Bar,
Was crowded with eager eyes from afar,
Looking on the floral decorations and flags unfurled,
Which has been the grandest spectacle ever seen in the world.
The corner building of St. James Street side was lovely to view,
Ornamented with pink and white bunting and a screen of blue;
And to the eye, the inscription thereon most beautiful seems:
"Thou art alone the Queen of earthly Queens."
The welcome given to Commander-in-Chief Lord Wolseley was very flattering,
The people cheered him until the streets did ring;
And the foreign princes were watched with rivetted admiration,
And caused among the sight-seers great consternation,
And private householders seemed to vie with each other,
In the lavishness of their decorations, and considered it no bother;
And never before in the memory of man,
Has there been a national celebration so grand.
And in conclusion, I most earnestly do pray,
May God protect Her Majesty for many a day;
My blessing on her noble form and on her lofty head,
And may she wear a crown of glory hereafter when dead.
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