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Best Famous Treating Poems

Here is a collection of the all-time best famous Treating poems. This is a select list of the best famous Treating poetry. Reading, writing, and enjoying famous Treating poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of treating poems.

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Written by Charles Bukowski | Create an image from this poem

A Man

 George was lying in his trailer, flat on his back, watching a small portable T.
V.
His dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash from his rolled cigarettes dropped onto his undershirt.
Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing it away.
There was a knock on the trailer door.
He got slowly to his feet and answered the door.
It was Constance.
She had a fifth of unopened whiskey in a bag.
"George, I left that son of a *****, I couldn't stand that son of a ***** anymore.
" "Sit down.
" George opened the fifth, got two glasses, filled each a third with whiskey, two thirds with water.
He sat down on the bed with Constance.
She took a cigarette out of her purse and lit it.
She was drunk and her hands trembled.
"I took his damn money too.
I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a *****.
" " Lemme have a smoke," said George.
She handed it to him and as she leaned near, George put his arm around her, pulled her over and kissed her.
"You son of a *****," she said, "I missed you.
" "I miss those good legs of yours , Connie.
I've really missed those good legs.
" "You still like 'em?" "I get hot just looking.
" "I could never make it with a college guy," said Connie.
"They're too soft, they're milktoast.
And he kept his house clean.
George , it was like having a maid.
He did it all.
The place was spotless.
You could eat beef stew right off the crapper.
He was antisceptic, that's what he was.
" "Drink up, you'll feel better.
" "And he couldn't make love.
" "You mean he couldn't get it up?" "Oh he got it up, he got it up all the time.
But he didn't know how to make a woman happy, you know.
He didn't know what to do.
All that money, all that education, he was useless.
" "I wish I had a college education.
" "You don't need one.
You have everything you need, George.
" "I'm just a flunkey.
All the **** jobs.
" "I said you have everything you need, George.
You know how to make a woman happy.
" "Yeh?" "Yes.
And you know what else? His mother came around! His mother! Two or three times a week.
And she'd sit there looking at me, pretending to like me but all the time she was treating me like I was a whore.
Like I was a big bad whore stealing her son away from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my pussy, Walter!' And he wouldn't look at my pussy.
He said, 'I don't want to look at that thing.
' That thing! That's what he called it! You're not afraid of my pussy, are you, George?" "It's never bit me yet.
" "But you've bit it, you've nibbled it, haven't you George?" "I suppose I have.
" "And you've licked it , sucked it?" "I suppose so.
" "You know damn well, George, what you've done.
" "How much money did you get?" "Six hundred dollars.
" "I don't like people who rob other people, Connie.
" "That's why you're a fucking dishwasher.
You're honest.
But he's such an ass, George.
And he can afford the money, and I've earned it.
.
.
him and his mother and his love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and breath chasers and after shave lotions and his little hard-ons and his precious love-making.
All for himself, you understand, all for himself! You know what a woman wants, George.
" "Thanks for the whiskey, Connie.
Lemme have another cigarette.
" George filled them up again.
"I missed your legs, Connie.
I've really missed those legs.
I like the way you wear those high heels.
They drive me crazy.
These modern women don't know what they're missing.
The high heel shapes the calf, the thigh, the ass; it puts rythm into the walk.
It really turns me on!" "You talk like a poet, George.
Sometimes you talk like that.
You are one hell of a dishwasher.
" "You know what I'd really like to do?" "What?" "I'd like to whip you with my belt on the legs, the ass, the thighs.
I'd like to make you quiver and cry and then when you're quivering and crying I'd slam it into you pure love.
" "I don't want that, George.
You've never talked like that to me before.
You've always done right with me.
" "Pull your dress up higher.
" "What?" "Pull your dress up higher, I want to see more of your legs.
" "You like my legs, don't you, George?" "Let the light shine on them!" Constance hiked her dress.
"God christ ****," said George.
"You like my legs?" "I love your legs!" Then george reached across the bed and slapped Constance hard across the face.
Her cigarette flipped out of her mouth.
"what'd you do that for?" "You fucked Walter! You fucked Walter!" "So what the hell?" "So pull your dress up higher!" "No!" "Do what I say!" George slapped again, harder.
Constance hiked her skirt.
"Just up to the panties!" shouted George.
"I don't quite want to see the panties!" "Christ, george, what's gone wrong with you?" "You fucked Walter!" "George, I swear, you've gone crazy.
I want to leave.
Let me out of here, George!" "Don't move or I'll kill you!" "You'd kill me?" "I swear it!" George got up and poured himself a shot of straight whiskey, drank it, and sat down next to Constance.
He took the cigarette and held it against her wrist.
She screamed.
HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?" "I know you're a man , George.
" "Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!" Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George.
" "I'm a man.
I'm a dishwasher but I'm a man, a real man.
" "I know it, George.
" "I'm not the milkshit you left.
" "I know it.
" "And I can sing, too.
You ought to hear my voice.
" Constance sat there.
George began to sing.
He sang "Old man River.
" Then he sang "Nobody knows the trouble I've seen.
" He sang "The St.
Louis Blues.
" He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance.
He said, "Connie, you have beautiful legs.
" He asked for another cigarette.
He smoked it, drank two more drinks, then put his head down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with that cigarette.
" Constance sat there.
She ran her fingers through George's hair, stroking him, soothing him.
Soon he was asleep.
She waited a while longer.
Then she lifted his head and placed it on the pillow, lifted his legs and straightened them out on the bed.
She stood up, walked to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and drank it sown.
She walked to the trailer door, pulled it open, stepped out, closed it.
She walked through the backyard, opened the fence gate, walked up the alley under the one o'clock moon.
The sky was clear of clouds.
The same skyful of clouds was up there.
She got out on the boulevard and walked east and reached the entrance of The Blue Mirror.
She walked in, and there was Walter sitting alone and drunk at the end of the bar.
She walked up and sat down next to him.
"Missed me, baby?" she asked.
Walter looked up.
He recognized her.
He didn't answer.
He looked at the bartender and the bartender walked toward them They all knew eachother.


Written by Andrew Barton Paterson | Create an image from this poem

A Dogs Mistake

 He had drifted in among us as a straw drifts with the tide, 
He was just a wand'ring mongrel from the weary world outside; 
He was not aristocratic, being mostly ribs and hair, 
With a hint of spaniel parents and a touch of native bear.
He was very poor and humble and content with what he got, So we fed him bones and biscuits, till he heartened up a lot; Then he growled and grew aggressive, treating orders with disdain, Till at last he bit the butcher, which would argue want of brain.
Now the butcher, noble fellow, was a sport beyond belief, And instead of bringing actions he brought half a shin of beef, Which he handed on to Fido, who received it as a right And removed it to the garden, where he buried it at night.
'Twas the means of his undoing, for my wife, who'd stood his friend, To adopt a slang expression, "went in off the deepest end", For among the pinks and pansies, the gloxinias and the gorse He had made an excavation like a graveyard for a horse.
Then we held a consultation which decided on his fate: 'Twas in anger more than sorrow that we led him to the gate, And we handed him the beef-bone as provision for the day, Then we opened wide the portal and we told him, "On your way.
"
Written by Derek Walcott | Create an image from this poem

Koening Of The River

 Koening knew now there was no one on the river.
Entering its brown mouth choking with lilies and curtained with midges, Koenig poled the shallop past the abandoned ferry and the ferry piles coated with coal dust.
Staying aboard, he saw, up in a thick meadow, a sand-colored mule, untethered, with no harness, and no signs of habitation round the ruined factory wheel locked hard in rust, and through whose spokes the vines of wild yam leaves leant from overweight; the wild bananas in the yellowish sunlight were dugged like aching cows with unmilked fruit.
This was the last of the productive mines.
Only the vegetation here looked right.
A crab of pain scuttled shooting up his foot and fastened on his neck, at the brain's root.
He felt his reason curling back like parchment in this fierce torpor.
Well, he no longer taxed and tired what was left of his memory; he should thank heaven he had escaped the sea, and anyway, he had demanded to be sent here with the others - why get this river vexed with his complaints? Koenig wanted to sing, suddenly, if only to keep the river company - this was a river, and Koenig, his name meant King.
They had all caught the missionary fever: they were prepared to expiate the sins os savages, to tame them as he would tame this river subtly, as it flowed, accepting its bends; he had seen how other missionaries met their ends - swinging in the wind, like a dead clapper when a bell is broken, if that sky was a bell - for treating savages as if they were men, and frightening them with talk of Heaven and Hell.
But I have forgotten our journey's origins, mused Koenig, and our purpose.
He knew it was noble, based on some phrase, forgotten, from the Bible, but he felt bodiless, like a man stumbling from the pages of a novel, not a forest, written a hundred years ago.
He stroked his uniform, clogged with the hooked burrs that had tried to pull him, like the other drowning hands whom his panic abandoned.
The others had died, like real men, by death.
I, Koenig, am a ghost, ghost-king of rivers.
Well, even ghosts must rest.
If he knew he was lost he was not lost.
It was when you pretended that you were a fool.
He banked and leaned tiredly on the pole.
If I'm a character called Koenig, then I shall dominate my future like a fiction in which there is a real river and real sky, so I'm not really tired, and should push on.
The lights between the leaves were beautiful, and, as in that far life, now he was grateful for any pool of light between the dull, usual clouds of life: a sunspot haloed his tonsure; silver and copper coins danced on the river; his head felt warm - the light danced on his skull like a benediction.
Koenig closed his eyes, and he felt blessed.
It made direction sure.
He leant on the pole.
He must push on some more.
He said his name.
His voice sounded German, then he said "river", but what was German if he alone could hear it? Ich spreche Deutsch sounded as genuine as his name in English, Koenig in Deutsch, and, in English, King.
Did the river want to be called anything? He asked the river.
The river said nothing.
Around the bend the river poured its silver like some remorseful mine, giving and giving everything green and white: white sky, white water, and the dull green like a drumbeat of the slow-sliding forest, the green heat; then, on some sandbar, a mirage ahead: fabric of muslin sails, spiderweb rigging, a schooner, foundered on black river mud, was rising slowly up from the riverbed, and a top-hatted native reading an inverted newspaper.
"Where's our Queen?" Koenig shouted.
"Where's our Kaiser?" The ****** disappeared.
Koenig felt that he himself was being read like the newspaper or a hundred-year-old novel.
"The Queen dead! Kaiser dead!" the voices shouted.
And it flashed through him those trunks were not wood but that the ghosts of slaughtered Indians stood there in the mangrroves, their eyes like fireflies in the green dark, and that like hummingbirds they sailed rather than ran between the trees.
The river carried him past his shouted words.
The schooner had gone down without a trace.
"There was a time when we ruled everything," Koenig sang to his corrugated white reflection.
"The German Eagle and the British Lion, we ruled worlds wider than this river flows, worlds with dyed elephants, with tassled howdahs, tigers that carried the striped shade when they rose from their palm coverts; men shall not see these days again; our flags sank with the sunset on the dhows of Egypt; we ruled rivers as huge as the Nile, the Ganges, and the Congo, we tamed, we ruled you when our empires reached their blazing peak.
" This was a small creek somewhere in the world, never mind where - victory was in sight.
Koenig laughed and spat in the brown creek.
The mosquitoes now were singing to the night that rose up from the river, the fog uncurled under the mangroves.
Koenig clenched each fist around his barge-pole scepter, as a mist rises from the river and the page goes white.
Written by Anne Kingsmill Finch | Create an image from this poem

t of the Fifth Scene in the Second Act of Athalia

 Enter, as in the Temple of Jerusalem,
ATHALIA, MATHAN, ABNER

[Mathan]
WHY, to our Wonder, in this Place is seen, 
Thus discompos'd, and alter'd, Juda's Queen? 
May we demand, what Terrors seize your Breast, 
Or, why your Steps are to this House addrest, 
Where your unguarded Person stands expos'd 
To secret Foes, within its Walls inclos'd? 
Can it be thought that you remit that Hate? 


[Athalia]
No more! but Both observe what I relate: 
Not, that I mean (recalling Times of Blood) 
To make you Judges of the Paths I trod, 
When to the empty'd Throne I boldly rose, 
Treating all Intercepters as my Foes.
'Twas Heav'ns Decree, that I should thus succeed, Whose following Favour justifies the Deed, Extending my unlimited Command From Sea to Sea o'er the obedient Land: Whilst your Jerusalem all Peace enjoys, Nor now the' encroaching Philistine destroys, Nor wandring Arab his Pavilion spreads, Near Jordan's Banks, nor wastes his flow'ry Meads.
The great Assyrian, Terror of your Kings, Who bought his Friendship with their holiest Things, Yields that a Sister, of his pow'rful Race, Should sway these Realms, and dignify the Place.
Nor need we add the late insulting Foe, The furious Jehu does this Sceptre know, And sinks beneath the Load of conscious Fears, When in Samaria he my Actions hears.
Distrest by Foes, which I've against him rais'd, He sees me unmolested, fix'd, and pleas'd; At least, till now thus glorious was my State; But something's threatned from relaxing Fate, And the last Night, which should have brought me Rest, Has all these great Ideas dispossest.
A Dream, a Vision, an apparent View Of what, methinks, does still my Steps pursue, Hangs on my pensive Heart, and bears it down More than the weight of an objected Crown, My Mother (be the Name with Rev'rence spoke!) Ere chearful Day thro' horrid Shades had broke, Approach'd my Bed, magnificent her Dress, Her Shape, her Air did Jesabel confess: Nor seem'd her Face to have refus'd that Art, Which, in despight of Age, does Youth impart, And which she practis'd, scorning to decay, Or to be vanquish'd ev'n in Nature's way.
Thus all array'd, in such defying Pride As when th' injurious Conqu'ror she descry'd, And did in height of Pow'r for ill-got Pow'r deride.
To me she spake, these Accents to me came: "Thou worthy Daughter of my soaring Fame, "Tho' with a more transcendent Spirit fill'd, "Tho' struggling Pow'rs attempt thy Life to shield, "The Hebrew's God (Oh, tremble at the sound!) "Shall Thee and Them, and all their Rights confound.
A pitying Groan concludes, no Word of Aid.
My Arms I thought to throw about the Shade Of that lov'd Parent, but my troubled Sight No more directed them to aim aright, Nor ought presented, but a heap of Bones, For which fierce Dogs contended on the Stones, With Flakes of mangled Flesh, that quiv'ring still Proclaim'd the Freshness of the suffer'd Ill; Distain'd with Blood the Pavement, and the Wall, Appear'd as in that memorable Fall– [Abner] Oh! just avenging Heaven!– [aside.
[Mathan] Sure, Dreams like these are for Prevention given.
Written by Walt Whitman | Create an image from this poem

To a Historian

 YOU who celebrate bygones! 
Who have explored the outward, the surfaces of the races—the life that has
 exhibited itself; 
Who have treated of man as the creature of politics, aggregates, rulers and
 priests; 
I, habitan of the Alleghanies, treating of him as he is in himself, in his own
 rights, 
Pressing the pulse of the life that has seldom exhibited itself, (the great
 pride of man in himself;)
Chanter of Personality, outlining what is yet to be, 
I project the history of the future.


Written by Omar Khayyam | Create an image from this poem

These potters who constantly plunge their fingers into

These potters who constantly plunge their fingers into
the clay, who employ all their mind, all their intelligence,
all their faculties to mould it, even to the crushing of
it with their feet and striking with their hands, of what
think they? It is the same clay as the human body that
they are treating thus.
Written by Omar Khayyam | Create an image from this poem

These hypocrites who build on saintly show,

These hypocrites who build on saintly show,
Treating the body as the spirit's foe,
If they will shut their mouths with lime, like jars,
My jar of grape-juice I will then forego.

Book: Shattered Sighs