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Best Famous Trade Poems

Here is a collection of the all-time best famous Trade poems. This is a select list of the best famous Trade poetry. Reading, writing, and enjoying famous Trade poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of trade poems.

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Written by Maya Angelou | Create an image from this poem

I Know Why The Caged Bird Sings

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.
But a bird that stalks down his narrow cage can seldom see through his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with fearful trill of the things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom The free bird thinks of another breeze and the trade winds soft through the sighing trees and the fat worms waiting on a dawn-bright lawn and he names the sky his own.
But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.


Written by Emily Dickinson | Create an image from this poem

A light exists in spring

A light exists in spring
   Not present on the year
At any other period.
When March is scarcely here A color stands abroad On solitary hills That science cannot overtake, But human nature feels.
It waits upon the lawn; It shows the furthest tree Upon the furthest slope we know; It almost speaks to me.
Then, as horizons step, Or noons report away, Without the formula of sound, It passes, and we stay: A quality of loss Affecting our content, As trade had suddenly encroached Upon a sacrament.
Written by John Masefield | Create an image from this poem

A Ballad of John Silver

 We were schooner-rigged and rakish, 
with a long and lissome hull, 
And we flew the pretty colours of the crossbones and the skull; 
We'd a big black Jolly Roger flapping grimly at the fore, 
And we sailed the Spanish Water in the happy days of yore.
We'd a long brass gun amidships, like a well-conducted ship, We had each a brace of pistols and a cutlass at the hip; It's a point which tells against us, and a fact to be deplored, But we chased the goodly merchant-men and laid their ships aboard.
Then the dead men fouled the scuppers and the wounded filled the chains, And the paint-work all was spatter dashed with other peoples brains, She was boarded, she was looted, she was scuttled till she sank.
And the pale survivors left us by the medium of the plank.
O! then it was (while standing by the taffrail on the poop) We could hear the drowning folk lament the absent chicken coop; Then, having washed the blood away, we'd little else to do Than to dance a quiet hornpipe as the old salts taught us to.
O! the fiddle on the fo'c'sle, and the slapping naked soles, And the genial "Down the middle, Jake, and curtsey when she rolls!" With the silver seas around us and the pale moon overhead, And the look-out not a-looking and his pipe-bowl glowing red.
Ah! the pig-tailed, quidding pirates and the pretty pranks we played, All have since been put a stop to by the naughty Board of Trade; The schooners and the merry crews are laid away to rest, A little south the sunset in the islands of the Blest.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.
Written by Dylan Thomas | Create an image from this poem

Poem On His Birthday

 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.
Under and round him go Flounders, gulls, on their cold, dying trails, Doing what they are told, Curlews aloud in the congered waves Work at their ways to death, And the rhymer in the long tongued room, Who tolls his birthday bell, Toils towards the ambush of his wounds; Herons, steeple stemmed, bless.
In the thistledown fall, He sings towards anguish; finches fly In the claw tracks of hawks On a seizing sky; small fishes glide Through wynds and shells of drowned Ship towns to pastures of otters.
He In his slant, racking house And the hewn coils of his trade perceives Herons walk in their shroud, The livelong river's robe Of minnows wreathing around their prayer; And far at sea he knows, Who slaves to his crouched, eternal end Under a serpent cloud, Dolphins dive in their turnturtle dust, The rippled seals streak down To kill and their own tide daubing blood Slides good in the sleek mouth.
In a cavernous, swung Wave's silence, wept white angelus knells.
Thirty-five bells sing struck On skull and scar where his loves lie wrecked, Steered by the falling stars.
And to-morrow weeps in a blind cage Terror will rage apart Before chains break to a hammer flame And love unbolts the dark And freely he goes lost In the unknown, famous light of great And fabulous, dear God.
Dark is a way and light is a place, Heaven that never was Nor will be ever is always true, And, in that brambled void, Plenty as blackberries in the woods The dead grow for His joy.
There he might wander bare With the spirits of the horseshoe bay Or the stars' seashore dead, Marrow of eagles, the roots of whales And wishbones of wild geese, With blessed, unborn God and His Ghost, And every soul His priest, Gulled and chanter in young Heaven's fold Be at cloud quaking peace, But dark is a long way.
He, on the earth of the night, alone With all the living, prays, Who knows the rocketing wind will blow The bones out of the hills, And the scythed boulders bleed, and the last Rage shattered waters kick Masts and fishes to the still quick starts, Faithlessly unto Him Who is the light of old And air shaped Heaven where souls grow wild As horses in the foam: Oh, let me midlife mourn by the shrined And druid herons' vows The voyage to ruin I must run, Dawn ships clouted aground, Yet, though I cry with tumbledown tongue, Count my blessings aloud: Four elements and five Senses, and man a spirit in love Tangling through this spun slime To his nimbus bell cool kingdom come And the lost, moonshine domes, And the sea that hides his secret selves Deep in its black, base bones, Lulling of spheres in the seashell flesh, And this last blessing most, That the closer I move To death, one man through his sundered hulks, The louder the sun blooms And the tusked, ramshackling sea exults; And every wave of the way And gale I tackle, the whole world then, With more triumphant faith That ever was since the world was said, Spins its morning of praise, I hear the bouncing hills Grow larked and greener at berry brown Fall and the dew larks sing Taller this thunderclap spring, and how More spanned with angles ride The mansouled fiery islands! Oh, Holier then their eyes, And my shining men no more alone As I sail out to die.


Written by Kathleen Raine | Create an image from this poem

Millenial Hymn to Lord Shiva

 Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?

Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s blind progress in wrong courses through wrong choices has brought us to nightmare where what seems, is, to the dreamer, the collective mind of the twentieth century — this world of wonders not divine creation but a big bang of blind chance, purposeless accident, mother earth’s children, their living and loving, their delight in being not joy but chemistry, stimulus, reflex, valueless, meaningless, while to our machines we impute intelligence, in computers and robots we store information and call it knowledge, we seek guidance by dialling numbers, pressing buttons, throwing switches, in place of family our companions are shadows, cast on a screen, bodiless voices, fleshless faces, where was the Garden a Disney-land of virtual reality, in place of angels the human imagination is peopled with foot-ballers film-stars, media-men, experts, know-all television personalities, animated puppets with cartoon faces — To whom can we pray for release from illusion, from the world-cave, but Time the destroyer, the liberator, the purifier? The curse of Midas has changed at a touch, a golden handshake earthly paradise to lifeless matter, where once was seed-time, summer and winter, food-chain, factory farming, monocrops for supermarkets, pesticides, weed-killers birdless springs, endangered species, battery-hens, hormone injections, artificial insemination, implants, transplants, sterilization, surrogate births, contraception, cloning, genetic engineering, abortion, and our days shall be short in the land we have sown with the Dragon’s teeth where our armies arise fully armed on our killing-fields with land-mines and missiles, tanks and artillery, gas-masks and body-bags, our air-craft rain down fire and destruction, our space-craft broadcast lies and corruption, our elected parliaments parrot their rhetoric of peace and democracy while the truth we deny returns in our dreams of Armageddon, the death-wish, the arms-trade, hatred and slaughter profitable employment of our thriving cities, the arms-race to the end of the world of our postmodern, post-Christian, post-human nations, progress to the nihil of our spent civilization.
But cause and effect, just and inexorable law of the universe no fix of science, nor amenable god can save from ourselves the selves we have become — At the end of history to whom can we pray but to the destroyer, the liberator, the purifier? In the beginning the stars sang together the cosmic harmony, but Time, imperceptible taker-away of all that has been, all that will be, our heart-beat your drum, our dance of life your dance of death in the crematorium, our high-rise dreams, Valhalla, Utopia, Xanadu, Shangri-la, world revolution Time has taken, and soon will be gone Cambridge, Princeton and M.
I.
T.
, Nalanda, Athens and Alexandria all for the holocaust of civilization — To whom shall we pray when our vision has faded but the world-destroyer, the liberator, the purifier? But great is the realm of the world-creator, the world-sustainer from whom we come, in whom we move and have our being, about us, within us the wonders of wisdom, the trees and the fountains, the stars and the mountains, all the children of joy, the loved and the known, the unknowable mystery to whom we return through the world-destroyer, — Holy, holy at the end of the world the purging fire of the purifier, the liberator!
Written by Walt Whitman | Create an image from this poem

To You

 WHOEVER you are, I fear you are walking the walks of dreams, 
I fear these supposed realities are to melt from under your feet and hands; 
Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume,
 crimes, dissipate away from you, 
Your true Soul and Body appear before me, 
They stand forth out of affairs—out of commerce, shops, law, science, work, forms,
 clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying.
Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you.
O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you.
I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself.
Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever.
O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside.
There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you.
As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you.
Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution.
The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Written by Frank Bidart | Create an image from this poem

California Plush

 The only thing I miss about Los Angeles

is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing

--pimps, surplus stores, footprints of the stars

--descending through the city
 fast as the law would allow

through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep

 and you on top; the air
 now clean, for a moment weightless

 without memories, or
 need for a past.
The need for the past is so much at the center of my life I write this poem to record my discovery of it, my reconciliation.
It was in Bishop, the room was done in California plush: we had gone into the coffee shop, were told you could only get a steak in the bar: I hesitated, not wanting to be an occasion of temptation for my father but he wanted to, so we entered a dark room, with amber water glasses, walnut tables, captain's chairs, plastic doilies, papier-mâché bas-relief wall ballerinas, German memorial plates "bought on a trip to Europe," Puritan crosshatch green-yellow wallpaper, frilly shades, cowhide booths-- I thought of Cambridge: the lovely congruent elegance of Revolutionary architecture, even of ersatz thirties Georgian seemed alien, a threat, sign of all I was not-- to bode order and lucidity as an ideal, if not reality-- not this California plush, which also I was not.
And so I made myself an Easterner, finding it, after all, more like me than I had let myself hope.
And now, staring into the embittered face of my father, again, for two weeks, as twice a year, I was back.
The waitress asked us if we wanted a drink.
Grimly, I waited until he said no.
.
.
Before the tribunal of the world I submit the following document: Nancy showed it to us, in her apartment at the model, as she waited month by month for the property settlement, her children grown and working for their father, at fifty-three now alone, a drink in her hand: as my father said, "They keep a drink in her hand": Name Wallace du Bois Box No 128 Chino, Calif.
Date July 25 ,19 54 Mr Howard Arturian I am writing a letter to you this afternoon while I'm in the mood of writing.
How is everything getting along with you these fine days, as for me everything is just fine and I feel great except for the heat I think its lot warmer then it is up there but I don't mind it so much.
I work at the dairy half day and I go to trade school the other half day Body & Fender, now I am learning how to spray paint cars I've already painted one and now I got another car to paint.
So now I think I've learned all I want after I have learned all this.
I know how to straighten metals and all that.
I forgot to say "Hello" to you.
The reason why I am writing to you is about a job, my Parole Officer told me that he got letter from and that you want me to go to work for you.
So I wanted to know if its truth.
When I go to the Board in Feb.
I'll tell them what I want to do and where I would like to go, so if you want me to work for you I'd rather have you sent me to your brother John in Tonapah and place to stay for my family.
The Old Lady says the same thing in her last letter that she would be some place else then in Bishop, thats the way I feel too.
and another thing is my drinking problem.
I made up my mind to quit my drinking, after all what it did to me and what happen.
This is one thing I'll never forget as longs as I live I never want to go through all this mess again.
This sure did teach me lot of things that I never knew before.
So Howard you can let me know soon as possible.
I sure would appreciate it.
P.
S From Your Friend I hope you can read my Wally Du Bois writing.
I am a little nervous yet --He and his wife had given a party, and one of the guests was walking away just as Wallace started backing up his car.
He hit him, so put the body in the back seat and drove to a deserted road.
There he put it before the tires, and ran back and forth over it several times.
When he got out of Chino, he did, indeed, never do that again: but one child was dead, his only son, found with the rest of the family immobile in their beds with typhoid, next to the mother, the child having been dead two days: he continued to drink, and as if it were the Old West shot up the town a couple of Saturday nights.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" It seems to me an emblem of Bishop-- For watching the room, as the waitresses in their back-combed, Parisian, peroxided, bouffant hairdos, and plastic belts, moved back and forth I thought of Wallace, and the room suddenly seemed to me not uninteresting at all: they were the same.
Every plate and chair had its congruence with all the choices creating these people, created by them--by me, for this is my father's chosen country, my origin.
Before, I had merely been anxious, bored; now, I began to ask a thousand questions.
.
.
He was, of course, mistrustful, knowing I was bored, knowing he had dragged me up here from Bakersfield after five years of almost managing to forget Bishop existed.
But he soon became loquacious, ordered a drink, and settled down for an afternoon of talk.
.
.
He liked Bishop: somehow, it was to his taste, this hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond.
" And he was: when they came to shoot a film, he entertained them; Miss A--, who wore nothing at all under her mink coat; Mr.
M--, good horseman, good shot.
"But when your mother let me down" (for alcoholism and infidelity, she divorced him) "and Los Angeles wouldn't give us water any more, I had to leave.
We were the first people to grow potatoes in this valley.
" When he began to tell me that he lost control of the business because of the settlement he gave my mother, because I had heard it many times, in revenge, I asked why people up here drank so much.
He hesitated.
"Bored, I guess.
--Not much to do.
" And why had Nancy's husband left her? In bitterness, all he said was: "People up here drink too damn much.
" And that was how experience had informed his life.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" Yet, as my mother said, returning, as always, to the past, "I wouldn't change any of it.
It taught me so much.
Gladys is such an innocent creature: you look into her face and somehow it's empty, all she worries about are sales and the baby.
her husband's too good!" It's quite pointless to call this rationalization: my mother, for uncertain reasons, has had her bout with insanity, but she's right: the past in maiming us, makes us, fruition is also destruction: I think of Proust, dying in a cork-linked room, because he refuses to eat because he thinks that he cannot write if he eats because he wills to write, to finish his novel --his novel which recaptures the past, and with a kind of joy, because in the debris of the past, he has found the sources of the necessities which have led him to this room, writing --in this strange harmony, does he will for it to have been different? And I can't not think of the remorse of Oedipus, who tries to escape, to expiate the past by blinding himself, and then, when he is dying, sees that he has become a Daimon --does he, discovering, at last, this cruel coherence created by "the order of the universe" --does he will anything reversed? I look at my father: as he drinks his way into garrulous, shaky defensiveness, the debris of the past is just debris--; whatever I reason, it is a desolation to watch.
.
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must I watch? He will not change; he does not want to change; every defeated gesture implies the past is useless, irretrievable.
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--I want to change: I want to stop fear's subtle guidance of my life--; but, how can I do that if I am still afraid of its source?
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Gerard Manley Hopkins | Create an image from this poem

Gods Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed.
Why do men then now not reck his rod? Generations have trod, have trod, have trod; And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.

Book: Shattered Sighs