Best Famous Toothsome Poems

Here is a collection of the all-time best famous Toothsome poems. This is a select list of the best famous Toothsome poetry. Reading, writing, and enjoying famous Toothsome poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of toothsome poems.

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Written by Victor Hugo | Create an image from this poem

Marriage And Feasts

 ("La salle est magnifique.") 
 
 {IV. Aug. 23, 1839.} 


 The hall is gay with limpid lustre bright— 
 The feast to pampered palate gives delight— 
 The sated guests pick at the spicy food, 
 And drink profusely, for the cheer is good; 
 And at that table—where the wise are few— 
 Both sexes and all ages meet the view; 
 The sturdy warrior with a thoughtful face— 
 The am'rous youth, the maid replete with grace, 
 The prattling infant, and the hoary hair 
 Of second childhood's proselytes—are there;— 
 And the most gaudy in that spacious hall, 
 Are e'er the young, or oldest of them all 
 Helmet and banner, ornament and crest, 
 The lion rampant, and the jewelled vest, 
 The silver star that glitters fair and white, 
 The arms that tell of many a nation's might— 
 Heraldic blazonry, ancestral pride, 
 And all mankind invents for pomp beside, 
 The wingèd leopard, and the eagle wild— 
 All these encircle woman, chief and child; 
 Shine on the carpet burying their feet, 
 Adorn the dishes that contain their meat; 
 And hang upon the drapery, which around 
 Falls from the lofty ceiling to the ground, 
 Till on the floor its waving fringe is spread, 
 As the bird's wing may sweep the roses' bed.— 
 
 Thus is the banquet ruled by Noise and Light, 
 Since Light and Noise are foremost on the site. 
 
 The chamber echoes to the joy of them 
 Who throng around, each with his diadem— 
 Each seated on proud throne—but, lesson vain! 
 Each sceptre holds its master with a chain! 
 Thus hope of flight were futile from that hall, 
 Where chiefest guest was most enslaved of all! 
 The godlike-making draught that fires the soul 
 The Love—sweet poison-honey—past control, 
 (Formed of the sexual breath—an idle name, 
 Offspring of Fancy and a nervous frame)— 
 Pleasure, mad daughter of the darksome Night, 
 Whose languid eye flames when is fading light— 
 The gallant chases where a man is borne 
 By stalwart charger, to the sounding horn— 
 The sheeny silk, the bed of leaves of rose, 
 Made more to soothe the sight than court repose; 
 The mighty palaces that raise the sneer 
 Of jealous mendicants and wretches near— 
 The spacious parks, from which horizon blue 
 Arches o'er alabaster statues new; 
 Where Superstition still her walk will take, 
 Unto soft music stealing o'er the lake— 
 The innocent modesty by gems undone— 
 The qualms of judges by small brib'ry won— 
 The dread of children, trembling while they play— 
 The bliss of monarchs, potent in their sway— 
 The note of war struck by the culverin, 
 That snakes its brazen neck through battle din— 
 The military millipede 
 That tramples out the guilty seed— 
 The capital all pleasure and delight— 
 And all that like a town or army chokes 
 The gazer with foul dust or sulphur smokes. 
 The budget, prize for which ten thousand bait 
 A subtle hook, that ever, as they wait 
 Catches a weed, and drags them to their fate, 
 While gleamingly its golden scales still spread— 
 Such were the meats by which these guests were fed. 
 
 A hundred slaves for lazy master cared, 
 And served each one with what was e'er prepared 
 By him, who in a sombre vault below, 
 Peppered the royal pig with peoples' woe, 
 And grimly glad went laboring till late— 
 The morose alchemist we know as Fate! 
 That ev'ry guest might learn to suit his taste, 
 Behind had Conscience, real or mock'ry, placed; 
 Conscience a guide who every evil spies, 
 But royal nurses early pluck out both his eyes! 
 
 Oh! at the table there be all the great, 
 Whose lives are bubbles that best joys inflate! 
 Superb, magnificent of revels—doubt 
 That sagest lose their heads in such a rout! 
 In the long laughter, ceaseless roaming round, 
 Joy, mirth and glee give out a maelström's sound; 
 And the astonished gazer casts his care, 
 Where ev'ry eyeball glistens in the flare. 
 
 But oh! while yet the singing Hebes pour 
 Forgetfulness of those without the door— 
 At very hour when all are most in joy, 
 And the hid orchestra annuls annoy, 
 Woe—woe! with jollity a-top the heights, 
 With further tapers adding to the lights, 
 And gleaming 'tween the curtains on the street, 
 Where poor folks stare—hark to the heavy feet! 
 Some one smites roundly on the gilded grate, 
 Some one below will be admitted straight, 
 Some one, though not invited, who'll not wait! 
 Close not the door! Your orders are vain breath— 
 That stranger enters to be known as Death— 
 Or merely Exile—clothed in alien guise— 
 Death drags away—with his prey Exile flies! 
 
 Death is that sight. He promenades the hall, 
 And casts a gloomy shadow on them all, 
 'Neath which they bend like willows soft, 
 Ere seizing one—the dumbest monarch oft, 
 And bears him to eternal heat and drouth, 
 While still the toothsome morsel's in his mouth. 
 
 G.W.M. REYNOLDS. 


 





Written by Lewis Carroll | Create an image from this poem

Tema con Variazioni

 Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase. 

For truly, just as the genuine Epicure lingers lovingly over a 
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also - 


I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH? 

To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL! 

But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE 

And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
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