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Best Famous Time Is Ripe Poems

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Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes.
" "Alas! it's true," said Tam MacCall.
"The young folk of to-day Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew, To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak: His name is Jock MacPherson, and he lives on Boulder Creek; An old-time hard-rock miner, and a wild and wastrel loon, Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night We'll proudly hear the pipes to cheer and charm our appetite.
Oh lads were neat and lassies sweet who graced Saint Andrew's Ball; But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit, He smiled a smile behind his hand, and chuckled: "Wait a bit.
" And so with many a Celtic snort, with malice in his eye, He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar, Wherein there sat a tartaned chiel, as lonely as a star; A huge and hairy Highlandman as hearty as a breeze, A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall; "The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore, For the glory of the Highlands, lad, you've got to hold the floor.
" The dancers were at supper, and the tables groaned with cheer, When President MacConnachie exclaimed: "What do I hear? Methinks it's like a chanter, and its coming from the hall.
" "It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North.
" Aye, all the lads and lassies braw went buzzing out like bees, And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye, With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all: "And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee, And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt, By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes: "Does the Piper walk to get away from all the noise he makes?" Then reinforced with fancy food they slowly trickled forth, And watching in patronizing mood the Piper of the North.
Proud, proud was Jock MacPherson, as he made his bag-pipes skirl, And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea, And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall; We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high, Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor; Aye, Jock MacPherson played as he had never played before.
Maloney's Irish melodists were sitting in their place, And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand If he could get MacPherson as a member of his band? But the dancers moped and mumbled, as around the room they sat: "We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff; But it's mighty satisfying - don't you think we've had enough?" "You've raised a pretty problem," answered Treasurer MacCall; "For on Saint Andrew's Night, ye ken, the Piper rules the Ball.
" Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out.
Have patience; bide a wee.
" "That's right.
Respect the Piper," said the Scottish Commy-tee.
And so MacPherson stalked the floor, and fast the moments flew, Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set, They hailed Maloney, heading his Hibernian Quartette: "It's long enough, we've waited.
Come on, Mike, play up the Blues.
" And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone Contended with the shrilling of the chanter and the drone; And the women's ears were muffled, so infernal was the din, But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown, But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar, The gates of wrath were riven - yet MacPherson held the floor.
Aye, amid the rising tumult, still he strode with head on high, With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride, While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see, Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed: "Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray MacPherson towered in triumph - and he never ceased to play.
Alas! his faithful followers were but a gallant few, And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall, And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about, It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore, As resolute as Highland rock - MacPherson held the floor.
Maloney watched the battle, and his brows were bleakly set, While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart, For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt: "And shall we see them crush," he roared, "a brother and a Celt? A fellow artiste needs our aid.
Come on, boys, take a hand.
" Then down into the mêlée dashed Maloney and his band.
Now though it was Saint Andrew's Ball, yet men of every race, That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!" Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray, To the Shamrock and the Thistle went the glory of the day.
You should have seen the carnage in the drooling light of dawn, Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high, And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask, Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?" MacPherson grinned and answered: "Hoots! She's only ha'f begun.
" Aye, though his hands were bloody, and his knees were gay with gore, A Grampian of Highland pride - MacPherson held the floor.
And still in Yukon valleys where the silent peaks look down, They tell of how the Piper was invited up to town, And he went in kilted glory, and he piped before them all, But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on, With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray, And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er- How the Sassenach was vanquished and - MacPherson held the floor.


Written by Bliss Carman | Create an image from this poem

A Creature Catechism

 I
Soul, what art thou in the tribes of the sea?


LORD, said a flying fish, 
Below the foundations of storm 
We feel the primal wish 
Of the earth take form.
Through the dim green water-fire We see the red sun loom, And the quake of a new desire Takes hold on us down in the gloom.
No more can the filmy drift Nor draughty currents buoy Our whim to its bent, nor lift Our heart to the height of its joy.
When sheering down to the Line Come polar tides from the North, Thy silver folk of the brine Must glimmer and forth.
Down in the crumbling mill Grinding eternally, We are the type of thy will To the tribes of the sea.
II Soul, what art thou in the tribes of the air Lord, said a butterfly, Out of a creeping thing, For days in the dust put by, The spread of a wing Emerges with pulvil of gold On a tissue of green and blue, And there is thy purpose of old Unspoiled and fashioned anew.
Ephemera, ravellings of sky And shreds of the Northern light, We age in a heart-beat and die Under the eaves of night.
What if the small breath quail, Or cease at a touch of the frost? Not a tremor of joy shall fail, Nor a pulse be lost.
This fluttering life, never still, Survives to oblivion’s despair.
We are the type of thy will To the tribes of the air.
III Soul, what art thou in the tribes of the field? Lord, said a maple seed, Though well we are wrapped and bound, We are the first to give heed, When thy bugles give sound.
We banner thy House of the Hills With green and vermilion and gold, When the floor of April thrills With the myriad stir of the mould, And her hosts for migration prepare.
We too have the veined twin-wings, Vans for the journey of air.
With the urge of a thousand springs Pent for a germ in our side, We perish of joy, being dumb, That our race may be and abide For aeons to come.
When rivulet answers to rill In snow-blue valleys unsealed, We are the type of thy will To the tribes of the field.
IV Soul, what art thou in the tribes of the ground? Lord, when the time is ripe, Said a frog through the quiet rain, We take up the silver pipe For the pageant again.
When the melting wind of the South Is over meadow and pond, We draw the breath of thy mouth, Reviving the ancient bond.
Then must we fife and declare The unquenchable joy of earth,— Testify hearts still dare, Signalize beauty’s worth.
Then must we rouse and blow On the magic reed once more, Till the glad earth-children know Not a thing to deplore.
When rises the marshy trill To the soft spring night’s profound, We are the type of thy will To the tribes of the ground.
V Soul, what art thou in the tribes of the earth? Lord, said an artist born, We leave the city behind For the hills of open morn, For fear of our kind.
Our brother they nailed to a tree For sedition; they bully and curse All those whom love makes free.
Yet the very winds disperse Rapture of birds and brooks, Colours of sea and cloud,— Beauty not learned of books, Truth that is never loud.
We model our joy into clay, Or help it with line and hue, Or hark for its breath in stray Wild chords and new.
For to-morrow can only fulfil Dreams which to-day have birth; We are the type of thy will To the tribes of the earth.
Written by Denise Levertov | Create an image from this poem

An Embroidery

 Rose Red's hair is brown as fur
and shines in firelight as she prepares
supper of honey and apples, curds and whey,
for the bear, and leaves it ready
on the hearth-stone.
Rose White's grey eyes look into the dark forest.
Rose Red's cheeks are burning, sign of her ardent, joyful compassionate heart.
Rose White is pale, turning away when she hears the bear's paw on the latch.
When he enters, there is frost on his fur, he draws near to the fire giving off sparks.
Rose Red catches the scent of the forest, of mushrooms, of rosin.
Together Rose Red and Rose White sing to the bear; it is a cradle song, a loom song, a song about marriage, about a pilgrimage to the mountains long ago.
Raised on an elbow, the bear stretched on the hearth nods and hums; soon he sighs and puts down his head.
He sleeps; the Roses bank the fire.
Sunk in the clouds of their feather bed they prepare to dream.
Rose Red in a cave that smells of honey dreams she is combing the fur of her cubs with a golden comb.
Rose White is lying awake.
Rose White shall marry the bear's brother.
Shall he too when the time is ripe, step from the bear's hide? Is that other, her bridegroom, here in the room?
Written by Paul Laurence Dunbar | Create an image from this poem

THE CORN-STALK FIDDLE

When the corn 's all cut and the bright stalks shine
Like the burnished spears of a field of gold;
When the field-mice rich on the nubbins dine,
And the frost comes white and the wind blows cold;
Then it's heigho! fellows and hi-diddle-diddle,
For the time is ripe for the corn-stalk fiddle.
And you take a stalk that is straight and long,
With an expert eye to its worthy points,
And you think of the bubbling strains of song
That are bound between its pithy joints—
Then you cut out strings, with a bridge in the middle,
With a corn-stalk bow for a corn-stalk fiddle.
Then the strains that grow as you draw the bow
O'er the yielding strings with a practised hand!
And the music's flow never loud but low
Is the concert note of a fairy band.
Oh, your dainty songs are a misty riddle
To the simple sweets of the corn-stalk fiddle.
When the eve comes on, and our work is done,
And the sun drops down with a tender glance,
With their hearts all prime for the harmless fun,
Come the neighbor girls for the evening's dance,
And they wait for the well-known twist and twiddle[Pg 17]—
More time than tune—from the corn-stalk fiddle.
Then brother Jabez takes the bow,
While Ned stands off with Susan Bland,
Then Henry stops by Milly Snow,
And John takes Nellie Jones's hand,
While I pair off with Mandy Biddle,
And scrape, scrape, scrape goes the corn-stalk fiddle.
"Salute your partners," comes the call,
"All join hands and circle round,"
"Grand train back," and "Balance all,"
Footsteps lightly spurn the ground.
"Take your lady and balance down the middle"
To the merry strains of the corn-stalk fiddle.
So the night goes on and the dance is o'er,
And the merry girls are homeward gone,
But I see it all in my sleep once more,
And I dream till the very break of dawn
Of an impish dance on a red-hot griddle
To the screech and scrape of a corn-stalk fiddle.

Book: Shattered Sighs