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Best Famous Tapering Poems

Here is a collection of the all-time best famous Tapering poems. This is a select list of the best famous Tapering poetry. Reading, writing, and enjoying famous Tapering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tapering poems.

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Written by Allen Ginsberg | Create an image from this poem

Hospital Window

At gauzy dusk, thin haze like cigarette smoke 
ribbons past Chrysler Building's silver fins 
tapering delicately needletopped, Empire State's 
taller antenna filmed milky lit amid blocks 
black and white apartmenting veil'd sky over Manhattan, 
offices new built dark glassed in blueish heaven--The East 
50's & 60's covered with castles & watertowers, seven storied 
tar-topped house-banks over York Avenue, late may-green trees 
surrounding Rockefellers' blue domed medical arbor-- 
Geodesic science at the waters edge--Cars running up 
East River Drive, & parked at N.
Y.
Hospital's oval door where perfect tulips flower the health of a thousand sick souls trembling inside hospital rooms.
Triboro bridge steel-spiked penthouse orange roofs, sunset tinges the river and in a few Bronx windows, some magnesium vapor brilliances're spotted five floors above E 59th St under grey painted bridge trestles.
Way downstream along the river, as Monet saw Thames 100 years ago, Con Edison smokestacks 14th street, & Brooklyn Bridge's skeined dim in modern mists-- Pipes sticking up to sky nine smokestacks huge visible-- U.
N.
Building hangs under an orange crane, & red lights on vertical avenues below the trees turn green at the nod of a skull with a mild nerve ache.
Dim dharma, I return to this spectacle after weeks of poisoned lassitude, my thighs belly chest & arms covered with poxied welts, head pains fading back of the neck, right eyebrow cheek mouth paralyzed--from taking the wrong medicine, sweated too much in the forehead helpless, covered my rage from gorge to prostate with grinding jaw and tightening anus not released the weeping scream of horror at robot Mayaguez World self ton billions metal grief unloaded Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release >from pain, cars float downside the bridge trestle and uncounted building-wall windows multiplied a mile deep into ash-delicate sky beguile my empty mind.
A seagull passes alone wings spread silent over roofs.
- May 20, 1975 Mayaguez Crisis


Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.
Written by Walt Whitman | Create an image from this poem

To a Locomotive in Winter

 THEE for my recitative! 
Thee in the driving storm, even as now—the snow—the winter-day declining; 
Thee in thy panoply, thy measured dual throbbing, and thy beat convulsive; 
Thy black cylindric body, golden brass, and silvery steel; 
Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides;
Thy metrical, now swelling pant and roar—now tapering in the distance; 
Thy great protruding head-light, fix’d in front; 
Thy long, pale, floating vapor-pennants, tinged with delicate purple; 
The dense and murky clouds out-belching from thy smoke-stack; 
Thy knitted frame—thy springs and valves—the tremulous twinkle of thy wheels;
Thy train of cars behind, obedient, merrily-following, 
Through gale or calm, now swift, now slack, yet steadily careering: 
Type of the modern! emblem of motion and power! pulse of the continent! 
For once, come serve the Muse, and merge in verse, even as here I see thee, 
With storm, and buffeting gusts of wind, and falling snow;
By day, thy warning, ringing bell to sound its notes, 
By night, thy silent signal lamps to swing.
Fierce-throated beauty! Roll through my chant, with all thy lawless music! thy swinging lamps at night; Thy piercing, madly-whistled laughter! thy echoes, rumbling like an earthquake, rousing all! Law of thyself complete, thine own track firmly holding; (No sweetness debonair of tearful harp or glib piano thine,) Thy trills of shrieks by rocks and hills return’d, Launch’d o’er the prairies wide—across the lakes, To the free skies, unpent, and glad, and strong.
Written by Vernon Scannell | Create an image from this poem

Silver Wedding

 Silver Wedding

The party is over and I sit among
The flotsam that its passing leaves,
The dirty glasses and ***-ends:
Outside, a black wind grieves.
Two decades and a half of marriage; It does not really seem as long, Of youth's ebullient song.
David, my son, my loved rival, And Julia, my tapering daughter, Now grant me one achievement only; I turn their wine to water.
And Helen, partner of all these years, Helen, my spouse, my sack of sighs, Reproaches me for every hurt With injured, bovine eyes.
There must have been passion once, I grant, But neither she nor I could bear To have its ghost come prowling from Its dark and frowsy lair.
And we, to keep our nuptials warm, Still wage sporadic war; Numb with insult each yet strives To scratch the other raw.
Twenty-five years we've now survived; I'm not sure either why or how As I sit with a wreath of quarrels set On my tired and balding brow.
Written by Philip Levine | Create an image from this poem

Coming Close

 Take this quiet woman, she has been
standing before a polishing wheel
for over three hours, and she lacks
twenty minutes before she can take
a lunch break.
Is she a woman? Consider the arms as they press the long brass tube against the buffer, they are striated along the triceps, the three heads of which clearly show.
Consider the fine dusting of dark down above the upper lip, and the beads of sweat that run from under the red kerchief across the brow and are wiped away with a blackening wrist band in one odd motion a child might make to say No! No! You must come closer to find out, you must hang your tie and jacket in one of the lockers in favor of a black smock, you must be prepared to spend shift after shift hauling off the metal trays of stock, bowing first, knees bent for a purchase, then lifting with a gasp, the first word of tenderness between the two of you, then you must bring new trays of dull unpolished tubes.
You must feed her, as they say in the language of the place.
Make no mistake, the place has a language, and if by some luck the power were cut, the wheel slowed to a stop so that you suddenly saw it was not a solid object but so many separate bristles forming in motion a perfect circle, she would turn to you and say, "Why?" Not the old why of why must I spend five nights a week? Just, "Why?" Even if by some magic you knew, you wouldn't dare speak for fear of her laughter, which now you have anyway as she places the five tapering fingers of her filthy hand on the arm of your white shirt to mark you for your own, now and forever.


Written by Ralph Waldo Emerson | Create an image from this poem

The Snow-Storm

 Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet Delated, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work So fanciful, so savage, nought cares he For number or proportion.
Mockingly, On coop or kennel he hangs Parian wreaths; A swan-like form invests the hiddden thorn; Fills up the famer's lane from wall to wall, Maugre the farmer's sighs; and at the gate A tapering turret overtops the work.
And when his hours are numbered, and the world Is all his own, retiring, as he were not, Leaves, when the sun appears, astonished Art To mimic in slow structures, stone by stone, Built in an age, the mad wind's night-work, The frolic architecture of the snow.
Written by Charles Sorley | Create an image from this poem

To Germany

 You are blind like us.
Your hurt no man designed, And no man claimed the conquest of your land.
But gropers both through fields of thought confined We stumble and we do not understand.
You only saw your future bigly planned, And we, the tapering paths of our own mind, And in each others dearest ways we stand, And hiss and hate.
And the blind fight the blind.
When it is peace, then we may view again With new won eyes each other's truer form and wonder.
Grown more loving kind and warm We'll grasp firm hands and laugh at the old pain, When it is peace.
But until peace, the storm, The darkness and the thunder and the rain.
Written by Ralph Waldo Emerson | Create an image from this poem

The Snow-Storm

 Announced by all the trumpets of the sky, 
Arrives the snow, and, driving o'er the fields, 
Seems nowhere to alight: the whited air 
Hides hill and woods, the river, and the heaven, 
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet Delated, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work So fanciful, so savage, nought cares he For number or proportion.
Mockingly, On coop or kennel he hangs Parian wreaths; A swan-like form invests the hiddden thorn; Fills up the famer's lane from wall to wall, Maugre the farmer's sighs; and at the gate A tapering turret overtops the work.
And when his hours are numbered, and the world Is all his own, retiring, as he were not, Leaves, when the sun appears, astonished Art To mimic in slow structures, stone by stone, Built in an age, the mad wind's night-work, The frolic architecture of the snow.

Book: Reflection on the Important Things