Written by
Wilfred Owen |
Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls' tongues wicked?
Stroke on stroke of pain, -- but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hand palms
Misery swelters.
Surely we have perished
Sleeping, and walk hell; but who these hellish?
-- These are men whose minds the Dead have ravished.
Memory fingers in their hair of murders,
Multitudinous murders they once witnessed.
Wading sloughs of flesh these helpless wander,
Treading blood from lungs that had loved laughter.
Always they must see these things and hear them,
Batter of guns and shatter of flying muscles,
Carnage incomparable and human squander
Rucked too thick for these men's extrication.
Therefore still their eyeballs shrink tormented
Back into their brains, because on their sense
Sunlight seems a bloodsmear; night comes blood-black;
Dawn breaks open like a wound that bleeds afresh
-- Thus their heads wear this hilarious, hideous,
Awful falseness of set-smiling corpses.
-- Thus their hands are plucking at each other;
Picking at the rope-knouts of their scourging;
Snatching after us who smote them, brother,
Pawing us who dealt them war and madness.
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Written by
Thomas Chatterton |
The Sun revolving on his axis turns,
And with creative fire intensely burns;
Impell'd by forcive air, our Earth supreme,
Rolls with the planets round the solar gleam.
First Mercury completes his transient year,
Glowing, refulgent, with reflected glare;
Bright Venus occupies a wider way,
The early harbinger of night and day;
More distant still our globe terraqueous turns,
Nor chills intense, nor fiercely heated burns;
Around her rolls the lunar orb of light,
Trailing her silver glories through the night:
On the Earth's orbit see the various signs,
Mark where the Sun our year completing shines;
First the bright Ram his languid ray improves;
Next glaring watry thro' the Bull he moves;
The am'rous Twins admit his genial ray;
Now burning thro' the Crab he takes his way;
The Lion flaming bears the solar power;
The Virgin faints beneath the sultry show'r,
Now the just Balance weighs his equal force,
The slimy Serpent swelters in his course;
The sabled Archer clouds his languid face;
The Goat, with tempests, urges on his race;
Now in the Wat'rer his faint beams appear,
And the cold Fishes end the circling year.
Beyond our globe the sanguine Mars displays
A strong reflection of primoeval rays;
Next belted Jupiter far distant gleams,
Scarcely enlighten'd with the solar beams,
With four unfix'd receptacles of light,
He tours majestic thro' the spacious height:
But farther yet the tardy Saturn lags,
And five attendant Luminaries drags,
Investing with a double ring his pace,
He circles thro' immensity of space.
These are thy wondrous works, first source of Good!
Now more admir'd in being understood.
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Written by
Amanda Gorman |
There’s a poem in this place—
in the footfalls in the halls
in the quiet beat of the seats.
It is here, at the curtain of day,
where America writes a lyric
you must whisper to say.
There’s a poem in this place—
in the heavy grace,
the lined face of this noble building,
collections burned and reborn twice.
There’s a poem in Boston’s Copley Square
where protest chants
tear through the air
like sheets of rain,
where love of the many
swallows hatred of the few.
There’s a poem in Charlottesville
where tiki torches string a ring of flame
tight round the wrist of night
where men so white they gleam blue—
seem like statues
where men heap that long wax burning
ever higher
where Heather Heyer
blooms forever in a meadow of resistance.
There’s a poem in the great sleeping giant
of Lake Michigan, defiantly raising
its big blue head to Milwaukee and Chicago—
a poem begun long ago, blazed into frozen soil,
strutting upward and aglow.
There’s a poem in Florida, in East Texas
where streets swell into a nexus
of rivers, cows afloat like mottled buoys in the brown,
where courage is now so common
that 23-year-old Jesus Contreras rescues people from floodwaters.
There’s a poem in Los Angeles
yawning wide as the Pacific tide
where a single mother swelters
in a windowless classroom, teaching
black and brown students in Watts
to spell out their thoughts
so her daughter might write
this poem for you.
There's a lyric in California
where thousands of students march for blocks,
undocumented and unafraid;
where my friend Rosa finds the power to blossom
in deadlock, her spirit the bedrock of her community.
She knows hope is like a stubborn
ship gripping a dock,
a truth: that you can’t stop a dreamer
or knock down a dream.
How could this not be her city
su nación
our country
our America,
our American lyric to write—
a poem by the people, the poor,
the Protestant, the Muslim, the Jew,
the native, the immigrant,
the black, the brown, the blind, the brave,
the undocumented and undeterred,
the woman, the man, the nonbinary,
the white, the trans,
the ally to all of the above
and more?
Tyrants fear the poet.
Now that we know it
we can’t blow it.
We owe it
to show it
not slow it
although it
hurts to sew it
when the world
skirts below it.
Hope—
we must bestow it
like a wick in the poet
so it can grow, lit,
bringing with it
stories to rewrite—
the story of a Texas city depleted but not defeated
a history written that need not be repeated
a nation composed but not yet completed.
There’s a poem in this place—
a poem in America
a poet in every American
who rewrites this nation, who tells
a story worthy of being told on this minnow of an earth
to breathe hope into a palimpsest of time—
a poet in every American
who sees that our poem penned
doesn’t mean our poem’s end.
There’s a place where this poem dwells—
it is here, it is now, in the yellow song of dawn’s bell
where we write an American lyric
we are just beginning to tell.
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