Written by
Alec Derwent (A D) Hope |
When, darkly brooding on this Modern Age,
The journalist with his marketable woes
Fills up once more the inevitable page
Of fatuous, flatulent, Sunday-paper prose;
Whenever the green aesthete starts to whoop
With horror at the house not made with hands
And when from vacuum cleaners and tinned soup
Another pure theosophist demands
Rebirth in other, less industrial stars
Where huge towns thrust up in synthetic stone
And films and sleek miraculous motor cars
And celluloid and rubber are unknown;
When from his vegetable Sunday School
Emerges with the neatly maudlin phrase
Still one more Nature poet, to rant or drool
About the "Standardization of the Race";
I see, stooping among her orchard trees,
The old, sound Earth, gathering her windfalls in,
Broad in the hams and stiffening at the knees,
Pause and I see her grave malicious grin.
For there is no manufacturer competes
With her in the mass production of shapes and things.
Over and over she gathers and repeats
The cast of a face, a million butterfly wings.
She does not tire of the pattern of a rose.
Her oldest tricks still catch us with surprise.
She cannot recall how long ago she chose
The streamlined hulls of fish, the snail's long eyes,
Love, which still pours into its ancient mould
The lashing seed that grows to a man again,
From whom by the same processes unfold
Unending generations of living men.
She has standardized his ultimate needs and pains.
Lost tribes in a lost language mutter in
His dreams: his science is tethered to their brains,
His guilt merely repeats Original Sin.
And beauty standing motionless before
Her mirror sees behind her, mile on mile,
A long queue in an unknown corridor,
Anonymous faces plastered with her smile.
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Written by
Edgar Lee Masters |
I was just turned twenty-one,
And Henry Phipps, the Sunday-school superintendent,
Made a speech in Bindle's Opera House.
"The honor of the flag must be upheld," he said,
"Whether it be assailed by a barbarous tribe of Tagalogs
Or the greatest power in Europe."
And we cheered and cheered the speech and the flag he waved
As he spoke.
And I went to the war in spite of my father,
And followed the flag till I saw it raised
By our camp in a rice field near Manila,
And all of us cheered and cheered it.
But there were flies and poisonous things;
And there was the deadly water,
And the cruel heat,
And the sickening, putrid food;
And the smell of the trench just back of the tents
Where the soldiers went to empty themselves;
And there were the whores who followed us, full of syphilis;
And beastly acts between ourselves or alone,
With bullying, hatred, degradation among us,
And days of loathing and nights of fear
To the hour of the charge through the steaming swamp,
Following the flag,
Till I fell with a scream, shot through the guts.
Now there's a flag over me in Spoon River!
A flag! A flag!
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Written by
Gwendolyn Brooks |
One wants a teller in a time like this
One's not a man, one's not a woman grown
To bear enormous business all alone.
One cannot walk this winding street with pride
Straight-shouldered, tranquil-eyed,
Knowing one knows for sure the way back home.
One wonders if one has a home.
One is not certain if or why or how.
One wants a Teller now:
Put on your rubbers and you won't catch a cold
Here's hell, there's heaven. Go to Sunday School
Be patient, time brings all good things--(and cool
Stong balm to calm the burning at the brain?)
Behold,
Love's true, and triumphs; and God's actual.
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Written by
Robert William Service |
Hark to the Sourdough story, told at sixty below,
When the pipes are lit and we smoke and spit
Into the campfire glow.
Rugged are we and hoary, and statin' a general rule,
A genooine Sourdough story
Ain't no yarn for the Sunday School.
A Sourdough came to stake his claim in Heav'n one morning early.
Saint Peter cried: "Who waits outside them gates so bright and pearly?"
"I'm recent dead," the Sourdough said, "and crave to visit Hades,
Where haply pine some pals o' mine, includin' certain ladies."
Said Peter: "Go, you old Sourdough, from life so crooly riven;
And if ye fail to find their trail, we'll have a snoop round Heaven."
He waved, and lo! that old Sourdough dropped down to Hell's red spaces;
But though 'twas hot he couldn't spot them old familiar faces.
The bedrock burned, and so he turned, and climbed with footsteps fleeter,
The stairway straight to Heaven's gate, and there, of course, was Peter.
"I cannot see my mates," sez he, "among those damned forever.
I have a hunch some of the bunch in Heaven I'll discover."
Said Peter: "True; and this I'll do (since Sourdoughs are my failing)
You see them guys in Paradise, lined up against the railing -
As bald as coots, in birthday suits, with beards below the middle . . .
Well, I'll allow you in right now, if you can solve a riddle:
Among that gang of stiffs who hang and dodder round the portals,
Is one whose name is know to Fame - it's Adam, first of mortals.
For quiet's sake he makes a break from Eve, which is his Madame. . . .
Well, there's the gate - To crash it straight, just spy the guy that's Adam."
The old Sourdough went down the row of greybeards ruminatin'
With optics dim they peered at him, and pressed agin the gratin'.
In every face he sought some trace of our ancestral father;
But though he stared, he soon despaired the faintest clue to gather.
Then suddenly he whooped with glee: "Ha! Ha! an inspiration."
And to and fro along the row he ran with animation.
To Peter, bold he cried: "Behold, all told there are eleven.
Suppose I fix on Number Six - say Boy! How's that for Heaven?"
"By gosh! you win," said Pete. "Step in. But tell me how you chose him.
They're like as pins; all might be twins. There's nothing to disclose him."
The Sourdough said: "'Twas hard; my head was seething with commotion.
I felt a dunce; then all at once I had a gorgeous notion.
I stooped and peered beneath each beard that drooped like fleece of mutton.
My search was crowned. . . . That bird I found - ain't got no belly button."
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Written by
Barry Tebb |
Alone in Sutton with Fynbos my orange cat
A long weekend of wind and rain drowning
The tumultuous flurry of mid-February blossom
A surfeit of letters to work through, a mountain
Of files to sort, some irritation at the thought
Of travelling to Kentish Town alone when
My mind was flooded with the mellifluous voice
Of Heath-Stubbs on tape reading ‘The Divided Ways’
In memory of Sidney Keyes.
“He has gone down into the dark cellar
To talk with the bright faced Spirit with silver hair
But I shall never know what word was spoken there.”
The best reader of the century, if not the best poet.
Resonant, mesmeric, his verse the anti-type of mine,
Classical, not personal, Apollonian not Dionysian
And most unconfessional but nonetheless a poet
Deserving honour in his eighty-fifth year.
Thirty people crowded into a room
With stacked chairs like a Sunday School
A table of pamphlets looked over but not bought
A lacquered screen holding court, a century’s junk.
An ivory dial telephone, a bowl of early daffodils
To focus on.
I was the first to read, speaking of James Simmons’ death,
My anguish at the year long silence from his last letter
To the Christmas card in Gaelic Nollaig Shona -
With the message “Jimmy’s doing better than expected.”
The difficulty I had in finding his publisher’s address -
Salmon Press, Cliffs of Moher, County Clare -
Then a soft sad Irish woman’s voice explained
“Jimmy’s had a massive stroke, phone Janice
At The Poet’s House.”
I looked at the letter I would never end or send.
“Your poems have a strength and honesty so rare.
The ability to render character as deftly as a painter.
Your being out-of-fashion shows just how bad things are
Your poetry so easy to enjoy and difficult to forget.
Like Yeats. ‘The Dawning of the Day’ so sad
And eloquent and memorable: I read it aloud
And felt the hairs on the back of my neck prickle
An unflinching bitter rhetoric straight out
Hence the neglect. Your poem about Harrison.
“He has to feel the Odeons sell
Tickets to damned souls, that Dante’s Hell
Is in that red-plush darkness.”
Echoed in Roy Fisher's letter, “Once Harrison and I
Were best mates until fame went to his head.”
James, your ‘Love Leads Me into Danger’
Set off my own despair but restored me
Just as quickly with your sense of beauty’s muted dance.
“passing Dalway’s Bawn
where the chestnuts are, the first trees to go rusty,
old admirals drowned in their own gold braid.”
The scattered alliterations mimic so exquisitely
The random pattern of fallen conkers,
The sense of innocence not wholly clear
The guilt never entirely spent.
‘The Road to Clonbarra’, a poem for the homecoming
After a wedding, the breathlessness of new beginning.
Your own self questioning, “My fourth and last chance marriage,”
Your passionate confessions of failure and plea for absolution
“His thunder storms were in the late night bars.
Home was too hard too dry and far the stars.”
You were so urgent to hear my thoughts on your book
And once too often you were out of luck,
Heath-Stubbs nodded his old sad head.
“Simmons was my friend. I’d no idea he was dead.”
Before I could finish the poem John Rety interrupted
“Can you hurry? There’s others waiting for their turn!”
I muttered to my self, but kept my temper, just...
Eventually Heath-Stubbs began - poet, teacher, wit, raconteur and man
Of letters - littering his poems with references
To three kinds of Arabic genie
The class system of ancient Egypt
The pub architecture of the Edwardian era.
From the back row I strained to see his face.
The craggy jaw, the mane of long white hair.
The bowl of daffodils I’d focused on before.
He spoke but could not read and
Like me had no single poem by heart.
In his stead a man and woman read:
I could forgive the man’s inability to pronounce ‘Dionysian’
But when he read ‘hover’ as ‘haver’
My temper began to frazzle
The woman simpered and ruined every line
As if by design, I took some amitryptilene
And let my mind float free.
‘For Barry, instead of a Christmas card, this elegy
I wrote last week. Fond wishes. Jeremy..’
“So often, David, I still meet
Your benefactor from the time:
her speedwell-blue eyes, blue like yours,
with recollection, while we talk
through leaf-fall, with its mosaic
mottling the toad-spotted wet street.”
I looked at Heath-Stubbs’ face, his sightless eyes,
And in a second understood what Gascoyne meant
“Now the light of a prism has flashed like a bird down the dark-blue,
At the end of which mountains of shadow pile up beyond sight
Oh radiant prism
A wing has been torn and its feathers drift scattered by flight.”
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Written by
Donald Hall |
December twenty-first
we gather at the white Church festooned
red and green, the tree flashing
green-red lights beside the altar.
After the children of Sunday School
recite Scripture, sing songs,
and scrape out solos,
they retire to dress for the finale,
to perform the pageant
again: Mary and Joseph kneeling
cradleside, Three Kings,
shepherds and shepherdesses. Their garments
are bathrobes with mothholes,
cut down from the Church's ancestors.
Standing short and long,
they stare in all directions for mothers,
sisters and brothers,
giggling and waving in recognition,
and at the South Danbury
Church, a moment before Santa
arrives with her ho-hos
and bags of popcorn, in the half-dark
of whole silence, God
enters the world as a newborn again.
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Written by
Edgar Lee Masters |
While I was handling Dom Pedro
I got at the thing that divides the race between men who are
For singing "Turkey in the straw" or "There is a fountain filled with blood" --
(Like Rile Potter used to sing it over at Concord);
For cards, or for Rev. Peet's lecture on the holy land;
For skipping the light fantastic, or passing the plate;
For Pinafore, or a Sunday school cantata;
For men, or for money;
For the people or against them.
This was it:
Rev. Peet and the Social Purity Club,
Headed by Ben Pantier's wife,
Went to the Village trustees,
And asked them to make me take Dom Pedro
From the barn of Wash McNeely, there at the edge of town,
To a barn outside of the corporation,
On the ground that it corrupted public morals.
Well, Ben Pantier and Fiddler Jones saved the day --
They thought it a slam on colts.
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Written by
Edgar Lee Masters |
They got me into the Sunday-school
In Spoon River
And tried to get me to drop Confucius for Jesus.
I could have been no worse off
If I had tried to get them to drop Jesus for Confucius.
For, without any warning, as if it were a prank,
And sneaking up behind me, Harry Wiley,
The minister's son, caved my ribs into my lungs,
With a blow of his fist.
Now I shall never sleep with my ancestors in Pekin,
And no children shall worship at my grave.
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Written by
Edgar Lee Masters |
I was the Sunday school superintendent,
The dummy president of the wagon works
And the canning factory,
Acting for Thomas Rhodes and the banking clique;
My son the cashier of the bank,
Wedded to Rhodes' daughter,
My week day spent in making money,
My Sundays at church and in prayer.
In everything a cog in the wheel of things-as-they-are:
Of money, master and man, made white
With the paint of the Christian creed.
And then:
The bank collapsed. I stood and looked at the wrecked machine --
The wheels with blow-holes stopped with putty and painted;
The rotten bolts, the broken rods;
And only the hopper for souls fit to be used again
In a new devourer of life, when newspapers, judges and money-magicians
Build over again.
I was stripped to the bone, but I lay in the Rock of Ages,
Seeing now through the game, no longer a dupe,
And knowing "the upright shall dwell in the land
But the years of the wicked shall be shortened."
Then suddenly, Dr. Meyers discovered
A cancer in my liver.
I was not, after all, the particular care of God!
Why, even thus standing on a peak
Above the mists through which I had climbed,
And ready for larger life in the world,
Eternal forces
Moved me on with a push.
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Written by
Rudyard Kipling |
Me that 'ave been what I've been --
Me that 'ave gone where I've gone --
Me that 'ave seen what I've seen --
'Ow can I ever take on
With awful old England again,
An' 'ouses both sides of the street,
And 'edges two sides of the lane,
And the parson an' gentry between,
An' touchin' my 'at when we meet --
Me that 'ave been what I've been?
Me that 'ave watched 'arf a world
'Eave up all shiny with dew,
Kopje on kop to the sun,
An' as soon as the mist let 'em through
Our 'elios winkin' like fun --
Three sides of a ninety-mile square,
Over valleys as big as a shire --
"Are ye there? Are ye there? Are ye there?"
An' then the blind drum of our fire . . .
An' I'm rollin' 'is lawns for the Squire,
Me!
Me htat 'ave rode through the dark
Forty mile, often, on end,
Along the Ma'ollisberg Range,
With only the stars for my mark
An' only the night for my friend,
An' things runnin' off as you pass,
An' things jumpin' up in the grass,
An' the silence, the shine an' the size
Of the 'igh, unexpressible skies --
I am takin' some letters almost
As much as a mile to the post,
An' "mind you come back with the change!"
Me!
Me that saw Barberton took
When we dropped through the clouds on their 'ead,
An' they 'ove the guns over and fled --
Me that was through Di'mond I'll,
An' Pieters an' Springs an' Belfast --
From Dundee to Vereeniging all --
Me that stuck out to the last
(An' five bloomin' bars on my chest) --
I am doin' my Sunday-school best,
By the 'elp of the Squire an' 'is wife
(Not to mention the 'ousemaid an' cook),
To come in an' 'ands up an' be still,
An' honestly work for my bread,
My livin' in that state of life
To which it shall please God to call
Me!
Me that 'ave followed my trade
In the place where the Lightnin's are made;
"Twixt the Rains and the Sun and the Moon --
Me that lay down an' got up
Three years with the sky for my roof --
That 'ave ridden my 'unger an' thirst
Six thousand raw mile on the hoof,
With the Vaal and the Orange for cup,
An' the Brandwater Basin for dish, --
Oh! it's 'ard to be'ave as they wish
(Too 'ard, an' a little too soon),
I'll 'ave to think over it first --
Me!
I will arise an' get 'ence --
I will trek South and make sure
If it's only my fancy or not
That the sunshine of England is pale,
And the breezes of England are stale,
An' there's something' gone small with the lot.
For I know of a sun an' a wind,
An' some plains and a mountain be'ind,
An' some graves by a barb-wire fence,
An' a Dutchman I've fought 'oo might give
Me a job where I ever inclined
To look in an' offsaddle an' live
Where there's neither a road nor a tree --
But only my Maker an' me,
An I think it will kill me or cure,
So I think I will go there an' see.
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