Written by
Edwin Arlington Robinson |
Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child’s eyes
And thought; and she had thought of many things.
There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time. And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive—
Even to her sister’s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.
There was the feminine paradox—that she
Who had so little sunshine for herself
Should have so much for others. How it was
That she could make, and feel for making it,
So much of joy for them, and all along
Be covering, like a scar, and while she smiled,
That hungering incompleteness and regret—
That passionate ache for something of her own,
For something of herself—she never knew.
She knew that she could seem to make them all
Believe there was no other part of her
Than her persistent happiness; but the why
And how she did not know. Still none of them
Could have a thought that she was living down—
Almost as if regret were criminal,
So proud it was and yet so profitless—
The penance of a dream, and that was good.
Her sister Jane—the mother of little Jane,
Sylvester, and Young George—might make herself
Believe she knew, for she—well, she was Jane.
Young George, however, did not yield himself
To nourish the false hunger of a ghost
That made no good return. He saw too much:
The accumulated wisdom of his years
Had so conclusively made plain to him
The permanent profusion of a world
Where everybody might have everything
To do, and almost everything to eat,
That he was jubilantly satisfied
And all unthwarted by adversity.
Young George knew things. The world, he had found out,
Was a good place, and life was a good game—
Particularly when Aunt Imogen
Was in it. And one day it came to pass—
One rainy day when she was holding him
And rocking him—that he, in his own right,
Took it upon himself to tell her so;
And something in his way of telling it—
The language, or the tone, or something else—
Gripped like insidious fingers on her throat,
And then went foraging as if to make
A plaything of her heart. Such undeserved
And unsophisticated confidence
Went mercilessly home; and had she sat
Before a looking glass, the deeps of it
Could not have shown more clearly to her then
Than one thought-mirrored little glimpse had shown,
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist.
The blow that she had vaguely thrust aside
Like fright so many times had found her now:
Clean-thrust and final it had come to her
From a child’s lips at last, as it had come
Never before, and as it might be felt
Never again. Some grief, like some delight,
Stings hard but once: to custom after that
The rapture or the pain submits itself,
And we are wiser than we were before.
And Imogen was wiser; though at first
Her dream-defeating wisdom was indeed
A thankless heritage: there was no sweet,
No bitter now; nor was there anything
To make a daily meaning for her life—
Till truth, like Harlequin, leapt out somehow
From ambush and threw sudden savor to it—
But the blank taste of time. There were no dreams,
No phantoms in her future any more:
One clinching revelation of what was
One by-flash of irrevocable chance,
Had acridly but honestly foretold
The mystical fulfilment of a life
That might have once … But that was all gone by:
There was no need of reaching back for that:
The triumph was not hers: there was no love
Save borrowed love: there was no might have been.
But there was yet Young George—and he had gone
Conveniently to sleep, like a good boy;
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane;
And there was Jane the sister, and the mother,—
Her sister, and the mother of them all.
They were not hers, not even one of them:
She was not born to be so much as that,
For she was born to be Aunt Imogen.
Now she could see the truth and look at it;
Now she could make stars out where once had palled
A future’s emptiness; now she could share
With others—ah, the others!—to the end
The largess of a woman who could smile;
Now it was hers to dance the folly down,
And all the murmuring; now it was hers
To be Aunt Imogen.—So, when Young George
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him,
’T was only in old concord with the stars
That she took hold of him and held him close,
Close to herself, and crushed him till he laughed.
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Written by
Phillis Wheatley |
Indulgent muse! my grov'ling mind inspire,
And fill my bosom with celestial fire.
See from Jamaica's fervid shore she moves,
Like the fair mother of the blooming loves,
When from above the Goddess with her hand
Fans the soft breeze, and lights upon the land;
Thus she on Neptune's wat'ry realm reclin'd
Appear'd, and thus invites the ling'ring wind.
"Arise, ye winds, America explore,
"Waft me, ye gales, from this malignant shore;
"The Northern milder climes I long to greet,
"There hope that health will my arrival meet."
Soon as she spoke in my ideal view
The winds assented, and the vessel flew.
Madam, your spouse bereft of wife and son,
In the grove's dark recesses pours his moan;
Each branch, wide-spreading to the ambient sky,
Forgets its verdure, and submits to die.
From thence I turn, and leave the sultry plain,
And swift pursue thy passage o'er the main:
The ship arrives before the fav'ring wind,
And makes the Philadelphian port assign'd,
Thence I attend you to Bostonia's arms,
Where gen'rous friendship ev'ry bosom warms:
Thrice welcome here! may health revive again,
Bloom on thy cheek, and bound in ev'ry vein!
Then back return to gladden ev'ry heart,
And give your spouse his soul's far dearer part,
Receiv'd again with what a sweet surprise,
The tear in transport starting from his eyes!
While his attendant son with blooming grace
Springs to his father's ever dear embrace.
With shouts of joy Jamaica's rocks resound,
With shouts of joy the country rings around.
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Written by
Andrew Marvell |
Verses to accompany a portrait of Cromwell
Bright Martial Maid, Queen of the frozen zone,
The northern pole supports thy shining throne.
Behold what furrows age and steel can plough;
The helmet's weight oppressed this wrinkled brow.
Through fate's untrodden paths I move; my hands
Still act my free-born people's bold commands;
Yet this stern shade, to you submits his frowns,
Nor are these looks always severe to crowns.
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Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together--
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.'
She will not turn to him--will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,--my husband drowned.
He was always sickly, soon depressed. . .'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,--
And hate of her whom he had loved too well. . .
She lowers her eyes, demurely prods a shell.
'Yes. We might do an act together.
That would be very nice.'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
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Written by
Rudyard Kipling |
1901
Not in the camp his victory lies
Or triumph in the market-place,
Who is his Nation's sacrifice
To turn the judgement from his race.
Happy is he who, bred and taught
By sleek, sufficing Circumstance --
Whose Gospel was the apparelled thought,
Whose Gods were Luxury and Chance --
Seese, on the threshold of his days,
The old life shrivel like a scroll,
And to unheralded dismays
Submits his body and his soul;
The fatted shows wherein he stood
Foregoing, and the idiot pride,
That he may prove with his own blood
All that his easy sires denied --
Ultimate issues, primal springs,
Demands, abasements, penalties --
The imperishable plinth of things
Seen and unseen, that touch our peace.
For, though ensnaring ritual dim
His vision through the after-years,
Yet virtue shall go out of him --
Example profiting his peers.
With great things charged he shall not hold
Aloof till great occasion rise,
But serve, full-harnessed, as of old,
The Days that are the Destinies.
He shall forswear and put away
The idols of his sheltered house;
And to Necessity shall pay
Unflinching tribute of his vows.
He shall not plead another's act,
Nor bind him in another's oath
To weigh the Word above the Fact,
Or make or take excuse for sloth.
The yoke he bore shall press him still,
And, long-ingrained effort goad
To find, to fasion, and fulfil
The cleaner life, the sterner code.
Not in the camp his victory lies --
The world (unheeding his return)
Shall see it in his children's eyes
And from his grandson's lips shall learn!
|
Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together—
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.'
She will not turn to him—will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,—my husband drowned.
He was always sickly, soon depressed. . .'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,—
And hate of her whom he had loved too well. . .
She lowers her eyes, demurely prods a shell.
'Yes. We might do an act together.
That would be very nice.'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
|
Written by
Isaac Watts |
Great God, whose universal sway
The known and unknown worlds obey,
Now give the kingdom to thy Son,
Extend his power, exalt his throne.
The scepter well becomes his hands;
All heaven submits to his commands;
His justice shall avenge the poor,
And pride and rage prevail no more.
With power he vindicates the just,
And treads the oppressor in the dust:
His worship and his fear shall last
Till the full course of time be past.
As rain on meadows newly mown,
So shall he send his influence down:
His grace on fainting souls distils,
Like heavenly dew on thirsty hills.
The heathen lands, that lie beneath
The shades of overspreading death,
Revive at his first dawning light;
And deserts blossom at the sight.
The saints shall flourish in his days,
Decked in the robes of joy and praise;
Peace, like a river, from his throne
Shall flow to nations yet unknown.
Jesus shall reign where'er the Sun
Doth his successive journeys run;
His kingdom stretch from shore to shore,
Till suns shall rise and set no more.
For him shall endless prayer be made,
And praises throng to crown his head;
His name like sweet perfume shall rise
With every morning sacrifice.
People and realms of every tongue
Dwell on his love with sweetest song;
And infant voices shall proclaim
Their young Hosannas to his name.
Blessings abound where'er he reigns;
The prisoner leaps to lose his chains;
The weary find eternal rest;
And all the sons of want are blest.
Where he displays his healing power,
Death and the curse are known no more:
In him the tribes of Adam boast
More blessings than their father lost.
Let every creature rise, and bring
Its grateful honors to our King;
Angels descend with songs again,
And earth prolong the joyful strain.
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Written by
Isaac Watts |
The kingdom of Christ.
Great God, whose universal sway
The known and unknown worlds obey,
Now give the kingdom to thy Son,
Extend his power, exalt his throne.
Thy sceptre well becomes his hands,
All heav'n submits to his commands;
His justice shall avenge the poor,
And pride and rage prevail no more.
With power be vindicates the just,
And treads th' oppressor in the dust;
His worship and his fear shall last,
Till hours, and years, and time be past.
As rain on meadows newly mown,
So shall he send his influence down;
His grace on fainting souls distils,
Like heav'nly dew on thirsty hills.
The heathen lands that lie beneath
The shades of overspreading death,
Revive at his first dawning light,
And deserts blossom at the sight.
The saints shall flourish in his days,
Dressed in the robes of joy and praise
Peace, like a river from his throne,
Shall flow to nations yet unknown.
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