10 Best Famous Strives Poems

Here is a collection of the top 10 all-time best famous Strives poems. This is a select list of the best famous Strives poetry. Reading, writing, and enjoying famous Strives poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of strives poems.

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Written by John Donne | Create an image from this poem

Self-Love

 He that cannot choose but love,
And strives against it still,
Never shall my fancy move,
For he loves 'gainst his will;
Nor he which is all his own,
And can at pleasure choose,
When I am caught he can be gone,
And when he list refuse.
Nor he that loves none but fair,
For such by all are sought;
Nor he that can for foul ones care,
For his judgement then is nought;
Nor he that hath wit, for he
Will make me his jest or slave;
Nor a fool, for when others...,
He can neither....;
Nor he that still his Mistress pays,
For she is thralled therefore;
Nor he that pays not, for he says
Within She's worth no more.
Is there then no kind of men
Whom I may freely prove?
I will vent that humour then
In mine own self-love.

Written by Charlotte Bronte | Create an image from this poem

Pilates Wifes Dream

 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream. 

It sunk, and I am wrapt in utter gloom; 
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ? 
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread! 

I'd call my women, but to break their sleep, 
Because my own is broken, were unjust; 

They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust; 
Let me my feverish watch with patience bear, 
Thankful that none with me its sufferings share. 

Yet, Oh, for light ! one ray would tranquilise 
My nerves, my pulses, more than effort can; 
I'll draw my curtain and consult the skies: 
These trembling stars at dead of night look wan, 
Wild, restless, strange, yet cannot be more drear 
Than this my couch, shared by a nameless fear. 

All black­one great cloud, drawn from east to west, 
Conceals the heavens, but there are lights below; 
Torches burn in Jerusalem, and cast 
On yonder stony mount a lurid glow. 
I see men stationed there, and gleaming spears; 
A sound, too, from afar, invades my ears. 

Dull, measured, strokes of axe and hammer ring 
From street to street, not loud, but through the night 
Distinctly heard­and some strange spectral thing 
Is now upreared­and, fixed against the light 
Of the pale lamps; defined upon that sky, 
It stands up like a column, straight and high. 

I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear 

While Romans watch; and when the dawn shall shine 
Pilate, to judge the victim will appear, 
Pass sentence­yield him up to crucify; 
And on that cross the spotless Christ must die. 

Dreams, then, are true­for thus my vision ran; 
Surely some oracle has been with me,
The gods have chosen me to reveal their plan, 
To warn an unjust judge of destiny: 
I, slumbering, heard and saw; awake I know, 
Christ's coming death, and Pilate's life of woe. 

I do not weep for Pilate­who could prove 
Regret for him whose cold and crushing sway 
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay, 
Yet with a faltering, an uncertain tread, 
That might stir up reprisal in the dead. 

Forced to sit by his side and see his deeds; 
Forced to behold that visage, hour by hour, 
In whose gaunt lines, the abhorrent gazer reads 
A triple lust of gold, and blood, and power; 
A soul whom motives, fierce, yet abject, urge 
Rome's servile slave, and Judah's tyrant scourge. 

How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung; 

I, who for grief have wept my eye-sight dim; 
Because, while life for me was bright and young, 
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay. 


And at this hour­although I be his wife­ 
He has no more of tenderness from me 
Than any other wretch of guilty life; 
Less, for I know his household privacy­ 
I see him as he is­without a screen; 
And, by the gods, my soul abhors his mien ! 

Has he not sought my presence, dyed in blood­ 
Innocent, righteous blood, shed shamelessly ? 
And have I not his red salute withstood ? 
Aye,­when, as erst, he plunged all Galilee 
In dark bereavement­in affliction sore, 
Mingling their very offerings with their gore. 

Then came he­in his eyes a serpent-smile, 
Upon his lips some false, endearing word, 
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­ 
And I, to see a man cause men such woe, 
Trembled with ire­I did not fear to show. 

And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­ 

To have, by this grim power, their vengeance wrought; 
By this mean reptile, innocence to sting. 
Oh ! could I but the purposed doom avert, 
And shield the blameless head from cruel hurt! 

Accessible is Pilate's heart to fear, 
Omens will shake his soul, like autumn leaf; 
Could he this night's appalling vision hear, 
This just man's bonds were loosed, his life were safe, 
Unless that bitter priesthood should prevail, 
And make even terror to their malice quail. 

Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been. 

I suffered many things, I heard foretold 
A dreadful doom for Pilate,­lingering woes, 
In far, barbarian climes, where mountains cold 
Built up a solitude of trackless snows, 
There, he and grisly wolves prowled side by side, 
There he lived famished­there methought he died; 

But not of hunger, nor by malady;
I saw the snow around him, stained with gore; 

I said I had no tears for such as he, 
And, lo ! my cheek is wet­mine eyes run o'er; 
I weep for mortal suffering, mortal guilt, 
I weep the impious deed­the blood self-spilt. 

More I recall not, yet the vision spread 
Into a world remote, an age to come­ 
And still the illumined name of Jesus shed 
A light, a clearness, through the enfolding gloom­ 
And still I saw that sign, which now I see, 
That cross on yonder brow of Calvary. 

What is this Hebrew Christ ? To me unknown, 
His lineage­doctrine­mission­yet how clear, 
Is God-like goodness, in his actions shewn ! 
How straight and stainless is his life's career ! 
The ray of Deity that rests on him, 
In my eyes makes Olympian glory dim. 

The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light 
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns 
To where the unseen Jehovah's altar burns. 

Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan 

And sever from the wheat; but will his faith 
Survive the terrors of to-morrow's death ? 

* * * * * 

I feel a firmer trust­a higher hope 
Rise in my soul­it dawns with dawning day; 
Lo ! on the Temple's roof­on Moriah's slope 
Appears at length that clear, and crimson ray, 
Which I so wished for when shut in by night; 
Oh, opening skies, I hail, I bless your light ! 

Part, clouds and shadows ! glorious Sun appear ! 
Part, mental gloom ! Come insight from on high ! 
Dusk dawn in heaven still strives with daylight clear, 
The longing soul, doth still uncertain sigh. 
Oh ! to behold the truth­that sun divine, 
How doth my bosom pant, my spirit pine ! 

This day, time travails with a mighty birth, 
This day, Truth stoops from heaven and visits earth, 
Ere night descends, I shall more surely know 
What guide to follow, in what path to go; 
I wait in hope­I wait in solemn fear, 
The oracle of God­the sole­true God­to hear.
Written by Phillis Wheatley | Create an image from this poem

Niobe in Distress

 Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.

Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.

Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.

Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.

Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:

"Go, Thebans! great Latona's will obey,
"And pious tribute at her altars pay:
"With rights divine, the goddess be implor'd,
"Nor be her sacred offspring unador'd."
Thus Manto spoke. The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.

Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
"What madness drives the Theban ladies fair
"To give their incense to surrounding air?
"Say why this new sprung deity preferr'd?
"Why vainly fancy your petitions heard?
"Or say why Cæus offspring is obey'd,
"While to my goddesship no tribute's paid?
"For me no altars blaze with living fires,
"No bullock bleeds, no frankincense transpires,
"Tho' Cadmus' palace, not unknown to fame,
"And Phrygian nations all revere my name.
"Where'er I turn my eyes vast wealth I find,
"Lo! here an empress with a goddess join'd.
"What, shall a Titaness be deify'd,
"To whom the spacious earth a couch deny'd!
"Nor heav'n, nor earth, nor sea receiv'd your queen,
"Till pitying Delos took the wand'rer in.
"Round me what a large progeny is spread!
"No frowns of fortune has my soul to dread.
"What if indignant she decrease my train
"More than Latona's number will remain;
"Then hence, ye Theban dames, hence haste away,
"Nor longer off'rings to Latona pay;
"Regard the orders of Amphion's spouse,
"And take the leaves of laurel from your brows."
Niobe spoke. The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.

The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
"Phoebus! behold, thy mother in disgrace,
"Who to no goddess yields the prior place
"Except to Juno's self, who reigns above,
"The spouse and sister of the thund'ring Jove.
"Niobe, sprung from Tantalus, inspires
"Each Theban bosom with rebellious fires;
"No reason her imperious temper quells,
"But all her father in her tongue rebels;
"Wrap her own sons for her blaspheming breath,
"Apollo! wrap them in the shades of death."
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.

"Cease thy complaints, mine be the task assign'd
"To punish pride, and scourge the rebel mind."
This Phoebe join'd.--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.

With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.

Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
"Ah me," he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.

Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.

Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed 
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.

Young Ilioneus, the last, directs his pray'r,
And cries, "My life, ye gods celestial! spare."
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.

On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
"Why is such privilege to them allow'd?
"Why thus insulted by the Delian god?
"Dwells there such mischief in the pow'rs above?
"Why sleeps the vengeance of immortal Jove?"
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
"Be sated cruel Goddess! with my woe;
"If I've offended, let these streaming eyes,
"And let this sev'nfold funeral suffice:
"Ah! take this wretched life you deign'd to save,
"With them I too am carried to the grave.
"Rejoice triumphant, my victorious foe,
"But show the cause from whence your triumphs flow?
"Tho' I unhappy mourn these children slain,
"Yet greater numbers to my lot remain."
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.

One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
"Ye heav'nly pow'rs, ah spare me one," she cry'd,
"Ah! spare me one," the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.

*"The queen of all her family bereft,
"Without or husband, son, or daughter left,
"Grew stupid at the shock. The passing air
"Made no impression on her stiff'ning hair.
"The blood forsook her face: amidst the flood
"Pour'd from her cheeks, quite fix'd her eye-balls stood.
"Her tongue, her palate both obdurate grew,
"Her curdled veins no longer motion knew;
"The use of neck, and arms, and feet was gone,
"And ev'n her bowels hard'ned into stone:
"A marble statue now the queen appears,
"But from the marble steal the silent tears."
Written by Oliver Wendell Holmes | Create an image from this poem

The Iron Gate

 WHERE is this patriarch you are kindly greeting?
Not unfamiliar to my ear his name,
Nor yet unknown to many a joyous meeting
In days long vanished,-- is he still the same,

Or changed by years, forgotten and forgetting,
Dull-eared, dim-sighted, slow of speech and thought,
Still o'er the sad, degenerate present fretting,
Where all goes wrong, and nothing as it ought?

Old age, the graybeard! Well, indeed, I know him,--
Shrunk, tottering, bent, of aches and ills the prey;
In sermon, story, fable, picture, poem,
Oft have I met him from my earliest day:

In my old Aesop, toiling with his bundle,--
His load of sticks,-- politely asking Death,
Who comes when called for,-- would he lug or trundle
His fagot for him?-- he was scant of breath.

And sad "Ecclesiastes, or the Preacher,"--
Has he not stamped tbe image on my soul,
In that last chapter, where the worn-out Teacher
Sighs o'er the loosened cord, the broken bowl?

Yes, long, indeed, I 've known him at a distance,
And now my lifted door-latch shows him here;
I take his shrivelled hand without resistance,
And find him smiling as his step draws near.

What though of gilded baubles he bereaves us,
Dear to the heart of youth, to manhood's prime;
Think of the calm he brings, the wealth he leaves us,
The hoarded spoils, the legacies of time!

Altars once flaming, still with incense fragrant,
Passion's uneasy nurslings rocked asleep,
Hope's anchor faster, wild desire less vagrant,
Life's flow less noisy, but the stream how deep!

Still as the silver cord gets worn and slender,
Its lightened task-work tugs with lessening strain,
Hands get more helpful, voices, grown more tender,
Soothe with their softened tones the slumberous brain.

Youth longs and manhood strives, but age remembers,
Sits by the raked-up ashes of the past, 
Spreads its thin hands above the whitening embers
That warm its creeping life-blood till the last.

Dear to its heart is every loving token 
That comes unbidden era its pulse grows cold,
Ere the last lingering ties of life are broken,
Its labors ended and its story told.

Ah, while around us rosy youth rejoices,
For us the sorrow-laden breezes sigh,
And through the chorus of its jocund voices
Throbs the sharp note of misery's hopeless cry.

As on the gauzy wings of fancy flying
From some far orb I track our watery sphere,
Home of the struggling, suffering, doubting, dying,
The silvered globule seems a glistening tear.

But Nature lends her mirror of illusion
To win from saddening scenes our age-dimmed eyes,
And misty day-dreams blend in sweet confusion
The wintry landscape and the summer skies.

So when the iron portal shuts behind us,
And life forgets us in its noise and whirl,
Visions that shunned the glaring noonday find us,
And glimmering starlight shows the gates of pearl.

I come not here your morning hour to sadden,
A limping pilgrim, leaning on his staff,--
I, who have never deemed it sin to gladden
This vale of sorrows with a wholesome laugh.

If word of mine another's gloom has brightened,
Through my dumb lips the heaven-sent message came;
If hand of mine another's task has lightened,
It felt the guidance that it dares not claim.

But, O my gentle sisters, O my brothers,
These thick-sown snow-flakes hint of toil's release;
These feebler pulses bid me leave to others
The tasks once welcome; evening asks for peace.

Time claims his tribute; silence now golden;
Let me not vex the too long suffering lyre;
Though to your love untiring still beholden,
The curfew tells me-- cover up the fire.

And now with grateful smile and accents cheerful,
And warmer heart than look or word can tell,
In simplest phrase-- these traitorous eyes are tearful--
Thanks, Brothers, Sisters,-- Children,-- and farewell!
Written by Johann Wolfgang von Goethe | Create an image from this poem

The Metamorphosis Of Plants

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness;

Therefore, a mystical law is by the chorus proclaim'd;
Yes, a sacred enigma! Oh, dearest friend, could I only

Happily teach thee the word, which may the mystery 
solve!
Closely observe how the plant, by little and little progressing,

Step by step guided on, changeth to blossom and 
fruit!
First from the seed it unravels itself, as soon as the silent

Fruit-bearing womb of the earth kindly allows Its 
escape,
And to the charms of the light, the holy, the ever-in-motion,

Trusteth the delicate leaves, feebly beginning 
to shoot.
Simply slumber'd the force in the seed; a germ of the future,

Peacefully lock'd in itself, 'neath the integument 
lay,
Leaf and root, and bud, still void of colour, and shapeless;

Thus doth the kernel, while dry, cover that motionless 
life.
Upward then strives it to swell, in gentle moisture confiding,

And, from the night where it dwelt, straightway 
ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth;

And 'tis a token like this, points out the child 
'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth,

Piling-up node upon node, ever the primitive form;
Yet not ever alike: for the following leaf, as thou seest,

Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided,

Which. all-deform'd until now, slept in the organ 
below,
So at length it attaineth the noble and destined perfection,

Which, in full many a tribe, fills thee with wondering 
awe.
Many ribb'd and tooth'd, on a surface juicy and swelling,

Free and unending the shoot seemeth in fullness 
to be;
Yet here Nature restraineth, with powerful hands, the formation,

And to a perfecter end, guideth with softness its 
growth,
Less abundantly yielding the sap, contracting the vessels,

So that the figure ere long gentler effects doth 
disclose.
Soon and in silence is check'd the growth of the vigorous branches,

And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth,

And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless,

Gather the smaller-sized leaves, close by the side 
of their like.
Round the axis compress'd the sheltering calyx unfoldeth,

And, as the perfectest type, brilliant-hued coronals 
forms.
Thus doth Nature bloom, in glory still nobler and fuller,

Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower

Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller,

Yes, the leaf with its hues feeleth the hand all 
divine,
And on a sudden contracteth itself; the tenderest figures

Twofold as yet, hasten on, destined to blend into 
one.
Lovingly now the beauteous pairs are standing together,

Gather'd in countless array, there where the altar 
is raised.
Hymen hovereth o'er them, and scents delicious and mighty

Stream forth their fragrance so sweet, all things 
enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling,

Sweetly conceald in the womb, where is made perfect 
the fruit.
Here doth Nature close the ring of her forces eternal;

Yet doth a new one, at once, cling to the one gone 
before,
So that the chain be prolonged for ever through all generations,

And that the whole may have life, e'en as enjoy'd 
by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands

Which, confusing no more, gladden the mind as they 
wave.
Every plant unto thee proclaimeth the laws everlasting,

Every flowered speaks louder and louder to thee;
But if thou here canst decipher the mystic words of the goddess,

Everywhere will they be seen, e'en though the features 
are changed.
Creeping insects may linger, the eager butterfly hasten,--

Plastic and forming, may man change e'en the figure 
decreed!
Oh, then, bethink thee, as well, how out of the germ of acquaintance,

Kindly intercourse sprang, slowly unfolding its 
leaves;
Soon how friendship with might unveil'd itself in our bosoms,

And how Amor, at length, brought forth blossom 
and fruit
Think of the manifold ways wherein Nature hath lent to our feelings,

Silently giving them birth, either the first or 
the last!
Yes, and rejoice in the present day! For love that is holy

Seeketh the noblest of fruits,--that where the 
thoughts are the same,
Where the opinions agree,--that the pair may, in rapt contemplation,

Lovingly blend into one,--find the more excellent 
world.

 1797.

Written by Anne Bronte | Create an image from this poem

Alexander And Zenobia

 Fair was the evening and brightly the sun
Was shining on desert and grove,
Sweet were the breezes and balmy the flowers
And cloudless the heavens above. 
It was Arabia's distant land
And peaceful was the hour;
Two youthful figures lay reclined
Deep in a shady bower.

One was a boy of just fourteen
Bold beautiful and bright;
Soft raven curls hung clustering round
A brow of marble white.

The fair brow and ruddy cheek
Spoke of less burning skies;
Words cannot paint the look that beamed
In his dark lustrous eyes.

The other was a slender girl,
Blooming and young and fair.
The snowy neck was shaded with
The long bright sunny hair.

And those deep eyes of watery blue,
So sweetly sad they seemed.
And every feature in her face
With pensive sorrow teemed.

The youth beheld her saddened air
And smiling cheerfully
He said, 'How pleasant is the land
Of sunny Araby!

'Zenobia, I never saw
A lovelier eve than this;
I never felt my spirit raised
With more unbroken bliss!

'So deep the shades, so calm the hour,
So soft the breezes sigh,
So sweetly Philomel begins
Her heavenly melody.

'So pleasant are the scents that rise
From flowers of loveliest hue,
And more than all -- Zenobia,
I am alone with you!

Are we not happy here alone
In such a healthy spot?'
He looked to her with joyful smile
But she returned it not.

'Why are you sorrowful?' he asked
And heaved a bitter sigh,
'O tell me why those drops of woe
Are gathering in your eye.'

'Gladly would I rejoice,' she said,
'But grief weighs down my heart.
'Can I be happy when I know
Tomorrow we must part?

'Yes, Alexander, I must see
This happy land no more.
At break of day I must return
To distant Gondal's shore.

'At morning we must bid farewell,
And at the close of day
You will be wandering alone
And I shall be away.

'I shall be sorrowing for you
On the wide weltering sea,
And you will perhaps have wandered here
To sit and think of me.'

'And shall we part so soon?' he cried,
'Must we be torn away?
Shall I be left to mourn alone?
Will you no longer stay?

'And shall we never meet again,
Hearts that have grown together?
Must they at once be rent away
And kept apart for ever?'

'Yes, Alexander, we must part,
But we may meet again,
For when I left my native land
I wept in anguish then.

'Never shall I forget the day
I left its rocky shore.
We thought that we had bid adieu
To meet on earth no more.

'When we had parted how I wept
To see the mountains blue
Grow dimmer and more distant -- till
They faded from my view.

'And you too wept -- we little thought
After so long a time,
To meet again so suddenly 
In such a distant clime.

'We met on Grecia's classic plain,
We part in Araby.
And let us hope to meet again
Beneath our Gondal's sky.'

'Zenobia, do you remember
A little lonely spring
Among Exina's woody hills
Where blackbirds used to sing,

'And when they ceased as daylight faded
From the dusky sky
The pensive nightingale began
Her matchless melody?

'Sweet bluebells used to flourish there
And tall trees waved on high,
And through their ever sounding leaves
The soft wind used to sigh.

'At morning we have often played
Beside that lonely well;
At evening we have lingered there
Till dewy twilight fell.

'And when your fifteenth birthday comes,
Remember me, my love,
And think of what I said to you
In this sweet spicy grove.

'At evening wander to that spring
And sit and wait for me;
And 'ere the sun has ceased to shine
I will return to thee.

'Two years is a weary time
But it will soon be fled.
And if you do not meet me -- know
I am not false but dead.'

* * * 

Sweetly the summer day declines
On forest, plain, and hill
And in that spacious palace hall
So lonely, wide and still.

Beside a window's open arch,
In the calm evening air
All lonely sits a stately girl,
Graceful and young and fair.

The snowy lid and lashes long
Conceal her downcast eye,
She's reading and till now I have
Passed unnoticed by.

But see she cannot fix her thoughts,
They are wandering away;
She looks towards a distant dell
Where sunny waters play.

And yet her spirit is not with
The scene she looks upon;
She muses with a mournful smile
On pleasures that are gone.

She looks upon the book again
That chained her thoughts before,
And for a moment strives in vain
To fix her mind once more.

Then gently drops it on her knee
And looks into the sky,
While trembling drops are shining in
Her dark celestial eye.
And thus alone and still she sits
Musing on years gone by.

Till with a sad and sudden smile
She rises up to go;
And from the open window springs
On to the grass below.

Why does she fly so swiftly now
Adown the meadow green,
And o'er the gently swelling hills
And the vale that lies between?

She passes under giant trees
That lift their arms on high
And slowly wave their mighty boughs
In the clear evening sky,

And now she threads a path that winds
Through deeply shaded groves
Where nought is heard but sighing gales
And murmuring turtle doves.

She hastens on through sunless gloom
To a vista opening wide;
A marble fountain sparkles there
With sweet flowers by its side.

At intervals in the velvet grass
A few old elm trees rise,
While a warm flood of yellow light
Streams from the western skies.

Is this her resting place? Ah, no,
She hastens onward still,
The startled deer before her fly
As she ascends the hill.

She does not rest till she has gained
A lonely purling spring,
Where zephyrs wave the verdant trees 
And birds in concert sing.

And there she stands and gazes round
With bright and searching eye,
Then sadly sighing turns away
And looks upon the sky.

She sits down on the flowery turf
Her head drooped on her hand;
Her soft luxuriant golden curls
Are by the breezes fanned.

A sweet sad smile plays on her lips;
Her heart is far away,
And thus she sits till twilight comes
To take the place of day.

But when she looks towards the west
And sees the sun is gone
And hears that every bird but one
To its nightly rest is flown,

And sees that over nature's face
A sombre veil is cast
With mournful voice and tearful eye
She says, 'The time is past!

'He will not come! I might have known
It was a foolish hope;
But it was so sweet to cherish
I could not yield it up.

'It may be foolish thus to weep
But I cannot check my tears
To see in one short hour destroyed
The darling hope of years.

'He is not false, but he was young
And time rolls fast away.
Has he forgotten the vow he made
To meet me here today?

'No. If he lives he loves me still
And still remembers me.
If he is dead -- my joys are sunk
In utter misery.

'We parted in the spicy groves
Beneath Arabia's sky.
How could I hope to meet him now
Where Gondal's breezes sigh?

'He was a shining meteor light
That faded from the skies,
But I mistook him for a star
That only set to rise.

'And with a firm yet trembling hand
I've clung to this false hope;
I dared not surely trust in it
Yet would not yield it up.

'And day and night I've thought of him
And loved him constantly,
And prayed that Heaven would prosper him
Wherever he might be.

'He will not come; he's wandering now
On some far distant shore,
Or else he sleeps the sleep of death
And cannot see me more!

'O, Alexander, is it thus?
Did we but meet to part?
Long as I live thy name will be
Engraven on my heart.

'I shall not cease to think of thee
While life and thought remain,
For well I know that I can never
See thy like again!'

She ceases now and dries her tears
But still she lingers there
In silent thought till night is come
And silver stars appear.

But lo! a tall and stately youth
Ascends the grassy slope;
His bright dark eyes are glancing round,
His heart beats high with hope.

He has journyed on unweariedly
From dawn of day till now,
The warm blood kindles in his cheek,
The sweat is on his brow.

But he has gained the green hill top
Where lies that lonely spring,
And lo! he pauses when he hears
Its gentle murmuring.

He dares not enter through the trees
That veil it from his eye;
He listens for some other sound
In deep anxiety.

But vainly -- all is calm and still;
Are his bright day dreams o'er?
Has he thus hoped and longed in vain,
And must they meet no more?

One moment more of sad suspense
And those dark trees are past;
The lonely well bursts on his sight
And they are met at last!
Written by William Morris | Create an image from this poem

Sir Galahad a Christmas Mystery

 It is the longest night in all the year,
Near on the day when the Lord Christ was born;
Six hours ago I came and sat down here,
And ponder'd sadly, wearied and forlorn.

The winter wind that pass'd the chapel door,
Sang out a moody tune, that went right well
With mine own thoughts: I look'd down on the floor,
Between my feet, until I heard a bell

Sound a long way off through the forest deep,
And toll on steadily; a drowsiness
Came on me, so that I fell half asleep,
As I sat there not moving: less and less

I saw the melted snow that hung in beads
Upon my steel-shoes; less and less I saw
Between the tiles the bunches of small weeds:
Heartless and stupid, with no touch of awe

Upon me, half-shut eyes upon the ground,
I thought: O Galahad! the days go by,
Stop and cast up now that which you have found,
So sorely you have wrought and painfully.

Night after night your horse treads down alone
The sere damp fern, night after night you sit
Holding the bridle like a man of stone,
Dismal, unfriended: what thing comes of it?

And what if Palomydes also ride,
And over many a mountain and bare heath
Follow the questing beast with none beside?
Is he not able still to hold his breath

With thoughts of Iseult? doth he not grow pale
With weary striving, to seem best of all
To her, "as she is best," he saith? to fail
Is nothing to him, he can never fall.

For unto such a man love-sorrow is
So dear a thing unto his constant heart,
That even if he never win one kiss,
Or touch from Iseult, it will never part.

And he will never know her to be worse
Than in his happiest dreams he thinks she is:
Good knight, and faithful, you have 'scaped the curse
In wonderful-wise; you have great store of bliss.

Yea, what if Father Launcelot ride out,
Can he not think of Guenevere's arms, round
Warm and lithe, about his neck, and shout
Till all the place grows joyful with the sound?

And when he lists can often see her face,
And think, "Next month I kiss you, or next week,
And still you think of me": therefore the place
Grows very pleasant, whatsoever he seek.

But me, who ride alone, some carle shall find
Dead in my arms in the half-melted snow,
When all unkindly with the shifting wind,
The thaw comes on at Candlemas: I know

Indeed that they will say: "This Galahad
If he had lived had been a right good knight;
Ah! poor chaste body!" but they will be glad,
Not most alone, but all, when in their sight

That very evening in their scarlet sleeves
The gay-dress'd minstrels sing; no maid will talk
Of sitting on my tomb, until the leaves,
Grown big upon the bushes of the walk,

East of the Palace-pleasaunce, make it hard
To see the minster therefrom: well-a-day!
Before the trees by autumn were well bared,
I saw a damozel with gentle play,

Within that very walk say last farewell
To her dear knight, just riding out to find
(Why should I choke to say it?) the Sangreal,
And their last kisses sunk into my mind,

Yea, for she stood lean'd forward on his breast,
Rather, scarce stood; the back of one dear hand,
That it might well be kiss'd, she held and press'd
Against his lips; long time they stood there, fann'd

By gentle gusts of quiet frosty wind,
Till Mador de la porte a-going by,
And my own horsehoofs roused them; they untwined,
And parted like a dream. In this way I,

With sleepy face bent to the chapel floor,
Kept musing half asleep, till suddenly
A sharp bell rang from close beside the door,
And I leapt up when something pass'd me by,

Shrill ringing going with it, still half blind
I stagger'd after, a great sense of awe
At every step kept gathering on my mind,
Thereat I have no marvel, for I saw

One sitting on the altar as a throne,
Whose face no man could say he did not know,
And though the bell still rang, he sat alone,
With raiment half blood-red, half white as snow.

Right so I fell upon the floor and knelt,
Not as one kneels in church when mass is said,
But in a heap, quite nerveless, for I felt
The first time what a thing was perfect dread.

But mightily the gentle voice came down:
"Rise up, and look and listen, Galahad,
Good knight of God, for you will see no frown
Upon my face; I come to make you glad.

"For that you say that you are all alone,
I will be with you always, and fear not
You are uncared for, though no maiden moan
Above your empty tomb; for Launcelot,

"He in good time shall be my servant too,
Meantime, take note whose sword first made him knight,
And who has loved him alway, yea, and who
Still trusts him alway, though in all men's sight,

"He is just what you know, O Galahad,
This love is happy even as you say,
But would you for a little time be glad,
To make ME sorry long, day after day?

"Her warm arms round his neck half throttle ME,
The hot love-tears burn deep like spots of lead,
Yea, and the years pass quick: right dismally
Will Launcelot at one time hang his head;

"Yea, old and shrivell'd he shall win my love.
Poor Palomydes fretting out his soul!
Not always is he able, son, to move
His love, and do it honour: needs must roll

"The proudest destrier sometimes in the dust,
And then 'tis weary work; he strives beside
Seem better than he is, so that his trust
Is always on what chances may betide;

"And so he wears away, my servant, too,
When all these things are gone, and wretchedly
He sits and longs to moan for Iseult, who
Is no care now to Palomydes: see,

"O good son, Galahad, upon this day,
Now even, all these things are on your side,
But these you fight not for; look up, I say,
And see how I can love you, for no pride

"Closes your eyes, no vain lust keeps them down.
See now you have ME always; following
That holy vision, Galahad, go on,
Until at last you come to ME to sing

"In Heaven always, and to walk around
The garden where I am." He ceased, my face
And wretched body fell upon the ground;
And when I look'd again, the holy place

Was empty; but right so the bell again
Came to the chapel-door, there entered
Two angels first, in white, without a stain,
And scarlet wings, then, after them, a bed

Four ladies bore, and set it down beneath
The very altar-step, and while for fear
I scarcely dared to move or draw my breath,
Those holy ladies gently came a-near,

And quite unarm'd me, saying: "Galahad,
Rest here awhile and sleep, and take no thought
Of any other thing than being glad;
Hither the Sangreal will be shortly brought,

"Yet must you sleep the while it stayeth here."
Right so they went away, and I, being weary,
Slept long and dream'd of Heaven: the bell comes near,
I doubt it grows to morning. Miserere!


[Enter Two Angels in white, with scarlet wings; also, Four Ladies in gowns of red and green; also an Angel, bearing in his hands a surcoat of white, with a red cross.]


AN ANGEL

O servant of the high God, Galahad!
Rise and be arm'd: the Sangreal is gone forth
Through the great forest, and you must be had
Unto the sea that lieth on the north:

There shall you find the wondrous ship wherein
The spindles of King Solomon are laid,
And the sword that no man draweth without sin,
But if he be most pure: and there is stay'd,

Hard by, Sir Launcelot, whom you will meet
In some short space upon that ship: first, though,
Will come here presently that lady sweet,
Sister of Percival, whom you well know,

And with her Bors and Percival: stand now,
These ladies will to arm you.


[FIRST LADY, putting on the hauberk]

Galahad,
That I may stand so close beneath your brow,
Margaret of Antioch, am glad.


[SECOND LADY, girding him with the sword.]

That I may stand and touch you with my hand,
O Galahad, I, Cecily, am glad.


[THIRD LADY, buckling on the spurs.]

That I may kneel while up above you stand,
And gaze at me, O holy Galahad,
I, Lucy, am most glad.


[FOURTH LADY, putting on the basnet.]

O gentle knight,
That you bow down to us in reverence,
We are most glad, I, Katherine, with delight
Must needs fall trembling.


[ANGEL, putting on the crossed surcoat.]

Galahad, we go hence,

For here, amid the straying of the snow,
Come Percival's sister, Bors, and Percival.

[The Four Ladies carry out the bed, and all go but Galahad.]


GALAHAD.

How still and quiet everything seems now:
They come, too, for I hear the horsehoofs fall.

[Enter Sir Bors, Sir Percival and his Sister.]


Fair friends and gentle lady, God you save!
A many marvels have been here to-night;
Tell me what news of Launcelot you have,
And has God's body ever been in sight?

SIR BORS.

Why, as for seeing that same holy thing,
As we were riding slowly side by side,
An hour ago, we heard a sweet voice sing,
And through the bare twigs saw a great light glide,

With many-colour'd raiment, but far off;
And so pass'd quickly: from the court nought good;
Poor merry Dinadan, that with jape and scoff
Kept us all merry, in a little wood

Was found all hack'd and dead: Sir Lionel
And Gauwaine have come back from the great quest,
Just merely shamed; and Lauvaine, who loved well
Your father Launcelot, at the king's behest

Went out to seek him, but was almost slain,
Perhaps is dead now; everywhere
The knights come foil'd from the great quest, in vain;
In vain they struggle for the vision fair.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Fire Sermon

  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank. The wind
  Crosses the brown land, unheard. The nymphs are departed.
  Sweet Thames, run softly, till I end my song.
  The river bears no empty bottles, sandwich papers,
  Silk handkerchiefs, cardboard boxes, cigarette ends
  Or other testimony of summer nights. The nymphs are departed.
  And their friends, the loitering heirs of city directors;               180
  Departed, have left no addresses.

  Line 161 ALRIGHT. This spelling occurs also in
  the Hogarth Press edition— Editor.

  By the waters of Leman I sat down and wept . . .
  Sweet Thames, run softly till I end my song,
  Sweet Thames, run softly, for I speak not loud or long.
  But at my back in a cold blast I hear
  The rattle of the bones, and chuckle spread from ear to ear.
  A rat crept softly through the vegetation
  Dragging its slimy belly on the bank
  While I was fishing in the dull canal
  On a winter evening round behind the gashouse                           190
  Musing upon the king my brother's wreck
  And on the king my father's death before him.
  White bodies naked on the low damp ground
  And bones cast in a little low dry garret,
  Rattled by the rat's foot only, year to year.
  But at my back from time to time I hear
  The sound of horns and motors, which shall bring
  Sweeney to Mrs. Porter in the spring.
  O the moon shone bright on Mrs. Porter
  And on her daughter                                                     200
  They wash their feet in soda water
  Et O ces voix d'enfants, chantant dans la coupole!

  Twit twit twit
  Jug jug jug jug jug jug
  So rudely forc'd.
  Tereu

  Unreal City
  Under the brown fog of a winter noon
  Mr. Eugenides, the Smyrna merchant
  Unshaven, with a pocket full of currants                                210
  C.i.f. London: documents at sight,
  Asked me in demotic French
  To luncheon at the Cannon Street Hotel
  Followed by a weekend at the Metropole.

  At the violet hour, when the eyes and back
  Turn upward from the desk, when the human engine waits
  Like a taxi throbbing waiting,
  I Tiresias, though blind, throbbing between two lives,
  Old man with wrinkled female breasts, can see
  At the violet hour, the evening hour that strives                       220
  Homeward, and brings the sailor home from sea,
  The typist home at teatime, clears her breakfast, lights
  Her stove, and lays out food in tins.
  Out of the window perilously spread
  Her drying combinations touched by the sun's last rays,
  On the divan are piled (at night her bed)
  Stockings, slippers, camisoles, and stays.
  I Tiresias, old man with wrinkled dugs
  Perceived the scene, and foretold the rest—
  I too awaited the expected guest.                                       230
  He, the young man carbuncular, arrives,
  A small house agent's clerk, with one bold stare,
  One of the low on whom assurance sits
  As a silk hat on a Bradford millionaire.
  The time is now propitious, as he guesses,
  The meal is ended, she is bored and tired,
  Endeavours to engage her in caresses
  Which still are unreproved, if undesired.
  Flushed and decided, he assaults at once;
  Exploring hands encounter no defence;                                   240
  His vanity requires no response,
  And makes a welcome of indifference.
  (And I Tiresias have foresuffered all
  Enacted on this same divan or bed;
  I who have sat by Thebes below the wall
  And walked among the lowest of the dead.)
  Bestows one final patronising kiss,
  And gropes his way, finding the stairs unlit . . .

  She turns and looks a moment in the glass,
  Hardly aware of her departed lover;                                     250
  Her brain allows one half-formed thought to pass:
  "Well now that's done: and I'm glad it's over."
  When lovely woman stoops to folly and
  Paces about her room again, alone,
  She smoothes her hair with automatic hand,
  And puts a record on the gramophone.

  "This music crept by me upon the waters"
  And along the Strand, up Queen Victoria Street.
  O City city, I can sometimes hear
  Beside a public bar in Lower Thames Street,                             260
  The pleasant whining of a mandoline
  And a clatter and a chatter from within
  Where fishmen lounge at noon: where the walls
  Of Magnus Martyr hold
  Inexplicable splendour of Ionian white and gold.

       The river sweats
       Oil and tar
       The barges drift
       With the turning tide
       Red sails                                                          270
       Wide
       To leeward, swing on the heavy spar.
       The barges wash
       Drifting logs
       Down Greenwich reach
       Past the Isle of Dogs.
            Weialala leia
            Wallala leialala

       Elizabeth and Leicester
       Beating oars                                                       280
       The stern was formed
       A gilded shell
       Red and gold
       The brisk swell
       Rippled both shores
       Southwest wind
       Carried down stream
       The peal of bells
       White towers
            Weialala leia                                                 290
            Wallala leialala

  "Trams and dusty trees.
  Highbury bore me. Richmond and Kew
  Undid me. By Richmond I raised my knees
  Supine on the floor of a narrow canoe."

  "My feet are at Moorgate, and my heart
  Under my feet. After the event
  He wept. He promised 'a new start'.
  I made no comment. What should I resent?"
  "On Margate Sands.                                                      300
  I can connect
  Nothing with nothing.
  The broken fingernails of dirty hands.
  My people humble people who expect
  Nothing."
       la la

  To Carthage then I came

  Burning burning burning burning
  O Lord Thou pluckest me out
  O Lord Thou pluckest                                                    310

  burning

Written by Alexander Pope | Create an image from this poem

Sound And Sense

 True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.
'Tis not enough no harshness gives offense,
The sound must seem an echo to the sense:
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar;
When Ajax strives some rock's vast weight to throw,
The line too labors, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er the unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprise,
And bid alternate passions fall and rise!
Written by Victor Hugo | Create an image from this poem

Early Poems

 MOSES ON THE NILE. 
 
 ("Mes soeurs, l'onde est plus fraiche.") 
 
 {TO THE FLORAL GAMES, Toulouse, Feb. 10, 1820.} 


 "Sisters! the wave is freshest in the ray 
 Of the young morning; the reapers are asleep; 
 The river bank is lonely: come away! 
 The early murmurs of old Memphis creep 
 Faint on my ear; and here unseen we stray,— 
 Deep in the covert of the grove withdrawn, 
 Save by the dewy eye-glance of the dawn. 
 
 "Within my father's palace, fair to see, 
 Shine all the Arts, but oh! this river side, 
 Pranked with gay flowers, is dearer far to me 
 Than gold and porphyry vases bright and wide; 
 How glad in heaven the song-bird carols free! 
 Sweeter these zephyrs float than all the showers 
 Of costly odors in our royal bowers. 
 
 "The sky is pure, the sparkling stream is clear: 
 Unloose your zones, my maidens! and fling down 
 To float awhile upon these bushes near 
 Your blue transparent robes: take off my crown, 
 And take away my jealous veil; for here 
 To-day we shall be joyous while we lave 
 Our limbs amid the murmur of the wave. 
 
 "Hasten; but through the fleecy mists of morn, 
 What do I see? Look ye along the stream! 
 Nay, timid maidens—we must not return! 
 Coursing along the current, it would seem 
 An ancient palm-tree to the deep sea borne, 
 That from the distant wilderness proceeds, 
 Downwards, to view our wondrous Pyramids. 
 
 "But stay! if I may surely trust mine eye,— 
 It is the bark of Hermes, or the shell 
 Of Iris, wafted gently to the sighs 
 Of the light breeze along the rippling swell; 
 But no: it is a skiff where sweetly lies 
 An infant slumbering, and his peaceful rest 
 Looks as if pillowed on his mother's breast. 
 
 "He sleeps—oh, see! his little floating bed 
 Swims on the mighty river's fickle flow, 
 A white dove's nest; and there at hazard led 
 By the faint winds, and wandering to and fro, 
 The cot comes down; beneath his quiet head 
 The gulfs are moving, and each threatening wave 
 Appears to rock the child upon a grave. 
 
 "He wakes—ah, maids of Memphis! haste, oh, haste! 
 He cries! alas!—What mother could confide 
 Her offspring to the wild and watery waste? 
 He stretches out his arms, the rippling tide 
 Murmurs around him, where all rudely placed, 
 He rests but with a few frail reeds beneath, 
 Between such helpless innocence and death. 
 
 "Oh! take him up! Perchance he is of those 
 Dark sons of Israel whom my sire proscribes; 
 Ah! cruel was the mandate that arose 
 Against most guiltless of the stranger tribes! 
 Poor child! my heart is yearning for his woes, 
 I would I were his mother; but I'll give 
 If not his birth, at least the claim to live." 
 
 Thus Iphis spoke; the royal hope and pride 
 Of a great monarch; while her damsels nigh, 
 Wandered along the Nile's meandering side; 
 And these diminished beauties, standing by 
 The trembling mother; watching with eyes wide 
 Their graceful mistress, admired her as stood, 
 More lovely than the genius of the flood! 
 
 The waters broken by her delicate feet 
 Receive the eager wader, as alone 
 By gentlest pity led, she strives to meet 
 The wakened babe; and, see, the prize is won! 
 She holds the weeping burden with a sweet 
 And virgin glow of pride upon her brow, 
 That knew no flush save modesty's till now. 
 
 Opening with cautious hands the reedy couch, 
 She brought the rescued infant slowly out 
 Beyond the humid sands; at her approach 
 Her curious maidens hurried round about 
 To kiss the new-born brow with gentlest touch; 
 Greeting the child with smiles, and bending nigh 
 Their faces o'er his large, astonished eye! 
 
 Haste thou who, from afar, in doubt and fear, 
 Dost watch, with straining eyes, the fated boy— 
 The loved of heaven! come like a stranger near, 
 And clasp young Moses with maternal joy; 
 Nor fear the speechless transport and the tear 
 Will e'er betray thy fond and hidden claim, 
 For Iphis knows not yet a mother's name! 
 
 With a glad heart, and a triumphal face, 
 The princess to the haughty Pharaoh led 
 The humble infant of a hated race, 
 Bathed with the bitter tears a parent shed; 
 While loudly pealing round the holy place 
 Of Heaven's white Throne, the voice of angel choirs 
 Intoned the theme of their undying lyres! 
 
 "No longer mourn thy pilgrimage below— 
 O Jacob! let thy tears no longer swell 
 The torrent of the Egyptian river: Lo! 
 Soon on the Jordan's banks thy tents shall dwell; 
 And Goshen shall behold thy people go 
 Despite the power of Egypt's law and brand, 
 From their sad thrall to Canaan's promised land. 
 
 "The King of Plagues, the Chosen of Sinai, 
 Is he that, o'er the rushing waters driven, 
 A vigorous hand hath rescued for the sky; 
 Ye whose proud hearts disown the ways of heaven! 
 Attend, be humble! for its power is nigh 
 Israel! a cradle shall redeem thy worth— 
 A Cradle yet shall save the widespread earth!" 
 
 Dublin University Magazine, 1839 


 




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