Written by
Robert Graves |
Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, *****,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."
That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."
When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"
|
Written by
Robert Frost |
To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife,
And hated to be twitted on the subject;
Others because he'd come within a day
Or so of having one, and then been Jilted;
Others because he'd had one once, a good one,
Who'd run away with someone else and left him;
And others still because he had one now
He only had to be reminded of--
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, "That's so, how is my wife?
I hope she isn't getting into mischief."
No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps
Ever since, just to show them, he bad slipped
The bark of a whole tamarack off whole
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
April by subsiding meadow brooks.
They seemed to ask him just to see him go,
"How is the wife, Paul?" and he always went.
He never stopped to murder anyone
Who asked the question. He just disappeared--
Nobody knew in what direction,
Although it wasn't usually long
Before they beard of him in some new camp,
The same Paul at the same old feats of logging.
The question everywhere was why should Paul
Object to being asked a civil question--
A man you could say almost anything to
Short of a fighting word. You have the answers.
And there was one more not so fair to Paul:
That Paul had married a wife not his equal.
Paul was ashamed of her. To match a hero
She would have had to be a heroine;
Instead of which she was some half-breed squaw.
But if the story Murphy told was true,
She wasn't anything to be ashamed of.
You know Paul could do wonders. Everyone's
Heard how he thrashed the horses on a load
That wouldn't budge, until they simply stretched
Their rawhide harness from the load to camp.
Paul told the boss the load would be all right,
"The sun will bring your load in"--and it did--
By shrinking the rawhide to natural length.
That's what is called a stretcher. But I guess
The one about his jumping so's to land
With both his feet at once against the ceiling,
And then land safely right side up again,
Back on the floor, is fact or pretty near fact.
Well, this is such a yarn. Paul sawed his wife
Out of a white-pine log. Murphy was there
And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away
For--I forget--the last ambitious sawyer
To want to find out if he couldn't pile
The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log,
And the sawyer had slammed the carriage back
To slam end-on again against the saw teeth.
To judge them by the way they caught themselves
When they saw what had happened to the log,
They must have had a guilty expectation
Something was going to go with their slambanging.
Something bad left a broad black streak of grease
On the new wood the whole length of the log
Except, perhaps, a foot at either end.
But when Paul put his finger in the grease,
It wasn't grease at all, but a long slot.
The log was hollow. They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it
And tell Paul what he ought to do about it.
(They treated it as his.) "You take a jackknife,
And spread the opening, and you've got a dugout
All dug to go a-fishing in." To Paul
The hollow looked too sound and clean and empty
Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow
He thought he'd better take his jackknife to.
So after work that evening be came back
And let enough light into it by cutting
To see if it was empty. He made out in there
A slender length of pith, or was it pith?
It might have been the skin a snake had cast
And left stood up on end inside the tree
The hundred years the tree must have been growing.
More cutting and he bad this in both hands,
And looking from it to the pond nearby,
Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air
He made in walking slowly to the beach
Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers,
And thought it must have melted. It was gone.
And then beyond the open water, dim with midges,
Where the log drive lay pressed against the boom,
It slowly rose a person, rose a girl,
Her wet hair heavy on her like a helmet,
Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back
To see if it was anyone behind him
That she was looking at instead of him.
(Murphy had been there watching all the time,
But from a shed where neither of them could see him.)
There was a moment of suspense in birth
When the girl seemed too waterlogged to live,
Before she caught her first breath with a gasp
And laughed. Then she climbed slowly to her feet,
And walked off, talking to herself or Paul,
Across the logs like backs of alligators,
Paul taking after her around the pond.
Next evening Murphy and some other fellows
Got drunk, and tracked the pair up Catamount,
From the bare top of which there is a view
TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it,
They saw Paul and his creature keeping house.
It was the only glimpse that anyone
Has had of Paul and her since Murphy saw them
Falling in love across the twilight millpond.
More than a mile across the wilderness
They sat together halfway up a cliff
In a small niche let into it, the girl
Brightly, as if a star played on the place,
Paul darkly, like her shadow. All the light
Was from the girl herself, though, not from a star,
As was apparent from what happened next.
All those great ruffians put their throats together,
And let out a loud yell, and threw a bottle,
As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile,
But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married
And not to anyone to be ashamed of
Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs
About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business,
Either to praise her or much as name her,
And he'd thank people not to think of her.
Murphy's idea was that a man like Paul
Wouldn't be spoken to about a wife
In any way the world knew how to speak.
|
Written by
Obi Nwakanma |
for Christopher Okigbo
Emrnanuel Ifeajuna &
Chukwuma Nzeogwu
I
It was a room above the alcove
in a city renewed by junipers
And by desires...
Stripped of words,
the moments recalled;
where the tower,
lo, was in sight:
memories undaunted by sound
or flames of the amethyst,
spoke to me;
spoke to me like the preacher from…
I recall this moment staggering through the wind,
when its breath hissed at the earth;
as we leaned out of the window
in that moment when the first light
streaked, joyous, out of the unalterable street...
Then, tuned to the immanent choir of the grassland,
untangling from the sea -
Then, stripped to the last detail, from her sinewed skin,
disheveled in the light, one aria from the immaculate concertina -
before her rebirth
a tongue licked through the core of my soul
ii
Strange men in dark garments
riding in slow, weary steps,
paces of a far and distant journey -
in measured gestures
The clatter of hooves on the stone of the
street; wakened from the depths of
their tombs, long dead ghosts,
memories of a carnage -
There was fear bred in that silence,
nothing triumphant in their last march
nothing triumphant where
once a plot is weaved, a rider rides
into anonymity:
what is it that they seek -
These silent riders?
Glory? Memory?
What is it that they want among those
who have fallen from their swords?
Piety? Ablution? Anonymity?
It is not enough to bury the sword
in the fold of the embrace;
nor is it wise, even prudent, to
seek meaning in past deeds
when those deeds are immortal,
or of an impure genealogy -
What do they seek in the bowel of the tide;
in that place, where Onishe,
spirit-mother, swallowed the ravishers of her children?
Graves? Graves in the tide?
iii
Theirs are troubled gestures full of potent wishes.
…are those wishes -
for as they came, those riders, each
hoof in the ascent;
each eye veiled by remorse, or anger or
a forlorn thought -
for as they came, weighed down by ancient baggage,
a skin of water, a measure of wheat, some
penicillin, in case of epidemic
a stretcher to fetch the dead;
an hourglass, and then the gloved idol,
the one that ordered the massacre -
who rode ahead of the light;
muttered a command: 'halt!'.
From The Horsemen and Other Poems
|
Written by
Robert William Service |
Is it not strange? A year ago to-day,
With scarce a thought beyond the hum-drum round,
I did my decent job and earned my pay;
Was averagely happy, I'll be bound.
Ay, in my little groove I was content,
Seeing my life run smoothly to the end,
With prosy days in stolid labour spent,
And jolly nights, a pipe, a glass, a friend.
In God's good time a hearth fire's cosy gleam,
A wife and kids, and all a fellow needs;
When presto! like a bubble goes my dream:
I leap upon the Stage of Splendid Deeds.
I yell with rage; I wallow deep in gore:
I, that was clerk in a drysalter's store.
Stranger than any book I've ever read.
Here on the reeking battlefield I lie,
Under the stars, propped up with smeary dead,
Like too, if no one takes me in, to die.
Hit on the arms, legs, liver, lungs and gall;
Damn glad there's nothing more of me to hit;
But calm, and feeling never pain at all,
And full of wonder at the turn of it.
For of the dead around me three are mine,
Three foemen vanquished in the whirl of fight;
So if I die I have no right to whine,
I feel I've done my little bit all right.
I don't know how -- but there the beggars are,
As dead as herrings pickled in a jar.
And here am I, worse wounded than I thought;
For in the fight a bullet bee-like stings;
You never heed; the air is metal-hot,
And all alive with little flicking wings.
But on you charge. You see the fellows fall;
Your pal was by your side, fair fighting-mad;
You turn to him, and lo! no pal at all;
You wonder vaguely if he's copped it bad.
But on you charge. The heavens vomit death;
And vicious death is besoming the ground.
You're blind with sweat; you're dazed, and out of breath,
And though you yell, you cannot hear a sound.
But on you charge. Oh, War's a rousing game!
Around you smoky clouds like ogres tower;
The earth is rowelled deep with spurs of flame,
And on your helmet stones and ashes shower.
But on you charge. It's odd! You have no fear.
Machine-gun bullets whip and lash your path;
Red, yellow, black the smoky giants rear;
The shrapnel rips, the heavens roar in wrath.
But on you charge. Barbed wire all trampled down.
The ground all gored and rent as by a blast;
Grim heaps of grey where once were heaps of brown;
A ragged ditch -- the Hun first line at last.
All smashed to hell. Their second right ahead,
So on you charge. There's nothing else to do.
More reeking holes, blood, barbed wire, gruesome dead;
(Your puttee strap's undone -- that worries you).
You glare around. You think you're all alone.
But no; your chums come surging left and right.
The nearest chap flops down without a groan,
His face still snarling with the rage of fight.
Ha! here's the second trench -- just like the first,
Only a little more so, more "laid out";
More pounded, flame-corroded, death-accurst;
A pretty piece of work, beyond a doubt.
Now for the third, and there your job is done,
So on you charge. You never stop to think.
Your cursed puttee's trailing as you run;
You feel you'd sell your soul to have a drink.
The acrid air is full of cracking whips.
You wonder how it is you're going still.
You foam with rage. Oh, God! to be at grips
With someone you can rush and crush and kill.
Your sleeve is dripping blood; you're seeing red;
You're battle-mad; your turn is coming now.
See! there's the jagged barbed wire straight ahead,
And there's the trench -- you'll get there anyhow.
Your puttee catches on a strand of wire,
And down you go; perhaps it saves your life,
For over sandbag rims you see 'em fire,
Crop-headed chaps, their eyes ablaze with strife.
You crawl, you cower; then once again you plunge
With all your comrades roaring at your heels.
Have at 'em lads! You stab, you jab, you lunge;
A blaze of glory, then the red world reels.
A crash of triumph, then . . . you're faint a bit . . .
That cursed puttee! Now to fasten it. . . .
Well, that's the charge. And now I'm here alone.
I've built a little wall of Hun on Hun,
To shield me from the leaden bees that drone
(It saves me worry, and it hurts 'em none).
The only thing I'm wondering is when
Some stretcher-men will stroll along my way?
It isn't much that's left of me, but then
Where life is, hope is, so at least they say.
Well, if I'm spared I'll be the happy lad.
I tell you I won't envy any king.
I've stood the racket, and I'm proud and glad;
I've had my crowning hour. Oh, War's the thing!
It gives us common, working chaps our chance,
A taste of glory, chivalry, romance.
Ay, War, they say, is hell; it's heaven, too.
It lets a man discover what he's worth.
It takes his measure, shows what he can do,
Gives him a joy like nothing else on earth.
It fans in him a flame that otherwise
Would flicker out, these drab, discordant days;
It teaches him in pain and sacrifice
Faith, fortitude, grim courage past all praise.
Yes, War is good. So here beside my slain,
A happy wreck I wait amid the din;
For even if I perish mine's the gain. . . .
Hi, there, you fellows! won't you take me in?
Give me a *** to smoke upon the way. . . .
We've taken La Boiselle! The hell, you say!
Well, that would make a corpse sit up and grin. . . .
Lead on! I'll live to fight another day.
|
Written by
Isaac Rosenberg |
The plunging limbers over the shattered track
Racketed with their rusty freight,
Stuck out like many crowns of thorns,
And the rusty stakes like sceptres old
To stay the flood of brutish men
Upon our brothers dear.
The wheels lurched over sprawled dead
But pained them not, though their bones crunched;
Their shut mouths made no moan,
They lie there huddled, friend and foeman,
Man born of man, and born of woman,
And shells go crying over them
From night till night and now.
Earth has waited for them,
All the time of their growth
Fretting for their decay:
Now she has them at last!
In the strength of her strength
Suspended—stopped and held.
What fierce imaginings their dark souls lit
Earth! Have they gone into you?
Somewhere they must have gone,
And flung on your hard back
Is their souls' sack,
Emptied of God-ancestralled essences.
Who hurled them out? Who hurled?
None saw their spirits' shadow shake the grass,
Or stood aside for the half-used life to pass
Out of those doomed nostrils and the doomed mouth,
When the swift iron burning bee
Drained the wild honey of their youth.
What of us, who flung on the shrieking pyre,
Walk, our usual thoughts untouched,
Our lucky limbs as on ichor fed,
Immortal seeming ever?
Perhaps when the flames beat loud on us,
A fear may choke in our veins
And the startled blood may stop.
The air is loud with death,
The dark air spurts with fire,
The explosions ceaseless are.
Timelessly now, some minutes past,
These dead strode time with vigorous life,
Till the shrapnel called "an end!"
But not to all. In bleeding pangs
Some borne on stretchers dreamed of home,
Dear things, war-blotted from their hearts.
A man's brains splattered on
A stretcher-bearer's face;
His shook shoulders slipped their load,
But when they bent to look again
The drowning soul was sunk too deep
For human tenderness.
They left this dead with the older dead,
Stretched at the cross roads.
Burnt black by strange decay,
Their sinister faces lie
The lid over each eye,
The grass and coloured clay
More motion have than they,
Joined to the great sunk silences.
Here is one not long dead;
His dark hearing caught our far wheels,
And the choked soul stretched weak hands
To reach the living word the far wheels said,
The blood-dazed intelligence beating for light,
Crying through the suspense of the far torturing wheels
Swift for the end to break,
Or the wheels to break,
Cried as the tide of the world broke over his sight.
Will they come? Will they ever come?
Even as the mixed hoofs of the mules,
The quivering-bellied mules,
And the rushing wheels all mixed
With his tortured upturned sight.
So we crashed round the bend,
We heard his weak scream,
We heard his very last sound,
And our wheels grazed his dead face.
|
Written by
Robert Graves |
August 6, 1916.—Officer previously reported died of wounds, now reported wounded: Graves, Captain R., Royal Welch Fusiliers.)
…but I was dead, an hour or more.
I woke when I’d already passed the door
That Cerberus guards, and half-way down the road
To Lethe, as an old Greek signpost showed.
Above me, on my stretcher swinging by,
I saw new stars in the subterrene sky:
A Cross, a Rose in bloom, a Cage with bars,
And a barbed Arrow feathered in fine stars.
I felt the vapours of forgetfulness
Float in my nostrils. Oh, may Heaven bless
Dear Lady Proserpine, who saw me wake,
And, stooping over me, for Henna’s sake
Cleared my poor buzzing head and sent me back
Breathless, with leaping heart along the track.
After me roared and clattered angry hosts
Of demons, heroes, and policeman-ghosts.
“Life! life! I can’t be dead! I won’t be dead!
Damned if I’ll die for any one!” I said….
Cerberus stands and grins above me now,
Wearing three heads—lion, and lynx, and sow.
“Quick, a revolver! But my Webley’s gone,
Stolen!… No bombs … no knife…. The crowd swarms on,
Bellows, hurls stones…. Not even a honeyed sop…
Nothing…. Good Cerberus!… Good dog!… but stop!
Stay!… A great luminous thought … I do believe
There’s still some morphia that I bought on leave.”
Then swiftly Cerberus’ wide mouths I cram
With army biscuit smeared with ration jam;
And sleep lurks in the luscious plum and apple.
He crunches, swallows, stiffens, seems to grapple
With the all-powerful poppy … then a snore,
A crash; the beast blocks up the corridor
With monstrous hairy carcase, red and dun—
Too late! for I’ve sped through.
O Life! O Sun!
|
Written by
Wilfred Owen |
We'd found an old Boche dug-out, and he knew,
And gave us hell, for shell on frantic shell
Hammered on top, but never quite burst through.
Rain, guttering down in waterfalls of slime
Kept slush waist high, that rising hour by hour,
Choked up the steps too thick with clay to climb.
What murk of air remained stank old, and sour
With fumes of whizz-bangs, and the smell of men
Who'd lived there years, and left their curse in the den,
If not their corpses. . . .
There we herded from the blast
Of whizz-bangs, but one found our door at last.
Buffeting eyes and breath, snuffing the candles.
And thud! flump! thud! down the steep steps came thumping
And splashing in the flood, deluging muck --
The sentry's body; then his rifle, handles
Of old Boche bombs, and mud in ruck on ruck.
We dredged him up, for killed, until he whined
"O sir, my eyes -- I'm blind -- I'm blind, I'm blind!"
Coaxing, I held a flame against his lids
And said if he could see the least blurred light
He was not blind; in time he'd get all right.
"I can't," he sobbed. Eyeballs, huge-bulged like squids
Watch my dreams still; but I forgot him there
In posting next for duty, and sending a scout
To beg a stretcher somewhere, and floundering about
To other posts under the shrieking air.
Those other wretches, how they bled and spewed,
And one who would have drowned himself for good, --
I try not to remember these things now.
Let dread hark back for one word only: how
Half-listening to that sentry's moans and jumps,
And the wild chattering of his broken teeth,
Renewed most horribly whenever crumps
Pummelled the roof and slogged the air beneath --
Through the dense din, I say, we heard him shout
"I see your lights!" But ours had long died out.
|
Written by
Siegfried Sassoon |
He woke; the clank and racket of the train
Kept time with angry throbbings in his brain.
Then for a while he lapsed and drowsed again.
At last he lifted his bewildered eyes
And blinked, and rolled them sidelong; hills and skies,
Heavily wooded, hot with August haze,
And, slipping backward, golden for his gaze,
Acres of harvest.
Feebly now he drags
Exhausted ego back from glooms and quags
And blasting tumult, terror, hurtling glare,
To calm and brightness, havens of sweet air.
He sighed, confused; then drew a cautious breath;
This level journeying was no ride through death.
‘If I were dead,’ he mused, ‘there’d be no thinking—
Only some plunging underworld of sinking,
And hueless, shifting welter where I’d drown.’
Then he remembered that his name was Brown.
But was he back in Blighty? Slow he turned,
Till in his heart thanksgiving leapt and burned.
There shone the blue serene, the prosperous land,
Trees, cows and hedges; skipping these, he scanned
Large, friendly names, that change not with the year,
Lung Tonic, Mustard, Liver Pills and Beer.
|
Written by
Robert William Service |
You may talk o' your lutes and your dulcimers fine,
Your harps and your tabors and cymbals and a',
But here in the trenches jist gie me for mine
The wee penny whistle o' Sandy McGraw.
Oh, it's: "Sandy, ma lad, will you lilt us a tune?"
And Sandy is willin' and trillin' like mad;
Sae silvery sweet that we a' throng aroun',
And some o' it's gay, but the maist o' it's sad.
Jist the wee simple airs that sink intae your hert,
And grup ye wi' love and wi' longin' for hame;
And ye glour like an owl till you're feelin' the stert
O' a tear, and you blink wi' a feelin' o' shame.
For his song's o' the heather, and here in the dirt
You listen and dream o' a land that's sae braw,
And he mak's you forget a' the harm and the hurt,
For he pipes like a laverock, does Sandy McGraw.
* * * * *
At Eepers I mind me when rank upon rank
We rose from the trenches and swept like the gale,
Till the rapid-fire guns got us fell on the flank
And the murderin' bullets came swishin' like hail:
Till a' that were left o' us faltered and broke;
Till it seemed for a moment a panicky rout,
When shrill through the fume and the flash and the smoke
The wee valiant voice o' a whistle piped out.
`The Campbells are Comin'': Then into the fray
We bounded wi' bayonets reekin' and raw,
And oh we fair revelled in glory that day,
Jist thanks to the whistle o' Sandy McGraw.
* * * * *
At Loose, it wis after a sconnersome fecht,
On the field o' the slain I wis crawlin' aboot;
And the rockets were burnin' red holes in the nicht;
And the guns they were veciously thunderin' oot;
When sudden I heard a bit sound like a sigh,
And there in a crump-hole a kiltie I saw:
"Whit ails ye, ma lad? Are ye woundit?" says I.
"I've lost ma wee whustle," says Sandy McGraw.
"'Twas oot by yon bing where we pressed the attack,
It drapped frae ma pooch, and between noo and dawn
There isna much time so I'm jist crawlin' back. . . ."
"Ye're daft, man!" I telt him, but Sandy wis gone.
Weel, I waited a wee, then I crawled oot masel,
And the big stuff wis gorin' and roarin' around,
And I seemed tae be under the oxter o' hell,
And Creation wis crackin' tae bits by the sound.
And I says in ma mind: "Gang ye back, ye auld fule!"
When I thrilled tae a note that wis saucy and sma';
And there in a crater, collected and cool,
Wi' his wee penny whistle wis Sandy McGraw.
Ay, there he wis playin' as gleg as could be,
And listenin' hard wis a spectacled Boche;
Then Sandy turned roon' and he noddit tae me,
And he says: "Dinna blab on me, Sergeant McTosh.
The auld chap is deein'. He likes me tae play.
It's makin' him happy. Jist see his een shine!"
And thrillin' and sweet in the hert o' the fray
Wee Sandy wis playin' The Watch on the Rhine.
* * * * *
The last scene o' a' -- 'twas the day that we took
That bit o' black ruin they ca' Labbiesell.
It seemed the hale hillside jist shivered and shook,
And the red skies were roarin' and spewin' oot shell.
And the Sergeants were cursin' tae keep us in hand,
And hard on the leash we were strainin' like dugs,
When upward we shot at the word o' command,
And the bullets were dingin' their songs in oor lugs.
And onward we swept wi' a yell and a cheer,
And a' wis destruction, confusion and din,
And we knew that the trench o' the Boches wis near,
And it seemed jist the safest bit hole tae be in.
So we a' tumbled doon, and the Boches were there,
And they held up their hands, and they yelled: "Kamarad!"
And I merched aff wi' ten, wi' their palms in the air,
And my! I wis prood-like, and my! I wis glad.
And I thocht: if ma lassie could see me jist then. . . .
When sudden I sobered at somethin' I saw,
And I stopped and I stared, and I halted ma men,
For there on a stretcher wis Sandy McGraw.
Weel, he looks in ma face, jist as game as ye please:
"Ye ken hoo I hate tae be workin'," says he;
"But noo I can play in the street for bawbees,
Wi' baith o' ma legs taken aff at the knee."
And though I could see he wis rackit wi' pain,
He reached for his whistle and stertit tae play;
And quaverin' sweet wis the pensive refrain:
The floors o' the forest are a' wede away.
Then sudden he stoppit: "Man, wis it no grand
Hoo we took a' them trenches?" . . . He shakit his heid:
"I'll -- no -- play -- nae -- mair ----" feebly doon frae his hand
Slipped the wee penny whistle and -- Sandy wis deid.
* * * * *
And so you may talk o' your Steinways and Strads,
Your wonderful organs and brasses sae braw;
But oot in the trenches jist gie me, ma lads,
Yon wee penny whistle o' Sandy McGraw.
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Written by
Siegfried Sassoon |
Shaken from sleep, and numbed and scarce awake,
Out in the trench with three hours’ watch to take,
I blunder through the splashing mirk; and then
Hear the gruff muttering voices of the men
Crouching in cabins candle-chinked with light.
Hark! There’s the big bombardment on our right
Rumbling and bumping; and the dark’s a glare
Of flickering horror in the sectors where
We raid the Boche; men waiting, stiff and chilled,
Or crawling on their bellies through the wire.
‘What? Stretcher-bearers wanted? Some one killed?’
Five minutes ago I heard a sniper fire:
Why did he do it? ... Starlight overhead—
Blank stars. I’m wide-awake; and some chap’s dead.
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