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Best Famous Straight Off Poems

Here is a collection of the all-time best famous Straight Off poems. This is a select list of the best famous Straight Off poetry. Reading, writing, and enjoying famous Straight Off poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of straight off poems.

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Written by Adrienne Rich | Create an image from this poem

Snapshots of a Daughter-In-Law

  1

You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."

Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.

Nervy, glowering, your daughter
wipes the teaspoons, grows another way.

 2

Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.

The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,

or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.

 3

A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!

 4

Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.

 5

Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.

 6

When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping 
over her cheek, only the song
of silk against her knees
and these 
adjusted in reflections of an eye.

Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?

 7

"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
 Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.

 8

"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.

 9

Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.

Sigh no more, ladies.
 Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.

 10

 Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
 poised, still coming,
her fine blades making the air wince

but her cargo
no promise then:
delivered
palpable
ours.


Written by Marriott Edgar | Create an image from this poem

Sam Goes To It

 Sam Small had retired from the Army,
In the old Duke of Wellington's time,
So when present unpleasantness started,
He were what you might call... past his prime.

He'd lived for some years in retirement,
And knew nowt of war, if you please,
Till they blasted and bombed his allotment,
And shelled the best part of his peas.

'T were as if bugles called Sam to duty,
For his musket he started to search,
He found it at last in the Hen house,
Buff Orpingtons had it for perch.

Straight off to the Fusilliers' depot,
He went to rejoin his old troop...
Where he found as they couldn't recruit Him,
Until his age group was called up.

Now Sam wasn't getting no younger,
Past the three score and ten years was he,
And he reckoned by time they reached his age group,
He'd be very near ten score and three.

So he took up the matter with Churchill,
Who said, "I don't know what to do,
Never was there a time when so many,
Came asking so much from so few."

"I don't want no favours" Sam answered,
"Don't think as I'm one of that mob,
All I'm asking is give me the tools, lad,
And let me help finish the job."

"I'll fit you in somewhere," said Winnie,
"Old soldiers we must not discard."
Then seeing he'd got his own musket,
He sent him to join the Home Guard.

They gave Sam a coat with no stripes on,
In spite of the service he'd seen,
Which considering he'd been a King's sergeant,
Kind of rankled... you know what I mean.

He said "I come back to the Army,
Expecting my country's thanks,
And the first thing I find when I get here,
Is that I've been reduced to the ranks.

He found all the lads sympathetic,
They agreed that 'twere a disgrace,
Except one old chap in the corner,
With a nutcracker kind of a face.

Said the old fella, "Who do you think you are?
The last to appear on the scene,
And you start off by wanting promotion,
Last come, last served... see what I mean?"

Said Sam, "Wasn't I at Corunna,
And when company commander got shot,
Didn't I lead battalion to victory?"
Said the old fella, "No... you did not."

"I didn't?" said Sam quite indignent,
"Why, in every fight Wellington fought,
Wasn't I at his right hand to guard him?"
Said old chap, "You were nowt of the sort."

"What do you know of Duke and his battles?"
Said Sam, with a whithering look,
Said the old man, "I ought to know something,
Between you and me... I'm the Duke."

And if you should look in any evening,
You'll find them both in the canteen,
Ex Commander-in-Chief and ex Sergeant,
Both just Home Guards... you know what I mean?
Written by Carl Sandburg | Create an image from this poem

To a Contemporary Bunkshooter

 YOU come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips. . . always blabbing we're all
going to hell straight off and you know all about it.


I've read Jesus' words. I know what he said. You don't
throw any scare into me. I've got your number. I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along. It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.


I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth. He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened
good. He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.

When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?


Go ahead and bust all the chairs you want to. Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head. If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out. Jesus played it different. The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game. He didn't sit in with
the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.

I ask you to come through and show me where you're
pouring out the blood of your life.

I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
Written by Robert Frost | Create an image from this poem

On a Tree Fallen Across the Road

 (To hear us talk)

The tree the tempest with a crash of wood
Throws down in front of us is not bar
Our passage to our journey's end for good,
But just to ask us who we think we are

Insisting always on our own way so.
She likes to halt us in our runner tracks,
And make us get down in a foot of snow
Debating what to do without an ax.

And yet she knows obstruction is in vain:
We will not be put off the final goal
We have it hidden in us to attain,
Not though we have to seize earth by the pole

And, tired of aimless circling in one place,
Steer straight off after something into space.

Book: Reflection on the Important Things