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Best Famous Steve Poems

Here is a collection of the all-time best famous Steve poems. This is a select list of the best famous Steve poetry. Reading, writing, and enjoying famous Steve poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of steve poems.

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Written by Gil Scott-Heron | Create an image from this poem

The revolution will not be televised

You will not be able to stay home, brother
 You will not be able to plug in, turn on and cop out
 You will not be able to lose yourself on skag
 And skip out for beer during commercials
 Because the revolution will not be televised

The revolution will not be televised
 The revolution will not be brought to you by Xerox
 In 4 parts without commercial interruptions
 The revolution will not show you pictures of Nixon
 Blowing a bugle and leading a charge by John Mitchell
 General Abrams and Spiro Agnew to eat hog maws
 Confiscated from a Harlem sanctuary
 The revolution will not be televised

 The revolution will not be brought to you by the
 Schaefer Award Theater and will not star Natalie Woods
 And Steve McQueen or Bullwinkle and Julia
 The revolution will not give your mouth sex appeal
 The revolution will not get rid of the nubs
 The revolution will not make you look five pounds thinner
 Because the revolution will not be televised, Brother

There will be no pictures of you and Willie May
 Pushing that shopping cart down the block on the dead run
 Or trying to slide that color TV into a stolen ambulance
 NBC will not be able predict the winner at 8:32
 Or report from 29 districts
 The revolution will not be televised

 There will be no pictures of pigs shooting down
 Brothers on the instant replay
 There will be no pictures of pigs shooting down
 Brothers on the instant replay

There will be no pictures of Whitney Young
 Being run out of Harlem on a rail with a brand new process
 There will be no slow motion or still life of Roy Wilkens
 Strolling through Watts in a red, black and green
 Liberation jumpsuit that he had been saving
 For just the proper occasion

 Green Acres, The Beverly Hillbillies and Hooter ville Junction
 Will no longer be so damned relevant
 And women will not care if Dick finally gets down with Jane
 On search for tomorrow because black people
 Will be in the street looking for a brighter day
 The revolution will not be televised

There will be no highlights on the eleven o'clock news
 And no pictures of hairy armed women liberationists
 And Jackie Onassis blowing her nose
 The theme song will not be written by Jim Webb
 Francis Scott Key, nor sung by Glen Campbell, Tom Jones
 Johnny Cash, Englebert Humperdink or the Rare Earth
 The revolution will not be televised

 The revolution will not be right back after a message
 About a white tornado, white lightning, or white people
 You will not have to worry about a dove in your bedroom
 The tiger in your tank or the giant in your toilet bowl
 The revolution will not go better with Coke
 The revolution will not fight the germs that may cause bad breath
 The revolution will put you in the driver's seat

The revolution will not be televised, will not be televised
 Will not be televised, will not be televised
 The revolution will be no re-run brothers
 The revolution will be live




Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.

If the north wind comes they run to the south.
If the west wind comes they run to the east.
 By this sign
 all smokes
 know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”

Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.

Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:

You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.

Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
 They cross on the sky and count our years.

Smoke of a brick-red dust
 Winds on a spiral
 Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.

Stammer at the slang of this—
Let us understand half of it.
 In the rolling mills and sheet mills,
 In the harr and boom of the blast fires,
 The smoke changes its shadow
 And men change their shadow;
 A ******, a wop, a bohunk changes.

 A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.

So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
 Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.

In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.

 The birdmen drone
 in the blue; it is steel
 a motor sings and zooms.

Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.

Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.

Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
 Smoke nights now.
 To-morrow something else.

Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.

One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.

They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.

In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.

The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
 Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.

Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.

Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.

Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
 “Since you know all
 and I know nothing,
 tell me what I dreamed last night.”

Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.

A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.

A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.

The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
Written by Steve Kowit | Create an image from this poem

The Grammar Lesson

 A noun's a thing. A verb's the thing it does.
An adjective is what describes the noun.
In "The can of beets is filled with purple fuzz"

of and with are prepositions. The's
an article, a can's a noun,
a noun's a thing. A verb's the thing it does.

A can can roll - or not. What isn't was
or might be, might meaning not yet known.
"Our can of beets is filled with purple fuzz"

is present tense. While words like our and us
are pronouns - i.e. it is moldy, they are icky brown.
A noun's a thing; a verb's the thing it does.

Is is a helping verb. It helps because
filled isn't a full verb. Can's what our owns
in "Our can of beets is filled with purple fuzz."

See? There's almost nothing to it. Just
memorize these rules...or write them down!
A noun's a thing, a verb's the thing it does.
The can of beets is filled with purple fuzz.
Written by Steve Kowit | Create an image from this poem

Some Clouds

 Now that I've unplugged the phone,
no one can reach me--
At least for this one afternoon
they will have to get by without my advice
or opinion.
Now nobody else is going to call
& ask in a tentative voice
if I haven't yet heard that she's dead,
that woman I once loved--
nothing but ashes scattered over a city
that barely itself any longer exists.
Yes, thank you, I've heard.
It had been too lovely a morning.
That in itself should have warned me.
The sun lit up the tangerines
& the blazing poinsettias
like so many candles.
For one afternoon they will have to forgive me.
I am busy watching things happen again
that happened a long time ago.
as I lean back in Josephine's lawnchair
under a sky of incredible blue,
broken--if that is the word for it-- 
by a few billowing clouds,
all white & unspeakably lovely,
drifting out of one nothingness into another.
Written by Philip Levine | Create an image from this poem

Wisteria

 The first purple wisteria 
I recall from boyhood hung 
on a wire outside the windows 
of the breakfast room next door 
at the home of Steve Pisaris. 
I loved his tall, skinny daughter, 
or so I thought, and I would wait 
beside the back door, prostrate, 
begging to be taken in. Perhaps 
it was only the flowers of spring 
with their sickening perfumes 
that had infected me. When Steve 
and Sophie and the three children 
packed up and made the move west, 
I went on spring after spring, 
leaden with desire, half-asleep, 
praying to die. Now I know 
those prayers were answered. 
That boy died, the brick houses 
deepened and darkened with rain, 
age, use, and finally closed 
their eyes and dreamed the sleep 
of California. I learned this 
only today. Wakened early 
in an empty house not lately 
battered by storms, I looked 
for nothing. On the surface 
of the rain barrel, the paled, 
shredded blossoms floated.


Written by Steve Kowit | Create an image from this poem

Notice

 This evening, the sturdy Levi's
I wore every day for over a year
& which seemed to the end
in perfect condition,
suddenly tore.
How or why I don't know,
but there it was: a big rip at the crotch.
A month ago my friend Nick
walked off a racquetball court,
showered,
got into this street clothes,
& halfway home collapsed & died.
Take heed, you who read this,
& drop to your knees now & again
like the poet Christopher Smart,
& kiss the earth & be joyful,
& make much of your time,
& be kindly to everyone,
even to those who do not deserve it.
For although you may not believe 
it will happen,
you too will one day be gone,
I, whose Levi's ripped at the crotch
for no reason,
assure you that such is the case.
Pass it on.
Written by Marriott Edgar | Create an image from this poem

Queen Matilda

 Henry the first, surnamed " Beauclare," 
Lost his only son William at sea,
So when Henry died it were hard to decide 
Who his heir and successor should be.

There were two runners-up for the title- 
His daughter Matilda was one,
And the other, a boy, known as Stephen of Blois, 
His young sister Adela's son.

Matilda by right should have had it,
Being daughter of him as were dead,
But the folks wasn't keen upon having a queen, 
So they went and crowned Stephen instead.

This 'ere were a knockout for Tilda,
The notion she could not absorb
To lose at one blow both the crown and the throne,
To say naught of the sceptre and orb.

So she summoned her friends in t'West Country
From Bristol, Bath, Gloucester and Frome,
And also a lot of relations from Scotland, 
Who'd come South and wouldn't go home.

The East Counties rallied round Stephen, 
Where his cause had support of the masses,
And his promise of loot brought a lot of recruits
From the more intellectual classes.

The Country were split in two parties
In a manner you'd hardly believe, 
The West with a will shouted: "Up with Matilda !" 
The East hollered: Come along, Steve!

The two armies met up in Yorkshire, 
Both leaders the same tactics tried.
To each soldier they gave a big standard to wave, 
In hopes they'd impress t 'other side.

It were known as the battle o't Standard, 
Though no battling anyone saw,
For with flags in their right hands, the lads couldn't fight, 
And the referee called it a draw.

The next time they met were at Lincoln, 
Where Stephen were properly beat,
At the end of the scrap he were led off a captive, 
With iron balls chained to his feet.

They took him in triumph to Tilda, 
Who, assuming an arrogant mien,
Snatched the Crown off his head and indignantly said
"Take your 'at off in front of your Queen!"

So Stephen were put in a dungeon, 
While Tilda ascended the throne
And reigned undisturbed for best part of a year,
Till she looked on the job as her own.

But Stephen weren't beat by a long chalk 
His plans for escape he soon made,
For he found Tilda's troops were all getting fed up,
Having heard that they wouldn't be paid.


So when Tilda got snowed up at Oxford, 
Where she'd taken to staying of late,
She woke one fine morn, to the sound of a horn,
And found Stephen outside her front gate.

Her troops gone, her castle surrounded, 
She saw she hadn't a chance,
So, the ground being white, she escaped in her nightie
And caught the next packet for France.

She didn't do badly at finish,
When everything's weighed up and reckoned
For when Stephen was gone the next heir to the throne
Were Matilda's son, Henry the second.

Book: Reflection on the Important Things