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Best Famous Starboard Poems

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Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.


Written by William Henry Davies | Create an image from this poem

The Child and the Mariner

 A dear old couple my grandparents were, 
And kind to all dumb things; they saw in Heaven 
The lamb that Jesus petted when a child; 
Their faith was never draped by Doubt: to them 
Death was a rainbow in Eternity, 
That promised everlasting brightness soon.
An old seafaring man was he; a rough Old man, but kind; and hairy, like the nut Full of sweet milk.
All day on shore he watched The winds for sailors' wives, and told what ships Enjoyed fair weather, and what ships had storms; He watched the sky, and he could tell for sure What afternoons would follow stormy morns, If quiet nights would end wild afternoons.
He leapt away from scandal with a roar, And if a whisper still possessed his mind, He walked about and cursed it for a plague.
He took offence at Heaven when beggars passed, And sternly called them back to give them help.
In this old captain's house I lived, and things That house contained were in ships' cabins once: Sea-shells and charts and pebbles, model ships; Green weeds, dried fishes stuffed, and coral stalks; Old wooden trunks with handles of spliced rope, With copper saucers full of monies strange, That seemed the savings of dead men, not touched To keep them warm since their real owners died; Strings of red beads, methought were dipped in blood, And swinging lamps, as though the house might move; An ivory lighthouse built on ivory rocks, The bones of fishes and three bottled ships.
And many a thing was there which sailors make In idle hours, when on long voyages, Of marvellous patience, to no lovely end.
And on those charts I saw the small black dots That were called islands, and I knew they had Turtles and palms, and pirates' buried gold.
There came a stranger to my granddad's house, The old man's nephew, a seafarer too; A big, strong able man who could have walked Twm Barlum's hill all clad in iron mail So strong he could have made one man his club To knock down others -- Henry was his name, No other name was uttered by his kin.
And here he was, sooth illclad, but oh, Thought I, what secrets of the sea are his! This man knows coral islands in the sea, And dusky girls heartbroken for white men; More rich than Spain, when the Phoenicians shipped Silver for common ballast, and they saw Horses at silver mangers eating grain; This man has seen the wind blow up a mermaid's hair Which, like a golden serpent, reared and stretched To feel the air away beyond her head.
He begged my pennies, which I gave with joy -- He will most certainly return some time A self-made king of some new land, and rich.
Alas that he, the hero of my dreams, Should be his people's scorn; for they had rose To proud command of ships, whilst he had toiled Before the mast for years, and well content; Him they despised, and only Death could bring A likeness in his face to show like them.
For he drank all his pay, nor went to sea As long as ale was easy got on shore.
Now, in his last long voyage he had sailed From Plymouth Sound to where sweet odours fan The Cingalese at work, and then back home -- But came not near my kin till pay was spent.
He was not old, yet seemed so; for his face Looked like the drowned man's in the morgue, when it Has struck the wooden wharves and keels of ships.
And all his flesh was pricked with Indian ink, His body marked as rare and delicate As dead men struck by lightning under trees And pictured with fine twigs and curlèd ferns; Chains on his neck and anchors on his arms; Rings on his fingers, bracelets on his wrist; And on his breast the Jane of Appledore Was schooner rigged, and in full sail at sea.
He could not whisper with his strong hoarse voice, No more than could a horse creep quietly; He laughed to scorn the men that muffled close For fear of wind, till all their neck was hid, Like Indian corn wrapped up in long green leaves; He knew no flowers but seaweeds brown and green, He knew no birds but those that followed ships.
Full well he knew the water-world; he heard A grander music there than we on land, When organ shakes a church; swore he would make The sea his home, though it was always roused By such wild storms as never leave Cape Horn; Happy to hear the tempest grunt and squeal Like pigs heard dying in a slaughterhouse.
A true-born mariner, and this his hope -- His coffin would be what his cradle was, A boat to drown in and be sunk at sea; Salted and iced in Neptune's larder deep.
This man despised small coasters, fishing-smacks; He scorned those sailors who at night and morn Can see the coast, when in their little boats They go a six days' voyage and are back Home with their wives for every Sabbath day.
Much did he talk of tankards of old beer, And bottled stuff he drank in other lands, Which was a liquid fire like Hell to gulp, But Paradise to sip.
And so he talked; Nor did those people listen with more awe To Lazurus -- whom they had seen stone dead -- Than did we urchins to that seaman's voice.
He many a tale of wonder told: of where, At Argostoli, Cephalonia's sea Ran over the earth's lip in heavy floods; And then again of how the strange Chinese Conversed much as our homely Blackbirds sing.
He told us how he sailed in one old ship Near that volcano Martinique, whose power Shook like dry leaves the whole Caribbean seas; And made the sun set in a sea of fire Which only half was his; and dust was thick On deck, and stones were pelted at the mast.
Into my greedy ears such words that sleep Stood at my pillow half the night perplexed.
He told how isles sprang up and sank again, Between short voyages, to his amaze; How they did come and go, and cheated charts; Told how a crew was cursed when one man killed A bird that perched upon a moving barque; And how the sea's sharp needles, firm and strong, Ripped open the bellies of big, iron ships; Of mighty icebergs in the Northern seas, That haunt the far hirizon like white ghosts.
He told of waves that lift a ship so high That birds could pass from starboard unto port Under her dripping keel.
Oh, it was sweet To hear that seaman tell such wondrous tales: How deep the sea in parts, that drownèd men Must go a long way to their graves and sink Day after day, and wander with the tides.
He spake of his own deeds; of how he sailed One summer's night along the Bosphorus, And he -- who knew no music like the wash Of waves against a ship, or wind in shrouds -- Heard then the music on that woody shore Of nightingales,and feared to leave the deck, He thought 'twas sailing into Paradise.
To hear these stories all we urchins placed Our pennies in that seaman's ready hand; Until one morn he signed on for a long cruise, And sailed away -- we never saw him more.
Could such a man sink in the sea unknown? Nay, he had found a land with something rich, That kept his eyes turned inland for his life.
'A damn bad sailor and a landshark too, No good in port or out' -- my granddad said.
Written by Alfred Lord Tennyson | Create an image from this poem

Song of the Lotos-Eaters

THERE is sweet music here that softer falls 
Than petals from blown roses on the grass, 
Or night-dews on still waters between walls 
Of shadowy granite, in a gleaming pass; 
Music that gentlier on the spirit lies, 5 
Than tired eyelids upon tired eyes; 
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, 10 And from the craggy ledge the poppy hangs in sleep.
Why are we weigh'd upon with heaviness, And utterly consumed with sharp distress, While all things else have rest from weariness? All things have rest: why should we toil alone, 15 We only toil, who are the first of things, And make perpetual moan, Still from one sorrow to another thrown: Nor ever fold our wings, And cease from wanderings, 20 Nor steep our brows in slumber's holy balm; Nor harken what the inner spirit sings, 'There is no joy but calm!'¡ª Why should we only toil, the roof and crown of things? Lo! in the middle of the wood, 25 The folded leaf is woo'd from out the bud With winds upon the branch, and there Grows green and broad, and takes no care, Sun-steep'd at noon, and in the moon Nightly dew-fed; and turning yellow 30 Falls, and floats adown the air.
Lo! sweeten'd with the summer light, The full-juiced apple, waxing over-mellow, Drops in a silent autumn night.
All its allotted length of days, 35 The flower ripens in its place, Ripens and fades, and falls, and hath no toil, Fast-rooted in the fruitful soil.
Hateful is the dark-blue sky, Vaulted o'er the dark-blue sea.
40 Death is the end of life; ah, why Should life all labour be? Let us alone.
Time driveth onward fast, And in a little while our lips are dumb.
Let us alone.
What is it that will last? 45 All things are taken from us, and become Portions and parcels of the dreadful Past.
Let us alone.
What pleasure can we have To war with evil? Is there any peace In ever climbing up the climbing wave? 50 All things have rest, and ripen toward the grave In silence; ripen, fall and cease: Give us long rest or death, dark death, or dreamful ease.
How sweet it were, hearing the downward stream, With half-shut eyes ever to seem 55 Falling asleep in a half-dream! To dream and dream, like yonder amber light, Which will not leave the myrrh-bush on the height; To hear each other's whisper'd speech; Eating the Lotos day by day, 60 To watch the crisping ripples on the beach, And tender curving lines of creamy spray; To lend our hearts and spirits wholly To the influence of mild-minded melancholy; To muse and brood and live again in memory, 65 With those old faces of our infancy Heap'd over with a mound of grass, Two handfuls of white dust, shut in an urn of brass! Dear is the memory of our wedded lives, And dear the last embraces of our wives 70 And their warm tears: but all hath suffer'd change; For surely now our household hearts are cold: Our sons inherit us: our looks are strange: And we should come like ghosts to trouble joy.
Or else the island princes over-bold 75 Have eat our substance, and the minstrel sings Before them of the ten years' war in Troy, And our great deeds, as half-forgotten things.
Is there confusion in the little isle? Let what is broken so remain.
80 The Gods are hard to reconcile: 'Tis hard to settle order once again.
There is confusion worse than death, Trouble on trouble, pain on pain, Long labour unto ag¨¨d breath, 85 Sore task to hearts worn out with many wars And eyes grown dim with gazing on the pilot-stars.
But, propt on beds of amaranth and moly, How sweet (while warm airs lull us, blowing lowly) With half-dropt eyelids still, 90 Beneath a heaven dark and holy, To watch the long bright river drawing slowly His waters from the purple hill¡ª To hear the dewy echoes calling From cave to cave thro' the thick-twin¨¨d vine¡ª 95 To watch the emerald-colour'd water falling Thro' many a wov'n acanthus-wreath divine! Only to hear and see the far-off sparkling brine, Only to hear were sweet, stretch'd out beneath the pine.
The Lotos blooms below the barren peak: 100 The Lotos blows by every winding creek: All day the wind breathes low with mellower tone: Thro' every hollow cave and alley lone Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we, 105 Roll'd to starboard, roll'd to larboard, when the surge was seething free, Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind, In the hollow Lotos-land to live and lie relined On the hills like Gods together, careless of mankind.
110 For they lie beside their nectar, and the bolts are hurl'd Far below them in the valleys, and the clouds are lightly curl'd Round their golden houses, girdled with the gleaming world: Where the smile in secret, looking over wasted lands, Blight and famine, plague and earthquake, roaring deeps and fiery sands, 115 Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song Steaming up, a lamentation and an ancient tale of wrong, Like a tale of little meaning tho' the words are strong; Chanted from an ill-used race of men that cleave the soil, 120 Sow the seed, and reap the harvest with enduring toil, Storing yearly little dues of wheat, and wine and oil; Till they perish and they suffer¡ªsome, 'tis whisper'd¡ªdown in hell Suffer endless anguish, others in Elysian valleys dwell, Resting weary limbs at last on beds of asphodel.
125 Surely, surely, slumber is more sweet than toil, the shore Than labour in the deep mid-ocean, wind and wave and oar; O rest ye, brother mariners, we will not wander more.
Written by Alfred Lord Tennyson | Create an image from this poem

The Lotos-eaters

 "Courage!" he said, and pointed toward the land, 
"This mounting wave will roll us shoreward soon.
" In the afternoon they came unto a land In which it seemed always afternoon.
All round the coast the languid air did swoon, Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon; And like a downward smoke, the slender stream Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke, Slow-dropping veils of thinnest lawn, did go; And some thro' wavering lights and shadows broke, Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow From the inner land: far off, three mountain-tops, Three silent pinnacles of aged snow, Stood sunset-flush'd: and, dew'd with showery drops, Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown In the red West: thro' mountain clefts the dale Was seen far inland, and the yellow down Border'd with palm, and many a winding vale And meadow, set with slender galingale; A land where all things always seem'd the same! And round about the keel with faces pale, Dark faces pale against that rosy flame, The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem, Laden with flower and fruit, whereof they gave To each, but whoso did receive of them, And taste, to him the gushing of the wave Far far away did seem to mourn and rave On alien shores; and if his fellow spake, His voice was thin, as voices from the grave; And deep-asleep he seem'd, yet all awake, And music in his ears his beating heart did make.
They sat them down upon the yellow sand, Between the sun and moon upon the shore; And sweet it was to dream of Fatherland, Of child, and wife, and slave; but evermore Most weary seem'd the sea, weary the oar, Weary the wandering fields of barren foam.
Then some one said, "We will return no more"; And all at once they sang, "Our island home Is far beyond the wave; we will no longer roam.
"CHORIC SONGI There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
"II Why are we weigh'd upon with heaviness, And utterly consumed with sharp distress, While all things else have rest from weariness? All things have rest: why should we toil alone, We only toil, who are the first of things, And make perpetual moan, Still from one sorrow to another thrown: Nor ever fold our wings, And cease from wanderings, Nor steep our brows in slumber's holy balm; Nor harken what the inner spirit sings, "There is no joy but calm!" Why should we only toil, the roof and crown of things?III Lo! in the middle of the wood, The folded leaf is woo'd from out the bud With winds upon the branch, and there Grows green and broad, and takes no care, Sun-steep'd at noon, and in the moon Nightly dew-fed; and turning yellow Falls, and floats adown the air.
Lo! sweeten'd with the summer light, The full-juiced apple, waxing over-mellow, Drops in a silent autumn night.
All its allotted length of days The flower ripens in its place, Ripens and fades, and falls, and hath no toil, Fast-rooted in the fruitful soil.
IV Hateful is the dark-blue sky, Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why Should life all labour be? Let us alone.
Time driveth onward fast, And in a little while our lips are dumb.
Let us alone.
What is it that will last? All things are taken from us, and become Portions and parcels of the dreadful past.
Let us alone.
What pleasure can we have To war with evil? Is there any peace In ever climbing up the climbing wave? All things have rest, and ripen toward the grave In silence; ripen, fall and cease: Give us long rest or death, dark death, or dreamful ease.
V How sweet it were, hearing the downward stream, With half-shut eyes ever to seem Falling asleep in a half-dream! To dream and dream, like yonder amber light, Which will not leave the myrrh-bush on the height; To hear each other's whisper'd speech; Eating the Lotos day by day, To watch the crisping ripples on the beach, And tender curving lines of creamy spray; To lend our hearts and spirits wholly To the influence of mild-minded melancholy; To muse and brood and live again in memory, With those old faces of our infancy Heap'd over with a mound of grass, Two handfuls of white dust, shut in an urn of brass!VI Dear is the memory of our wedded lives, And dear the last embraces of our wives And their warm tears: but all hath suffer'd change: For surely now our household hearths are cold, Our sons inherit us: our looks are strange: And we should come like ghosts to trouble joy.
Or else the island princes over-bold Have eat our substance, and the minstrel sings Before them of the ten years' war in Troy, And our great deeds, as half-forgotten things.
Is there confusion in the little isle? Let what is broken so remain.
The Gods are hard to reconcile: 'Tis hard to settle order once again.
There is confusion worse than death, Trouble on trouble, pain on pain, Long labour unto aged breath, Sore task to hearts worn out by many wars And eyes grown dim with gazing on the pilot-stars.
VII But, propt on beds of amaranth and moly, How sweet (while warm airs lull us, blowing lowly) With half-dropt eyelid still, Beneath a heaven dark and holy, To watch the long bright river drawing slowly His waters from the purple hill-- To hear the dewy echoes calling From cave to cave thro' the thick-twined vine-- To watch the emerald-colour'd water falling Thro' many a wov'n acanthus-wreath divine! Only to hear and see the far-off sparkling brine, Only to hear were sweet, stretch'd out beneath the pine.
VIII The Lotos blooms below the barren peak: The Lotos blows by every winding creek: All day the wind breathes low with mellower tone: Thro' every hollow cave and alley lone Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we, Roll'd to starboard, roll'd to larboard, when the surge was seething free, Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind, In the hollow Lotos-land to live and lie reclined On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd Far below them in the valleys, and the clouds are lightly curl'd Round their golden houses, girdled with the gleaming world: Where they smile in secret, looking over wasted lands, Blight and famine, plague and earthquake, roaring deeps and fiery sands, Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song Steaming up, a lamentation and an ancient tale of wrong, Like a tale of little meaning tho' the words are strong; Chanted from an ill-used race of men that cleave the soil, Sow the seed, and reap the harvest with enduring toil, Storing yearly little dues of wheat, and wine and oil; Till they perish and they suffer--some, 'tis whisper'd--down in hell Suffer endless anguish, others in Elysian valleys dwell, Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore Than labour in the deep mid-ocean, wind and wave and oar; O, rest ye, brother mariners, we will not wander more.
Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities) Added: Mar 11 2005 | Viewed: 581 times | Comments (0) Information about The Lotos-eaters Poet: Alfred Lord Tennyson Poem: The Lotos-eaters Additional Information Are you looking for more information on this poem? Perhaps you are trying to analyze it? The poem, The Lotos-eaters, has not yet been commented on.
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Written by Lewis Carroll | Create an image from this poem

Fit the Second ( Hunting of the Snark )

 The Bellman's Speech 

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face! 
He had bought a large map representing the sea, 
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators, Tropics, Zones, and Meridian Lines?" So the Bellman would cry: and the crew would reply "They are merely conventional signs! "Other maps are such shapes, with their islands and capes! But we've got our brave Captain to thank" (So the crew would protest) "that he's bought us the best-- A perfect and absolute blank!" This was charming, no doubt: but they shortly found out That the Captain they trusted so well Had only one notion for crossing the ocean And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!" What on earth was the helmsman to do? Then the bowsprit got mixed with the rudder sometimes: A thing, as the Bellman remarked, That frequently happens in tropical climes, When a vessel is, so to speak, "snarked".
But the principal failing occurred in the sailing, And the Bellman, perplexed and distressed, Said he had hoped, at least, when the wind blew due East, That the ship would not travel due West! But the danger was past--they had landed at last, With their boxes, portmanteaus, and bags: Yet at first sight the crew were not pleased with the view Which consisted of chasms and crags.
The Bellman perceived that their spirits were low, And repeated in musical tone Some jokes he had kept for a season of woe-- But the crew would do nothing but groan.
He served out some grog with a liberal hand, And bade them sit down on the beach: And they could not but own that their Captain looked grand, As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!" (They were all of them fond of quotations: So they drank to his health, and they gave him three cheers, While he served out additional rations).
"We have sailed many months, we have sailed many weeks, (Four weeks to the month you may mark), But never as yet ('tis your Captain who speaks) Have we caught the least glimpse of a Snark! "We have sailed many weeks, we have sailed many days, (Seven days to the week I allow), But a Snark, on the which we might lovingly gaze, We have never beheld till now! "Come, listen, my men, while I tell you again The five unmistakable marks By which you may know, wheresoever you go, The warranted genuine Snarks.
"Let us take them in order.
The first is the taste, Which is meagre and hollow, but crisp: Like a coat that is rather too tight in the waist, With a flavour of Will-o'-the-Wisp.
"Its habit of getting up late you'll agree That it carries too far, when I say That it frequently breakfasts at five-o'clock tea, And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one, It will sigh like a thing that is deeply distressed: And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines, Which it constantly carries about, And believes that they add to the beauty of scenes-- A sentiment open to doubt.
"The fifth is ambition.
It next will be right To describe each particular batch: Distinguishing those that have feathers, and bite, From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm, Yet I feel it my duty to say Some are Boojums--" The Bellman broke off in alarm, For the Baker had fainted away.


Written by Rudyard Kipling | Create an image from this poem

Anchor Song

 Heh! Walk her round.
Heave, ah heave her short again! Over, snatch her over, there, and hold her on the pawl.
Loose all sail, and brace your yards back and full -- Ready jib to pay her off and heave short all! Well, ah fare you well; we can stay no more with you, my love -- Down, set down your liquor and your girl from off your knee; For the wind has come to say: "You must take me while you may, If you'd go to Mother Carey (Walk her down to Mother Carey!), Oh, we're bound to Mother Carey where she feeds her chicks at sea!" Heh! Walk her round.
Break, ah break it out o' that! Break our starboard-bower out, apeak, awash, and clear.
Port -- port she casts, with the harbour-mud beneath her foot, And that's the last o' bottom we shall see this year! Well, ah fare you well, for we've got to take her out again -- Take her out in ballast, riding light and cargo-free.
And it's time to clear and quit When the hawser grips the bitt, So we'll pay you with the foresheet and a promise from the sea! Heh! Tally on.
Aft and walk away with her! Handsome to the cathead, now; O tally on the fall! Stop, seize and fish, and easy on the davit-guy.
Up, well up the fluke of her, and inboard haul! Well, ah fare you well, for the Channel wind's took hold of us, Choking down our voices as we snatch the gaskets free.
And it's blowing up for night, And she's dropping Light on Light, And she's snorting under bonnets for a breath of open sea, Wheel, full and by; but she'll smell her road alone to-night.
Sick she is and harbour-sick -- O sick to clear the land! Roll down to Brest with the old Red Ensign over us -- Carry on and thrash her out with all she'll stand! Well, ah fare you well, and it's Ushant slams the door on us, Whirling like a windmill through the dirty scud to lee: Till the last, last flicker goes From the tumbling water-rows, And we're off to Mother Carey (Walk her down to Mother Carey!), Oh, we're bound for Mother Carey where she feeds her chicks at sea!
Written by Dylan Thomas | Create an image from this poem

Foster The Light

 Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.
Murmur of spring nor crush the cockerel's eggs, Nor hammer back a season in the figs, But graft these four-fruited ridings on your country; Farmer in time of frost the burning leagues, By red-eyed orchards sow the seeds of snow, In your young years the vegetable century.
And father all nor fail the fly-lord's acre, Nor sprout on owl-seed like a goblin-sucker, But rail with your wizard's ribs the heart-shaped planet; Of mortal voices to the ninnies' choir, High lord esquire, speak up the singing cloud, And pluck a mandrake music from the marrowroot.
Roll unmanly over this turning tuft, O ring of seas, nor sorrow as I shift From all my mortal lovers with a starboard smile; Nor when my love lies in the cross-boned drift Naked among the bow-and-arrow birds Shall you turn cockwise on a tufted axle.
Who gave these seas their colour in a shape, Shaped my clayfellow, and the heaven's ark In time at flood filled with his coloured doubles; O who is glory in the shapeless maps, Now make the world of me as I have made A merry manshape of your walking circle.
Written by Marriott Edgar | Create an image from this poem

The Ole in the Ark

 One evening at dusk as Noah stood on his Ark,
Putting green oil in starboard side lamp,
His wife came along and said, 'Noah, summat's wrong,
Our cabin is getting quite damp.
Noah said, 'Is that so?' Then he went down below, And found it were right what she'd said, For there on the floor quite a puddle he saw, It was slopping around under t' bed.
Said he, 'There's an 'ole in the bottom somewhere, We must find it before we retire.
' Then he thowt for a bit, and he said 'Aye, that's it, A bloodhound is what we require.
' Se he went and fetched bloodhound from place where it lay, 'Tween the skunk and the polecat it were, And as things there below, were a trifle so-so, It were glad of a breath of fresh air.
They followed the sound as it went sniffing round, 'Til at last they located the leak, 'Twere a small hole in the side, about two inches wide, Where a swordfish had poked in its beak.
And by gum! how the wet squirted in through that hole, Well, young Shem who at sums was expert, Worked it out on his slate that it came at the rate, Of per gallon, per second, per squirt.
The bloodhound tried hard to keep water in check, By lapping it up with his tongue, But it came in so fast through that hole, that at last, He shoved in his nose for a bung.
The poor faithful hound, he were very near drowned, They dragged him away none too soon, For the stream as it rose, pushed its way up his nose, And blew him up like a balloon.
And then Mrs Noah shoved her elbow in t'hole, And said,' Eh! it's stopped I believe,' But they found very soon as she'd altered her tune, For the water had got up her sleeve.
When she saw as her elbow weren't doing much good, She said to Noah, 'I've an idea, You sit on the leak and by t'end of the week, There's no knowing, the weather may clear.
' Noah didn't think much to this notion, at all, But reckoned he'd give it a try, On the 'ole down he flopped, and the leaking all stopped, And all.
.
.
except him, was quite dry.
They took him his breakfast and dinner and tea, As day after day there he sat, 'Til the rain was all passed and they landed at last, On top side of Mount Ararat.
And that is how Noah got them all safe ashore, But ever since then, strange to tell, Them as helped save the Ark has all carried a mark, Aye, and all their descendants as well.
That's why dog has a cold nose, and ladies cold elbows, You'll also find if you enquire, That's why a man takes his coat tails in hand, And stands with his back to the fire.

Book: Reflection on the Important Things