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Best Famous Standin Poems

Here is a collection of the all-time best famous Standin poems. This is a select list of the best famous Standin poetry. Reading, writing, and enjoying famous Standin poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of standin poems.

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Written by James Whitcomb Riley | Create an image from this poem

Little Orphant Annie

 INSCRIBED WITH ALL FAITH AND AFFECTION

To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.
Little Orphant Annie's come to our house to stay, An' wash the cups an' saucers up, an' brush the crumbs away, An' shoo the chickens off the porch, an' dust the hearth, an' sweep, An' make the fire, an' bake the bread, an' earn her board-an'-keep; An' all us other childern, when the supper-things is done, We set around the kitchen fire an' has the mostest fun A-list'nin' to the witch-tales 'at Annie tells about, An' the Gobble-uns 'at gits you Ef you Don't Watch Out! Wunst they wuz a little boy wouldn't say his prayers,-- An' when he went to bed at night, away up-stairs, His Mammy heerd him holler, an' his Daddy heerd him bawl, An' when they turn't the kivvers down, he wuzn't there at all! An' they seeked him in the rafter-room, an' cubby-hole, an' press, An' seeked him up the chimbly-flue, an' ever'-wheres, I guess; But all they ever found wuz thist his pants an' roundabout:-- An' the Gobble-uns 'll git you Ef you Don't Watch Out! An' one time a little girl 'ud allus laugh an' grin, An' make fun of ever' one, an' all her blood-an'-kin; An' wunst, when they was "company," an' ole folks wuz there, She mocked 'em an' shocked 'em, an' said she didn't care! An' thist as she kicked her heels, an' turn't to run an' hide, They wuz two great big Black Things a-standin' by her side, An' they snatched her through the ceilin' 'fore she knowed what she's about! An' the Gobble-uns 'll git you Ef you Don't Watch Out! An' little Orphant Annie says, when the blaze is blue, An' the lamp-wick sputters, an' the wind goes woo-oo! An' you hear the crickets quit, an' the moon is gray, An' the lightnin'-bugs in dew is all squenched away,-- You better mind yer parunts, an' yer teachurs fond an' dear, An' churish them 'at loves you, an' dry the orphant's tear, An' he'p the pore an' needy ones 'at clusters all about, Er the Gobble-uns 'll git you Ef you Don't Watch Out!


Written by Robert William Service | Create an image from this poem

A Song Of The Sandbags

 No, Bill, I'm not a-spooning out no patriotic tosh
 (The cove be'ind the sandbags ain't a death-or-glory cuss).
And though I strafes 'em good and 'ard I doesn't 'ate the Boche, I guess they're mostly decent, just the same as most of us.
I guess they loves their 'omes and kids as much as you or me; And just the same as you or me they'd rather shake than fight; And if we'd 'appened to be born at Berlin-on-the-Spree, We'd be out there with 'Ans and Fritz, dead sure that we was right.
A-standin' up to the sandbags It's funny the thoughts wot come; Starin' into the darkness, 'Earin' the bullets 'um; (Zing! Zip! Ping! Rip! 'ark 'ow the bullets 'um!) A-leanin' against the sandbags Wiv me rifle under me ear, Oh, I've 'ad more thoughts on a sentry-go Than I used to 'ave in a year.
I wonder, Bill, if 'Ans and Fritz is wonderin' like me Wot's at the bottom of it all? Wot all the slaughter's for? 'E thinks 'e's right (of course 'e ain't) but this we both agree, If them as made it 'ad to fight, there wouldn't be no war.
If them as lies in feather beds while we kips in the mud; If them as makes their fortoons while we fights for 'em like 'ell; If them as slings their pot of ink just 'ad to sling their blood: By Crust! I'm thinkin' there 'ud be another tale to tell.
Shiverin' up to the sandbags, With a hicicle 'stead of a spine, Don't it seem funny the things you think 'Ere in the firin' line: (Whee! Whut! Ziz! Zut! Lord! 'ow the bullets whine!) Hunkerin' down when a star-shell Cracks in a sputter of light, You can jaw to yer soul by the sandbags Most any old time o' night.
They talks o' England's glory and a-'oldin' of our trade, Of Empire and 'igh destiny until we're fair flim-flammed; But if it's for the likes o' that that bloody war is made, Then wot I say is: Empire and 'igh destiny be damned! There's only one good cause, Bill, for poor blokes like us to fight: That's self-defence, for 'earth and 'ome, and them that bears our name; And that's wot I'm a-doin' by the sandbags 'ere to-night.
.
.
.
But Fritz out there will tell you 'e's a-doin' of the same.
Starin' over the sandbags, Sick of the 'ole damn thing; Firin' to keep meself awake, 'Earin' the bullets sing.
(Hiss! Twang! Tsing! Pang! Saucy the bullets sing.
) Dreamin' 'ere by the sandbags Of a day when war will cease, When 'Ans and Fritz and Bill and me Will clink our mugs in fraternity, And the Brotherhood of Labour will be The Brotherhood of Peace.
Written by Paul Laurence Dunbar | Create an image from this poem

THE OLD APPLE-TREE

There's a memory keeps a-runnin'
Through my weary head to-night,
An' I see a picture dancin'
In the fire-flames' ruddy light;
'Tis the picture of an orchard
Wrapped in autumn's purple haze,
With the tender light about it
That I loved in other days.
An' a-standin' in a corner
Once again I seem to see
The verdant leaves an' branches
Of an old apple-tree.
You perhaps would call it ugly,
An' I don't know but it's so,
When you look the tree all over
Unadorned by memory's glow;
For its boughs are gnarled an' crooked,
An' its leaves are gettin' thin,
An' the apples of its bearin'
Would n't fill so large a bin
As they used to. But I tell you,
When it comes to pleasin' me,
It's the dearest in the orchard,—
Is that old apple-tree.
I would hide within its shelter,
Settlin' in some cosy nook,
Where no calls nor threats could stir me
From the pages o' my book.
Oh, that quiet, sweet seclusion
In its fulness passeth words!
It was deeper than the deepest
That my sanctum now affords.
Why, the jaybirds an' the robins,
They was hand in glove with me,
As they winked at me an' warbled
In that old apple-tree.
It was on its sturdy branches
That in summers long ago
I would tie my swing an' dangle
In contentment to an' fro,
Idly dreamin' childish fancies,
Buildin' castles in the air,
Makin' o' myself a hero
Of romances rich an' rare.
I kin shet my eyes an' see it
Jest as plain as plain kin be,
That same old swing a-danglin'
To the old apple-tree.
There's a rustic seat beneath it
That I never kin forget.
It's the place where me an' Hallie—
[Pg 11]Little sweetheart—used to set,
When we 'd wander to the orchard
So 's no listenin' ones could hear
As I whispered sugared nonsense
Into her little willin' ear.
Now my gray old wife is Hallie,
An' I 'm grayer still than she,
But I 'll not forget our courtin'
'Neath the old apple-tree.
Life for us ain't all been summer,
But I guess we 'we had our share
Of its flittin' joys an' pleasures,
An' a sprinklin' of its care.
Oft the skies have smiled upon us;
Then again we 've seen 'em frown,
Though our load was ne'er so heavy
That we longed to lay it down.
But when death does come a-callin',
This my last request shall be,—
That they 'll bury me an' Hallie
'Neath the old apple tree.
Written by Paul Laurence Dunbar | Create an image from this poem

THE SPELLIN'-BEE

I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]
Written by Ntozake Shange | Create an image from this poem

Stuff

somebody almost walked off wid alla my stuff ?not my poems or a dance i gave up in the street? but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin? this is mine/this aint yr stuff/?now why don’t you put me back & let me hang out in my own self

somebody almost walked off wit alla my stuff ; didn’t care enuf to send a note home sayin ?i was late for my solo conversation? or two sizes to small for my own tacky skirts

what can anybody do wit somethin of no value on?a open market/ did you getta dime for my things/?hey man/ where are you goin wid alla my stuff/?to ohh & ahh abt/ daddy/ i gotta mainline number ?from my own ****/ now wontcha put me back/ & let? me play this duet/ wit silver ring in my nose/?honest to god/

somebody almost run off wit alla my stuff/ ?& i didnt bring anythin but the kick & sway of it ?the perfect ass for my man & none of it is theirs ?this is mine/ ntozake ‘her own things’/ that’s my name? now give me my stuff/ i see ya hidin my laugh/ & how i?s it wif my legs open sometimes/ to give me ?some sunlight/ & there goes my love my toes my chewed ?up finger nails/ niggah/ wif the curls in yr hair/?mr. louisiana hot link/

i want my stuff back/?my rhythms & my voice/ open my mouth/ & let me talk ya ?outta/ throwin my **** in the sewar/ this is some delicate ?leg & whimsical kiss/ i gotta have to give to my choice/?without you runnin off wit alla my ****/?now you cant have me less i give me away/  i waz?doin all that/ til ya run off on a good thing/

who is this you left me wit/ some simple ***** ?widda bad attitude/ i wants my things/?i want my arm wit the hot iron scar/ & my leg wit the? flea bite/ i want my calloused feet & quik language back?in my mouth/ fried plantains/ pineapple pear juice/ ?sun-ra & joseph & jules/ i want my own things/ how i lived them/?& give me my memories/ how i waz when i waz there/?you cant have them or do nothin wit them/

stealin my **** from me/ dont make it yrs/ makes it stolen/?somebody almost run off wit alla my stuff/ & i waz standin? there/ lookin at myself/ the whole time ?& it waznt a spirit took my stuff/ waz a man whose ?ego walked round like Rodan’s shadow/ waz a man faster?n my innocence/

waz a lover/ i made too much ?room for/ almost run off wit alla my stuff/?& i didnt know i’d give it up so quik/ & the one runnin wit it/?don’t know he got it/ & i’m shoutin this is mine/ & he dont ?know he got it/ my stuff is the anonymous ripped off treasure? of the year/

did you know somebody almost got away wit me/?me in a plastic bag under their arm/ me ?danglin on a string of personal carelessness/ i’m spattered wit? mud & city rain/ & no i didnt get a chance to take a douche/?hey man/ this is not your prerogative/ i gotta have me in my? pocket/ to get round like a good woman shd/ & make the poem?in the pot or the chicken in the dance/

what i got to do/?i gotta get my stuff to do it to/?why dont ya find yr own things/ & leave this package ?of me for my destiny/ what ya got to get from me/?i’ll give it to ya/ yeh/ i’ll give it to ya/?round 5:00 in the winter/ when the sky is blue-red/?& Dew City is gettin pressed/ if it’s really my stuff/?ya gotta give it to me/ if ya really want it/ i’m ?the only one/ can handle it

-----By: Ntozake Shange. 


Written by Robert William Service | Create an image from this poem

Bill The Bomber

 The poppies gleamed like bloody pools through cotton-woolly mist;
The Captain kept a-lookin' at the watch upon his wrist;
And there we smoked and squatted, as we watched the shrapnel flame;
'Twas wonnerful, I'm tellin' you, how fast them bullets came.
'Twas weary work the waiting, though; I tried to sleep a wink, For waitin' means a-thinkin', and it doesn't do to think.
So I closed my eyes a little, and I had a niceish dream Of a-standin' by a dresser with a dish of Devon cream; But I hadn't time to sample it, for suddenlike I woke: "Come on, me lads!" the Captain says, 'n I climbed out through the smoke.
We spread out in the open: it was like a bath of lead; But the boys they cheered and hollered fit to raise the bloody dead, Till a beastly bullet copped 'em, then they lay without a sound, And it's odd -- we didn't seem to heed them corpses on the ground.
And I kept on thinkin', thinkin', as the bullets faster flew, How they picks the werry best men, and they lets the rotters through; So indiscriminatin' like, they spares a man of sin, And a rare lad wot's a husband and a father gets done in.
And while havin' these reflections and advancin' on the run, A bullet biffs me shoulder, and says I: "That's number one.
" Well, it downed me for a jiffy, but I didn't lose me calm, For I knew that I was needed: I'm a bomber, so I am.
I 'ad lost me cap and rifle, but I "carried on" because I 'ad me bombs and knew that they was needed, so they was.
We didn't 'ave no singin' now, nor many men to cheer; Maybe the shrapnel drowned 'em, crashin' out so werry near; And the Maxims got us sideways, and the bullets faster flew, And I copped one on me flipper, and says I: "That's number two.
" I was pleased it was the left one, for I 'ad me bombs, ye see, And 'twas 'ard if they'd be wasted like, and all along o' me.
And I'd lost me 'at and rifle -- but I told you that before, So I packed me mit inside me coat and "carried on" once more.
But the rumpus it was wicked, and the men were scarcer yet, And I felt me ginger goin', but me jaws I kindo set, And we passed the Boche first trenches, which was 'eapin' 'igh with dead, And we started for their second, which was fifty feet ahead; When something like a 'ammer smashed me savage on the knee, And down I came all muck and blood: Says I: "That's number three.
" So there I lay all 'elpless like, and bloody sick at that, And worryin' like anythink, because I'd lost me 'at; And thinkin' of me missis, and the partin' words she said: "If you gets killed, write quick, ol' man, and tell me as you're dead.
" And lookin' at me bunch o' bombs -- that was the 'ardest blow, To think I'd never 'ave the chance to 'url them at the foe.
And there was all our boys in front, a-fightin' there like mad, And me as could 'ave 'elped 'em wiv the lovely bombs I 'ad.
And so I cussed and cussed, and then I struggled back again, Into that bit of battered trench, packed solid with its slain.
Now as I lay a-lyin' there and blastin' of me lot, And wishin' I could just dispose of all them bombs I'd got, I sees within the doorway of a shy, retirin' dug-out Six Boches all a-grinnin', and their Captain stuck 'is mug out; And they 'ad a nice machine gun, and I twigged what they was at; And they fixed it on a tripod, and I watched 'em like a cat; And they got it in position, and they seemed so werry glad, Like they'd got us in a death-trap, which, condemn their souls! they 'ad.
For there our boys was fightin' fifty yards in front, and 'ere This lousy bunch of Boches they 'ad got us in the rear.
Oh it set me blood a-boilin' and I quite forgot me pain, So I started crawlin', crawlin' over all them mounds of slain; And them barstards was so busy-like they 'ad no eyes for me, And me bleedin' leg was draggin', but me right arm it was free.
.
.
.
And now they 'ave it all in shape, and swingin' sweet and clear; And now they're all excited like, but -- I am drawin' near; And now they 'ave it loaded up, and now they're takin' aim.
.
.
.
Rat-tat-tat-tat! Oh here, says I, is where I join the game.
And my right arm it goes swingin', and a bomb it goes a-slingin', And that "typewriter" goes wingin' in a thunderbolt of flame.
Then these Boches, wot was left of 'em, they tumbled down their 'ole, And up I climbed a mound of dead, and down on them I stole.
And oh that blessed moment when I heard their frightened yell, And I laughed down in that dug-out, ere I bombed their souls to hell.
And now I'm in the hospital, surprised that I'm alive; We started out a thousand men, we came back thirty-five.
And I'm minus of a trotter, but I'm most amazin' gay, For me bombs they wasn't wasted, though, you might say, "thrown away".
Written by Eugene Field | Create an image from this poem

Seein things

 I ain't afeard uv snakes, or toads, or bugs, or worms, or mice,
An' things 'at girls are skeered uv I think are awful nice!
I'm pretty brave, I guess; an' yet I hate to go to bed,
For, when I'm tucked up warm an' snug an' when my prayers are said,
Mother tells me "Happy dreams!" and takes away the light,
An' leaves me lyin' all alone an' seein' things at night!

Sometimes they're in the corner, sometimes they're by the door,
Sometimes they're all a-standin' in the middle uv the floor;
Sometimes they are a-sittin' down, sometimes they're walkin' round
So softly an' so creepylike they never make a sound!
Sometimes they are as black as ink, an' other times they're white -
But the color ain't no difference when you see things at night!

Once, when I licked a feller 'at had just moved on our street,
An' father sent me up to bed without a bite to eat,
I woke up in the dark an' saw things standin' in a row,
A-lookin' at me cross-eyed an' p'intin' at me - so!
Oh, my! I wuz so skeered that time I never slep' a mite -
It's almost alluz when I'm bad I see things at night!

Lucky thing I ain't a girl, or I'd be skeered to death!
Bein' I'm a boy, I duck my head an' hold my breath;
An' I am, oh! so sorry I'm a naughty boy, an' then
I promise to be better an' I say my prayers again!
Gran'ma tells me that's the only way to make it right
When a feller has been wicked an' sees things at night!
An' so, when other naughty boys would coax me into sin,
I try to skwush the Tempter's voice 'at urges me within;
An' when they's pie for supper, or cakes 'at 's big an' nice,
I want to - but I do not pass my plate f'r them things twice!
No, ruther let Starvation wipe me slowly out o' sight
Than I should keep a-livin' on an' seein' things at night!
Written by Paul Laurence Dunbar | Create an image from this poem

AN EASY-GOIN' FELLER

Ther' ain't no use in all this strife,
An' hurryin', pell-mell, right thro' life.
I don't believe in goin' too fast
To see what kind o' road you 've passed.
It ain't no mortal kind o' good,
'N' I would n't hurry ef I could.
I like to jest go joggin' 'long,
To limber up my soul with song;
To stop awhile 'n' chat the men,
'N' drink some cider now an' then.
Do' want no boss a-standin' by
To see me work; I allus try
To do my dooty right straight up,
An' earn what fills my plate an' cup.
An' ez fur boss, I 'll be my own,
I like to jest be let alone;
To plough my strip an' tend my bees,
An' do jest like I doggoned please.
My head's all right, an' my heart's meller,
But I 'm a easy-goin' feller.

Book: Shattered Sighs