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Best Famous Splatter Poems

Here is a collection of the all-time best famous Splatter poems. This is a select list of the best famous Splatter poetry. Reading, writing, and enjoying famous Splatter poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of splatter poems.

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Written by Carl Sandburg | Create an image from this poem

The Sins of Kalamazoo

 THE SINS of Kalamazoo are neither scarlet nor crimson.

The sins of Kalamazoo are a convict gray, a dishwater drab.

And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.

They run to drabs and grays—and some of them sing they shall be washed whiter than snow—and some: We should worry.

Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
 Listen with your ears on a Saturday night in Kalamazoo
 And say to yourself: I hear America, I hear, what do I hear?

Main street there runs through the middle of the twon
And there is a dirty postoffice
And a dirty city hall
And a dirty railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln’s birthday and the Fourth of July.

Kalamazoo kisses a hand to something far off.

Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.

“We’re here because we’re here,” is the song of Kalamazoo.

“We don’t know where we’re going but we’re on our way,” are the words.

There are hound dogs of bronze on the public square, hound dogs looking far beyond the public square.

Sweethearts there in Kalamazoo
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, “Are you sure there is nothing for me?
I wish you’d look again—there must be a letter for me.”

And sweethearts go to the city hall
And tell their names and say,“We want a license.”
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, “What can we do to kill time?”
They grow up and go to the railroad station and buy tickets for Texas, Pennsylvania, Alaska.
“Kalamazoo is all right,” they say. “But I want to see the world.”
And when they have looked the world over they come back saying it is all like Kalamazoo.

The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.

“I hear America, I hear, what do I hear?”
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.

Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
“Lookin’ for a quiet game?”

The loafer lagged along and asked,
“Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?”
The answer: “We manufacture musical instruments here.”

Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
Shooting galleries where men kill imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the round world over.

And the loafer lagging along said:
Kalamazoo, you ain’t in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
 And lagging along he said bitterly:
 Before I came to Kalamazoo I was silent.
 Now I am gabby, God help me, I am gabby.

Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.

 Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.

 Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.

 The wishing heart of you I loved, Kalamazoo.
 I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver angel, a creeping mystic what-is-it.


Written by Barry Tebb | Create an image from this poem

A Kind Of Distraction

 You always disrupt me;

When I ring you for comfort

You wing me, send my

Pudding of a mind

A-splatter on the wall.

You chase me to bed even,

Passionately, not-yourself-at-all,

You bawl your lewd reminders

Down aching avenues of dreams

To shudder me awake.

And then at last you’ll fake

Your promises and take

Some simpler way, battening

On the eggs you’ll hatch

Warmly some tea-cosy day.

All this, you’ll say, was

Merely adolescence, not

The real unpoked you,

Tittupping in high heels

And cellophaned to view.
Written by Robert Burns | Create an image from this poem

306. Election Ballad at close of Contest for representing the Dumfries Burghs 1790

 FINTRY, my stay in wordly strife,
Friend o’ my muse, friend o’ my life,
 Are ye as idle’s I am?
Come then, wi’ uncouth kintra fleg,
O’er Pegasus I’ll fling my leg,
 And ye shall see me try him.


But where shall I go rin a ride,
That I may splatter nane beside?
 I wad na be uncivil:
In manhood’s various paths and ways
There’s aye some doytin’ body strays,
 And I ride like the devil.


Thus I break aff wi’ a’ my birr,
And down yon dark, deep alley spur,
 Where Theologics daunder:
Alas! curst wi’ eternal fogs,
And damn’d in everlasting bogs,
 As sure’s the creed I’ll blunder!


I’ll stain a band, or jaup a gown,
Or rin my reckless, guilty crown
 Against the haly door:
Sair do I rue my luckless fate,
When, as the Muse an’ Deil wad hae’t,
 I rade that road before.


Suppose I take a spurt, and mix
Amang the wilds o’ Politics—
 Electors and elected,
Where dogs at Court (sad sons of bitches!)
Septennially a madness touches,
 Till all the land’s infected.


All hail! Drumlanrig’s haughty Grace,
Discarded remnant of a race
 Once godlike-great in story;
Thy forbears’ virtues all contrasted,
The very name of Douglas blasted,
 Thine that inverted glory!


Hate, envy, oft the Douglas bore,
But thou hast superadded more,
 And sunk them in contempt;
Follies and crimes have stain’d the name,
But, Queensberry, thine the virgin claim,
 From aught that’s good exempt!


I’ll sing the zeal Drumlanrig bears,
Who left the all-important cares
 Of princes, and their darlings:
And, bent on winning borough touns,
Came shaking hands wi’ wabster-loons,
 And kissing barefit carlins.


Combustion thro’ our boroughs rode,
Whistling his roaring pack abroad
 Of mad unmuzzled lions;
As Queensberry blue and buff unfurl’d,
And Westerha’ and Hopetoun hurled
 To every Whig defiance.


But cautious Queensberry left the war,
Th’ unmanner’d dust might soil his star,
 Besides, he hated bleeding:
But left behind him heroes bright,
Heroes in C&æsarean fight,
 Or Ciceronian pleading.


O for a throat like huge Mons-Meg,
To muster o’er each ardent Whig
 Beneath Drumlanrig’s banners;
Heroes and heroines commix,
All in the field of politics,
 To win immortal honours.


M’Murdo and his lovely spouse,
(Th’ enamour’d laurels kiss her brows!)
 Led on the Loves and Graces:
She won each gaping burgess’ heart,
While he, sub rosa, played his part
 Amang their wives and lasses.


Craigdarroch led a light-arm’d core,
Tropes, metaphors, and figures pour,
 Like Hecla streaming thunder:
Glenriddel, skill’d in rusty coins,
Blew up each Tory’s dark designs,
 And bared the treason under.


In either wing two champions fought;
Redoubted Staig, who set at nought
 The wildest savage Tory;
And Welsh who ne’er yet flinch’d his ground,
High-wav’d his magnum-bonum round
 With Cyclopeian fury.


Miller brought up th’ artillery ranks,
The many-pounders of the Banks,
 Resistless desolation!
While Maxwelton, that baron bold,
’Mid Lawson’s port entrench’d his hold,
 And threaten’d worse damnation.


To these what Tory hosts oppos’d
With these what Tory warriors clos’d
 Surpasses my descriving;
Squadrons, extended long and large,
With furious speed rush to the charge,
 Like furious devils driving.


What verse can sing, what prose narrate,
The butcher deeds of bloody Fate,
 Amid this mighty tulyie!
Grim Horror girn’d, pale Terror roar’d,
As Murder at his thrapple shor’d,
 And Hell mix’d in the brulyie.


As Highland craigs by thunder cleft,
When lightnings fire the stormy lift,
 Hurl down with crashing rattle;
As flames among a hundred woods,
As headlong foam from a hundred floods,
 Such is the rage of Battle.


The stubborn Tories dare to die;
As soon the rooted oaks would fly
 Before th’ approaching fellers:
The Whigs come on like Ocean’s roar,
When all his wintry billows pour
 Against the Buchan Bullers.


Lo, from the shades of Death’s deep night,
Departed Whigs enjoy the fight,
 And think on former daring:
The muffled murtherer of Charles
The Magna Charter flag unfurls,
 All deadly gules its bearing.


Nor wanting ghosts of Tory fame;
Bold Scrimgeour follows gallant Graham;
 Auld Covenanters shiver—
Forgive! forgive! much-wrong’d Montrose!
Now Death and Hell engulph thy foes,
 Thou liv’st on high for ever.


Still o’er the field the combat burns,
The Tories, Whigs, give way by turns;
 But Fate the word has spoken:
For woman’s wit and strength o’man,
Alas! can do but what they can;
 The Tory ranks are broken.


O that my een were flowing burns!
My voice, a lioness that mourns
 Her darling cubs’ undoing!
That I might greet, that I might cry,
While Tories fall, while Tories fly,
 And furious Whigs pursuing!


What Whig but melts for good Sir James,
Dear to his country, by the names,
 Friend, Patron, Benefactor!
Not Pulteney’s wealth can Pulteney save;
And Hopetoun falls, the generous, brave;
 And Stewart, bold as Hector.


Thou, Pitt, shalt rue this overthrow,
And Thurlow growl a curse of woe,
 And Melville melt in wailing:
Now Fox and Sheridan rejoice,
And Burke shall sing, “O Prince, arise!
 Thy power is all-prevailing!”


For your poor friend, the Bard, afar
He only hears and sees the war,
 A cool spectator purely!
So, when the storm the forest rends,
The robin in the hedge descends,
 And sober chirps securely.


Now, for my friends’ and brethren’s sakes,
And for my dear-lov’d Land o’ Cakes,
 I pray with holy fire:
Lord, send a rough-shod troop o’ Hell
O’er a’ wad Scotland buy or sell,
 To grind them in the mire!
Written by Robert Burns | Create an image from this poem

62. Epistle to William Simson

 I GAT your letter, winsome Willie;
Wi’ gratefu’ heart I thank you brawlie;
Tho’ I maun say’t, I wad be silly,
 And unco vain,
Should I believe, my coaxin billie
 Your flatterin strain.


But I’se believe ye kindly meant it:
I sud be laith to think ye hinted
Ironic satire, sidelins sklented
 On my poor Musie;
Tho’ in sic phraisin terms ye’ve penn’d it,
 I scarce excuse ye.


My senses wad be in a creel,
Should I but dare a hope to speel
Wi’ Allan, or wi’ Gilbertfield,
 The braes o’ fame;
Or Fergusson, the writer-chiel,
 A deathless name.


(O Fergusson! thy glorious parts
Ill suited law’s dry, musty arts!
My curse upon your whunstane hearts,
 Ye E’nbrugh gentry!
The tithe o’ what ye waste at cartes
 Wad stow’d his pantry!)


Yet when a tale comes i’ my head,
Or lassies gie my heart a screed—
As whiles they’re like to be my dead,
 (O sad disease!)
I kittle up my rustic reed;
 It gies me ease.


Auld Coila now may fidge fu’ fain,
She’s gotten poets o’ her ain;
Chiels wha their chanters winna hain,
 But tune their lays,
Till echoes a’ resound again
 Her weel-sung praise.


Nae poet thought her worth his while,
To set her name in measur’d style;
She lay like some unkenn’d-of-isle
 Beside New Holland,
Or whare wild-meeting oceans boil
 Besouth Magellan.


Ramsay an’ famous Fergusson
Gied Forth an’ Tay a lift aboon;
Yarrow an’ Tweed, to monie a tune,
 Owre Scotland rings;
While Irwin, Lugar, Ayr, an’ Doon
 Naebody sings.


Th’ Illissus, Tiber, Thames, an’ Seine,
Glide sweet in monie a tunefu’ line:
But Willie, set your fit to mine,
 An’ cock your crest;
We’ll gar our streams an’ burnies shine
 Up wi’ the best!


We’ll sing auld Coila’s plains an’ fells,
Her moors red-brown wi’ heather bells,
Her banks an’ braes, her dens and dells,
 Whare glorious Wallace
Aft bure the gree, as story tells,
 Frae Suthron billies.


At Wallace’ name, what Scottish blood
But boils up in a spring-tide flood!
Oft have our fearless fathers strode
 By Wallace’ side,
Still pressing onward, red-wat-shod,
 Or glorious died!


O, sweet are Coila’s haughs an’ woods,
When lintwhites chant amang the buds,
And jinkin hares, in amorous whids,
 Their loves enjoy;
While thro’ the braes the cushat croods
 With wailfu’ cry!


Ev’n winter bleak has charms to me,
When winds rave thro’ the naked tree;
Or frosts on hills of Ochiltree
 Are hoary gray;
Or blinding drifts wild-furious flee,
 Dark’ning the day!


O Nature! a’ thy shews an’ forms
To feeling, pensive hearts hae charms!
Whether the summer kindly warms,
 Wi’ life an light;
Or winter howls, in gusty storms,
 The lang, dark night!


The muse, nae poet ever fand her,
Till by himsel he learn’d to wander,
Adown some trottin burn’s meander,
 An’ no think lang:
O sweet to stray, an’ pensive ponder
 A heart-felt sang!


The war’ly race may drudge an’ drive,
Hog-shouther, jundie, stretch, an’ strive;
Let me fair Nature’s face descrive,
 And I, wi’ pleasure,
Shall let the busy, grumbling hive
 Bum owre their treasure.


Fareweel, “my rhyme-composing” brither!
We’ve been owre lang unkenn’d to ither:
Now let us lay our heads thegither,
 In love fraternal:
May envy wallop in a tether,
 Black fiend, infernal!


While Highlandmen hate tools an’ taxes;
While moorlan’s herds like guid, fat braxies;
While terra firma, on her axis,
 Diurnal turns;
Count on a friend, in faith an’ practice,
 In Robert Burns.


POSTCRIPTMY memory’s no worth a preen;
I had amaist forgotten clean,
Ye bade me write you what they mean
 By this “new-light,”
’Bout which our herds sae aft hae been
 Maist like to fight.


In days when mankind were but callans
At grammar, logic, an’ sic talents,
They took nae pains their speech to balance,
 Or rules to gie;
But spak their thoughts in plain, braid lallans,
 Like you or me.


In thae auld times, they thought the moon,
Just like a sark, or pair o’ shoon,
Wore by degrees, till her last roon
 Gaed past their viewin;
An’ shortly after she was done
 They gat a new ane.


This passed for certain, undisputed;
It ne’er cam i’ their heads to doubt it,
Till chiels gat up an’ wad confute it,
 An’ ca’d it wrang;
An’ muckle din there was about it,
 Baith loud an’ lang.


Some herds, weel learn’d upo’ the beuk,
Wad threap auld folk the thing misteuk;
For ’twas the auld moon turn’d a neuk
 An’ out of’ sight,
An’ backlins-comin to the leuk
 She grew mair bright.


This was deny’d, it was affirm’d;
The herds and hissels were alarm’d
The rev’rend gray-beards rav’d an’ storm’d,
 That beardless laddies
Should think they better wer inform’d,
 Than their auld daddies.


Frae less to mair, it gaed to sticks;
Frae words an’ aiths to clours an’ nicks;
An monie a fallow gat his licks,
 Wi’ hearty crunt;
An’ some, to learn them for their tricks,
 Were hang’d an’ brunt.


This game was play’d in mony lands,
An’ auld-light caddies bure sic hands,
That faith, the youngsters took the sands
 Wi’ nimble shanks;
Till lairds forbad, by strict commands,
 Sic bluidy pranks.


But new-light herds gat sic a cowe,
Folk thought them ruin’d stick-an-stowe;
Till now, amaist on ev’ry knowe
 Ye’ll find ane plac’d;
An’ some their new-light fair avow,
 Just quite barefac’d.


Nae doubt the auld-light flocks are bleatin;
Their zealous herds are vex’d an’ sweatin;
Mysel’, I’ve even seen them greetin
 Wi’ girnin spite,
To hear the moon sae sadly lied on
 By word an’ write.


But shortly they will cowe the louns!
Some auld-light herds in neebor touns
Are mind’t, in things they ca’ balloons,
 To tak a flight;
An’ stay ae month amang the moons
 An’ see them right.


Guid observation they will gie them;
An’ when the auld moon’s gaun to lea’e them,
The hindmaist shaird, they’ll fetch it wi’ them
 Just i’ their pouch;
An’ when the new-light billies see them,
 I think they’ll crouch!


Sae, ye observe that a’ this clatter
Is naething but a “moonshine matter”;
But tho’ dull prose-folk Latin splatter
 In logic tulyie,
I hope we bardies ken some better
 Than mind sic brulyie.
Written by Stephen Vincent Benet | Create an image from this poem

The Lover in Hell

 Eternally the choking steam goes up 
From the black pools of seething oil. . . . 
How merry 
Those little devils are! They've stolen the pitchfork 
From Bel, there, as he slept . . . Look! -- oh look, look! 
They've got at Nero! Oh it isn't fair! 
Lord, how he squeals! Stop it . . . it's, well -- indecent! 
But funny! . . . See, Bel's waked. They'll catch it now! 

. . . Eternally that stifling reek arises, 
Blotting the dome with smoky, terrible towers, 
Black, strangling trees, whispering obscene things 
Amongst their branches, clutching with maimed hands, 
Or oozing slowly, like blind tentacles 
Up to the gates; higher than that heaped brick 
Man piled to smite the sun. And all around 
Are devils. One can laugh . . . but that hunched shape 
The face one stone, like those Assyrian kings! 
One sees in carvings, watching men flayed red 
Horribly laughable in leaps and writhes; 
That face -- utterly evil, clouded round 
With evil like a smoke -- it turns smiles sour! 
. . . And Nero there, the flabby cheeks astrain 
And sweating agony . . . long agony . . . 
Imperishable, unappeasable 
For ever . . . well . . . it droops the mouth. Till I 
Look up. 
There's one blue patch no smoke dares touch. 
Sky, clear, ineffable, alive with light, 
Always the same . . . 
Before, I never knew 
Rest and green peace. 
She stands there in the sun. 
. . . It seems so quaint she should have long gold wings. 
I never have got used -- folded across 
Her breast, or fluttering with fierce, pure light, 
Like shaken steel. Her crown too. Well, it's *****! 
And then she never cared much for the harp 
On earth. Here, though . . . 
She is all peace, all quiet, 
All passionate desires, the eloquent thunder 
Of new, glad suns, shouting aloud for joy, 
Over fresh worlds and clean, trampling the air 
Like stooping hawks, to the long wind of horns, 
Flung from the bastions of Eternity . . . 
And she is the low lake, drowsy and gentle, 
And good words spoken from the tongues of friends, 
And calmness in the evening, and deep thoughts, 
Falling like dreams from the stars' solemn mouths. 
All these. 
They said she was unfaithful once. 
Or I remembered it -- and so, for that, 
I lie here, I suppose. Yes, so they said. 
You see she is so troubled, looking down, 
Sorrowing deeply for my torments. I 
Of course, feel nothing while I see her -- save 
That sometimes when I think the matter out, 
And what earth-people said of us, of her, 
It seems as if I must be, here, in heaven, 
And she -- 
. . . Then I grow proud; and suddenly 
There comes a splatter of oil against my skin, 
Hurting this time. And I forget my pride: 
And my face writhes. 
Some day the little ladder 
Of white words that I build up, up, to her 
May fetch me out. Meanwhile it isn't bad. . . . 

But what a sense of humor God must have!


Written by Carl Sandburg | Create an image from this poem

Crabapple Blossoms

 SOMEBODY’S little girl—how easy to make a sob story over who she was once and who she is now.
Somebody’s little girl—she played once under a crab-apple tree in June and the blossoms fell on the dark hair.

It was somewhere on the Erie line and the town was Salamanca or Painted Post or Horse’s Head.
And out of her hair she shook the blossoms and went into the house and her mother washed her face and her mother had an ache in her heart at a rebel voice, “I don’t want to.”

Somebody’s little girl—forty little girls of somebodies splashed in red tights forming horseshoes, arches, pyramids—forty little show girls, ponies, squabs.
How easy a sob story over who she once was and who she is now—and how the crabapple blossoms fell on her dark hair in June.

Let the lights of Broadway spangle and splatter—and the taxis hustle the crowds away when the show is over and the street goes dark.
Let the girls wash off the paint and go for their midnight sandwiches—let ’em dream in the morning sun, late in the morning, long after the morning papers and the milk wagons—
Let ’em dream long as they want to … of June somewhere on the Erie line … and crabapple blossoms.

Book: Reflection on the Important Things