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Best Famous Sparkling Poems

Here is a collection of the all-time best famous Sparkling poems. This is a select list of the best famous Sparkling poetry. Reading, writing, and enjoying famous Sparkling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sparkling poems.

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Written by William Wordsworth | Create an image from this poem

I Wandered Lonely As A Cloud

I wandered lonely as a cloud 
That floats on high o'er vales and hills, 
When all at once I saw a crowd, 
A host, of golden daffodils; 
Beside the lake, beneath the trees, 
Fluttering and dancing in the breeze. 

Continuous as the stars that shine 
And twinkle on the milky way, 
They stretched in never-ending line 
Along the margin of a bay: 
Ten thousand saw I at a glance, 
Tossing their heads in sprightly dance. 

The waves beside them danced; but they 
Out-did the sparkling waves in glee: 
A poet could not but be gay, 
In such a jocund company: 
I gazed - and gazed - but little thought 
What wealth the show to me had brought: 

For oft, when on my couch I lie 
In vacant or in pensive mood, 
They flash upon that inward eye 
Which is the bliss of solitude; 
And then my heart with pleasure fills, 
And dances with the daffodils. 


Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear. 

In calm retirement form'd to dwell, 
NATURE, thy handmaid fair and kind, 
For thee, a beauteous garland twin'd; 
The vale-nurs'd Lily's downcast bell 
Thy modest mien display'd, 
The snow-drop, April's meekest child, 
With myrtle blossoms undefil'd, 
Thy mild and spotless mind pourtray'd; 
Dear blushing maid, of cottage birth, 
'Twas thine, o'er dewy meads to stray, 
While sparkling health, and frolic mirth 
Led on thy laughing Day. 

Lur'd by the babbling tongue of FAME, 
Too soon, insidious FLATT'RY came; 
Flush'd VANITY her footsteps led, 
To charm thee from thy blest repose, 
While Fashion twin'd about thy head 
A wreath of wounding woes; 
See Dissipation smoothly glide, 
Cold Apathy, and puny Pride, 
Capricious Fortune, dull, and blind, 
O'er splendid Folly throws her veil, 
While Envy's meagre tribe assail 
Thy gentle form, and spotless mind. 

Their spells prevail! no more those eyes 
Shoot undulating fires; 
On thy wan cheek, the young rose dies, 
Thy lip's deep tint expires; 
Dark Melancholy chills thy mind; 
Thy silent tear reveals thy woe; 
TIME strews with thorns thy mazy way, 
Where'er thy giddy footsteps stray, 
Thy thoughtless heart is doom'd to find 
An unrelenting foe. 

'Tis thus, the infant Forest flow'r 
Bespangled o'er with glitt'ring dew, 
At breezy morn's refreshing hour, 
Glows with pure tints of varying hue, 
Beneath an aged oak's wide spreading shade, 
Where no rude winds, or beating storms invade. 
Transplanted from its lonely bed, 
No more it scatters perfumes round, 
No more it rears its gentle head, 
Or brightly paints the mossy ground; 
For ah! the beauteous bud, too soon, 
Scorch'd by the burning eye of day; 
Shrinks from the sultry glare of noon, 
Droops its enamell'd brow, and blushing, dies away.
Written by Kahlil Gibran | Create an image from this poem

Laughter and Tears IX

 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley. 

When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen. 

After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us. 

"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands. 

"Smile, my beloved, like the gold smiles from my father's coffers. 

"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes. 

"All these things I will do for you; will you be satisfied?" 

In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart. 

Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! 

I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place. 

After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life. 

"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes." 

A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved." 

They separated, and the elegy to their union was smothered by the wails of my crying heart. 

I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy. 

It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
Written by Rafael Guillen | Create an image from this poem

Not Fear

 Not fear. Maybe, out there somewhere,
the possibility of fear; the wall
that might tumble down, because it's for sure
that behind it is the sea.
Not fear. Fear has a countenance;
It's external, concrete,
like a rifle, a shot bolt,
a suffering child,
like the darkness that's hidden
in every human mouth.
Not fear. Maybe only the brand
of the offspring of fear.

It's a narrow, interminable street
with all the windows darkened,
a thread spun out from a sticky hand,
friendly, yes, not a friend.
It's a nightmare
of polite ritual wearing a frightwig.
Not fear. Fear is a door slammed in your face.
I'm speaking here of a labyrinth
of doors already closed, with assumed
reasons for being, or not being,
for categorizing bad luck
or good, bread, or an expression
— tenderness and panic and frigidity - for the children
growing up. And the silence.
And the cities, sparkling, empty.
and the mediocrity, like a hot
lava, spewed out over
the grain, and the voice, and the idea.

It's not fear. The real fear hasn't come yet.
But it will. It's the doublethink
that believes peace is only another movement.
And I say it with suspicion, at the top of my lungs.
And it's not fear, no. It's the certainty
that I'm betting, on a single card,
the whole haystack I've piled up,
straw by straw, for my fellow man.
Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.)

``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.

And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''

The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.

Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.

``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.

Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''

She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''

I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.

For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''

_Venienti occurrite morbo!_
With which moral I drop my theorbo.

*1 A beetle.


Written by Billy Collins | Create an image from this poem

Man Listening To Disc

 This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate

this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize -- or whatever -- his huge piano
so he could be with us today.

This music is loud yet so confidential.
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of "The Way You Look Tonight,"

and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe --
all I can say is watch your step,

because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.

And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,

the only true point of view,
is full of hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
Written by Thomas Chatterton | Create an image from this poem

February

 Begin, my muse, the imitative lay, 
Aonian doxies sound the thrumming string; 
Attempt no number of the plaintive Gay, 
Let me like midnight cats, or Collins sing. 
If in the trammels of the doleful line 
The bounding hail, or drilling rain descend; 
Come, brooding Melancholy, pow'r divine, 
And ev'ry unform'd mass of words amend. 

Now the rough goat withdraws his curling horns, 
And the cold wat'rer twirls his circling mop: 
Swift sudden anguish darts thro' alt'ring corns, 
And the spruce mercer trembles in his shop. 

Now infant authors, madd'ning for renown, 
Extend the plume, and him about the stage, 
Procure a benefit, amuse the town, 
And proudly glitter in a title page. 

Now, wrapt in ninefold fur, his squeamish grace 
Defies the fury of the howling storm; 
And whilst the tempest whistles round his face, 
Exults to find his mantled carcase warm. 

Now rumbling coaches furious drive along, 
Full of the majesty of city dames, 
Whose jewels sparkling in the gaudy throng, 
Raise strange emotions and invidious flames. 

Now Merit, happy in the calm of place, 
To mortals as a highlander appears, 
And conscious of the excellence of lace, 
With spreading frogs and gleaming spangles glares. 

Whilst Envy, on a tripod seated nigh, 
In form a shoe-boy, daubs the valu'd fruit, 
And darting lightnings from his vengeful eye, 
Raves about Wilkes, and politics, and Bute. 

Now Barry, taller than a grenadier, 
Dwindles into a stripling of eighteen; 
Or sabled in Othello breaks the ear, 
Exerts his voice, and totters to the scene. 

Now Foote, a looking-glass for all mankind, 
Applies his wax to personal defects; 
But leaves untouch'd the image of the mind, 
His art no mental quality reflects. 

Now Drury's potent kind extorts applause, 
And pit, box, gallery, echo, "how divine!" 
Whilst vers'd in all the drama's mystic laws, 
His graceful action saves the wooden line. 

Now-- but what further can the muses sing? 
Now dropping particles of water fall; 
Now vapours riding on the north wind's wing, 
With transitory darkness shadow all. 

Alas! how joyless the descriptive theme, 
When sorrow on the writer's quiet preys 
And like a mouse in Cheshire cheese supreme, 
Devours the substance of the less'ning bays. 

Come, February, lend thy darkest sky. 
There teach the winter'd muse with clouds to soar; 
Come, February, lift the number high; 
Let the sharp strain like wind thro' alleys roar. 

Ye channels, wand'ring thro' the spacious street, 
In hollow murmurs roll the dirt along, 
With inundations wet the sabled feet, 
Whilst gouts responsive, join th'elegiac song. 

Ye damsels fair, whose silver voices shrill, 
Sound thro' meand'ring folds of Echo's horn; 
Let the sweet cry of liberty be still, 
No more let smoking cakes awake the morn. 

O, Winter! Put away the snowy pride; 
O, Spring! Neglect the cowslip and the bell; 
O, Summer! Throw thy pears and plums aside; 
O, Autumn! Bid the grape with poison swell. 

The pension'd muse of Johnson is no more! 
Drown'd in a butt of wine his genius lies; 
Earth! Ocean! Heav'n! The wond'rous loss deplore, 
The dregs of nature with her glory dies. 

What iron Stoic can suppress the tear; 
What sour reviewer read with vacant eye! 
What bard but decks his literary bier! 
Alas! I cannot sing-- I howl-- I cry--
Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.

Obedient to the goad of grief, 
Her steps, now fast, now lingering slow, 
In varying motion seek relief 
From the Eumenides of woe.

Wringing her hands, at intervals­ 
But long as mute as phantom dim­ 
She glides along the dusky walls, 
Under the black oak rafters, grim.

The close air of the grated tower 
Stifles a heart that scarce can beat, 
And, though so late and lone the hour, 
Forth pass her wandering, faltering feet;

And on the pavement, spread before 
The long front of the mansion grey, 
Her steps imprint the night-frost hoar, 
Which pale on grass and granite lay.

Not long she stayed where misty moon 
And shimmering stars could on her look, 
But through the garden arch-way, soon 
Her strange and gloomy path she took.

Some firs, coeval with the tower, 
Their straight black boughs stretched o'er her head, 
Unseen, beneath this sable bower, 
Rustled her dress and rapid tread. 

There was an alcove in that shade, 
Screening a rustic-seat and stand; 
Weary she sat her down and laid 
Her hot brow on her burning hand.

To solitude and to the night, 
Some words she now, in murmurs, said; 
And, trickling through her fingers white, 
Some tears of misery she shed.

' God help me, in my grievous need, 
God help me, in my inward pain; 
Which cannot ask for pity's meed, 
Which has no license to complain;

Which must be borne, yet who can bear, 
Hours long, days long, a constant weight­ 
The yoke of absolute despair, 
A suffering wholly desolate ?

Who can for ever crush the heart, 
Restrain its throbbing, curb its life ? 
Dissemble truth with ceaseless art, 
With outward calm, mask inward strife ?'

She waited­as for some reply;
The still and cloudy night gave none; 
Erelong, with deep-drawn, trembling sigh, 
Her heavy plaint again begun. 

' Unloved­I love; unwept­I weep; 
Grief I restrain­hope I repress: 
Vain is this anguish­fixed and deep; 
Vainer, desires and dreams of bliss.

My love awakes no love again, 
My tears collect, and fall unfelt; 
My sorrow touches none with pain, 
My humble hopes to nothing melt.

For me the universe is dumb, 
Stone-deaf, and blank, and wholly blind; 
Life I must bound, existence sum 
In the strait limits of one mind;

That mind my own. Oh ! narrow cell; 
Dark­imageless­a living tomb ! 
There must I sleep, there wake and dwell 
Content, with palsy, pain, and gloom.'

Again she paused; a moan of pain, 
A stifled sob, alone was heard; 
Long silence followed­then again, 
Her voice the stagnant midnight stirred.

' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ? 

And when it falls, and when I die, 
What follows ? Vacant nothingness ? 
The blank of lost identity ? 
Erasure both of pain and bliss ?

I've heard of heaven­I would believe; 
For if this earth indeed be all, 
Who longest lives may deepest grieve, 
Most blest, whom sorrows soonest call.

Oh ! leaving disappointment here, 
Will man find hope on yonder coast ? 
Hope, which, on earth, shines never clear, 
And oft in clouds is wholly lost.

Will he hope's source of light behold, 
Fruition's spring, where doubts expire, 
And drink, in waves of living gold, 
Contentment, full, for long desire ?

Will he find bliss, which here he dreamed ? 
Rest, which was weariness on earth ? 
Knowledge, which, if o'er life it beamed, 
Served but to prove it void of worth ?

Will he find love without lust's leaven, 
Love fearless, tearless, perfect, pure, 
To all with equal bounty given, 
In all, unfeigned, unfailing, sure ? 

Will he, from penal sufferings free, 
Released from shroud and wormy clod, 
All calm and glorious, rise and see 
Creation's Sire­Existence' God ?

Then, glancing back on Time's brief woes, 
Will he behold them, fading, fly; 
Swept from Eternity's repose, 
Like sullying cloud, from pure blue sky ?

If so­endure, my weary frame; 
And when thy anguish strikes too deep, 
And when all troubled burns life's flame,
Think of the quiet, final sleep;

Think of the glorious waking-hour, 
Which will not dawn on grief and tears, 
But on a ransomed spirit's power, 
Certain, and free from mortal fears.

Seek now thy couch, and lie till morn, 
Then from thy chamber, calm, descend, 
With mind nor tossed, nor anguish-torn, 
But tranquil, fixed, to wait the end.

And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall. 

The tear which, welling from the heart, 
Burns where its drop corrosive falls, 
And makes each nerve, in torture, start, 
At feelings it too well recalls:

When the sweet hope of being loved, 
Threw Eden sunshine on life's way; 
When every sense and feeling proved 
Expectancy of brightest day.

When the hand trembled to receive 
A thrilling clasp, which seemed so near, 
And the heart ventured to believe,
Another heart esteemed it dear.

When words, half love, all tenderness, 
Were hourly heard, as hourly spoken, 
When the long, sunny days of bliss, 
Only by moonlight nights were broken.

Till drop by drop, the cup of joy 
Filled full, with purple light, was glowing, 
And Faith, which watched it, sparkling high, 
Still never dreamt the overflowing.

It fell not with a sudden crashing, 
It poured not out like open sluice; 
No, sparkling still, and redly flashing, 
Drained, drop by drop, the generous juice. 

I saw it sink, and strove to taste it, 
My eager lips approached the brim; 
The movement only seemed to waste it, 
It sank to dregs, all harsh and dim.

These I have drank, and they for ever 
Have poisoned life and love for me; 
A draught from Sodom's lake could never 
More fiery, salt, and bitter, be.

Oh ! Love was all a thin illusion; 
Joy, but the desert's flying stream; 
And, glancing back on long delusion,
My memory grasps a hollow dream.

Yet, whence that wondrous change of feeling, 
I never knew, and cannot learn, 
Nor why my lover's eye, congealing, 
Grew cold, and clouded, proud, and stern.

Nor wherefore, friendship's forms forgetting, 
He careless left, and cool withdrew; 
Nor spoke of grief, nor fond regretting, 
Nor even one glance of comfort threw.

And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away. 

Oh, bitter, blighting, keen sensation, 
Which will not weaken, cannot die, 
Hasten thy work of desolation, 
And let my tortured spirit fly !

Vain as the passing gale, my crying; 
Though lightning-struck, I must live on; 
I know, at heart, there is no dying 
Of love, and ruined hope, alone.

Still strong, and young, and warm with vigour, 
Though scathed, I long shall greenly grow, 
And many a storm of wildest rigour 
Shall yet break o'er my shivered bough.

Rebellious now to blank inertion, 
My unused strength demands a task; 
Travel, and toil, and full exertion, 
Are the last, only boon I ask.

Whence, then, this vain and barren dreaming 
Of death, and dubious life to come ? 
I see a nearer beacon gleaming 
Over dejection's sea of gloom.

The very wildness of my sorrow 
Tells me I yet have innate force; 
My track of life has been too narrow, 
Effort shall trace a broader course. 

The world is not in yonder tower, 
Earth is not prisoned in that room, 
'Mid whose dark pannels, hour by hour, 
I've sat, the slave and prey of gloom.

One feeling­turned to utter anguish, 
Is not my being's only aim; 
When, lorn and loveless, life will languish, 
But courage can revive the flame.

He, when he left me, went a roving
To sunny climes, beyond the sea; 
And I, the weight of woe removing, 
Am free and fetterless as he.

New scenes, new language, skies less clouded,
May once more wake the wish to live; 
Strange, foreign towns, astir, and crowded, 
New pictures to the mind may give.

New forms and faces, passing ever, 
May hide the one I still retain, 
Defined, and fixed, and fading never, 
Stamped deep on vision, heart, and brain.

And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me. 

False thought­false hope­in scorn be banished ! 
I am not loved­nor loved have been; 
Recall not, then, the dreams scarce vanished, 
Traitors ! mislead me not again !

To words like yours I bid defiance, 
'Tis such my mental wreck have made; 
Of God alone, and self-reliance, 
I ask for solace­hope for aid.

Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile, 
Both lonely wood and mansion hoary 
I'll leave behind, full many a mile.
Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings. 

SWEET Nymph, enchanting Poetry! 
I dedicate my mind to Thee. 
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly; 
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose; 
Repose, whose balmy joys o'er-pay
The sultry labours of the day. 

And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears; 
Or blushing opes her silver gate, 
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star; 
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth; 
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,­a glitt'ring train,
Or swarm along the sultry plain. 
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove, 
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs; 
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream. 

Or when, at twilight's placid hour, 
We stroll to some sequester'd bow'r; 
And watch the haughty Sun retire
Beneath his canopy of fire; 
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky: 
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train; 
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs, 
And wing with joy my silent hours. 

When Sleep, with downy hand, shall spread
A wreath of poppies round my head; 
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue, 
That flame, where SHAKESPEARE us'd to fill, 
With matchless fire, his "golden quill." 
While, from its point bright Genius caught
The wit supreme, the glowing thought, 
The magic tone, that sweetly hung
About the music of his tongue. 
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky, 
And hear the vaulted roof repeat
The song of Inspiration sweet; 
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note; 
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam. 

DEAR Maid! of ever-varying mien, 
Exulting, pensive, gay, serene, 
Now, in transcendent pathos drest, 
Now, gentle as the turtle's breast; 
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead; 
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray, 
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads, 
And decorate their verdant beds; 
While to the grass-hopper's shrill tune,
They quaff libations to the moon, 
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd. 
Or when the lurid tempest pours, 
From its dark urn, impetuous show'rs, 
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring, 
And shield me with thy golden wing. 

Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre, 
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast. 

But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense; 
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
Written by Anne Bronte | Create an image from this poem

Memory

 Brightly the sun of summer shone,
Green fields and waving woods upon,
And soft winds wandered by;
Above, a sky of purest blue,
Around, bright flowers of loveliest hue,
Allured the gazer's eye. 
But what were all these charms to me,
When one sweet breath of memory
Came gently wafting by?
I closed my eyes against the day,
And called my willing soul away,
From earth, and air, and sky; 

That I might simply fancy there
One little flower -- a primrose fair,
Just opening into sight;
As in the days of infancy,
An opening primrose seemed to me
A source of strange delight. 

Sweet Memory! ever smile on me;
Nature's chief beauties spring from thee,
Oh, still thy tribute bring!
Still make the golden crocus shine
Among the flowers the most divine,
The glory of the spring. 

Still in the wall-flower's fragrance dwell;
And hover round the slight blue bell,
My childhood's darling flower.
Smile on the little daisy still,
The buttercup's bright goblet fill
With all thy former power. 

For ever hang thy dreamy spell
Round mountain star and heather bell,
And do not pass away
From sparkling frost, or wreathed snow,
And whisper when the wild winds blow,
Or rippling waters play. 

Is childhood, then, so all divine?
Or Memory, is the glory thine,
That haloes thus the past?
Not all divine; its pangs of grief,
(Although, perchance, their stay be brief,)
Are bitter while they last. 

Nor is the glory all thine own,
For on our earliest joys alone
That holy light is cast.
With such a ray, no spell of thine
Can make our later pleasures shine,
Though long ago they passed.

Book: Reflection on the Important Things