Written by
Dejan Stojanovic |
It is not possible to say more than it is possible.
Ambition kills value; if unjustified it will
Eat its own life,
Kill someone else's desire to fly,
Cut their wings, suck their air.
Get out, but don't cause unneeded accidents;
There is only as much space, only as much time,
Only as much desire, only as many words,
Only as many pages, only as much ink
To accept all of us at light-speed
Hurrying into the Promised Land
Of oblivion that is waiting for us sooner or later.
No reason for a feverish rush
For we will all arrive in the same place
At the right time. Justice will be served.
There will be no better or worse,
No big and small, no rewards, no punishment,
No guilt, no judges, no hierarchies;
Only silent equality.
|
Written by
Henry Lawson |
Man, is the Sea your master? Sea, and is man your slave? –
This is the song of brave men who never know they are brave:
Ceaselessly watching to save you, stranger from foreign lands,
Soundly asleep in your state room, full sail for the Goodwin Sands!
Life is a dream, they tell us, but life seems very real,
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal!
A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!"
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad.
The lifeboat leaping and swooping, in the wake of the fighting tug,
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! –
Think of the freezing fury, without one minute's relief,
When they stood all night in the blackness by the wreck of the Indian Chief!
Lashed to their seats, and crouching, to the spray that froze as it flew,
Twenty-six hours in midwinter! That was the lifeboat's crew.
Twice she was swamped, and she righted, in the rush of the heavy seas,
And her tug was mostly buried; but these were common things, these.
And the luggers go out whenever there's a hope to get them afloat,
And these things they do for nothing, and those fishermen say, "Oh! it's nowt!"
(Enemy, Friend or Stranger! In every sea or land,
And across the lives of most men run stretches of Goodwin Sand;
And across the life of a nation, as across the track of a ship,
Lies the hidden rock, or the iceberg, within the horizon dip.
And wise men know them, and warn us, with lightship, or voice, or pen;
But we strike, and the fool survivors sail on to strike again.)
But this is a song of brave men, wherever is aught to save,
Christian or Jew or Wowser – and I knew one who was brave;
British or French or German, Dane or Latin or Dutch:
"Scandies" that ignorant British reckon with "Dagoes and such" –
(Where'er, on a wreck titanic, in a scene of wild despair,
The officers call for assistance, a Swede or a Norse is there.)
Tale of a wreck titanic, with the last boat over the side,
And a brave young husband fighting his clinging, hysterical bride;
He strikes her fair on the temple, while the decks are scarce afloat,
And he kisses her once on the forehead, and he drops her into the boat.
So he goes to his death to save her; and she lives to remember and lie –
Or be true to his love and courage. But that's how brave men die.
(I hate the slander: "Be British" – and I don't believe it, that's flat:
No British sailor and captain would stoop to such cant as that.
What – in the rush of cowards – of the help from before the mast –
Of the two big Swedes and the Norse, who stood by the mate to the last? –
In every mining disaster, in a New-World mining town,
In one of the rescue parties an Olsen or Hans goes down.)
Men who fought for their village, away on their country's edge:
The priest with his cross – and a musket, and the blacksmith with his sledge;
The butcher with cleaver and pistols, and the notary with his pike.
And the clerk with what he laid hands on; but all were ready to strike.
And – Tennyson notwithstanding – when the hour of danger was come,
The shopman has struck full often with his "cheating yard-wand" home!
This is a song of brave men, ever, the wide world o'er –
Starved and crippled and murdered by the land they are fighting for.
Left to freeze in the trenches, sent to drown by the Cape,
Throttled by army contractors, and strangled bv old red-tape.
Fighting for "Home" and "Country", or "Glory", or what you choose –
Sacrificed for the Syndicates, and a monarch "in" with the Jews.
Australia! your trial is coming! Down with the party strife:
Send Your cackling, lying women back to the old Home Life.
Brush trom your Parliament benches the legal chaff and dust:
Make Federation perfect, as sooner or later you must.
Scatter your crowded cities, cut up your States – and so
Give your brave sons of the future the ghost of a White Man's show.
|
Written by
Robert Frost |
We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said. "Come in. No one will care."
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane. "You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boys. They haven't come this year.
They live so far away--one is out west--
It will be hard for them to keep their word.
Anyway they won't have the place disturbed."
A buttoned hair-cloth lounge spread scrolling arms
Under a crayon portrait on the wall
Done sadly from an old daguerreotype.
"That was the father as he went to war.
She always, when she talked about war,
Sooner or later came and leaned, half knelt
Against the lounge beside it, though I doubt
If such unlifelike lines kept power to stir
Anything in her after all the years.
He fell at Gettysburg or Fredericksburg,
I ought to know--it makes a difference which:
Fredericksburg wasn't Gettysburg, of course.
But what I'm getting to is how forsaken
A little cottage this has always seemed;
Since she went more than ever, but before--
I don't mean altogether by the lives
That had gone out of it, the father first,
Then the two sons, till she was left alone.
(Nothing could draw her after those two sons.
She valued the considerate neglect
She had at some cost taught them after years.)
I mean by the world's having passed it by--
As we almost got by this afternoon.
It always seems to me a sort of mark
To measure how far fifty years have brought us.
Why not sit down if you are in no haste?
These doorsteps seldom have a visitor.
The warping boards pull out their own old nails
With none to tread and put them in their place.
She had her own idea of things, the old lady.
And she liked talk. She had seen Garrison
And Whittier, and had her story of them.
One wasn't long in learning that she thought
Whatever else the Civil War was for
It wasn't just to keep the States together,
Nor just to free the slaves, though it did both.
She wouldn't have believed those ends enough
To have given outright for them all she gave.
Her giving somehow touched the principle
That all men are created free and equal.
And to hear her quaint phrases--so removed
From the world's view to-day of all those things.
That's a hard mystery of Jefferson's.
What did he mean? Of course the easy way
Is to decide it simply isn't true.
It may not be. I heard a fellow say so.
But never mind, the Welshman got it planted
Where it will trouble us a thousand years.
Each age will have to reconsider it.
You couldn't tell her what the West was saying,
And what the South to her serene belief.
She had some art of hearing and yet not
Hearing the latter wisdom of the world.
White was the only race she ever knew.
Black she had scarcely seen, and yellow never.
But how could they be made so very unlike
By the same hand working in the same stuff?
She had supposed the war decided that.
What are you going to do with such a person?
Strange how such innocence gets its own way.
I shouldn't be surprised if in this world
It were the force that would at last prevail.
Do you know but for her there was a time
When to please younger members of the church,
Or rather say non-members in the church,
Whom we all have to think of nowadays,
I would have changed the Creed a very little?
Not that she ever had to ask me not to;
It never got so far as that; but the bare thought
Of her old tremulous bonnet in the pew,
And of her half asleep was too much for me.
Why, I might wake her up and startle her.
It was the words 'descended into Hades'
That seemed too pagan to our liberal youth.
You know they suffered from a general onslaught.
And well, if they weren't true why keep right on
Saying them like the heathen? We could drop them.
Only--there was the bonnet in the pew.
Such a phrase couldn't have meant much to her.
But suppose she had missed it from the Creed
As a child misses the unsaid Good-night,
And falls asleep with heartache--how should I feel?
I'm just as glad she made me keep hands off,
For, dear me, why abandon a belief
Merely because it ceases to be true.
Cling to it long enough, and not a doubt
It will turn true again, for so it goes.
Most of the change we think we see in life
Is due to truths being in and out of favour.
As I sit here, and oftentimes, I wish
I could be monarch of a desert land
I could devote and dedicate forever
To the truths we keep coming back and back to.
So desert it would have to be, so walled
By mountain ranges half in summer snow,
No one would covet it or think it worth
The pains of conquering to force change on.
Scattered oases where men dwelt, but mostly
Sand dunes held loosely in tamarisk
Blown over and over themselves in idleness.
Sand grains should sugar in the natal dew
The babe born to the desert, the sand storm
Retard mid-waste my cowering caravans--
"There are bees in this wall." He struck the clapboards,
Fierce heads looked out; small bodies pivoted.
We rose to go. Sunset blazed on the windows.
|
Written by
Walt Whitman |
OF Public Opinion;
Of a calm and cool fiat, sooner or later, (How impassive! How certain and final!)
Of the President with pale face, asking secretly to himself, What will the people say
at
last?
Of the frivolous Judge—Of the corrupt Congressman, Governor, Mayor—Of such as
these,
standing helpless and exposed;
Of the mumbling and screaming priest—(soon, soon deserted;)
Of the lessening, year by year, of venerableness, and of the dicta of officers, statutes,
pulpits, schools;
Of the rising forever taller and stronger and broader, of the intuitions of men and women,
and
of self-esteem, and of personality;
—Of the New World—Of the Democracies, resplendent, en-masse;
Of the conformity of politics, armies, navies, to them and to me,
Of the shining sun by them—Of the inherent light, greater than the rest,
Of the envelopment of all by them, and of the effusion of all from them.
|
Written by
Ogden Nash |
Husbands are things that wives have to get used to putting up with.
And with whom they breakfast with and sup with.
They interfere with the discipline of nurseries,
And forget anniversaries,
And when they have been particularly remiss
They think they can cure everything with a great big kiss,
And when you tell them about something awful they have done they just
look unbearably patient and smile a superior smile,
And think, Oh she'll get over it after a while.
And they always drink cocktails faster than they can assimilate them,
And if you look in their direction they act as if they were martyrs and
you were trying to sacrifice, or immolate them,
And when it's a question of walking five miles to play golf they are very
energetic but if it's doing anything useful around the house they are
very lethargic,
And then they tell you that women are unreasonable and don't know
anything about logic,
And they never want to get up or go to bed at the same time as you do,
And when you perform some simple common or garden rite like putting
cold cream on your face or applying a touch of lipstick they seem to
think that you are up to some kind of black magic like a priestess of Voodoo.
And they are brave and calm and cool and collected about the ailments
of the person they have promised to honor and cherish,
But the minute they get a sniffle or a stomachache of their own, why
you'd think they were about to perish,
And when you are alone with them they ignore all the minor courtesies
and as for airs and graces, they uttlerly lack them,
But when there are a lot of people around they hand you so many chairs
and ashtrays and sandwiches and butter you with such bowings and
scrapings that you want to smack them.
Husbands are indeed an irritating form of life,
And yet through some quirk of Providence most of them are really very
deeply ensconced in the affection of their wife.
|
Written by
Rg Gregory |
18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back
where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away
eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day
29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion
people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone
dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone
42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose
but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)
they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs
65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief
faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed
what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
|
Written by
Adam Lindsay Gordon |
With short, sharp violent lights made vivid,
To the southward far as the sight can roam,
Only the swirl of the surges livid,
The seas that climb and the surfs that comb,
Only the crag and the cliff to nor'ward,
And rocks receding, and reefs flung forward,
And waifs wreck'd seaward and wasted shoreward
On shallows sheeted with flaming foam.
A grim grey coast and a seaboard ghastly,
And shores trod seldom by feet of men --
Where the batter'd hull and the broken mast lie
They have lain embedded these long years ten.
Love! when we wander'd here together,
Hand in hand through the sparkling weather,
From the heights and hollows of fern and heather,
God surely loved us a little then.
Then skies were fairer and shores were firmer --
The blue sea over the bright sand roll'd;
Babble and prattle, and ripple and murmur,
Sheen of silver and glamour of gold --
And the sunset bath'd in the gulf to lend her
A garland of pinks and of purples tender,
A tinge of the sun-god's rosy splendour,
A tithe of his glories manifold.
Man's works are craven, cunning, and skillful
On earth where his tabernacles are;
But the sea is wanton, the sea is wilful,
And who shall mend her and who shall mar?
Shall we carve success or record disaster
On her bosom of heaving alabaster?
Will her purple pulse beat fainter or faster
For fallen sparrow or fallen star?
I would that with sleepy soft embraces
The sea would fold me -- would find me rest
In luminous shades of her secret places,
In depths where her marvels are manifest,
So the earth beneath her should not discover
My hidden couch -- nor the heaven above her --
As a strong love shielding a weary lover,
I would have her shield me with shining breast.
When light in the realms of space lay hidden,
When life was yet in the womb of time,
Ere flesh was fettered to fruits forbidden,
And souls were wedded to care and crime,
Was the course foreshaped for the future spirit --
A burden of folly, a void of merit --
That would fain the wisdom of stars inherit,
And cannot fathom the seas sublime?
Under the sea or the soil (what matter?
The sea and the soil are under the sun),
As in the former days in the latter
The sleeping or waking is known of none,
Surely the sleeper shall not awaken
To griefs forgotten or joys forsaken,
For the price of all things given and taken,
The sum of all things done and undone.
Shall we count offences or coin excuses,
Or weigh with scales the soul of a man,
Whom a strong hand binds and a sure hand looses,
Whose light is a spark and his life a span?
The seed he sowed or the soil he cumber'd,
The time he served or the space he slumber'd,
Will it profit a man when his days are number'd,
Or his deeds since the days of his life began?
One, glad because of the light, saith, "Shall not
The righteous judges of all the earth do right,
For behold the sparrows on the house-tops fall not
Save as seemeth to Him good in His sight?"
And this man's joy shall have no abiding
Through lights departing and lives dividing,
He is soon as one in the darkness hiding,
One loving darkness rather than light.
A little season of love and laughter,
Of light and life, and pleasure and pain,
And a horror of outer darkness after,
And dust returneth to dust again;
Then the lesser life shall be as the greater,
And the lover of light shall join the hater,
And the one thing cometh sooner or later,
And no one knoweth the loss or gain.
Love of my life! we had lights in season --
Hard to part with, harder to keep --
We had strength to labour and souls to reason,
And seed to scatter and fruits to reap.
Though time estranges and fate disperses,
We have had our loves and loving mercies.
Though the gifts of the light in the end are curses,
Yet bides the gift of darkness -- sleep!
See! girt with tempest and wing'd with thunder,
And clad with lightning and shod with sleet,
The strong winds treading the swift waves sunder
The flying rollers with frothy feet.
One gleam like a bloodshot swordblade swims on
The skyline, staining the green gulf crimson
A death stroke fiercely dealt by a dim sun
That strikes through his stormy winding sheet.
Oh, brave white horses! you gather and gallop,
The storm sprite loosens the gusty reins;
Now the stoutest ship were the frailest shallop
In your hollow backs, or your high arch'd manes.
I would ride as never a man has ridden
In your sleepy swirling surges hidden,
To gulfs foreshadow'd, through straits forbidden,
Where no light wearies and no love wanes.
|
Written by
Sylvia Plath |
Never try to trick me with a kiss
Pretending that the birds are here to stay;
The dying man will scoff and scorn at this.
A stone can masquerade where no heart is
And virgins rise where lustful Venus lay:
Never try to trick me with a kiss.
Our noble doctor claims the pain is his,
While stricken patients let him have his say;
The dying man will scoff and scorn at this.
Each virile bachelor dreads paralysis,
The old maid in the gable cries all day:
Never try to trick me with a kiss.
The suave eternal serpents promise bliss
To mortal children longing to be gay;
The dying man will scoff and scorn at this.
Sooner or later something goes amiss;
The singing birds pack up and fly away;
So never try to trick me with a kiss:
The dying man will scoff and scorn at this.
|
Written by
Dorothy Parker |
Always I knew that it could not last
(Gathering clouds, and the snowflakes flying),
Now it is part of the golden past
(Darkening skies, and the night-wind sighing);
It is but cowardice to pretend.
Cover with ashes our love's cold crater-
Always I've known that it had to end
Sooner or later.
Always I knew it would come like this
(Pattering rain, and the grasses springing),
Sweeter to you is a new love's kiss
(Flickering sunshine, and young birds singing).
Gone are the raptures that once we knew,
Now you are finding a new joy greater-
Well, I'll be doing the same thing, too,
Sooner or later.
|
Written by
Rudyard Kipling |
The eldest son bestrides him,
And the pretty daughter rides him,
And I meet him oft o' mornings on the Course;
And there kindles in my bosom
An emotion chill and gruesome
As I canter past the Undertaker's Horse.
Neither shies he nor is restive,
But a hideously suggestive
Trot, professional and placid, he affects;
And the cadence of his hoof-beats
To my mind this grim reproof beats: --
"Mend your pace, my friend, I'm coming. Who's the next?"
Ah! stud-bred of ill-omen,
I have watched the strongest go -- men
Of pith and might and muscle -- at your heels,
Down the plantain-bordered highway,
(Heaven send it ne'er be my way!)
In a lacquered box and jetty upon wheels.
Answer, sombre beast and dreary,
Where is Brown, the young, the cheery,
Smith, the pride of all his friends and half the Force?
You were at that last dread dak
We must cover at a walk,
Bring them back to me, O Undertaker's Horse!
With your mane unhogged and flowing,
And your curious way of going,
And that businesslike black crimping of your tail,
E'en with Beauty on your back, Sir,
Pacing as a lady's hack, Sir,
What wonder when I meet you I turn pale?
It may be you wait your time, Beast,
Till I write my last bad rhyme, Beast --
Quit the sunlight, cut the rhyming, drop the glass --
Follow after with the others,
Where some dusky heathen smothers
Us with marigolds in lieu of English grass.
Or, perchance, in years to follow,
I shall watch your plump sides hollow,
See Carnifex (gone lame) become a corse --
See old age at last o'erpower you,
And the Station Pack devour you,
I shall chuckle then, O Undertaker's Horse!
But to insult, jibe, and quest, I've
Still the hideously suggestive
Trot that hammers out the unrelenting text,
And I hear it hard behind me
In what place soe'er I find me: --
"'Sure to catch you sooner or later. Who's the next?"
|