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Best Famous Soil Poems

Here is a collection of the all-time best famous Soil poems. This is a select list of the best famous Soil poetry. Reading, writing, and enjoying famous Soil poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of soil poems.

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Written by Langston Hughes | Create an image from this poem

Freedoms Plow

 When a man starts out with nothing,
 When a man starts out with his hands
 Empty, but clean,
 When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.
First in the heart is the dream- Then the mind starts seeking a way.
His eyes look out on the world, On the great wooded world, On the rich soil of the world, On the rivers of the world.
The eyes see there materials for building, See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood, To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help, A community of hands to help- Thus the dream becomes not one man's dream alone, But a community dream.
Not my dream alone, but our dream.
Not my world alone, But your world and my world, Belonging to all the hands who build.
A long time ago, but not too long ago, Ships came from across the sea Bringing the Pilgrims and prayer-makers, Adventurers and booty seekers, Free men and indentured servants, Slave men and slave masters, all new- To a new world, America! With billowing sails the galleons came Bringing men and dreams, women and dreams.
In little bands together, Heart reaching out to heart, Hand reaching out to hand, They began to build our land.
Some were free hands Seeking a greater freedom, Some were indentured hands Hoping to find their freedom, Some were slave hands Guarding in their hearts the seed of freedom, But the word was there always: Freedom.
Down into the earth went the plow In the free hands and the slave hands, In indentured hands and adventurous hands, Turning the rich soil went the plow in many hands That planted and harvested the food that fed And the cotton that clothed America.
Clang against the trees went the ax into many hands That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls That moved and transported America.
Crack went the whips that drove the horses Across the plains of America.
Free hands and slave hands, Indentured hands, adventurous hands, White hands and black hands Held the plow handles, Ax handles, hammer handles, Launched the boats and whipped the horses That fed and housed and moved America.
Thus together through labor, All these hands made America.
Labor! Out of labor came villages And the towns that grew cities.
Labor! Out of labor came the rowboats And the sailboats and the steamboats, Came the wagons, and the coaches, Covered wagons, stage coaches, Out of labor came the factories, Came the foundries, came the railroads.
Came the marts and markets, shops and stores, Came the mighty products moulded, manufactured, Sold in shops, piled in warehouses, Shipped the wide world over: Out of labor-white hands and black hands- Came the dream, the strength, the will, And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago, Seattle, New Orleans, Boston and El Paso- Now it's the U.
S.
A.
A long time ago, but not too long ago, a man said: ALL MEN ARE CREATED EQUAL-- ENDOWED BY THEIR CREATOR WITH CERTAIN UNALIENABLE RIGHTS-- AMONG THESE LIFE, LIBERTY AND THE PURSUIT OF HAPPINESS.
His name was Jefferson.
There were slaves then, But in their hearts the slaves believed him, too, And silently too for granted That what he said was also meant for them.
It was a long time ago, But not so long ago at that, Lincoln said: NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too, But in their hearts the slaves knew What he said must be meant for every human being- Else it had no meaning for anyone.
Then a man said: BETTER TO DIE FREE THAN TO LIVE SLAVES He was a colored man who had been a slave But had run away to freedom.
And the slaves knew What Frederick Douglass said was true.
With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark, And nobody knew for sure When freedom would triumph "Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery, Guarding in their hearts the seed of freedom, The slaves made up a song: Keep Your Hand On The Plow! Hold On! That song meant just what it said: Hold On! Freedom will come! Keep Your Hand On The Plow! Hold On! Out of war it came, bloody and terrible! But it came! Some there were, as always, Who doubted that the war would end right, That the slaves would be free, Or that the union would stand, But now we know how it all came out.
Out of the darkest days for people and a nation, We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land, And men united as a nation.
America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud, Nor write them down on paper.
The people often hold Great thoughts in their deepest hearts And sometimes only blunderingly express them, Haltingly and stumblingly say them, And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there, Always the trying to understand, And the trying to say, "You are a man.
Together we are building our land.
" America! Land created in common, Dream nourished in common, Keep your hand on the plow! Hold on! If the house is not yet finished, Don't be discouraged, builder! If the fight is not yet won, Don't be weary, soldier! The plan and the pattern is here, Woven from the beginning Into the warp and woof of America: ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT HIS CONSENT.
BETTER DIE FREE, THAN TO LIVE SLAVES.
Who said those things? Americans! Who owns those words? America! Who is America? You, me! We are America! To the enemy who would conquer us from without, We say, NO! To the enemy who would divide And conquer us from within, We say, NO! FREEDOM! BROTHERHOOD! DEMOCRACY! To all the enemies of these great words: We say, NO! A long time ago, An enslaved people heading toward freedom Made up a song: Keep Your Hand On The Plow! Hold On! The plow plowed a new furrow Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody, For all America, for all the world.
May its branches spread and shelter grow Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!


Written by Langston Hughes | Create an image from this poem

Let America Be America Again

 Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain Seeking a home where he himself is free.
(America never was America to me.
) Let America be the dream the dreamers dreamed-- Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above.
(It never was America to me.
) O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
(There's never been equality for me, Nor freedom in this "homeland of the free.
") Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars? I am the poor white, fooled and pushed apart, I am the ***** bearing slavery's scars.
I am the red man driven from the land, I am the immigrant clutching the hope I seek-- And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one's own greed! I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the *****, servant to you all.
I am the people, humble, hungry, mean-- Hungry yet today despite the dream.
Beaten yet today--O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years.
Yet I'm the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That's made America the land it has become.
O, I'm the man who sailed those early seas In search of what I meant to be my home-- For I'm the one who left dark Ireland's shore, And Poland's plain, and England's grassy lea, And torn from Black Africa's strand I came To build a "homeland of the free.
" The free? Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we've dreamed And all the songs we've sung And all the hopes we've held And all the flags we've hung, The millions who have nothing for our pay-- Except the dream that's almost dead today.
O, let America be America again-- The land that never has been yet-- And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, *****'s, ME-- Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again.
Sure, call me any ugly name you choose-- The steel of freedom does not stain.
From those who live like leeches on the people's lives, We must take back our land again, America! O, yes, I say it plain, America never was America to me, And yet I swear this oath-- America will be! Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers.
The mountains and the endless plain-- All, all the stretch of these great green states-- And make America again!
Written by Homer | Create an image from this poem

THE ILIAD (excerpt)

  Achilles' wrath, to Greece the direful spring
  Of woes unnumber'd, heavenly goddess, sing!
  That wrath which hurl'd to Pluto's gloomy reign
  The souls of mighty chiefs untimely slain;
  Whose limbs unburied on the naked shore,
  Devouring dogs and hungry vultures tore.
(41) Since great Achilles and Atrides strove, Such was the sovereign doom, and such the will of Jove!(42) Declare, O Muse! in what ill-fated hour(43) Sprung the fierce strife, from what offended power Latona's son a dire contagion spread,(44) And heap'd the camp with mountains of the dead; The king of men his reverent priest defied,(45) And for the king's offence the people died.
For Chryses sought with costly gifts to gain His captive daughter from the victor's chain.
Suppliant the venerable father stands; Apollo's awful ensigns grace his hands By these he begs; and lowly bending down, Extends the sceptre and the laurel crown He sued to all, but chief implored for grace The brother-kings, of Atreus' royal race(46) "Ye kings and warriors! may your vows be crown'd, And Troy's proud walls lie level with the ground.
May Jove restore you when your toils are o'er Safe to the pleasures of your native shore.
But, oh! relieve a wretched parent's pain, And give Chryseis to these arms again; If mercy fail, yet let my presents move, And dread avenging Phoebus, son of Jove.
" The Greeks in shouts their joint assent declare, The priest to reverence, and release the fair.
Not so Atrides; he, with kingly pride, Repulsed the sacred sire, and thus replied: "Hence on thy life, and fly these hostile plains, Nor ask, presumptuous, what the king detains Hence, with thy laurel crown, and golden rod, Nor trust too far those ensigns of thy god.
Mine is thy daughter, priest, and shall remain; And prayers, and tears, and bribes, shall plead in vain; Till time shall rifle every youthful grace, And age dismiss her from my cold embrace, In daily labours of the loom employ'd, Or doom'd to deck the bed she once enjoy'd Hence then; to Argos shall the maid retire, Far from her native soil and weeping sire.
"
Written by Anna Akhmatova | Create an image from this poem

Requiem

 Not under foreign skies
 Nor under foreign wings protected -
 I shared all this with my own people
 There, where misfortune had abandoned us.
[1961] INSTEAD OF A PREFACE During the frightening years of the Yezhov terror, I spent seventeen months waiting in prison queues in Leningrad.
One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me, her lips blue with cold, who, of course, had never in her life heard my name.
Jolted out of the torpor characteristic of all of us, she said into my ear (everyone whispered there) - 'Could one ever describe this?' And I answered - 'I can.
' It was then that something like a smile slid across what had previously been just a face.
[The 1st of April in the year 1957.
Leningrad] DEDICATION Mountains fall before this grief, A mighty river stops its flow, But prison doors stay firmly bolted Shutting off the convict burrows And an anguish close to death.
Fresh winds softly blow for someone, Gentle sunsets warm them through; we don't know this, We are everywhere the same, listening To the scrape and turn of hateful keys And the heavy tread of marching soldiers.
Waking early, as if for early mass, Walking through the capital run wild, gone to seed, We'd meet - the dead, lifeless; the sun, Lower every day; the Neva, mistier: But hope still sings forever in the distance.
The verdict.
Immediately a flood of tears, Followed by a total isolation, As if a beating heart is painfully ripped out, or, Thumped, she lies there brutally laid out, But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends, Captives of my two satanic years? What miracle do you see in a Siberian blizzard? What shimmering mirage around the circle of the moon? I send each one of you my salutation, and farewell.
[March 1940] INTRODUCTION [PRELUDE] It happened like this when only the dead Were smiling, glad of their release, That Leningrad hung around its prisons Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang Short songs of farewell To the ranks of convicted, demented by suffering, As they, in regiments, walked along - Stars of death stood over us As innocent Russia squirmed Under the blood-spattered boots and tyres Of the black marias.
I You were taken away at dawn.
I followed you As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God.
.
.
The cold of an icon was on your lips, a death-cold sweat On your brow - I will never forget this; I will gather To wail with the wives of the murdered streltsy (1) Inconsolably, beneath the Kremlin towers.
[1935.
Autumn.
Moscow] II Silent flows the river Don A yellow moon looks quietly on Swanking about, with cap askew It sees through the window a shadow of you Gravely ill, all alone The moon sees a woman lying at home Her son is in jail, her husband is dead Say a prayer for her instead.
III It isn't me, someone else is suffering.
I couldn't.
Not like this.
Everything that has happened, Cover it with a black cloth, Then let the torches be removed.
.
.
Night.
IV Giggling, poking fun, everyone's darling, The carefree sinner of Tsarskoye Selo (2) If only you could have foreseen What life would do with you - That you would stand, parcel in hand, Beneath the Crosses (3), three hundredth in line, Burning the new year's ice With your hot tears.
Back and forth the prison poplar sways With not a sound - how many innocent Blameless lives are being taken away.
.
.
[1938] V For seventeen months I have been screaming, Calling you home.
I've thrown myself at the feet of butchers For you, my son and my horror.
Everything has become muddled forever - I can no longer distinguish Who is an animal, who a person, and how long The wait can be for an execution.
There are now only dusty flowers, The chinking of the thurible, Tracks from somewhere into nowhere And, staring me in the face And threatening me with swift annihilation, An enormous star.
[1939] VI Weeks fly lightly by.
Even so, I cannot understand what has arisen, How, my son, into your prison White nights stare so brilliantly.
Now once more they burn, Eyes that focus like a hawk, And, upon your cross, the talk Is again of death.
[1939.
Spring] VII THE VERDICT The word landed with a stony thud Onto my still-beating breast.
Nevermind, I was prepared, I will manage with the rest.
I have a lot of work to do today; I need to slaughter memory, Turn my living soul to stone Then teach myself to live again.
.
.
But how.
The hot summer rustles Like a carnival outside my window; I have long had this premonition Of a bright day and a deserted house.
[22 June 1939.
Summer.
Fontannyi Dom (4)] VIII TO DEATH You will come anyway - so why not now? I wait for you; things have become too hard.
I have turned out the lights and opened the door For you, so simple and so wonderful.
Assume whatever shape you wish.
Burst in Like a shell of noxious gas.
Creep up on me Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation, Or, with a simple tale prepared by you (And known by all to the point of nausea), take me Before the commander of the blue caps and let me glimpse The house administrator's terrified white face.
I don't care anymore.
The river Yenisey Swirls on.
The Pole star blazes.
The blue sparks of those much-loved eyes Close over and cover the final horror.
[19 August 1939.
Fontannyi Dom] IX Madness with its wings Has covered half my soul It feeds me fiery wine And lures me into the abyss.
That's when I understood While listening to my alien delirium That I must hand the victory To it.
However much I nag However much I beg It will not let me take One single thing away: Not my son's frightening eyes - A suffering set in stone, Or prison visiting hours Or days that end in storms Nor the sweet coolness of a hand The anxious shade of lime trees Nor the light distant sound Of final comforting words.
[14 May 1940.
Fontannyi Dom] X CRUCIFIXION Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour, The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!' But to his mother, 'Weep not for me.
.
.
' [1940.
Fontannyi Dom] 2.
Magdalena smote herself and wept, The favourite disciple turned to stone, But there, where the mother stood silent, Not one person dared to look.
[1943.
Tashkent] EPILOGUE 1.
I have learned how faces fall, How terror can escape from lowered eyes, How suffering can etch cruel pages Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair Can suddenly turn white.
I've learned to recognise The fading smiles upon submissive lips, The trembling fear inside a hollow laugh.
That's why I pray not for myself But all of you who stood there with me Through fiercest cold and scorching July heat Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you: The one who resisted the long drag to the open window; The one who could no longer feel the kick of familiar soil beneath her feet; The one who, with a sudden flick of her head, replied, 'I arrive here as if I've come home!' I'd like to name you all by name, but the list Has been removed and there is nowhere else to look.
So, I have woven you this wide shroud out of the humble words I overheard you use.
Everywhere, forever and always, I will never forget one single thing.
Even in new grief.
Even if they clamp shut my tormented mouth Through which one hundred million people scream; That's how I wish them to remember me when I am dead On the eve of my remembrance day.
If someone someday in this country Decides to raise a memorial to me, I give my consent to this festivity But only on this condition - do not build it By the sea where I was born, I have severed my last ties with the sea; Nor in the Tsar's Park by the hallowed stump Where an inconsolable shadow looks for me; Build it here where I stood for three hundred hours And no-one slid open the bolt.
Listen, even in blissful death I fear That I will forget the Black Marias, Forget how hatefully the door slammed and an old woman Howled like a wounded beast.
Let the thawing ice flow like tears From my immovable bronze eyelids And let the prison dove coo in the distance While ships sail quietly along the river.
[March 1940.
Fontannyi Dom] FOOTNOTES 1 An elite guard which rose up in rebellion against Peter the Great in 1698.
Most were either executed or exiled.
2 The imperial summer residence outside St Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the Finland Station, called The Crosses because of the shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
Written by William Cullen Bryant | Create an image from this poem

November

 The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be, Nor mark a patch of sky— blindfold they trace, The plains, that seem without a bush or tree, Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose, Crouching and sleeping 'neath its grassy lair, And scarcely startles, tho' the shepherd goes Close by its home, and dogs are barking there; The wild colt only turns around to stare At passer by, then knaps his hide again; And moody crows beside the road forbear To fly, tho' pelted by the passing swain; Thus day seems turn'd to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon, And flaps her grey wings in the doubling light; The hoarse jay screams to see her out so soon, And small birds chirp and startle with affright; Much doth it scare the superstitious wight, Who dreams of sorry luck, and sore dismay; While cow-boys think the day a dream of night, And oft grow fearful on their lonely way, Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings Its murky prison round— then winds wake loud; With sudden stir the startled forest sings Winter's returning song— cloud races cloud, And the horizon throws away its shroud, Sweeping a stretching circle from the eye; Storms upon storms in quick succession crowd, And o'er the sameness of the purple sky Heaven paints, with hurried hand, wild hues of every dye.
At length it comes along the forest oaks, With sobbing ebbs, and uproar gathering high; The scared, hoarse raven on its cradle croaks, And stockdove-flocks in hurried terrors fly, While the blue hawk hangs o'er them in the sky.
— The hedger hastens from the storm begun, To seek a shelter that may keep him dry; And foresters low bent, the wind to shun, Scarce hear amid the strife the poacher's muttering gun.
The ploughman hears its humming rage begin, And hies for shelter from his naked toil; Buttoning his doublet closer to his chin, He bends and scampers o'er the elting soil, While clouds above him in wild fury boil, And winds drive heavily the beating rain; He turns his back to catch his breath awhile, Then ekes his speed and faces it again, To seek the shepherd's hut beside the rushy plain.
The boy, that scareth from the spiry wheat The melancholy crow—in hurry weaves, Beneath an ivied tree, his sheltering seat, Of rushy flags and sedges tied in sheaves, Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain His eyes with marking the storm-driven leaves; Oft spying nests where he spring eggs had ta'en, And wishing in his heart 'twas summer-time again.
Thus wears the month along, in checker'd moods, Sunshine and shadows, tempests loud, and calms; One hour dies silent o'er the sleepy woods, The next wakes loud with unexpected storms; A dreary nakedness the field deforms— Yet many a rural sound, and rural sight, Lives in the village still about the farms, Where toil's rude uproar hums from morn till night Noises, in which the ears of Industry delight.
At length the stir of rural labour's still, And Industry her care awhile forgoes; When Winter comes in earnest to fulfil His yearly task, at bleak November's close, And stops the plough, and hides the field in snows; When frost locks up the stream in chill delay, And mellows on the hedge the jetty sloes, For little birds—then Toil hath time for play, And nought but threshers' flails awake the dreary day.


Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive.
The Ladies from the Ladies' Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care, Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel! You had better not throw stones upon the wrens! Herein they kiss and coddle and assault Anew and dearly in the innocence With which they baffle nature.
Who are full, Sleek, tender-clad, fit, fiftyish, a-glow, all Sweetly abortive, hinting at fat fruit, Judge it high time that fiftyish fingers felt Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy And beautiful poor.
Perhaps just not too swarthy? Perhaps just not too dirty nor too dim Nor--passionate.
In truth, what they could wish Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze! God shield them sharply from the beggar-bold! The noxious needy ones whose battle's bald Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans, Dead porridges of assorted dusty grains, The old smoke, heavy diapers, and, they're told, Something called chitterlings.
The darkness.
Drawn Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic, There is no quiet drama, no rubbed glaze, no Unkillable infirmity of such A tasteful turn as lately they have left, Glencoe, Lake Forest, and to which their cars Must presently restore them.
When they're done With dullards and distortions of this fistic Patience of the poor and put-upon.
They've never seen such a make-do-ness as Newspaper rugs before! In this, this "flat," Their hostess is gathering up the oozed, the rich Rugs of the morning (tattered! the bespattered .
.
.
), Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look, In horror, behind a substantial citizeness Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor And tortured thereover, potato peelings, soft- Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put Their money collected from delicate rose-fingers Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra, Mantels, and hostess gowns, and sunburst clocks, Turtle soup, Chippendale, red satin "hangings," Aubussons and Hattie Carnegie.
They Winter In Palm Beach; cross the Water in June; attend, When suitable, the nice Art Institute; Buy the right books in the best bindings; saunter On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre With fissures everywhere! Why, what are bringings Of loathe-love largesse? What shall peril hungers So old old, what shall flatter the desolate? Tin can, blocked fire escape and chitterling And swaggering seeking youth and the puzzled wreckage Of the middle passage, and urine and stale shames And, again, the porridges of the underslung And children children children.
Heavens! That Was a rat, surely, off there, in the shadows? Long And long-tailed? Gray? The Ladies from the Ladies' Betterment League agree it will be better To achieve the outer air that rights and steadies, To hie to a house that does not holler, to ring Bells elsetime, better presently to cater To no more Possibilities, to get Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum! Some serious sooty half-unhappy home!-- Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center Of the hall as they walk down the hysterical hall, They allow their lovely skirts to graze no wall, Are off at what they manage of a canter, And, resuming all the clues of what they were, Try to avoid inhaling the laden air.
Written by Joseph Brodsky | Create an image from this poem

I Sit By The Window

 I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window.
Outside, an aspen.
When I loved, I loved deeply.
It wasn't often.
I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee? Sick of the dust raised by the modern era, the Russian eye would rest on an Estonian spire.
I sit by the window.
The dishes are done.
I was happy here.
But I won't be again.
I wrote: The bulb looks at the flower in fear, and love, as an act, lacks a verb; the zer- o Euclid thought the vanishing point became wasn't math--it was the nothingness of Time.
I sit by the window.
And while I sit my youth comes back.
Sometimes I'd smile.
Or spit.
I said that the leaf may destory the bud; what's fertile falls in fallow soil--a dud; that on the flat field, the unshadowed plain nature spills the seeds of trees in vain.
I sit by the window.
Hands lock my knees.
My heavy shadow's my squat company.
My song was out of tune, my voice was cracked, but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders no one--no one's legs rest on my sholders.
I sit by the window in the dark.
Like an express, the waves behind the wavelike curtain crash.
A loyal subject of these second-rate years, I proudly admit that my finest ideas are second-rate, and may the future take them as trophies of my struggle against suffocation.
I sit in the dark.
And it would be hard to figure out which is worse; the dark inside, or the darkness out.
Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

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AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not, Nor the compliments that have served their turn so long, Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; But an odor I’d bring to-day as from forests of pine in the north, in Maine—or breath of an Illinois prairie, With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or Florida’s glades, With presentment of Yellowstone’s scenes, or Yosemite; And murmuring under, pervading all, I’d bring the rustling sea-sound, That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union! Preludes of intellect tallying these and thee—mind-formulas fitted for thee—real, and sane, and large as these and thee; Thou, mounting higher, diving deeper than we knew—thou transcendental Union! By thee Fact to be justified—blended with Thought; Thought of Man justified—blended with God: Through thy Idea—lo! the immortal Reality! Through thy Reality—lo! the immortal Idea! 2 Brain of the New World! what a task is thine! To formulate the Modern.
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Out of the peerless grandeur of the modern, Out of Thyself—comprising Science—to recast Poems, Churches, Art, (Recast—may-be discard them, end them—May-be their work is done—who knows?) By vision, hand, conception, on the background of the mighty past, the dead, To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain! Thou that lay folded, like an unborn babe, within its folds so long! Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest it; It to eventuate in thee—the essence of the by-gone time contain’d in thee; Its poems, churches, arts, unwitting to themselves, destined with reference to thee, The fruit of all the Old, ripening to-day in thee.
) 3 Sail—sail thy best, ship of Democracy! Of value is thy freight—’tis not the Present only, The Past is also stored in thee! Thou holdest not the venture of thyself alone—not of thy western continent alone; Earth’s résumé entire floats on thy keel, O ship—is steadied by thy spars; With thee Time voyages in trust—the antecedent nations sink or swim with thee; With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the other continents; Theirs, theirs as much as thine, the destination-port triumphant: —Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great companions, Venerable, priestly Asia sails this day with thee, And royal, feudal Europe sails with thee.
4 Beautiful World of new, superber Birth, that rises to my eyes, Like a limitless golden cloud, filling the western sky; Emblem of general Maternity, lifted above all; Sacred shape of the bearer of daughters and sons; Out of thy teeming womb, thy giant babes in ceaseless procession issuing, Acceding from such gestation, taking and giving continual strength and life; World of the Real! world of the twain in one! World of the Soul—born by the world of the real alone—led to identity, body, by it alone; Yet in beginning only—incalculable masses of composite, precious materials, By history’s cycles forwarded—by every nation, language, hither sent, Ready, collected here—a freer, vast, electric World, to be constructed here, (The true New World—the world of orbic Science, Morals, Literatures to come,) Thou Wonder World, yet undefined, unform’d—neither do I define thee; How can I pierce the impenetrable blank of the future? I feel thy ominous greatness, evil as well as good; I watch thee, advancing, absorbing the present, transcending the past; I see thy light lighting and thy shadow shadowing, as if the entire globe; But I do not undertake to define thee—hardly to comprehend thee; I but thee name—thee prophecy—as now! I merely thee ejaculate! Thee in thy future; Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring spirit; Thee as another equally needed sun, America—radiant, ablaze, swift-moving, fructifying all; Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! (Scattering for good the cloud that hung so long—that weigh’d so long upon the mind of man, The doubt, suspicion, dread, of gradual, certain decadence of man;) Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral, spiritual, South, North, West, East, (To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike, forever equal;) Thee in thy own musicians, singers, artists, unborn yet, but certain; Thee in thy moral wealth and civilization (until which thy proudest material wealth and civilization must remain in vain;) Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour, merely, Thy saviours countless, latent within thyself—thy bibles incessant, within thyself, equal to any, divine as any; Thee in an education grown of thee—in teachers, studies, students, born of thee; Thee in thy democratic fetes, en masse—thy high original festivals, operas, lecturers, preachers; Thee in thy ultimata, (the preparations only now completed—the edifice on sure foundations tied,) Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love, and godlike aspiration, In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal bards—kosmic savans, These! these in thee, (certain to come,) to-day I prophecy.
5 Land tolerating all—accepting all—not for the good alone—all good for thee; Land in the realms of God to be a realm unto thyself; Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars, To be thy natal stars, my country—Ensemble—Evolution—Freedom, Set in the sky of Law.
) Land of unprecedented faith—God’s faith! Thy soil, thy very subsoil, all upheav’d; The general inner earth, so long, so sedulously draped over, now and hence for what it is, boldly laid bare, Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone; Not to fair-sail unintermitted always; The storm shall dash thy face—the murk of war, and worse than war, shall cover thee all over; (Wert capable of war—its tug and trials? Be capable of peace, its trials; For the tug and mortal strain of nations come at last in peace—not war;) In many a smiling mask death shall approach, beguiling thee—thou in disease shalt swelter; The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike thee deep within; Consumption of the worst—moral consumption—shall rouge thy face with hectic: But thou shalt face thy fortunes, thy diseases, and surmount them all, Whatever they are to-day, and whatever through time they may be, They each and all shall lift, and pass away, and cease from thee; While thou, Time’s spirals rounding—out of thyself, thyself still extricating, fusing, Equable, natural, mystical Union thou—(the mortal with immortal blent,) Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, The Soul—its destinies.
The Soul, its destinies—the real real, (Purport of all these apparitions of the real;) In thee, America, the Soul, its destinies; Thou globe of globes! thou wonder nebulous! By many a throe of heat and cold convuls’d—(by these thyself solidifying;) Thou mental, moral orb! thou New, indeed new, Spiritual World! The Present holds thee not—for such vast growth as thine—for such unparallel’d flight as thine, The Future only holds thee, and can hold thee.
Written by Wole Soyinka | Create an image from this poem

Dedication

Dedication

for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you.
Like a top Spin you on the navel of the storm, for the hoe That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch To scorpion tail, spit straight return to danger's threats Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held Cuspids in thorn nesting, insealed as the heart of kernel— A woman's flesh is oil—child, palm oil on your tongue Is suppleness to life, and wine of this gourd From self-same timeless run of runnels as refill Your podlings, child, weaned from yours we embrace Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight Of blemish—see? it dawns!—antimony beneath Armpits like a goddess, and leave this taste Long on your lips, of salt, that you may seek None from tears.
This, rain-water, is the gift Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay The debt of birth.
Yield man-tides like the sea And ebbing, leave a meaning of the fossilled sands.
Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

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A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.

Book: Reflection on the Important Things