Best Famous Snack Poems

Here is a collection of the all-time best famous Snack poems. This is a select list of the best famous Snack poetry. Reading, writing, and enjoying famous Snack poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of snack poems.

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Written by Lewis Carroll | Create an image from this poem

Jabberwocky

'Twas brillig, and the slithy toves 
Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
And the mome raths outgrabe. 

"Beware the Jabberwock, my son! 
The jaws that bite, the claws that catch! 
Beware the Jubjub bird, and shun 
The frumious Bandersnatch!" 

He took his vorpal sword in hand: 
Long time the manxome foe he sought 
So rested he by the Tumtum tree, 
And stood a while in thought. 

And, as in uffish thought he stood, 
The Jabberwock, with eyes of flame, 
Came whiffling through the tulgey wood, 
And burbled as it came! 

One two! One two! And through and through 
The vorpal blade went snicker-snack! 
He left it dead, and with its head 
He went galumphing back. 
"And hast thou slain the Jabberwock? 
Come to my arms, my beamish boy! 
Oh frabjous day! Callooh! Callay!" 
He chortled in his joy. 

'Twas brillig, and the slithy toves 
Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
And the mome raths outgrabe. 

Written by Gwendolyn Brooks | Create an image from this poem

The Mother

 Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.

I have heard in the voices of the wind the voices of my dim killed
children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,
and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.

Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria Canto I (The Trystyng )

 ONE winter night, at half-past nine,
Cold, tired, and cross, and muddy,
I had come home, too late to dine,
And supper, with cigars and wine,
Was waiting in the study. 

There was a strangeness in the room,
And Something white and wavy
Was standing near me in the gloom -
I took it for the carpet-broom
Left by that careless slavey. 

But presently the Thing began
To shiver and to sneeze:
On which I said "Come, come, my man!
That's a most inconsiderate plan.
Less noise there, if you please!" 

"I've caught a cold," the Thing replies,
"Out there upon the landing."
I turned to look in some surprise,
And there, before my very eyes,
A little Ghost was standing! 

He trembled when he caught my eye,
And got behind a chair.
"How came you here," I said, "and why?
I never saw a thing so shy.
Come out! Don't shiver there!" 

He said "I'd gladly tell you how,
And also tell you why;
But" (here he gave a little bow)
"You're in so bad a temper now,
You'd think it all a lie. 

"And as to being in a fright,
Allow me to remark
That Ghosts have just as good a right
In every way, to fear the light,
As Men to fear the dark." 

"No plea," said I, "can well excuse
Such cowardice in you:
For Ghosts can visit when they choose,
Whereas we Humans ca'n't refuse
To grant the interview." 

He said "A flutter of alarm
Is not unnatural, is it?
I really feared you meant some harm:
But, now I see that you are calm,
Let me explain my visit. 

"Houses are classed, I beg to state,
According to the number
Of Ghosts that they accommodate:
(The Tenant merely counts as WEIGHT,
With Coals and other lumber). 

"This is a 'one-ghost' house, and you
When you arrived last summer,
May have remarked a Spectre who
Was doing all that Ghosts can do
To welcome the new-comer. 

"In Villas this is always done -
However cheaply rented:
For, though of course there's less of fun
When there is only room for one,
Ghosts have to be contented. 

"That Spectre left you on the Third -
Since then you've not been haunted:
For, as he never sent us word,
'Twas quite by accident we heard
That any one was wanted. 

"A Spectre has first choice, by right,
In filling up a vacancy;
Then Phantom, Goblin, Elf, and Sprite -
If all these fail them, they invite
The nicest Ghoul that they can see. 

"The Spectres said the place was low,
And that you kept bad wine:
So, as a Phantom had to go,
And I was first, of course, you know,
I couldn't well decline." 

"No doubt," said I, "they settled who
Was fittest to be sent
Yet still to choose a brat like you,
To haunt a man of forty-two,
Was no great compliment!" 

"I'm not so young, Sir," he replied,
"As you might think. The fact is,
In caverns by the water-side,
And other places that I've tried,
I've had a lot of practice: 

"But I have never taken yet
A strict domestic part,
And in my flurry I forget
The Five Good Rules of Etiquette
We have to know by heart." 

My sympathies were warming fast
Towards the little fellow:
He was so utterly aghast
At having found a Man at last,
And looked so scared and yellow. 

"At least," I said, "I'm glad to find
A Ghost is not a DUMB thing!
But pray sit down: you'll feel inclined
(If, like myself, you have not dined)
To take a snack of something: 

"Though, certainly, you don't appear
A thing to offer FOOD to!
And then I shall be glad to hear -
If you will say them loud and clear -
The Rules that you allude to." 

"Thanks! You shall hear them by and by.
This IS a piece of luck!"
"What may I offer you?" said I.
"Well, since you ARE so kind, I'll try
A little bit of duck. 

"ONE slice! And may I ask you for
Another drop of gravy?"
I sat and looked at him in awe,
For certainly I never saw
A thing so white and wavy. 

And still he seemed to grow more white,
More vapoury, and wavier -
Seen in the dim and flickering light,
As he proceeded to recite
His "Maxims of Behaviour."
Written by James Lee Jobe | Create an image from this poem

Redbud Trail - Winter

 It??™s two muddy miles from Highway 20,
just past the north fork of Cache Creek,
across the broad meadow, through 
blue oak woodland, up, up to the ridge,
and back down to the creek bank,
the crossing point, me striding with
mud caking my old hiking boots.



For a millennia the Miwok people walked 
these canyons and ridges. Pomo, too.
Gathering acorns to trade, the sweetest 
was said to be from the Coastal Live Oaks.
Or bringing down a mule deer, a Tule elk,
meat for everyone, garments or a drumskin
from the hide, tools from the bones,
a knife, a skewer, thanks given
to the beast??™s soul for its gift. 



Once up on the ridge, the view takes me,
Brushy Sky High Mountain looms above 
like an overanxious parent, the creek sings 
old songs for the valley oaks, for the deer grass. 
Less muddy, I kick my boots a little cleaner 
on a rock that is maybe as old as the earth.



I used to come up here and cut sage for burning,
a smudge to carry my prayers to Her in smoke.
I grow sage now at my home, but still I come,
eating down by the creek, building a medicine wheel
from creek stones, in winter spreading a small tarp 
across the mud to eat and sleep on. I make prayers
for my mother, to fight the cancer inside her,
for my children to know peace and plenty,
prayers that I might find the right way.




The Pomo, the Miwok, the Patwin
were all basket-weavers, makers
of intricate designs from White Root,
Willow, Oak sticks. Gathered here,
at this crossing, century after century.
Medicine too, from roots, bark, and nut,
prayers and songs offered up, thanks given. 
Here. Medicine that healed the hurts 
the Earth caused, but could not ward off
the diseases the Europeans brought.
The people died by the thousands;
where are their spirits now?
At peace with the creek, I hope,
and I send a little prayer to them, too.



I take an apple from my pack,
bought at a Davis, California grocery store,
where the Patwin village Poo-tah-toi
once flourished. Children ran
and played, families grew, all gone now.
There is a little opening at the base
of a Valley Oak, I imagine that it is a doorway
to the Other World, and leave the apple,
a snack for whatever may find it,
a raccoon or deer, a lost spirit,
or maybe even The Great She.



You can cross the creek here, but in winter I don??™t.
Two more miles through the Wilson Valley links
you to the Judge Davis Trail, which snakes
up the spine of a long ridge on an old fire road.
Too much mud this day, so I just nap 
until I get cold, pack up, the friendly weight
of my pack on my back, down to Highway 20,
down to the other world. Redbud Trail. Winter.
Written by Philip Levine | Create an image from this poem

I Won You Lost

 The last of day gathers 
in the yellow parlor 
and drifts like fine dust 
across the face of 
the gilt-framed mirror 
I ofien prayed to. 
An old man's room 
without him, a room I 
came back to again 
and again to steal 
cigarettes and loose change, 
to open cans of sardines, 
to break open crackers 
and share what he had. 
Something is missing. 
The cut glass ashtray 
is here and overflowing, 
the big bottle of homemade, 
the pack of English Ovals, 
the new red bicycle deck 
wrapped in cellophane 
and gold edged, the dishes 
crusted with the last snack. 
The music is gone. The lilt 
of his worn voice broken 
with the weight of all 
those lost languages -- 
"If you knew Solly like 
I knew Solly, oy oy 
oy what a girl." That music 
made new each day and absent 
forever from the corners 
ofrooms like this one 
darkening with dusk. 
The music a boy would laugh 
at until it went out 
and days began and ended 
without the banging fist, 
without the old truths 
of blood and water, without 
the loud cries of I won, 
you lost, without song.

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