Best Famous Slurred Poems

Here is a collection of the all-time best famous Slurred poems. This is a select list of the best famous Slurred poetry. Reading, writing, and enjoying famous Slurred poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of slurred poems.

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Written by Francis Thompson | Create an image from this poem

Gilded Gold

 Thou dost to rich attire a grace,
To let it deck itself with thee,
And teachest pomp strange cunning ways
To be thought simplicity.
But lilies, stolen from grassy mold,
No more curled state unfold
Translated to a vase of gold;
In burning throne though they keep still
Serenities unthawed and chill.
Therefore, albeit thou'rt stately so,
In statelier state thou us'dst to go.

Though jewels should phosphoric burn
Through those night-waters of thine hair,
A flower from its translucid urn
Poured silver flame more lunar-fair.
These futile trappings but recall
Degenerate worshippers who fall
In purfled kirtle and brocade
To 'parel the white Mother-Maid.
For, as her image stood arrayed
In vests of its self-substance wrought

To measure of the sculptor's thought -
Slurred by those added braveries;
So for thy spirit did devise
Its Maker seemly garniture,
Of its own essence parcel pure, -
From grave simplicities a dress,
And reticent demurenesses,
And love encinctured with reserve;
Which the woven vesture should subserve.
For outward robes in their ostents
Should show the soul's habiliments.
Therefore I say,--Thou'rt fair even so,
But better Fair I use to know.

The violet would thy dusk hair deck
With graces like thine own unsought.
Ah! but such place would daze and wreck
Its simple, lowly rustic thought.
For so advanced, dear, to thee,
It would unlearn humility!
Yet do not, with an altered look,
In these weak numbers read rebuke;
Which are but jealous lest too much
God's master-piece thou shouldst retouch.
Where a sweetness is complete,
Add not sweets unto the sweet!
Or, as thou wilt, for others so
In unfamiliar richness go;
But keep for mine acquainted eyes
The fashions of thy Paradise.

Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 02: 11: Snow falls. The sky is grey and sullenly glares

 Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.
Written by Paul Laurence Dunbar | Create an image from this poem

Trouble In De Kitchen

Dey was oncet a awful quoil 'twixt de skillet an' de pot;
De pot was des a-bilin' an' de skillet sho' was hot.
Dey slurred each othah's colah an' dey called each othah names,[Pg 269]
Wile de coal-oil can des gu-gled, po'in oil erpon de flames.
De pot, hit called de skillet des a flat, disfiggered t'ing,
An' de skillet 'plied dat all de pot could do was set an' sing,
An' he 'lowed dat dey was 'lusions dat he wouldn't stoop to mek
'Case he reckernize his juty, an' he had too much at steak.
Well, at dis de pot biled ovah, case his tempah gittin' highah,
An' de skillet got to sputterin', den de fat was in de fiah.
Mistah flan lay daih smokin' an' a-t'inkin' to hisse'f,
Wile de peppah-box us nudgin' of de gingah on de she'f.
Den dey all des lef hit to 'im, 'bout de trouble an' de talk;
An' howevah he decided, w'y dey bofe 'u'd walk de chalk;
But de fiah uz so 'sgusted how dey quoil an' dey shout
Dat he cooled 'em off, I reckon, w'en he puffed an' des went out.
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