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Best Famous Shrieks Poems

Here is a collection of the all-time best famous Shrieks poems. This is a select list of the best famous Shrieks poetry. Reading, writing, and enjoying famous Shrieks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shrieks poems.

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Written by Shel Silverstein | Create an image from this poem

Cloony The Clown

 I'll tell you the story of Cloony the Clown
Who worked in a circus that came through town.
His shoes were too big and his hat was too small,
But he just wasn't, just wasn't funny at all.
He had a trombone to play loud silly tunes,
He had a green dog and a thousand balloons.
He was floppy and sloppy and skinny and tall,
But he just wasn't, just wasn't funny at all.
And every time he did a trick,
Everyone felt a little sick.
And every time he told a joke,
Folks sighed as if their hearts were broke.
And every time he lost a shoe,
Everyone looked awfully blue.
And every time he stood on his head,
Everyone screamed, "Go back to bed!"
And every time he made a leap,
Everybody fell asleep.
And every time he ate his tie,
Everyone began to cry.
And Cloony could not make any money
Simply because he was not funny.
One day he said, "I'll tell this town
How it feels to be an unfunny clown."
And he told them all why he looked so sad,
And he told them all why he felt so bad.
He told of Pain and Rain and Cold,
He told of Darkness in his soul,
And after he finished his tale of woe,
Did everyone cry? Oh no, no, no,
They laughed until they shook the trees
With "Hah-Hah-Hahs" and "Hee-Hee-Hees."
They laughed with howls and yowls and shrieks,
They laughed all day, they laughed all week,
They laughed until they had a fit,
They laughed until their jackets split.
The laughter spread for miles around
To every city, every town,
Over mountains, 'cross the sea,
From Saint Tropez to Mun San Nee.
And soon the whole world rang with laughter,
Lasting till forever after,
While Cloony stood in the circus tent,
With his head drooped low and his shoulders bent.
And he said,"THAT IS NOT WHAT I MEANT -
I'M FUNNY JUST BY ACCIDENT."
And while the world laughed outside.
Cloony the Clown sat down and cried.


Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.
Written by Thomas Campbell | Create an image from this poem

Love And Madness

 Hark ! from the battlements of yonder tower
The solemn bell has tolled the midnight hour !
Roused from drear visions of distempered sleep,
Poor Broderick wakes—in solitude to weep !

"Cease, Memory; cease (the friendless mourner cried)
To probe the bosom too severely tried !
Oh ! ever cease, my pensive thoughts, to stray
Through tie bright fields of Fortune's better day,
When youthful Hope, the music of the mind,
Tuned all its charms, and Errington was kind !

Yet, can I cease, while glows this trembling frame,
In sighs to speak thy melancholy name !
I hear thy spirit wail in every storm !
In midniglit shades I view thy passing form !
Pale as in that sad hour when doomed to feel !
Deep in thy perjured heart, the bloody steel !

Demons of Vengeance ! ye, at whose command
I grasped the sword with more than woman's hand
Say ye, did Pity's trembling voice control,
Or horror damp the purpose of my soul ? 
No ! my wild heart sat smiling o'er the plan,
'Till Hate fulfilled what baffled love began !

Yes ; let the clay-cold breast that never knew 
One tender pang to generous nature true,
Half-mingling pity with the gall of scorn,
Condemn this heart, that bled in love forlorn !

And ye, proud fair, whose soul no gladness warms,
Save Rapture's homage to your conscious charms !
Delighted idols of a gaudy train,
Ill can your blunter feelings guess the pain,
When the fond, faithful heart, inspired to prove
Friendship refined, the calm delight of Love,
Feels all its tender strings with anguish torn,
And bleeds at perjured Pride's inhuman scorn.

Say, then, did pitying Heaven condemn the deed,
When Vengeance bade thee, faithless lover! bleed ?
Long had I watched thy dark foreboding brow,
What time thy bosom scorned its dearest vow !
Sad, though I wept the friend, the lover changed,
Still thy cold look was scornful and estranged,
Till from thy pity, love, and shelter thrown,
I wandered hopeless, friendless, and alone !

Oh ! righteous Heaven ! 't was then my tortured soul
First gave to wrath unlimited control !
Adieu the silent look ! the streaming eye !
The murmured plaint ! the deep heart-heaving sigh !
Long-slumbering Vengeance wakes to better deeds ;
He shrieks, he falls, the perjured lover bleeds !
Now the last laugh of agony is o'er,
And pale in blood he sleeps, to wake no more !

'T is done ! the flame of hate no longer burns :
Nature relents, but, ah! too late returns!
Why does my soul this gush of fondness feel ?
Trembling and faint, I drop the guilty steel !
Cold on my heart the hand of terror lies,
And shades of horror close my languid eyes !

Oh ! 't was a deed of Murder's deepest grain !
Could Broderick's soul so true to wrath remain ?
A friend long true, a once fond lover fell ?
Where Love was fostered could not Pity dwell ?

Unhappy youth ! while you pale cresscent glows
To watch on silent Nature's deep repose,
Thy sleepless spirit, breathing from the tomb ,
Foretells my fate, and summons me to come !
Once more I see thy sheeted spectre stand ,
Roll the dim eye, and wave the paly hand !

Soon may this fluttering spark of vital flame
Forsake its languid melancholy frame !
Soon may these eyes their trembling lustre close,
Welcome the dreamless night of long repose !
Soon may this woe-worn spirit seek the bourne
Where, lulled to slumber, Grief forgets to mourn !"
Written by James Whitcomb Riley | Create an image from this poem

Liberty

 New Castle, July 4, 1878

or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.

Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.

Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?

Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.

The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!

II

Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.

Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.

Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.

Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.

And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--


1

'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'


2

'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'


3

'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'

III

A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!

Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.

I

'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.

'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.

'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.--

'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.

'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.

'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.

'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'

IV

O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold. And again
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.--
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.
Written by Robert William Service | Create an image from this poem

The Christmas Tree

 In the dark and damp of the alley cold,
Lay the Christmas tree that hadn't been sold;
By a shopman dourly thrown outside;
With the ruck and rubble of Christmas-tide;
Trodden deep in the muck and mire,
Unworthy even to feed a fire...
So I stopped and salvaged that tarnished tree,
And thus is the story it told to me:

"My Mother was Queen of the forest glade,
And proudly I prospered in her shade;
For she said to me: 'When I am dead,
You will be monarch in my stead,
And reign, as I, for a hundred years,
A tower of triumph amid your peers,
When I crash in storm I will yield you space;
Son, you will worthily take my place.'

"So I grew in grace like a happy child,
In the heart of the forest free and wild;
And the moss and the ferns were all about,
And the craintive mice crept in and out;
And a wood-dove swung on my highest twig,
And a chipmunk chattered: 'So big! So big!'
And a shy fawn nibbled a tender shoot,
And a rabbit nibbled under my root...
Oh, I was happy in rain and shine
As I thought of the destiny that was mine!
Then a man with an axe came cruising by
And I knew that my fate was to fall and die.

"With a hundred others he packed me tight,
And we drove to a magic city of light,
To an avenue lined with Christmas trees,
And I thought: may be I'll be one of these,
Tinselled with silver and tricked with gold,
A lovely sight for a child to behold;
A-glitter with lights of every hue,
Ruby and emerald, orange and blue,
And kiddies dancing, with shrieks of glee - 
One might fare worse than a Christmas tree.

"So they stood me up with a hundred more
In the blaze of a big department store;
But I thought of the forest dark and still,
And the dew and the snow and the heat and the chill,
And the soft chinook and the summer breeze,
And the dappled deer and the birds and the bees...
I was so homesick I wanted to cry,
But patient I waited for someone to buy.
And some said 'Too big,' and some 'Too small,'
And some passed on saying nothing at all.
Then a little boy cried: Ma, buy that one,'
But she shook her head: 'Too dear, my son."
So the evening came, when they closed the store,
And I was left on the littered floor,
A tree unwanted, despised, unsold,
Thrown out at last in the alley cold."

Then I said: "Don't sorrow; at least you'll be
A bright and beautiful New Year's tree,
All shimmer and glimmer and glow and gleam,
A radiant sight like a fairy dream.
For there is a little child I know,
Who lives in poverty, want and woe;
Who lies abed from morn to night,
And never has known an hour's delight..."

So I stood the tree at the foot of her bed:
"Santa's a little late," I said.
"Poor old chap! Snowbound on the way,
But he's here at last, so let's be gay."
Then she woke from sleep and she saw you there,
And her eyes were love and her lips were prayer.
And her thin little arms were stretched to you
With a yearning joy that they never knew.
She woke from the darkest dark to see
Like a heavenly vision, that Christmas Tree.

Her mother despaired and feared the end,
But from that day she began to mend,
To play, to sing, to laugh with glee...
Bless you, O little Christmas Tree!
You died, but your life was not in vain:
You helped a child to forget her pain,
And let hope live in our hearts again.


Written by Sylvia Plath | Create an image from this poem

Berck-Plage

(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these, 
Creeps away, many-snaked, with a long hiss of distress.


(2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a weed, hairy as privates.


(3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile. 
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.


(4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening. 

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.


(5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man: remember, remember.
How far he is now, his actions

Around him like livingroom furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing: remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.


(6)

The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.

The voice of the priest, in thin air, 
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a fershness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

(7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric,sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Despair

 TERRIFIC FIEND! thou Monster fell, 
Condemn'd in haunts profane to dwell, 
Why quit thy solitary Home, 
O'er wide Creation's paths to roam? 
Pale Tyrant of the timid Heart, 
Whose visionary spells can bind 
The strongest passions of the mind, 
Freezing Life's current with thy baneful Art. 

Nature recoils when thou art near, 
For round thy form all plagues are seen; 
Thine is the frantic tone, the sullen mien, 
The glance of petrifying fear, 
The haggard Brow, the low'ring Eye, 
The hollow Cheek, the smother'd Sigh, 
When thy usurping fangs assail, 
The sacred Bonds of Friendship fail. 
Meek-bosom'd Pity sues in vain; 
Imperious Sorrow spurns relief, 
Feeds on the luxury of Grief, 
Drinks the hot Tear, and hugs the galling Chain. 

AH! plunge no more thy ruthless dart, 
In the dark centre of the guilty Heart; 
The POW'R SUPREME, with pitying eye, 
Looks on the erring Child of Misery; 
MERCY arrests the wing of Time; 
To expiate the wretch's crime; 
Insulted HEAV'N consign'd thy brand 
To the first Murd'rer's crimson hand. 
Swift o'er the earth the Monster flew, 
And round th' ensanguin'd Poisons threw, 
By CONSCIENCE goaded­driven by FEAR, 
Till the meek Cherub HOPE subdued his fell career. 

Thy Reign is past, when erst the brave 
Imbib'd contagion o'er the midnight lamp, 
Close pent in loathsome cells, where poisons damp 
Hung round the confines of a Living Grave; * 
Where no glimm'ring ray illum'd 
The flinty walls, where pond'rous chains 
Bound the wan Victim to the humid earth, 
Where VALOUR, GENIUS, TASTE, and WORTH, 
In pestilential caves entomb'd, 
Sought thy cold arms, and smiling mock'd their pains. 

THERE,­each procrastinated hour 
The woe-worn suff'rer gasping lay, 
While by his side in proud array 
Stalk'd the HUGE FIEND, DESPOTIC POW'R. 
There REASON clos'd her radiant eye, 
And fainting HOPE retir'd to die, 
Truth shrunk appall'd, 
In spells of icy Apathy enthrall'd; 
Till FREEDOM spurn'd the ignominious chain, 
And roused from Superstition's night, 
Exulting Nature claim'd her right, 
And call'd dire Vengeance from her dark domain. 

Now take thy solitary flight 
Amid the turbid gales of night, 
Where Spectres starting from the tomb, 
Glide along th' impervious gloom; 
Or, stretch'd upon the sea-beat shore, 
Let the wild winds, as they roar, 
Rock Thee on thy Bed of Stone; 
Or, in gelid caverns pent, 
Listen to the sullen moan 
Of subterranean winds;­or glut thy sight 
Where stupendous mountains rent 
Hurl their vast fragments from their dizzy height. 

At Thy approach the rifted Pine 
Shall o'er the shatter'd Rock incline, 
Whose trembling brow, with wild weeds drest, 
Frowns on the tawny EAGLE's nest; 
THERE enjoy the 'witching hour, 
And freeze in Frenzy's dire conceit, 
Or seek the Screech-owl's lone retreat, 
On the bleak rampart of some nodding Tow'r. 
In some forest long and drear, 
Tempt the fierce BANDITTI's rage, 
War with famish'd Tygers wage, 
And mock the taunts of Fear. 

When across the yawning deep, 
The Demons of the Tempest sweep, 
Or deaf'ning Thunders bursting cast 
Their red bolts on the shivering mast, 
While fix'd below the sea-boy stands, 
As threat'ning Death his soul dismays, 
He lifts his supplicating hands, 
And shrieks, and groans, and weeps, and prays, 
Till lost amid the floating fire 
The agonizing crew expire; 
THEN let thy transports rend the air, 
For mad'ning Anguish feeds DESPAIR. 

When o'er the couch of pale Disease 
The MOTHER bends, with tearful eye, 
And trembles, lest her quiv'ring sigh, 
Should wake the darling of her breast, 
Now, by the taper's feeble rays, 
She steals a last, fond, eager gaze. 
Ah, hapless Parent! gaze no more, 
Thy CHERUB soars among the Blest, 
Life's crimson Fount begins to freeze, 
His transitory scene is o'er. 

She starts­she raves­her burning brain, 
Consumes, unconscious of its fires, 
Dead to the Heart's convulsive Pain, 
Bewilder'd Memory retires. 
See! See! she grasps her flowing hair, 
From her fix'd eye the big drops roll, 
Her proud Affliction mocks controul, 
And riots in DESPAIR, 
Such are thy haunts, malignant Pow'r, 
There all thy murd'rous Poisons pour; 
But come not near my calm retreat, 
Where Peace and holy FRIENDSHIP meet; 
Where SCIENCE sheds a gentle ray, 
And guiltless Mirth beguiles the day, 
Where Bliss congenial to the MUSE 
Shall round my Heart her sweets diffuse, 
Where, from each restless Passion free, 
I give my noiseless hours, BLESS'D POETRY, TO THEE.
Written by Robert Frost | Create an image from this poem

A Hundred Collars

 Lancaster bore him--such a little town, 
Such a great man. It doesn't see him often 
Of late years, though he keeps the old homestead 
And sends the children down there with their mother 
To run wild in the summer--a little wild. 
Sometimes he joins them for a day or two 
And sees old friends he somehow can't get near. 
They meet him in the general store at night, 
Pre-occupied with formidable mail, 
Rifling a printed letter as he talks. 
They seem afraid. He wouldn't have it so: 
Though a great scholar, he's a democrat, 
If not at heart, at least on principle. 
Lately when coming up to Lancaster 
His train being late he missed another train 
And had four hours to wait at Woodsville Junction 
After eleven o'clock at night. Too tired 
To think of sitting such an ordeal out, 
He turned to the hotel to find a bed. 
"No room," the night clerk said. "Unless----" 
Woodsville's a place of shrieks and wandering lamps 
And cars that shook and rattle--and one hotel. 
"You say 'unless.'" 
"Unless you wouldn't mind 
Sharing a room with someone else." 
"Who is it?" 
"A man." 
"So I should hope. What kind of man?" 
"I know him: he's all right. A man's a man. 
Separate beds of course you understand." 
The night clerk blinked his eyes and dared him on. 
"Who's that man sleeping in the office chair? 
Has he had the refusal of my chance?" 
"He was afraid of being robbed or murdered. 
What do you say?" 
"I'll have to have a bed." 
The night clerk led him up three flights of stairs 
And down a narrow passage full of doors, 
At the last one of which he knocked and entered. 
"Lafe, here's a fellow wants to share your room." 
"Show him this way. I'm not afraid of him. 
I'm not so drunk I can't take care of myself." 
The night clerk clapped a bedstead on the foot. 
"This will be yours. Good-night," he said, and went. 
"Lafe was the name, I think?" 
"Yes, Layfayette. 
You got it the first time. And yours?" 
"Magoon. 
Doctor Magoon." 
"A Doctor?" 
"Well, a teacher." 
"Professor Square-the-circle-till-you're-tired? 
Hold on, there's something I don't think of now 
That I had on my mind to ask the first 
Man that knew anything I happened in with. 
I'll ask you later--don't let me forget it." 
The Doctor looked at Lafe and looked away. 
A man? A brute. Naked above the waist, 
He sat there creased and shining in the light, 
Fumbling the buttons in a well-starched shirt. 
"I'm moving into a size-larger shirt. 
I've felt mean lately; mean's no name for it. 
I just found what the matter was to-night: 
I've been a-choking like a nursery tree 
When it outgrows the wire band of its name tag. 
I blamed it on the hot spell we've been having. 
'Twas nothing but my foolish hanging back, 
Not liking to own up I'd grown a size. 
Number eighteen this is. What size do you wear?" 
The Doctor caught his throat convulsively. 
"Oh--ah--fourteen--fourteen." 
"Fourteen! You say so! 
I can remember when I wore fourteen. 
And come to think I must have back at home 
More than a hundred collars, size fourteen. 
Too bad to waste them all. You ought to have them. 
They're yours and welcome; let me send them to you. 
What makes you stand there on one leg like that? 
You're not much furtherer than where Kike left you. 
You act as if you wished you hadn't come. 
Sit down or lie down, friend; you make me nervous." 
The Doctor made a subdued dash for it, 
And propped himself at bay against a pillow. 
"Not that way, with your shoes on Kike's white bed. 
You can't rest that way. Let me pull your shoes off." 
"Don't touch me, please--I say, don't touch me, please. 
I'll not be put to bed by you, my man." 
"Just as you say. Have it your own way then. 
'My man' is it? You talk like a professor. 
Speaking of who's afraid of who, however, 
I'm thinking I have more to lose than you 
If anything should happen to be wrong. 
Who wants to cut your number fourteen throat! 
Let's have a show down as an evidence 
Of good faith. There is ninety dollars. 
Come, if you're not afraid." 
"I'm not afraid. 
There's five: that's all I carry." 
"I can search you? 
Where are you moving over to? Stay still. 
You'd better tuck your money under you 
And sleep on it the way I always do 
When I'm with people I don't trust at night." 
"Will you believe me if I put it there 
Right on the counterpane--that I do trust you?" 
"You'd say so, Mister Man.--I'm a collector. 
My ninety isn't mine--you won't think that. 
I pick it up a dollar at a time 
All round the country for the Weekly News, 
Published in Bow. You know the Weekly News?" 
"Known it since I was young." 
"Then you know me. 
Now we are getting on together--talking. 
I'm sort of Something for it at the front. 
My business is to find what people want: 
They pay for it, and so they ought to have it. 
Fairbanks, he says to me--he's editor-- 
Feel out the public sentiment--he says. 
A good deal comes on me when all is said. 
The only trouble is we disagree 
In politics: I'm Vermont Democrat-- 
You know what that is, sort of double-dyed; 
The News has always been Republican. 
Fairbanks, he says to me, 'Help us this year,' 
Meaning by us their ticket. 'No,' I says, 
'I can't and won't. You've been in long enough: 
It's time you turned around and boosted us. 
You'll have to pay me more than ten a week 
If I'm expected to elect Bill Taft. 
I doubt if I could do it anyway.'" 
"You seem to shape the paper's policy." 
"You see I'm in with everybody, know 'em all. 
I almost know their farms as well as they do." 
"You drive around? It must be pleasant work." 
"It's business, but I can't say it's not fun. 
What I like best's the lay of different farms, 
Coming out on them from a stretch of woods, 
Or over a hill or round a sudden corner. 
I like to find folks getting out in spring, 
Raking the dooryard, working near the house. 
Later they get out further in the fields. 
Everything's shut sometimes except the barn; 
The family's all away in some back meadow. 
There's a hay load a-coming--when it comes. 
And later still they all get driven in: 
The fields are stripped to lawn, the garden patches 
Stripped to bare ground, the apple trees 
To whips and poles. There's nobody about. 
The chimney, though, keeps up a good brisk smoking. 
And I lie back and ride. I take the reins 
Only when someone's coming, and the mare 
Stops when she likes: I tell her when to go. 
I've spoiled Jemima in more ways than one. 
She's got so she turns in at every house 
As if she had some sort of curvature, 
No matter if I have no errand there. 
She thinks I'm sociable. I maybe am. 
It's seldom I get down except for meals, though. 
Folks entertain me from the kitchen doorstep, 
All in a family row down to the youngest." 
"One would suppose they might not be as glad 
To see you as you are to see them." 
"Oh, 
Because I want their dollar. I don't want 
Anything they've not got. I never dun. 
I'm there, and they can pay me if they like. 
I go nowhere on purpose: I happen by. 
Sorry there is no cup to give you a drink. 
I drink out of the bottle--not your style. 
Mayn't I offer you----?" 
"No, no, no, thank you." 
"Just as you say. Here's looking at you then.-- 
And now I'm leaving you a little while. 
You'll rest easier when I'm gone, perhaps-- 
Lie down--let yourself go and get some sleep. 
But first--let's see--what was I going to ask you? 
Those collars--who shall I address them to, 
Suppose you aren't awake when I come back?" 
"Really, friend, I can't let you. You--may need them." 
"Not till I shrink, when they'll be out of style." 
"But really I--I have so many collars." 
"I don't know who I rather would have have them. 
They're only turning yellow where they are. 
But you're the doctor as the saying is. 
I'll put the light out. Don't you wait for me: 
I've just begun the night. You get some sleep. 
I'll knock so-fashion and peep round the door 
When I come back so you'll know who it is. 
There's nothing I'm afraid of like scared people. 
I don't want you should shoot me in the head. 
What am I doing carrying off this bottle? 
There now, you get some sleep." 
He shut the door. 
The Doctor slid a little down the pillow.
Written by George (Lord) Byron | Create an image from this poem

Adieu Adieu! My Native Land

 Adieu, adieu! my native shore
Fades o'ver the waters blue;
The night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
Yon sun that sets upon the sea
We follow in his flight;
Farewell awhile to him and thee,
My native Land-Good Night! 
A few short hours, and he will rise
To give the morrow birth;
And I shall hail the main and skies,
But not my mother earth.
Deserted is my own good hall,
Its hearth is desolate;
Wild weeds are gathering on the wall; 
My dog howls at the gate.
Written by Joyce Kilmer | Create an image from this poem

Madness

 (For Sara Teasdale)

The lonely farm, the crowded street,
The palace and the slum,
Give welcome to my silent feet
As, bearing gifts, I come.
Last night a beggar crouched alone,
A ragged helpless thing;
I set him on a moonbeam throne --
Today he is a king.
Last night a king in orb and crown
Held court with splendid cheer;
Today he tears his purple gown
And moans and shrieks in fear.
Not iron bars, nor flashing spears,
Not land, nor sky, nor sea,
Nor love's artillery of tears
Can keep mine own from me.
Serene, unchanging, ever fair,
I smile with secret mirth
And in a net of mine own hair
I swing the captive earth.

Book: Radiant Verses: A Journey Through Inspiring Poetry