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Best Famous Shouting Poems

Here is a collection of the all-time best famous Shouting poems. This is a select list of the best famous Shouting poetry. Reading, writing, and enjoying famous Shouting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shouting poems.

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Written by Federico García Lorca | Create an image from this poem

Ballad of the Moon

 The moon came into the forge
in her bustle of flowering nard.
The little boy stares at her, stares.
The boy is staring hard.
In the shaken air the moon moves her amrs, and shows lubricious and pure, her breasts of hard tin.
"Moon, moon, moon, run! If the gypsies come, they will use your heart to make white necklaces and rings.
" "Let me dance, my little one.
When the gypsies come, they'll find you on the anvil with your lively eyes closed tight.
"Moon, moon, moon, run! I can feelheir horses come.
" "Let me be, my little one, don't step on me, all starched and white!" Closer comes the the horseman, drumming on the plain.
The boy is in the forge; his eyes are closed.
Through the olive grove come the gypsies, dream and bronze, their heads held high, their hooded eyes.
Oh, how the night owl calls, calling, calling from its tree! The moon is climbing through the sky with the child by the hand.
They are crying in the forge, all the gypsies, shouting, crying.
The air is veiwing all, views all.
The air is at the viewing.


Written by Barry Tebb | Create an image from this poem

MY PERFECT ROSE

 At ten she came to me, three years ago,

There was ‘something between us’ even then;

Watching her write like Eliot every day,

Turn prose into haiku in ten minutes flat,

Write a poem in Greek three weeks from learning the alphabet;

Then translate it as ‘Sun on a tomb, gold place, small sacred horse’.
I never got over having her in the room, though Every day she was impossible in a new way, Stamping her foot like a naughty Enid Blyton child, Shouting "Poets don’t do arithmetic!" Or drawing caricatures of me in her book.
Then there were the ‘moments of vision’, her eyes Dissolving the blank walls and made-up faces, Genius painfully going through her paces, The skull she drew, the withered chrysanthemum And scarlet rose, ‘Descensus averno’, like Virgil, I supposed.
Now three years later, in nylons and tight skirt, She returns from grammar school to make a chaos of my room; Plaiting a rose in her hair, I remember the words of her poem - ‘For love is wrong/in word, in deed/But you will be mine’ And now her promise to come the last two days of term, "But not tell them", the diamond bomb exploding In her eyes, the key left ‘Accidentally’ on my desk And the faint surprise.
Written by Rudyard Kipling | Create an image from this poem

Recessional

1897


God of our fathers, known of old,
   Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
   Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

The tumult and the shouting dies;
   The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet, Lest we forget—lest we forget! Far-called, our navies melt away; On dune and headland sinks the fire: Lo, all our pomp of yesterday Is one with Nineveh and Tyre! Judge of the Nations, spare us yet, Lest we forget—lest we forget! If, drunk with sight of power, we loose Wild tongues that have not Thee in awe, Such boastings as the Gentiles use, Or lesser breeds without the Law— Lord God of Hosts, be with us yet, Lest we forget—lest we forget! For heathen heart that puts her trust In reeking tube and iron shard, All valiant dust that builds on dust, And guarding, calls not Thee to guard, For frantic boast and foolish word— Thy mercy on Thy People, Lord!
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Roger McGough | Create an image from this poem

The Lesson

 Chaos ruled OK in the classroom
as bravely the teacher walked in
the nooligans ignored him
hid voice was lost in the din

"The theme for today is violence
and homework will be set
I'm going to teach you a lesson
one that you'll never forget"

He picked on a boy who was shouting
and throttled him then and there
then garrotted the girl behind him
(the one with grotty hair)

Then sword in hand he hacked his way
between the chattering rows
"First come, first severed" he declared
"fingers, feet or toes"

He threw the sword at a latecomer
it struck with deadly aim
then pulling out a shotgun
he continued with his game

The first blast cleared the backrow
(where those who skive hang out)
they collapsed like rubber dinghies
when the plug's pulled out

"Please may I leave the room sir?"
a trembling vandal enquired
"Of course you may" said teacher
put the gun to his temple and fired

The Head popped a head round the doorway
to see why a din was being made
nodded understandingly
then tossed in a grenade

And when the ammo was well spent
with blood on every chair
Silence shuffled forward
with its hands up in the air

The teacher surveyed the carnage
the dying and the dead
He waggled a finger severely
"Now let that be a lesson" he said


Written by Margaret Atwood | Create an image from this poem

The City Planners

 Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or shatter of glass; nothing more abrupt than the rational whine of a power mower cutting a straight swath in the discouraged grass.
But though the driveways neatly sidestep hysteria by being even, the roofs all display the same slant of avoidance to the hot sky, certain things: the smell of spilled oil a faint sickness lingering in the garages, a splash of paint on brick surprising as a bruise, a plastic hose poised in a vicious coil; even the too-fixed stare of the wide windows give momentary access to the landscape behind or under the future cracks in the plaster when the houses, capsized, will slide obliquely into the clay seas, gradual as glaciers that right now nobody notices.
That is where the City Planners with the insane faces of political conspirators are scattered over unsurveyed territories, concealed from each other, each in his own private blizzard; guessing directions, they sketch transitory lines rigid as wooden borders on a wall in the white vanishing air tracing the panic of suburb order in a bland madness of snows
Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.
Know thou the secret of a spirit Bow'd from its wild pride into shame.
O yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again- O craving heart, for the lost flowers And sunshine of my summer hours! The undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness- a knell.
I have not always been as now: The fever'd diadem on my brow I claim'd and won usurpingly- Hath not the same fierce heirdom given Rome to the Caesar- this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind.
On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair.
So late from Heaven- that dew- it fell (Mid dreams of an unholy night) Upon me with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o'er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder's roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!- was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter'd- and the heavy wind Rendered me mad and deaf and blind.
It was but man, I thought, who shed Laurels upon me: and the rush- The torrent of the chilly air Gurgled within my ear the crush Of empires- with the captive's prayer- The hum of suitors- and the tone Of flattery 'round a sovereign's throne.
My passions, from that hapless hour, Usurp'd a tyranny which men Have deem'd, since I have reach'd to power, My innate nature- be it so: But father, there liv'd one who, then, Then- in my boyhood- when their fire Burn'd with a still intenser glow, (For passion must, with youth, expire) E'en then who knew this iron heart In woman's weakness had a part.
I have no words- alas!- to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are- shadows on th' unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters- with their meaning- melt To fantasies- with none.
O, she was worthy of all love! Love- as in infancy was mine- 'Twas such as angel minds above Might envy; her young heart the shrine On which my every hope and thought Were incense- then a goodly gift, For they were childish and upright- Pure- as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age- and love- together, Roaming the forest, and the wild; My breast her shield in wintry weather- And when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven- but in her eyes.
Young Love's first lesson is- the heart: For 'mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I'd throw me on her throbbing breast, And pour my spirit out in tears- There was no need to speak the rest- No need to quiet any fears Of her- who ask'd no reason why, But turn'd on me her quiet eye! Yet more than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone- I had no being- but in thee: The world, and all it did contain In the earth- the air- the sea- Its joy- its little lot of pain That was new pleasure- the ideal, Dim vanities of dreams by night- And dimmer nothings which were real- (Shadows- and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image, and- a name- a name! Two separate- yet most intimate things.
I was ambitious- have you known The passion, father? You have not: A cottager, I mark'd a throne Of half the world as all my own, And murmur'd at such lowly lot- But, just like any other dream, Upon the vapour of the dew My own had past, did not the beam Of beauty which did while it thro' The minute- the hour- the day- oppress My mind with double loveliness.
We walk'd together on the crown Of a high mountain which look'd down Afar from its proud natural towers Of rock and forest, on the hills- The dwindled hills! begirt with bowers, And shouting with a thousand rills.
I spoke to her of power and pride, But mystically- in such guise That she might deem it nought beside The moment's converse; in her eyes I read, perhaps too carelessly- A mingled feeling with my own- The flush on her bright cheek, to me Seem'd to become a queenly throne Too well that I should let it be Light in the wilderness alone.
I wrapp'd myself in grandeur then, And donn'd a visionary crown- Yet it was not that Fantasy Had thrown her mantle over me- But that, among the rabble- men, Lion ambition is chained down- And crouches to a keeper's hand- Not so in deserts where the grand- The wild- the terrible conspire With their own breath to fan his fire.
Look 'round thee now on Samarcand! Is not she queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling- her veriest stepping-stone Shall form the pedestal of a throne- And who her sovereign? Timour- he Whom the astonished people saw Striding o'er empires haughtily A diadem'd outlaw! O, human love! thou spirit given On Earth, of all we hope in Heaven! Which fall'st into the soul like rain Upon the Siroc-wither'd plain, And, failing in thy power to bless, But leav'st the heart a wilderness! Idea! which bindest life around With music of so strange a sound, And beauty of so wild a birth- Farewell! for I have won the Earth.
When Hope, the eagle that tower'd, could see No cliff beyond him in the sky, His pinions were bent droopingly- And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun.
That soul will hate the ev'ning mist, So often lovely, and will list To the sound of the coming darkness (known To those whose spirits hearken) as one Who, in a dream of night, would fly But cannot from a danger nigh.
What tho' the moon- the white moon Shed all the splendour of her noon, Her smile is chilly, and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death.
And boyhood is a summer sun Whose waning is the dreariest one- For all we live to know is known, And all we seek to keep hath flown- Let life, then, as the day-flower, fall With the noon-day beauty- which is all.
I reach'd my home- my home no more For all had flown who made it so.
I pass'd from out its mossy door, And, tho' my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known- O, I defy thee, Hell, to show On beds of fire that burn below, A humbler heart- a deeper woe.
Father, I firmly do believe- I know- for Death, who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro' Eternity- I do believe that Eblis hath A snare in every human path- Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trellis'd rays from Heaven, No mote may shun- no tiniest fly- The lightning of his eagle eye- How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love's very hair?
Written by John Greenleaf Whittier | Create an image from this poem

The Sycamores

 In the outskirts of the village 
On the river's winding shores 
Stand the Occidental plane-trees, 
Stand the ancient sycamores.
One long century hath been numbered, And another half-way told Since the rustic Irish gleeman Broke for them the virgin mould.
Deftly set to Celtic music At his violin's sound they grew, Through the moonlit eves of summer, Making Amphion's fable true.
Rise again, thou poor Hugh Tallant! Pass in erkin green along With thy eyes brim full of laughter, And thy mouth as full of song.
Pioneer of Erin's outcasts With his fiddle and his pack- Little dreamed the village Saxons Of the myriads at his back.
How he wrought with spade and fiddle, Delved by day and sang by night, With a hand that never wearied And a heart forever light,--- Still the gay tradition mingles With a record grave and drear Like the rollic air of Cluny With the solemn march of Mear.
When the box-tree, white with blossoms, Made the sweet May woodlands glad, And the Aronia by the river Lighted up the swarming shad, And the bulging nets swept shoreward With their silver-sided haul, Midst the shouts of dripping fishers, He was merriest of them all.
When, among the jovial huskers Love stole in at Labor's side With the lusty airs of England Soft his Celtic measures vied.
Songs of love and wailing lyke-wake And the merry fair's carouse; Of the wild Red Fox of Erin And the Woman of Three Cows, By the blazing hearths of winter Pleasant seemed his simple tales, Midst the grimmer Yorkshire legends And the mountain myths of Wales.
How the souls in Purgatory Scrambled up from fate forlorn On St.
Keven's sackcloth ladder Slyly hitched to Satan's horn.
Of the fiddler who at Tara Played all night to ghosts of kings; Of the brown dwarfs, and the fairies Dancing in their moorland rings! Jolliest of our birds of singing Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies! Hear the little folks in drink!" Merry-faced, with spade and fiddle, Singing through the ancient town, Only this, of poor Hugh Tallant Hath Tradtion handed down.
Not a stone his grave discloses; But if yet his spirit walks Tis beneath the trees he planted And when Bob-o-Lincoln talks.
Green memorials of the gleeman! Linking still the river-shores, With their shadows cast by sunset Stand Hugh Tallant's sycamores! When the Father of his Country Through the north-land riding came And the roofs were starred with banners, And the steeples rang acclaim,--- When each war-scarred Continental Leaving smithy, mill,.
and farm, Waved his rusted sword in welcome, And shot off his old king's-arm,--- Slowly passed that august Presence Down the thronged and shouting street; Village girls as white as angels Scattering flowers around his feet.
Midway, where the plane-tree's shadow Deepest fell, his rein he drew: On his stately head, uncovered, Cool and soft the west-wind blew.
And he stood up in his stirrups, Looking up and looking down On the hills of Gold and Silver Rimming round the little town,--- On the river, full of sunshine, To the lap of greenest vales Winding down from wooded headlands, Willow-skirted, white with sails.
And he said, the landscape sweeping Slowly with his ungloved hand "I have seen no prospect fairer In this goodly Eastern land.
" Then the bugles of his escort Stirred to life the cavalcade: And that head, so bare and stately Vanished down the depths of shade.
Ever since, in town and farm-house, Life has had its ebb and flow; Thrice hath passed the human harvest To its garner green and low.
But the trees the gleeman planted, Through the changes, changeless stand; As the marble calm of Tadmor Mocks the deserts shifting sand.
Still the level moon at rising Silvers o'er each stately shaft; Still beneath them, half in shadow, Singing, glides the pleasure craft; Still beneath them, arm-enfolded, Love and Youth together stray; While, as heart to heart beats faster, More and more their feet delay.
Where the ancient cobbler, Keezar, On the open hillside justice wrought, Singing, as he drew his stitches, Songs his German masters taught.
Singing, with his gray hair floating Round a rosy ample face,--- Now a thousand Saxon craftsmen Stitch and hammer in his place.
All the pastoral lanes so grassy Now are Traffic's dusty streets; From the village, grown a city, Fast the rural grace retreats.
But, still green and tall and stately, On the river's winding shores, Stand the occidental plane-trees, Stand Hugh Tallant's sycamores.
Written by Lewis Carroll | Create an image from this poem

Another Acrostic ( In the style of Father William )

 "Are you deaf, Father William!" the young man said, 
"Did you hear what I told you just now? 
"Excuse me for shouting! Don't waggle your head 
"Like a blundering, sleepy old cow! 
"A little maid dwelling in Wallington Town, 
"Is my friend, so I beg to remark: 
"Do you think she'd be pleased if a book were sent down 
"Entitled 'The Hunt of the Snark?'" 


"Pack it up in brown paper!" the old man cried, 
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride, "Nor forget, my good fellow to send her beside "Easter Greetings, and give her my love.
"
Written by Lawrence Ferlinghetti | Create an image from this poem

A Vast Confusion

 Long long I lay in the sands

Sounds of trains in the surf
in subways of the sea
And an even greater undersound
of a vast confusion in the universe
a rumbling and a roaring
as of some enormous creature turning
under sea and earth
a billion sotto voices murmuring
a vast muttering
a swelling stuttering
in ocean's speakers
world's voice-box heard with ear to sand
a shocked echoing
a shocking shouting
of all life's voices lost in night
And the tape of it
someow running backwards now
through the Moog Synthesizer of time
Chaos unscrambled
back to the first
harmonies
And the first light

Book: Reflection on the Important Things