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Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.)

``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.

And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''

The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.

Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.

``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.

Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''

She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''

I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.

For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''

_Venienti occurrite morbo!_
With which moral I drop my theorbo.

*1 A beetle.


Written by Christina Rossetti | Create an image from this poem

In The Willow Shade

 I sat beneath a willow tree,
Where water falls and calls;
While fancies upon fancies solaced me,
Some true, and some were false.

Who set their heart upon a hope
That never comes to pass,
Droop in the end like fading heliotrope
The sun's wan looking-glass.

Who set their will upon a whim
Clung to through good and ill,
Are wrecked alike whether they sink or swim,
Or hit or miss their will.

All things are vain that wax and wane,
For which we waste our breath;
Love only doth not wane and is not vain,
Love only outlives death.

A singing lark rose toward the sky,
Circling he sang amain;
He sang, a speck scarce visible sky-high,
And then he sank again.

A second like a sunlit spark
Flashed singing up his track;
But never overtook that foremost lark,
And songless fluttered back.

A hovering melody of birds
Haunted the air above;
They clearly sang contentment without words,
And youth and joy and love.

O silvery weeping willow tree
With all leaves shivering,
Have you no purpose but to shadow me
Beside this rippled spring?

On this first fleeting day of Spring,
For Winter is gone by,
And every bird on every quivering wing
Floats in a sunny sky;

On this first Summer-like soft day,
While sunshine steeps the air,
And every cloud has gat itself away,
And birds sing everywhere.

Have you no purpose in the world
But thus to shadow me
With all your tender drooping twigs unfurled,
O weeping willow tree?

With all your tremulous leaves outspread
Betwixt me and the sun,
While here I loiter on a mossy bed
With half my work undone;

My work undone, that should be done
At once with all my might;
For after the long day and lingering sun
Comes the unworking night.

This day is lapsing on its way,
Is lapsing out of sight;
And after all the chances of the day
Comes the resourceless night.

The weeping willow shook its head
And stretched its shadow long;
The west grew crimson, the sun smoldered red,
The birds forbore a song.

Slow wind sighed through the willow leaves,
The ripple made a moan,
The world drooped murmuring like a thing that grieves;
And then I felt alone.

I rose to go, and felt the chill,
And shivered as I went;
Yet shivering wondered, and I wonder still,
What more that willow meant;

That silvery weeping willow tree
With all leaves shivering,
Which spent one long day overshadowing me
Beside a spring in Spring.
Written by Gary Fincke | Create an image from this poem

The Magpie Evening: A Prayer

           When magpies die, each of the living swoops down 
           and pecks, one by one, in an accepted order.
 
He coaxed my car to start, the boy who’s killed himself.
He twisted a cable, performed CPR on
The carburetor while my three children shivered
Through the unanswerable questions about stalled.
He chose shotgun, full in the face, so no one stepped
Into the cold, blowing on his hands, to fix him.
Let him rest now, the minister says.  Let this be,
Repeating himself to four brothers, five sisters,
All of them my neighbors until they grew and left.
Let us pray.  Let us manage what we need to say.
Let this house with its three hand-made additions be
Large enough for the one day of necessity.
Let evening empty each room to ceremony
Chosen by the remaining nine.  Let the awful,
Forecasted weather hold off in east Ohio
Until each of them, oldest to youngest, has passed.
Let their thirty-seven children scatter into
The squabbling of the everyday, and let them break
This creeping chain of cars into the fanning out
Toward anger and selfishness and the need to eat
At any of the thousand tables they will pass.
Let them wait.  Let them correctly choose the right turn 
Or the left, this entrance ramp, that exit, the last 
Confusing fork before the familiar driveway 
Three hundred miles and more from these bleak thunderheads.
Let them regather into the chairs exactly 
Matched to their numbers, blessing the bountiful or 
The meager with voices that soar toward renewal.
Let them have mercy on themselves.  Let my children,
Grown now, be repairing my faults with forgiveness.

© Gary Fincke
Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land. 
I promised myself to get down some day 
And see the way you lived, but I don't know! 
With a houseful of hungry men to feed 
I guess you'd find.... It seems to me 
I can't express my feelings any more 
Than I can raise my voice or want to lift 
My hand (oh, I can lift it when I have to). 
Did ever you feel so? I hope you never. 
It's got so I don't even know for sure 
Whether I am glad, sorry, or anything. 
There's nothing but a voice-like left inside 
That seems to tell me how I ought to feel, 
And would feel if I wasn't all gone wrong. 
You take the lake. I look and look at it. 
I see it's a fair, pretty sheet of water. 
I stand and make myself repeat out loud 
The advantages it has, so long and narrow, 
Like a deep piece of some old running river 
Cut short off at both ends. It lies five miles 
Straight away through the mountain notch 
From the sink window where I wash the plates, 
And all our storms come up toward the house, 
Drawing the slow waves whiter and whiter and whiter. 
It took my mind off doughnuts and soda biscuit 
To step outdoors and take the water dazzle 
A sunny morning, or take the rising wind 
About my face and body and through my wrapper, 
When a storm threatened from the Dragon's Den, 
And a cold chill shivered across the lake. 
I see it's a fair, pretty sheet of water, 
Our Willoughby! How did you hear of it? 
I expect, though, everyone's heard of it. 
In a book about ferns? Listen to that! 
You let things more like feathers regulate 
Your going and coming. And you like it here? 
I can see how you might. But I don't know! 
It would be different if more people came, 
For then there would be business. As it is, 
The cottages Len built, sometimes we rent them, 
Sometimes we don't. We've a good piece of shore 
That ought to be worth something, and may yet. 
But I don't count on it as much as Len. 
He looks on the bright side of everything, 
Including me. He thinks I'll be all right 
With doctoring. But it's not medicine-- 
Lowe is the only doctor's dared to say so-- 
It's rest I want--there, I have said it out-- 
From cooking meals for hungry hired men 
And washing dishes after them--from doing 
Things over and over that just won't stay done. 
By good rights I ought not to have so much 
Put on me, but there seems no other way. 
Len says one steady pull more ought to do it. 
He says the best way out is always through. 
And I agree to that, or in so far 
As that I can see no way out but through-- 
Leastways for me--and then they'll be convinced. 
It's not that Len don't want the best for me. 
It was his plan our moving over in 
Beside the lake from where that day I showed you 
We used to live--ten miles from anywhere. 
We didn't change without some sacrifice, 
But Len went at it to make up the loss. 
His work's a man's, of course, from sun to sun, 
But he works when he works as hard as I do-- 
Though there's small profit in comparisons. 
(Women and men will make them all the same.) 
But work ain't all. Len undertakes too much. 
He's into everything in town. This year 
It's highways, and he's got too many men 
Around him to look after that make waste. 
They take advantage of him shamefully, 
And proud, too, of themselves for doing so. 
We have four here to board, great good-for-nothings, 
Sprawling about the kitchen with their talk 
While I fry their bacon. Much they care! 
No more put out in what they do or say 
Than if I wasn't in the room at all. 
Coming and going all the time, they are: 
I don't learn what their names are, let alone 
Their characters, or whether they are safe 
To have inside the house with doors unlocked. 
I'm not afraid of them, though, if they're not 
Afraid of me. There's two can play at that. 
I have my fancies: it runs in the family. 
My father's brother wasn't right. They kept him 
Locked up for years back there at the old farm. 
I've been away once--yes, I've been away. 
The State Asylum. I was prejudiced; 
I wouldn't have sent anyone of mine there; 
You know the old idea--the only asylum 
Was the poorhouse, and those who could afford, 
Rather than send their folks to such a place, 
Kept them at home; and it does seem more human. 
But it's not so: the place is the asylum. 
There they have every means proper to do with, 
And you aren't darkening other people's lives-- 
Worse than no good to them, and they no good 
To you in your condition; you can't know 
Affection or the want of it in that state. 
I've heard too much of the old-fashioned way. 
My father's brother, he went mad quite young. 
Some thought he had been bitten by a dog, 
Because his violence took on the form 
Of carrying his pillow in his teeth; 
But it's more likely he was crossed in love, 
Or so the story goes. It was some girl. 
Anyway all he talked about was love. 
They soon saw he would do someone a mischief 
If he wa'n't kept strict watch of, and it ended 
In father's building him a sort of cage, 
Or room within a room, of hickory poles, 
Like stanchions in the barn, from floor to ceiling,-- 
A narrow passage all the way around. 
Anything they put in for furniture 
He'd tear to pieces, even a bed to lie on. 
So they made the place comfortable with straw, 
Like a beast's stall, to ease their consciences. 
Of course they had to feed him without dishes. 
They tried to keep him clothed, but he paraded 
With his clothes on his arm--all of his clothes. 
Cruel--it sounds. I 'spose they did the best 
They knew. And just when he was at the height, 
Father and mother married, and mother came, 
A bride, to help take care of such a creature, 
And accommodate her young life to his. 
That was what marrying father meant to her. 
She had to lie and hear love things made dreadful 
By his shouts in the night. He'd shout and shout 
Until the strength was shouted out of him, 
And his voice died down slowly from exhaustion. 
He'd pull his bars apart like bow and bow-string, 
And let them go and make them twang until 
His hands had worn them smooth as any ox-bow. 
And then he'd crow as if he thought that child's play-- 
The only fun he had. I've heard them say, though, 
They found a way to put a stop to it. 
He was before my time--I never saw him; 
But the pen stayed exactly as it was 
There in the upper chamber in the ell, 
A sort of catch-all full of attic clutter. 
I often think of the smooth hickory bars. 
It got so I would say--you know, half fooling-- 
"It's time I took my turn upstairs in jail"-- 
Just as you will till it becomes a habit. 
No wonder I was glad to get away. 
Mind you, I waited till Len said the word. 
I didn't want the blame if things went wrong. 
I was glad though, no end, when we moved out, 
And I looked to be happy, and I was, 
As I said, for a while--but I don't know! 
Somehow the change wore out like a prescription. 
And there's more to it than just window-views 
And living by a lake. I'm past such help-- 
Unless Len took the notion, which he won't, 
And I won't ask him--it's not sure enough. 
I 'spose I've got to go the road I'm going: 
Other folks have to, and why shouldn't I? 
I almost think if I could do like you, 
Drop everything and live out on the ground-- 
But it might be, come night, I shouldn't like it, 
Or a long rain. I should soon get enough, 
And be glad of a good roof overhead. 
I've lain awake thinking of you, I'll warrant, 
More than you have yourself, some of these nights. 
The wonder was the tents weren't snatched away 
From over you as you lay in your beds. 
I haven't courage for a risk like that. 
Bless you, of course, you're keeping me from work, 
But the thing of it is, I need to be kept. 
There's work enough to do--there's always that; 
But behind's behind. The worst that you can do 
Is set me back a little more behind. 
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.
Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.

Obedient to the goad of grief, 
Her steps, now fast, now lingering slow, 
In varying motion seek relief 
From the Eumenides of woe.

Wringing her hands, at intervals­ 
But long as mute as phantom dim­ 
She glides along the dusky walls, 
Under the black oak rafters, grim.

The close air of the grated tower 
Stifles a heart that scarce can beat, 
And, though so late and lone the hour, 
Forth pass her wandering, faltering feet;

And on the pavement, spread before 
The long front of the mansion grey, 
Her steps imprint the night-frost hoar, 
Which pale on grass and granite lay.

Not long she stayed where misty moon 
And shimmering stars could on her look, 
But through the garden arch-way, soon 
Her strange and gloomy path she took.

Some firs, coeval with the tower, 
Their straight black boughs stretched o'er her head, 
Unseen, beneath this sable bower, 
Rustled her dress and rapid tread. 

There was an alcove in that shade, 
Screening a rustic-seat and stand; 
Weary she sat her down and laid 
Her hot brow on her burning hand.

To solitude and to the night, 
Some words she now, in murmurs, said; 
And, trickling through her fingers white, 
Some tears of misery she shed.

' God help me, in my grievous need, 
God help me, in my inward pain; 
Which cannot ask for pity's meed, 
Which has no license to complain;

Which must be borne, yet who can bear, 
Hours long, days long, a constant weight­ 
The yoke of absolute despair, 
A suffering wholly desolate ?

Who can for ever crush the heart, 
Restrain its throbbing, curb its life ? 
Dissemble truth with ceaseless art, 
With outward calm, mask inward strife ?'

She waited­as for some reply;
The still and cloudy night gave none; 
Erelong, with deep-drawn, trembling sigh, 
Her heavy plaint again begun. 

' Unloved­I love; unwept­I weep; 
Grief I restrain­hope I repress: 
Vain is this anguish­fixed and deep; 
Vainer, desires and dreams of bliss.

My love awakes no love again, 
My tears collect, and fall unfelt; 
My sorrow touches none with pain, 
My humble hopes to nothing melt.

For me the universe is dumb, 
Stone-deaf, and blank, and wholly blind; 
Life I must bound, existence sum 
In the strait limits of one mind;

That mind my own. Oh ! narrow cell; 
Dark­imageless­a living tomb ! 
There must I sleep, there wake and dwell 
Content, with palsy, pain, and gloom.'

Again she paused; a moan of pain, 
A stifled sob, alone was heard; 
Long silence followed­then again, 
Her voice the stagnant midnight stirred.

' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ? 

And when it falls, and when I die, 
What follows ? Vacant nothingness ? 
The blank of lost identity ? 
Erasure both of pain and bliss ?

I've heard of heaven­I would believe; 
For if this earth indeed be all, 
Who longest lives may deepest grieve, 
Most blest, whom sorrows soonest call.

Oh ! leaving disappointment here, 
Will man find hope on yonder coast ? 
Hope, which, on earth, shines never clear, 
And oft in clouds is wholly lost.

Will he hope's source of light behold, 
Fruition's spring, where doubts expire, 
And drink, in waves of living gold, 
Contentment, full, for long desire ?

Will he find bliss, which here he dreamed ? 
Rest, which was weariness on earth ? 
Knowledge, which, if o'er life it beamed, 
Served but to prove it void of worth ?

Will he find love without lust's leaven, 
Love fearless, tearless, perfect, pure, 
To all with equal bounty given, 
In all, unfeigned, unfailing, sure ? 

Will he, from penal sufferings free, 
Released from shroud and wormy clod, 
All calm and glorious, rise and see 
Creation's Sire­Existence' God ?

Then, glancing back on Time's brief woes, 
Will he behold them, fading, fly; 
Swept from Eternity's repose, 
Like sullying cloud, from pure blue sky ?

If so­endure, my weary frame; 
And when thy anguish strikes too deep, 
And when all troubled burns life's flame,
Think of the quiet, final sleep;

Think of the glorious waking-hour, 
Which will not dawn on grief and tears, 
But on a ransomed spirit's power, 
Certain, and free from mortal fears.

Seek now thy couch, and lie till morn, 
Then from thy chamber, calm, descend, 
With mind nor tossed, nor anguish-torn, 
But tranquil, fixed, to wait the end.

And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall. 

The tear which, welling from the heart, 
Burns where its drop corrosive falls, 
And makes each nerve, in torture, start, 
At feelings it too well recalls:

When the sweet hope of being loved, 
Threw Eden sunshine on life's way; 
When every sense and feeling proved 
Expectancy of brightest day.

When the hand trembled to receive 
A thrilling clasp, which seemed so near, 
And the heart ventured to believe,
Another heart esteemed it dear.

When words, half love, all tenderness, 
Were hourly heard, as hourly spoken, 
When the long, sunny days of bliss, 
Only by moonlight nights were broken.

Till drop by drop, the cup of joy 
Filled full, with purple light, was glowing, 
And Faith, which watched it, sparkling high, 
Still never dreamt the overflowing.

It fell not with a sudden crashing, 
It poured not out like open sluice; 
No, sparkling still, and redly flashing, 
Drained, drop by drop, the generous juice. 

I saw it sink, and strove to taste it, 
My eager lips approached the brim; 
The movement only seemed to waste it, 
It sank to dregs, all harsh and dim.

These I have drank, and they for ever 
Have poisoned life and love for me; 
A draught from Sodom's lake could never 
More fiery, salt, and bitter, be.

Oh ! Love was all a thin illusion; 
Joy, but the desert's flying stream; 
And, glancing back on long delusion,
My memory grasps a hollow dream.

Yet, whence that wondrous change of feeling, 
I never knew, and cannot learn, 
Nor why my lover's eye, congealing, 
Grew cold, and clouded, proud, and stern.

Nor wherefore, friendship's forms forgetting, 
He careless left, and cool withdrew; 
Nor spoke of grief, nor fond regretting, 
Nor even one glance of comfort threw.

And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away. 

Oh, bitter, blighting, keen sensation, 
Which will not weaken, cannot die, 
Hasten thy work of desolation, 
And let my tortured spirit fly !

Vain as the passing gale, my crying; 
Though lightning-struck, I must live on; 
I know, at heart, there is no dying 
Of love, and ruined hope, alone.

Still strong, and young, and warm with vigour, 
Though scathed, I long shall greenly grow, 
And many a storm of wildest rigour 
Shall yet break o'er my shivered bough.

Rebellious now to blank inertion, 
My unused strength demands a task; 
Travel, and toil, and full exertion, 
Are the last, only boon I ask.

Whence, then, this vain and barren dreaming 
Of death, and dubious life to come ? 
I see a nearer beacon gleaming 
Over dejection's sea of gloom.

The very wildness of my sorrow 
Tells me I yet have innate force; 
My track of life has been too narrow, 
Effort shall trace a broader course. 

The world is not in yonder tower, 
Earth is not prisoned in that room, 
'Mid whose dark pannels, hour by hour, 
I've sat, the slave and prey of gloom.

One feeling­turned to utter anguish, 
Is not my being's only aim; 
When, lorn and loveless, life will languish, 
But courage can revive the flame.

He, when he left me, went a roving
To sunny climes, beyond the sea; 
And I, the weight of woe removing, 
Am free and fetterless as he.

New scenes, new language, skies less clouded,
May once more wake the wish to live; 
Strange, foreign towns, astir, and crowded, 
New pictures to the mind may give.

New forms and faces, passing ever, 
May hide the one I still retain, 
Defined, and fixed, and fading never, 
Stamped deep on vision, heart, and brain.

And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me. 

False thought­false hope­in scorn be banished ! 
I am not loved­nor loved have been; 
Recall not, then, the dreams scarce vanished, 
Traitors ! mislead me not again !

To words like yours I bid defiance, 
'Tis such my mental wreck have made; 
Of God alone, and self-reliance, 
I ask for solace­hope for aid.

Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile, 
Both lonely wood and mansion hoary 
I'll leave behind, full many a mile.


Written by Robert William Service | Create an image from this poem

The Dreamer

 The lone man gazed and gazed upon his gold,
His sweat, his blood, the wage of weary days;
But now how sweet, how doubly sweet to hold
All gay and gleamy to the campfire blaze.
The evening sky was sinister and cold;
The willows shivered, wanly lay the snow;
The uncommiserating land, so old,
So worn, so grey, so niggard in its woe,
Peered through its ragged shroud. The lone man sighed,
Poured back the gaudy dust into its poke,
Gazed at the seething river listless-eyed,
Loaded his corn-cob pipe as if to smoke;
Then crushed with weariness and hardship crept
Into his ragged robe, and swiftly slept.

. . . . .

Hour after hour went by; a shadow slipped
From vasts of shadow to the camp-fire flame;
Gripping a rifle with a deadly aim,
A gaunt and hairy man with wolfish eyes . . .

* * * * * * *

The sleeper dreamed, and lo! this was his dream:
He rode a streaming horse across a moor.
Sudden 'mid pit-black night a lightning gleam
Showed him a way-side inn, forlorn and poor.
A sullen host unbarred the creaking door,
And led him to a dim and dreary room;
Wherein he sat and poked the fire a-roar,
So that weird shadows jigged athwart the gloom.
He ordered wine. 'Od's blood! but he was tired.
What matter! Charles was crushed and George was King;
His party high in power; how he aspired!
Red guineas packed his purse, too tight to ring.
The fire-light gleamed upon his silken hose,
His silver buckles and his powdered wig.
What ho! more wine! He drank, he slowly rose.
What made the shadows dance that madcap jig?
He clutched the candle, steered his way to bed,
And in a trice was sleeping like the dead.

. . . . .

Across the room there crept, so shadow soft,
His sullen host, with naked knife a-gleam,
(A gaunt and hairy man with wolfish eyes.) . . .
And as he lay, the sleeper dreamed a dream.

* * * * * *

'Twas in a ruder land, a wilder day.
A rival princeling sat upon his throne,
Within a dungeon, dark and foul he lay,
With chains that bit and festered to the bone.
They haled him harshly to a vaulted room,
Where One gazed on him with malignant eye;
And in that devil-face he read his doom,
Knowing that ere the dawn-light he must die.
Well, he was sorrow-glutted; let them bring
Their prize assassins to the bloody work.
His kingdom lost, yet would he die a King,
Fearless and proud, as when he faced the Turk.
Ah God! the glory of that great Crusade!
The bannered pomp, the gleam, the splendid urge!
The crash of reeking combat, blade to blade!
The reeling ranks, blood-avid and a-surge!
For long he thought; then feeling o'er him creep
Vast weariness, he fell into a sleep.

. . . . .

The cell door opened; soft the headsman came,
Within his hand a mighty axe a-gleam,
(A gaunt and hairy man with wolfish eyes,) . . .
And as he lay, the sleeper dreamed a dream.

* * * * * *

'Twas in a land unkempt of life's red dawn;
Where in his sanded cave he dwelt alone;
Sleeping by day, or sometimes worked upon
His flint-head arrows and his knives of stone;
By night stole forth and slew the savage boar,
So that he loomed a hunter of loud fame,
And many a skin of wolf and wild-cat wore,
And counted many a flint-head to his name;
Wherefore he walked the envy of the band,
Hated and feared, but matchless in his skill.
Till lo! one night deep in that shaggy land,
He tracked a yearling bear and made his kill;
Then over-worn he rested by a stream,
And sank into a sleep too deep for dream.

. . . . .

Hunting his food a rival caveman crept
Through those dark woods, and marked him where he lay;
Cowered and crawled upon him as he slept,
Poising a mighty stone aloft to slay --
(A gaunt and hairy man with wolfish eyes.) . . .

* * * * * *

The great stone crashed. The Dreamer shrieked and woke,
And saw, fear-blinded, in his dripping cell,
A gaunt and hairy man, who with one stroke
Swung a great ax of steel that flashed and fell . . .
So that he woke amid his bedroom gloom,
And saw, hair-poised, a naked, thirsting knife,
A gaunt and hairy man with eyes of doom --
And then the blade plunged down to drink his life . . .
So that he woke, wrenched back his robe, and looked,
And saw beside his dying fire upstart
A gaunt and hairy man with finger crooked --
A rifle rang, a bullet searched his heart . . .

* * * * * *

The morning sky was sinister and cold.
Grotesque the Dreamer sprawled, and did not rise.
For long and long there gazed upon some gold
A gaunt and hairy man with wolfish eyes.
Written by Pablo Neruda | Create an image from this poem

Ode To Salt

 This salt
in the saltcellar
I once saw in the salt mines.
I know
you won't
believe me,
but
it sings,
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those solitudes
when I heard
the voice of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a broken
voice,
a mournful
song.

In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves.

And then on every table
in the world,
salt,
we see your piquant
powder
sprinkling
vital light
upon
our food. Preserver
of the ancient
holds of ships,
discoverer
on
the high seas,
earliest
sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest,
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste infinitude.
Written by J R R Tolkien | Create an image from this poem

O! Where Are You Going?

 O! What are you doing,
And where are you going?
Your ponies need shoeing!
The River is flowing!
O! Tra-la-la-lally
Here down in the valley!

O! What are you seeking,
And where are you making?
The faggots are reeking!
The bannocks are baking!
O! Tril-lil-lil-lolly
The valley is jolly
Ha ha!

O! Where are you going,
With beards all a-wagging?
No knowing, no knowing
What brings Mister Baggins,
And Balin and Dwalin
Down into the valley
In June
Ha ha!

O! Will you be staying,
Or will you be flying?
Your ponies are straying!
The daylight is dying!
To fly would be folly,
To stay would be jolly!
And listen and hark
Till the end of the dark
To our tune.
Ha ha!

The dragon is withered,
His bones are now crumbled!
His armor is shivered,
His splendour is humbled!
Though sword shall be rusted
And throne and crown perish,
With strength that men trusted
And wealth that they cherish,
Here grass is still growing,
And leaves are yet swinging!
The white water is flowing,
And elves are yet singing!
Come! Tra-la-la-lally!
Come back to the valley!

The stars are far brighter
Than gems without measure,
The moon is far whiter
Than silver in treasure:
The fire is more shining
On hearth in the gloaming
Than gold won by mining,
So why so a-roaming?
O! Tra-la-la-lally!
Come back to the Valley!

O! Where are you going?
So late in returning?
The water is flowing!
The stars are all burning!
O! Whither so laden,
So sad and so dreary?
Here elf and elf-maiden
Now welcome the weary!
With tra-la-la-lally
Come back to the Valley,
Tra-la-la-lally
Fa-la-la-lally
Ha ha!
Written by Robert William Service | Create an image from this poem

The Ballad Of The Leather Medal

 Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.

Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne,"
When Millie and I were sweethearts, and fair as a flower was she -
Yet little I dreamt that her bosom held the heart of heroine.

Listen! I'll tell you about it... An orphan was Millie MacGee,
Living with Billie her brother, under the Yukon sky,
Sam, her pa, was cremated in the winter of nineteen-three,
As duly and truly related by the pen of an author guy.

A cute little kid was Billie, solemn and silken of hair,
The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care,
And happy were they together in their cabin on Bunker Creek.

'Twas only a mining village, where hearts are simple and true,
And Millie MacGee was schoolma'am, loved and admired by all;
Yet no one dreamed for a moment she'd do what she dared to do -
But wait and I'll try to tell you, as clear as I can recall...

 . . . . . . . . . . . . . .

Christmas Eve in the school-house! A scene of glitter and glee;
The children eager and joyful; parents and neighbours too;
Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew."

I reckon you've heard the opus, a ballad of guts and gore;
Of a Yukon frail and a frozen trail and a fight in a dringing dive,
It's on a par, I figger, with "The Face on the Bar-Room Floor,"
And the boys who wrote them pieces ought to be skinned alive.

Picture that scene of gladness; the honest faces aglow;
The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row,
Millie, bright as a fairy, in radient flounce and fluff.

More like an angel I thought her; all she needed was wings,
And I sought for a smile seraphic, but her eyes were only for Bill;
So there was I longing and loving, and dreaming the craziest things,
And Billie shouting and spouting, and everyone rapt and still.

Proud as a prince was Billie, bang in the footlights' glare,
And quaking for him was Millie, as she followed every word;
Then just as he reached the climax, ranting and sawing the air -
Ugh! How it makes me shudder! The horrible thing occurred...

'Twas the day when frocks were frilly, and skirts were scraping the ground,
And the snowy flounces of Millie like sea foam round her swept;
Humbly adoring I watched her - when oh, my heart gave a bound!
Hoary and scarred and hideous, out from the tree...it...crept.

A whiskered, beady-eyes monster, grisly and grim of hue;
Savage and slinking and silent, born of the dark and dirt;
Dazed by the glare and the glitter, it wavered a moment or two -
Then like a sinister shadow, it vanished... 'neath Millie's skirt.

I stared. had my eyes deceived me? I shivered. I held my breath.
Surly I must have dreamed it. I quivered. I made to rise...
Then - my God! it was real. Millie grew pale as death;
And oh, such a look of terror woke in her lovely eyes.

Did her scream ring out? Ah no, sir. It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock,
Grasping and gripping tensely, with desperate finger tips,
Something that writhed and wriggled under her dainty frock.

Quick I'd have dashed to her rescue, but fiercely she signalled: "No!"
Her eyes were dark with anguish, but her lips were set and grim;
Then I knew she was thinking of Billie - the kiddy must have his show,
Reap to the full his glory, nothing mattered but him.

So spiked to my chair with horror, there I shuddered and saw
Her fingrs frenziedly clutching and squeezing with all their might
Something that squirmed and struggled, a deamon of tooth and claw,
Fighting with fear and fury, under her garment white.

Oh could I only aid her! But the wide room lay between,
And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene,
Billie will soon be finished. Only a moment...stay!"

A moment! Ah yes, I got her. I knew how night after night
She'd learned him each line of that ballad with patience and pride and glee;
With gesture and tone dramatic, she'd taught him how to recite...
And now at the last to fail him - no, it must never be.

A moment! It seemed like ages. Why was Billie so slow?
He stammered. Twice he repeated: "The Lady that's known as Lou -"
The kiddy was stuck and she knew it. Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue?

I saw her whispering wildly as she leaned to the frightened boy;
But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy,
And panting, flushed and exultant, he finished the final verse.

So the youngster would up like a whirlwind, while cheer resounded on cheer;
His piece was the hit of the evening. "Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear -
The loving sister who'd coached him; for Millie had fainted away.

I rushed to her side and grabbed her; then others saw her distress,
And all were eager to aid me, as I pillowed that golden head,
But her arms were tense and rigid, and clutched in the folds of her dress,
Unlocking her hands they found it . . . A RAT . . . and the brute was dead.

In silence she'd crushed its life out, rather than scare the crowd,
And ***** little Billie's triumph . . . Hey! Mother, what about tea?
I've just been telling a story that makes me so mighty proud...
Stranger, let me present you - my wife, that was Millie MacGee.
Written by Erin Belieu | Create an image from this poem

All Distance

 Writing from Boston, where sky is simply
property, a flourish topping crowds
of condos and historic real estate,
I'm trying to imagine blue sky:
the first time, where it happened,
what I was becoming. Being taken there
by car, from a town so newly born that grass
still accounted all distance, an explanation
drawn in measureless yellows, a tone
stubbling the whole world, ten minutes away.

Consider now how the single pussy willow
edging a cattle pond in winter becomes
a wind-shivered monument to what this mean
a placid loneliness asking nothing, nothing?...
Not knowing then the proper name for things
green chubs of milo, the husbandry of soy,
bovine patience, the rhythm of the cud,
sea green foam washing round
a cow's mouth, its tender udders,
the surprise of an animal's dignity...

 but something comes before
 Before car or cow, before
 sky becomes...

 That sky, I mean, disregarded
 as buried memory ...

Yes. There was a time before.
Remember when the tiny sightless hand
could not know, not say hand, but knew it
in its straying, knew it in the cool

condensation steaming the station wagon windows,
thrums of heat blowing a brand of idiot's safety
over the brightly-wrapped package
that was then your body, well-loved?

This must have been you, looking out at that world
of flat, buttered fields and blackbirds ascending... '

 But what was sky then?

Today, I receive a postcard of
a blue guitar. Here, snow falls with wings,
tumbling in its feathered body, melting
on the window glass. How each evening becomes
another beautiful woman holding
the color of expensive sapphires
against her throat, I'll never know.
It is an ordinary clarity.

 So then was it music?
 Something like love or
 words, a sentimental moment once
 years ago, that blue sky?

How soon the sky and I have grown apart.
On the postcard, an old man hangs
half-dead, strung over his instrument, and what
I have imagined is half-dead, too. Our bones
end hollow, sky blue; the flute comes untuned.

Book: Radiant Verses: A Journey Through Inspiring Poetry