Get Your Premium Membership

Best Famous Shares Poems

Here is a collection of the all-time best famous Shares poems. This is a select list of the best famous Shares poetry. Reading, writing, and enjoying famous Shares poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shares poems.

Search and read the best famous Shares poems, articles about Shares poems, poetry blogs, or anything else Shares poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by C S Lewis | Create an image from this poem

On Being Human

 Angelic minds, they say, by simple intelligence 
Behold the Forms of nature.
They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear.
The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin.
They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose.
The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries.
The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.
Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.


Written by Marilyn Hacker | Create an image from this poem

Scars on Paper

 An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast with a lost object's half-life, with as much life as an anecdotal photograph: me, Kim and Iva, all stripped to the waist, hiking near Russian River on June first '79: Iva's five-and-a-half.
While she was almost twenty, wearing black T-shirts in D.
C.
, where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret, she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.
Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact, three thousand miles away.
And my intact body is eighteen months paper: the past a fragile eighteen months regime of trust in slash-and-burn, in vitamin pills, backed by no statistics.
Each day I enact survivor's rituals, blessing the crust I tear from the warm loaf, blessing the hours in which I didn't or in which I did consider my own death.
I am not yet statistically a survivor (that is sixty months).
On paper, someone flowers and flares alive.
I knew her.
But she's dead.
She flares alive.
I knew her.
But she's dead.
I flirted with her, might have been her friend, but transatlantic schedules intervened.
She wrote a book about her Freedom Ride, the wary elders whom she taught to read, — herself half-British, twenty-six, white-blonde, with thirty years to live.
And I happened to open up The Nation to that bad news which I otherwise might not have known (not breast cancer: cancer of the brain).
Words take the absent friend away again.
Alone, I think, she called, alone, upon her courage, tried in ways she'd not have wished by pain and fear: her courage, extinguished.
The pain and fear some courage extinguished at disaster's denouement come back daily, banal: is that brownish-black mole the next chapter? Was the ache enmeshed between my chest and armpit when I washed rogue cells' new claw, or just a muscle ache? I'm not yet desperate enough to take comfort in being predeceased: the anguish when the Harlem doctor, the Jewish dancer, die of AIDS, the Boston seminary's dean succumbs "after brief illness" to cancer.
I like mossed slabs in country cemeteries with wide-paced dates, candles in jars, whose tallow glows on summer evenings, desk-lamp yellow.
Aglow in summer evening, a desk-lamp's yellow moonlight peruses notebooks, houseplants, texts, while an aging woman thinks of sex in the present tense.
Desire may follow, urgent or elegant, cut raw or mellow with wine and ripe black figs: a proof, the next course, a simple question, the complex response, a burning sweetness she will swallow.
The opening mind is sexual and ready to embrace, incarnate in its prime.
Rippling concentrically from summer's gold disc, desire's iris expands, steady with blood beat.
Each time implies the next time.
The aging woman hopes she will grow old.
The aging woman hopes she will grow old.
A younger woman has a dazzling vision of bleeding wrists, her own, the clean incisions suddenly there, two open mouths.
They told their speechless secrets, witnesses not called to what occurred with as little volition of hers as these phantom wounds.
Intense precision of scars, in flesh, in spirit.
I'm enrolled by mine in ranks where now I'm "being brave" if I take off my shirt in a hot crowd sunbathing, or demonstrating for Dyke Pride.
Her bravery counters the kitchen knives' insinuation that the scars be made.
With, or despite our scars, we stay alive.
"With, or despite our scars, we stayed alive until the Contras or the Government or rebel troops came, until we were sent to 'relocation camps' until the archives burned, until we dug the ditch, the grave beside the aspen grove where adolescent boys used to cut class, until we went to the precinct house, eager to behave like citizens.
.
.
" I count my hours and days, finger for luck the word-scarred table which is not my witness, shares all innocent objects' silence: a tin plate, a basement door, a spade, barbed wire, a ring of keys, an unwrapped icon, too potent to touch.
Written by Elizabeth Jennings | Create an image from this poem

In a Garden

 When the gardener has gone this garden
Looks wistful and seems waiting an event.
It is so spruce, a metaphor of Eden And even more so since the gardener went, Quietly godlike, but of course, he had Not made me promise anything and I Had no one tempting me to make the bad Choice.
Yet I still felt lost and wonder why.
Even the beech tree from next door which shares Its shadow with me, seemed a kind of threat.
Everything was too neat, and someone cares In the wrong way.
I need not have stood long Mocked by the smell of a mown lawn, and yet I did.
Sickness for Eden was so strong.
Written by Gerard Manley Hopkins | Create an image from this poem

Gods Grandeur

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed.
Why do men then now not reck his rod? Generations have trod, have trod, have trod; And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.
Written by Mahmoud Darwish | Create an image from this poem

Under Siege

 Here on the slopes of hills, facing the dusk and the cannon of time 
Close to the gardens of broken shadows, 
We do what prisoners do, 
And what the jobless do: 
We cultivate hope.
*** A country preparing for dawn.
We grow less intelligent For we closely watch the hour of victory: No night in our night lit up by the shelling Our enemies are watchful and light the light for us In the darkness of cellars.
*** Here there is no "I".
Here Adam remembers the dust of his clay.
*** On the verge of death, he says: I have no trace left to lose: Free I am so close to my liberty.
My future lies in my own hand.
Soon I shall penetrate my life, I shall be born free and parentless, And as my name I shall choose azure letters.
.
.
*** You who stand in the doorway, come in, Drink Arabic coffee with us And you will sense that you are men like us You who stand in the doorways of houses Come out of our morningtimes, We shall feel reassured to be Men like you! *** When the planes disappear, the white, white doves Fly off and wash the cheeks of heaven With unbound wings taking radiance back again, taking possession Of the ether and of play.
Higher, higher still, the white, white doves Fly off.
Ah, if only the sky Were real [a man passing between two bombs said to me].
*** Cypresses behind the soldiers, minarets protecting The sky from collapse.
Behind the hedge of steel Soldiers piss—under the watchful eye of a tank— And the autumnal day ends its golden wandering in A street as wide as a church after Sunday mass.
.
.
*** [To a killer] If you had contemplated the victim’s face And thought it through, you would have remembered your mother in the Gas chamber, you would have been freed from the reason for the rifle And you would have changed your mind: this is not the way to find one’s identity again.
*** The siege is a waiting period Waiting on the tilted ladder in the middle of the storm.
*** Alone, we are alone as far down as the sediment Were it not for the visits of the rainbows.
*** We have brothers behind this expanse.
Excellent brothers.
They love us.
They watch us and weep.
Then, in secret, they tell each other: "Ah! if this siege had been declared.
.
.
" They do not finish their sentence: "Don’t abandon us, don’t leave us.
" *** Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees.
.
.
Added to this the structural flaw that Will arrive at the poem, the play, and the unfinished canvas.
*** A woman told the cloud: cover my beloved For my clothing is drenched with his blood.
*** If you are not rain, my love Be tree Sated with fertility, be tree If you are not tree, my love Be stone Saturated with humidity, be stone If you are not stone, my love Be moon In the dream of the beloved woman, be moon [So spoke a woman to her son at his funeral] *** Oh watchmen! Are you not weary Of lying in wait for the light in our salt And of the incandescence of the rose in our wound Are you not weary, oh watchmen? *** A little of this absolute and blue infinity Would be enough To lighten the burden of these times And to cleanse the mire of this place.
*** It is up to the soul to come down from its mount And on its silken feet walk By my side, hand in hand, like two longtime Friends who share the ancient bread And the antique glass of wine May we walk this road together And then our days will take different directions: I, beyond nature, which in turn Will choose to squat on a high-up rock.
*** On my rubble the shadow grows green, And the wolf is dozing on the skin of my goat He dreams as I do, as the angel does That life is here.
.
.
not over there.
*** In the state of siege, time becomes space Transfixed in its eternity In the state of siege, space becomes time That has missed its yesterday and its tomorrow.
*** The martyr encircles me every time I live a new day And questions me: Where were you? Take every word You have given me back to the dictionaries And relieve the sleepers from the echo’s buzz.
*** The martyr enlightens me: beyond the expanse I did not look For the virgins of immortality for I love life On earth, amid fig trees and pines, But I cannot reach it, and then, too, I took aim at it With my last possession: the blood in the body of azure.
*** The martyr warned me: Do not believe their ululations Believe my father when, weeping, he looks at my photograph How did we trade roles, my son, how did you precede me.
I first, I the first one! *** The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed, And a crescent of moon on my finger To appease my sorrow.
*** The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty! *** Resisting means assuring oneself of the heart’s health, The health of the testicles and of your tenacious disease: The disease of hope.
*** And in what remains of the dawn, I walk toward my exterior And in what remains of the night, I hear the sound of footsteps inside me.
*** Greetings to the one who shares with me an attention to The drunkenness of light, the light of the butterfly, in the Blackness of this tunnel! *** Greetings to the one who shares my glass with me In the denseness of a night outflanking the two spaces: Greetings to my apparition.
*** My friends are always preparing a farewell feast for me, A soothing grave in the shade of oak trees A marble epitaph of time And always I anticipate them at the funeral: Who then has died.
.
.
who? *** Writing is a puppy biting nothingness Writing wounds without a trace of blood.
*** Our cups of coffee.
Birds green trees In the blue shade, the sun gambols from one wall To another like a gazelle The water in the clouds has the unlimited shape of what is left to us Of the sky.
And other things of suspended memories Reveal that this morning is powerful and splendid, And that we are the guests of eternity.


Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance, And lovers fall from perseverance, When eyes grow dim and charms decay, And all your roses fade away, First know yourselves; lay by those airs, Which well might suit your former years, Nor ape in vain the childish mien, And airy follies of sixteen.
We pardon faults in youth's gay flow, While beauty prompts the cheek to glow, While every glance has power to warm, And every turn displays a charm, Nor view a spot in that fair face, Which smiles inimitable grace.
But who, unmoved with scorn, can see The grey coquette's affected glee, Her ambuscading tricks of art To catch the beau's unthinking heart, To check th' assuming fopling's vows, The bridling frown of wrinkled brows; Those haughty airs of face and mind, Departed beauty leaves behind.
Nor let your sullen temper show Spleen louring on the envious brow, The jealous glance of rival rage, The sourness and the rust of age.
With graceful ease, avoid to wear The gloom of disappointed care: And oh, avoid the sland'rous tongue, By malice tuned, with venom hung, That blast of virtue and of fame, That herald to the court of shame; Less dire the croaking raven's throat, Though death's dire omens swell the note.
Contented tread the vale of years, Devoid of malice, guilt and fears; Let soft good humour, mildly gay, Gild the calm evening of your day, And virtue, cheerful and serene, In every word and act be seen.
Virtue alone with lasting grace, Embalms the beauties of the face, Instructs the speaking eye to glow, Illumes the cheek and smooths the brow, Bids every look the heart engage, Nor fears the wane of wasting age.
Nor think these charms of face and air, The eye so bright, the form so fair, This light that on the surface plays, Each coxcomb fluttering round its blaze, Whose spell enchants the wits of beaux, The only charms, that heaven bestows.
Within the mind a glory lies, O'erlook'd and dim to vulgar eyes; Immortal charms, the source of love, Which time and lengthen'd years improve, Which beam, with still increasing power, Serene to life's declining hour; Then rise, released from earthly cares, To heaven, and shine above the stars.
Thus might I still these thoughts pursue, The counsel wise, and good, and true, In rhymes well meant and serious lay, While through the verse in sad array, Grave truths in moral garb succeed: Yet who would mend, for who would read? But when the force of precept fails, A sad example oft prevails.
Beyond the rules a sage exhibits, Thieves heed the arguments of gibbets, And for a villain's quick conversion, A pillory can outpreach a parson.
To thee, Eliza, first of all, But with no friendly voice I call.
Advance with all thine airs sublime, Thou remnant left of ancient time! Poor mimic of thy former days, Vain shade of beauty, once in blaze! We view thee, must'ring forth to arms The veteran relics of thy charms; The artful leer, the rolling eye, The trip genteel, the heaving sigh, The labour'd smile, of force too weak, Low dimpling in th' autumnal cheek, The sad, funereal frown, that still Survives its power to wound or kill; Or from thy looks, with desperate rage, Chafing the sallow hue of age, And cursing dire with rueful faces, The repartees of looking-glasses.
Now at tea-table take thy station, Those shambles vile of reputation, Where butcher'd characters and stale Are day by day exposed for sale: Then raise the floodgates of thy tongue, And be the peal of scandal rung; While malice tunes thy voice to rail, And whispering demons prompt the tale-- Yet hold thy hand, restrain thy passion, Thou cankerworm of reputation; Bid slander, rage and envy cease, For one short interval of peace; Let other's faults and crimes alone, Survey thyself and view thine own; Search the dark caverns of thy mind, Or turn thine eyes and look behind: For there to meet thy trembling view, With ghastly form and grisly hue, And shrivel'd hand, that lifts sublime The wasting glass and scythe of Time, A phantom stands: his name is Age; Ill-nature following as his page.
While bitter taunts and scoffs and jeers, And vexing cares and torturing fears, Contempt that lifts the haughty eye, And unblest solitude are nigh; While conscious pride no more sustains, Nor art conceals thine inward pains, And haggard vengeance haunts thy name, And guilt consigns thee o'er to shame, Avenging furies round thee wait, And e'en thy foes bewail thy fate.
But see, with gentler looks and air, Sophia comes.
Ye youths beware! Her fancy paints her still in prime, Nor sees the moving hand of time; To all her imperfections blind, Hears lovers sigh in every wind, And thinks her fully ripen'd charms, Like Helen's, set the world in arms.
Oh, save it but from ridicule, How blest the state, to be a fool! The bedlam-king in triumph shares The bliss of crowns, without the cares; He views with pride-elated mind, His robe of tatters trail behind; With strutting mien and lofty eye, He lifts his crabtree sceptre high; Of king's prerogative he raves, And rules in realms of fancied slaves.
In her soft brain, with madness warm, Thus airy throngs of lovers swarm.
She takes her glass; before her eyes Imaginary beauties rise; Stranger till now, a vivid ray Illumes each glance and beams like day; Till furbish'd every charm anew, An angel steps abroad to view; She swells her pride, assumes her power, And bids the vassal world adore.
Indulge thy dream.
The pictured joy No ruder breath should dare destroy; No tongue should hint, the lover's mind Was ne'er of virtuoso-kind, Through all antiquity to roam For what much fairer springs at home.
No wish should blast thy proud design; The bliss of vanity be thine.
But while the subject world obey, Obsequious to thy sovereign sway, Thy foes so feeble and so few, With slander what hadst thou to do? What demon bade thine anger rise? What demon glibb'd thy tongue with lies? What demon urged thee to provoke Avenging satire's deadly stroke? Go, sink unnoticed and unseen, Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade In clouds hangs dismal o'er thy head.
Fill the short circle of thy day, Then fade from all the world away; Nor leave one fainting trace behind, Of all that flutter'd once and shined; The vapoury meteor's dancing light Deep sunk and quench'd in endless night
Written by John Betjeman | Create an image from this poem

In Westminster Abbey

 Let me take this other glove off
As the vox humana swells,
And the beauteous fields of Eden
Bask beneath the Abbey bells.
Here, where England's statesmen lie, Listen to a lady's cry.
Gracious Lord, oh bomb the Germans, Spare their women for Thy Sake, And if that is not too easy We will pardon Thy Mistake.
But, gracious Lord, whate'er shall be, Don't let anyone bomb me.
Keep our Empire undismembered Guide our Forces by Thy Hand, Gallant blacks from far Jamaica, Honduras and Togoland; Protect them Lord in all their fights, And, even more, protect the whites.
Think of what our Nation stands for, Books from Boots' and country lanes, Free speech, free passes, class distinction, Democracy and proper drains.
Lord, put beneath Thy special care One-eighty-nine Cadogan Square.
Although dear Lord I am a sinner, I have done no major crime; Now I'll come to Evening Service Whensoever I have the time.
So, Lord, reserve for me a crown, And do not let my shares go down.
I will labour for Thy Kingdom, Help our lads to win the war, Send white feathers to the cowards Join the Women's Army Corps, Then wash the steps around Thy Throne In the Eternal Safety Zone.
Now I feel a little better, What a treat to hear Thy Word, Where the bones of leading statesmen Have so often been interr'd.
And now, dear Lord, I cannot wait Because I have a luncheon date.
Written by Wilfred Owen | Create an image from this poem

Insensibility

 I

Happy are men who yet before they are killed
Can let their veins run cold.
Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers.
The front line withers, But they are troops who fade, not flowers For poets' tearful fooling: Men, gaps for filling Losses who might have fought Longer; but no one bothers.
II And some cease feeling Even themselves or for themselves.
Dullness best solves The tease and doubt of shelling, And Chance's strange arithmetic Comes simpler than the reckoning of their shilling.
They keep no check on Armies' decimation.
III Happy are these who lose imagination: They have enough to carry with ammunition.
Their spirit drags no pack.
Their old wounds save with cold can not more ache.
Having seen all things red, Their eyes are rid Of the hurt of the colour of blood for ever.
And terror's first constriction over, Their hearts remain small drawn.
Their senses in some scorching cautery of battle Now long since ironed, Can laugh among the dying, unconcerned.
IV Happy the soldier home, with not a notion How somewhere, every dawn, some men attack, And many sighs are drained.
Happy the lad whose mind was never trained: His days are worth forgetting more than not.
He sings along the march Which we march taciturn, because of dusk, The long, forlorn, relentless trend From larger day to huger night.
V We wise, who with a thought besmirch Blood over all our soul, How should we see our task But through his blunt and lashless eyes? Alive, he is not vital overmuch; Dying, not mortal overmuch; Nor sad, nor proud, Nor curious at all.
He cannot tell Old men's placidity from his.
VI But cursed are dullards whom no cannon stuns, That they should be as stones.
Wretched are they, and mean With paucity that never was simplicity.
By choice they made themselves immune To pity and whatever mourns in man Before the last sea and the hapless stars; Whatever mourns when many leave these shores; Whatever shares The eternal reciprocity of tears.
Written by Ralph Waldo Emerson | Create an image from this poem

Alphonso Of Castile

 I Alphonso live and learn,
Seeing nature go astern.
Things deteriorate in kind, Lemons run to leaves and rind, Meagre crop of figs and limes, Shorter days and harder times.
Flowering April cools and dies In the insufficient skies; Imps at high Midsummer blot Half the sun's disk with a spot; 'Twill not now avail to tan Orange cheek, or skin of man: Roses bleach, the goats are dry, Lisbon quakes, the people cry.
Yon pale scrawny fisher fools, Gaunt as bitterns in the pools, Are no brothers of my blood,— They discredit Adamhood.
Eyes of gods! ye must have seen, O'er your ramparts as ye lean, The general debility, Of genius the sterility, Mighty projects countermanded, Rash ambition broken-handed, Puny man and scentless rose Tormenting Pan to double the dose.
Rebuild or ruin: either fill Of vital force the wasted rill, Or, tumble all again in heap To weltering chaos, and to sleep.
Say, Seigneurs, are the old Niles dry, Which fed the veins of earth and sky, That mortals miss the loyal heats Which drove them erst to social feats, Now to a savage selfness grown, Think nature barely serves for one; With.
science poorly mask their hurt, And vex the gods with question pert, Immensely curious whether you Still are rulers, or Mildew.
Masters, I'm in pain with you; Masters, I'll be plain with you.
In my palace of Castile, I, a king, for kings can feel; There my thoughts the matter roll, And solve and oft resolve the whole, And, for I'm styled Alphonse the Wise, Ye shall not fail for sound advice, Before ye want a drop of rain, Hear the sentiment of Spain.
You have tried famine: no more try it; Ply us now with a full diet; Teach your pupils now with plenty, For one sun supply us twenty: I have thought it thoroughly over, State of hermit, state of lover; We must have society, We cannot spare variety.
Hear you, then, celestial fellows! Fits not to be over zealous; Steads not to work on the clean jump, Nor wine nor brains perpetual pump; Men and gods are too extense,— Could you slacken and condense? Your rank overgrowths reduce, Till your kinds abound with juice; Earth crowded cries, "Too many men,"— My counsel is, Kill nine in ten, And bestow the shares of all On the remnant decimal.
Add their nine lives to this cat; Stuff their nine brains in his hat; Make his frame and forces square With the labors he must dare; Thatch his flesh, and even his years With the marble which he rears; There growing slowly old at ease, No faster than his planted trees, He may, by warrant of his age, In schemes of broader scope engage: So shall ye have a man of the sphere, Fit to grace the solar year.
Written by Anne Kingsmill Finch | Create an image from this poem

The Poor Mans Lamb

 NOW spent the alter'd King, in am'rous Cares, 
The Hours of sacred Hymns and solemn Pray'rs: 
In vain the Alter waits his slow returns, 
Where unattended Incense faintly burns: 
In vain the whisp'ring Priests their Fears express, 
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires, And in his Palace feeds his secret Fires; Impatient, till from Rabbah Tydings tell, That near those Walls the poor Uriah fell, Led to the Onset by a Chosen Few, Who at the treacherous Signal, soon withdrew; Nor to his Rescue e'er return'd again, Till by fierce Ammon's Sword they saw the Victim slain.
'Tis pass'd, 'tis done! the holy Marriage-Knot, Too strong to be unty'd, at last is cut.
And now to Bathsheba the King declares, That with his Heart, the Kingdom too is hers; That Israel's Throne, and longing Monarch's Arms Are to be fill'd but with her widow'd Charms.
Nor must the Days of formal Tears exceed, To cross the Living, and abuse the Dead.
This she denies; and signs of Grief are worn; But mourns no more than may her Face adorn, Give to those Eyes, which Love and Empire fir'd, A melting Softness more to be desir'd; Till the fixt Time, tho' hard to be endur'd, Was pass'd, and a sad Consort's Name procur'd: When, with the Pomp that suits a Prince's Thought, By Passion sway'd, and glorious Woman taught, A Queen she's made, than Michal seated higher, Whilst light unusual Airs prophane the hallow'd Lyre.
Where art thou Nathan? where's that Spirit now, Giv'n to brave Vice, tho' on a Prince's Brow? In what low Cave, or on what Desert Coast, Now Virtue wants it, is thy Presence lost? But lo! he comes, the Rev'rend Bard appears, Defil'd with Dust his awful silver Hairs, And his rough Garment, wet with falling Tears.
The King this mark'd, and conscious wou'd have fled, The healing Balm which for his Wounds was shed: Till the more wary Priest the Serpents Art, Join'd to the Dove-like Temper of his Heart, And thus retards the Prince just ready now to part.
Hear me, the Cause betwixt two Neighbors hear, Thou, who for Justice dost the Sceptre bear: Help the Opprest, nor let me weep alone For him, that calls for Succour from the Throne.
Good Princes for Protection are Ador'd, And Greater by the Shield, than by the Sword.
This clears the Doubt, and now no more he fears The Cause his Own, and therefore stays and hears: When thus the Prophet: – –In a flow'ry Plain A King-like Man does in full Plenty reign; Casts round his Eyes, in vain, to reach the Bound, Which Jordan's Flood sets to his fertile Ground: Countless his Flocks, whilst Lebanon contains A Herd as large, kept by his numerous Swains, That fill with morning Bellowings the cool Air, And to the Cedar's shade at scorching Noon repair.
Near to this Wood a lowly Cottage stands, Built by the humble Owner's painful Hands; Fenc'd by a Stubble-roof, from Rain and Heat, Secur'd without, within all Plain and Neat.
A Field of small Extent surrounds the Place, In which One single Ewe did sport and graze: This his whole Stock, till in full time there came, To bless his utmost Hopes, a snowy Lamb; Which, lest the Season yet too Cold might prove, And Northern Blasts annoy it from the Grove, Or tow'ring Fowl on the weak Prey might sieze, (For with his Store his Fears must too increase) He brings it Home, and lays it by his Side, At once his Wealth, his Pleasure and his Pride; Still bars the Door, by Labour call'd away, And, when returning at the Close of Day, With One small Mess himself, and that sustains, And half his Dish it shares, and half his slender Gains.
When to the great Man's table now there comes A Lord as great, follow'd by hungry Grooms: For these must be provided sundry Meats, The best for Some, for Others coarser Cates.
One Servant, diligent above the rest To help his Master to contrive the Feast, Extols the Lamb was nourished with such Care, So fed, so lodg'd, it must be Princely Fare; And having this, my Lord his own may spare.
In haste he sends, led by no Law, but Will, Not to entreat, or purchase, but to Kill.
The Messenger's arriv'd: the harmless Spoil, Unus'd to fly, runs Bleating to the Toil: Whilst for the Innocent the Owner fear'd, And, sure wou'd move, cou'd Poverty be heard.
Oh spare (he cries) the Product of my Cares, My Stock's Encrease, the Blessing on my Pray'rs; My growing Hope, and Treasure of my Life! More was he speaking, when the murd'ring Knife Shew'd him, his Suit, tho' just, must be deny'd, And the white Fleece in its own Scarlet dy'd; Whilst the poor helpless Wretch stands weeping by, And lifts his Hands for Justice to the Sky.
Which he shall find, th' incensed King replies, When for the proud Offence th' Oppressor dies.
O Nathan! by the Holy Name I swear, Our Land such Wrongs unpunished shall not bear If, with the Fault, th' Offender thou declare.
To whom the Prophet, closing with the Time, Thou art the Man replies, and thine th' ill-natur'd Crime.
Nor think, against thy Place, or State, I err; A Pow'r above thee does this Charge prefer; Urg'd by whose Spirit, hither am I brought T' expostulate his Goodness and thy Fault; To lead thee back to those forgotten Years, In Labour spent, and lowly Rustick Cares, When in the Wilderness thy Flocks but few, Thou didst the Shepherd's simple Art pursue Thro' crusting Frosts, and penetrating Dew: Till wondring Jesse saw six Brothers past, And Thou Elected, Thou the Least and Last; A Sceptre to thy Rural Hand convey'd, And in thy Bosom Royal Beauties laid; A lovely Princess made thy Prize that Day, When on the shaken Ground the Giant lay Stupid in Death, beyond the Reach of Cries That bore thy shouted Fame to list'ning Skies, And drove the flying Foe as fast away, As Winds, of old, Locusts to Egypt's Sea.
Thy Heart with Love, thy Temples with Renown, Th' All-giving Hand of Heav'n did largely crown, Whilst yet thy Cheek was spread with youthful Down.
What more cou'd craving Man of God implore? Or what for favour'd Man cou'd God do more? Yet cou'd not These, nor Israel's Throne, suffice Intemp'rate Wishes, drawn thro' wand'ring Eyes.
One Beauty (not thy own) and seen by chance, Melts down the Work of Grace with an alluring Glance; Chafes the Spirit, fed by sacred Art, And blots the Title AFTER GOD'S OWN HEART; Black Murder breeds to level at his Head, Who boasts so fair a Part'ner of his Bed, Nor longer must possess those envy'd Charms, The single Treasure of his House, and Arms: Giving, by this thy Fall, cause to Blaspheme To all the Heathen the Almighty Name.
For which the Sword shall still thy Race pursue, And, in revolted Israel's scornful View, Thy captiv'd Wives shall be in Triumph led Unto a bold Usurper's shameful Bed; Who from thy Bowels sprung shall seize thy Throne, And scourge thee by a Sin beyond thy own.
Thou hast thy Fault in secret Darkness done; But this the World shall see before the Noonday's Sun.
Enough! the King, enough! the Saint replies, And pours his swift Repentance from his Eyes; Falls on the Ground, and tears the Nuptial Vest, By which his Crime's Completion was exprest: Then with a Sigh blasting to Carnal Love, Drawn deep as Hell, and piercing Heaven, above Let Me (he cries) let Me attend his Rod, For I have sinn'd, for I have lost my God.
Hold! (says the Prophet ) of that Speech beware, God ne'er was lost, unless by Man's Despair.
The Wound that is thus willingly reveal'd, Th' Almighty is as willing should be heal'd.
Thus wash'd in Tears, thy Soul as fair does show As the first Fleece, which on the Lamb does grow, Or on the Mountain's top the lately fallen Snow.
Yet to the World that Justice may appear Acting her Part impartial, and severe, The Offspring of thy Sin shall soon resign That Life, for which thou must not once repine; But with submissive Grief his Fate deplore, And bless the Hand, that does inflict no more.
Shall I then pay but Part, and owe the Whole? My Body's Fruit, for my offending Soul? Shall I no more endure (the King demands) And 'scape thus lightly his offended Hands? Oh! let him All resume, my Crown, my Fame; Reduce me to the Nothing, whence I came; Call back his Favours, faster than he gave; And, if but Pardon'd, strip me to my Grave: Since (tho' he seems to Lose ) He surely Wins, Who gives but earthly Comforts for his Sins.

Book: Shattered Sighs