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Best Famous Screed Poems

Here is a collection of the all-time best famous Screed poems. This is a select list of the best famous Screed poetry. Reading, writing, and enjoying famous Screed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of screed poems.

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Written by Barry Tebb | Create an image from this poem

HUGHES' VOICE IN MY HEAD

 As soon as we crossed into Yorkshire

Hughes’ voice assailed me, unmistakable

Gravel and honey, a raw celebration of rain

Like a tattered lacework window;

Black glisten on roof slates,

Tarmac turned to shining ice,

Blusters of naked wind whipping

The wavelets of shifting water

To imaginary floating islets

On the turbulent river

Glumly he asked, "Where are the mills?"

Knowing their goneness in his lonely heart.
"Where are the mines with their turning spokes, Lurking slag heaps, bolts of coal split with Shimmering fools’ gold tumbling into waiting wagons? Mostly what I came for was a last glimpse Of the rock hanging over my cot, that towering Sheerness fifty fathoms high screed with ferns And failing tree roots, crumbling footholds And dour smile.
A monument needs to be known For what it is, not a tourist slot or geological stratum But the dark mentor loosing wolf’s bane At my sleeping head.
" When the coach lurches over the county boundary, If not Hughes’ voice then Heaney’s or Hill’s Ringing like miners’ boots flinging sparks From the flagstones, piercing the lens of winter, Jutting like tongues of crooked rock Lapping a mossed slab, an altar outgrown, Dumped when the trumpeting hosannas Had finally riven the air of the valley.
And I, myself, what did I make of it? The voices coming into my head Welcoming kin, alive or dead, my eyes Jerking to the roadside magpie, Its white tail-bar doing a hop, skip and jump.


Written by Robert Burns | Create an image from this poem

68. The Holy Fair

 UPON 1 a simmer Sunday morn
 When Nature’s face is fair,
I walked forth to view the corn,
 An’ snuff the caller air.
The rising sun owre Galston muirs Wi’ glorious light was glintin; The hares were hirplin down the furrs, The lav’rocks they were chantin Fu’ sweet that day.
As lightsomely I glowr’d abroad, To see a scene sae gay, Three hizzies, early at the road, Cam skelpin up the way.
Twa had manteeles o” dolefu’ black, But ane wi’ lyart lining; The third, that gaed a wee a-back, Was in the fashion shining Fu’ gay that day.
The twa appear’d like sisters twin, In feature, form, an’ claes; Their visage wither’d, lang an’ thin, An’ sour as only slaes: The third cam up, hap-stap-an’-lowp, As light as ony lambie, An’ wi’a curchie low did stoop, As soon as e’er she saw me, Fu’ kind that day.
Wi’ bonnet aff, quoth I, “Sweet lass, I think ye seem to ken me; I’m sure I’ve seen that bonie face But yet I canna name ye.
” Quo’ she, an’ laughin as she spak, An’ taks me by the han’s, “Ye, for my sake, hae gien the feck Of a’ the ten comman’s A screed some day.
” “My name is Fun—your cronie dear, The nearest friend ye hae; An’ this is Superstitution here, An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair, To spend an hour in daffin: Gin ye’ll go there, yon runkl’d pair, We will get famous laughin At them this day.
” Quoth I, “Wi’ a’ my heart, I’ll do’t; I’ll get my Sunday’s sark on, An’ meet you on the holy spot; Faith, we’se hae fine remarkin!” Then I gaed hame at crowdie-time, An’ soon I made me ready; For roads were clad, frae side to side, Wi’ mony a weary body In droves that day.
Here farmers gash, in ridin graith, Gaed hoddin by their cotters; There swankies young, in braw braid-claith, Are springing owre the gutters.
The lasses, skelpin barefit, thrang, In silks an’ scarlets glitter; Wi’ sweet-milk cheese, in mony a whang, An’ farls, bak’d wi’ butter, Fu’ crump that day.
When by the plate we set our nose, Weel heaped up wi’ ha’pence, A greedy glowr black-bonnet throws, An’ we maun draw our tippence.
Then in we go to see the show: On ev’ry side they’re gath’rin; Some carrying dails, some chairs an’ stools, An’ some are busy bleth’rin Right loud that day.
Here stands a shed to fend the show’rs, An’ screen our countra gentry; There “Racer Jess, 2 an’ twa-three whores, Are blinkin at the entry.
Here sits a raw o’ tittlin jads, Wi’ heaving breast an’ bare neck; An’ there a batch o’ wabster lads, Blackguarding frae Kilmarnock, For fun this day.
Here, some are thinkin on their sins, An’ some upo’ their claes; Ane curses feet that fyl’d his shins, Anither sighs an’ prays: On this hand sits a chosen swatch, Wi’ screwed-up, grace-proud faces; On that a set o’ chaps, at watch, Thrang winkin on the lasses To chairs that day.
O happy is that man, an’ blest! Nae wonder that it pride him! Whase ain dear lass, that he likes best, Comes clinkin down beside him! Wi’ arms repos’d on the chair back, He sweetly does compose him; Which, by degrees, slips round her neck, An’s loof upon her bosom, Unkend that day.
Now a’ the congregation o’er Is silent expectation; For Moodie 3 speels the holy door, Wi’ tidings o’ damnation: Should Hornie, as in ancient days, ’Mang sons o’ God present him, The vera sight o’ Moodie’s face, To ’s ain het hame had sent him Wi’ fright that day.
Hear how he clears the point o’ faith Wi’ rattlin and wi’ thumpin! Now meekly calm, now wild in wrath, He’s stampin, an’ he’s jumpin! His lengthen’d chin, his turned-up snout, His eldritch squeel an’ gestures, O how they fire the heart devout, Like cantharidian plaisters On sic a day! But hark! the tent has chang’d its voice, There’s peace an’ rest nae langer; For a’ the real judges rise, They canna sit for anger, Smith 4 opens out his cauld harangues, On practice and on morals; An’ aff the godly pour in thrangs, To gie the jars an’ barrels A lift that day.
What signifies his barren shine, Of moral powers an’ reason? His English style, an’ gesture fine Are a’ clean out o’ season.
Like Socrates or Antonine, Or some auld pagan heathen, The moral man he does define, But ne’er a word o’ faith in That’s right that day.
In guid time comes an antidote Against sic poison’d nostrum; For Peebles, 5 frae the water-fit, Ascends the holy rostrum: See, up he’s got, the word o’ God, An’ meek an’ mim has view’d it, While Common-sense has taen the road, An’ aff, an’ up the Cowgate 6 Fast, fast that day.
Wee Miller 7 neist the guard relieves, An’ Orthodoxy raibles, Tho’ in his heart he weel believes, An’ thinks it auld wives’ fables: But faith! the birkie wants a manse, So, cannilie he hums them; Altho’ his carnal wit an’ sense Like hafflins-wise o’ercomes him At times that day.
Now, butt an’ ben, the change-house fills, Wi’ yill-caup commentators; Here ’s cryin out for bakes and gills, An’ there the pint-stowp clatters; While thick an’ thrang, an’ loud an’ lang, Wi’ logic an’ wi’ scripture, They raise a din, that in the end Is like to breed a rupture O’ wrath that day.
Leeze me on drink! it gies us mair Than either school or college; It kindles wit, it waukens lear, It pangs us fou o’ knowledge: Be’t whisky-gill or penny wheep, Or ony stronger potion, It never fails, or drinkin deep, To kittle up our notion, By night or day.
The lads an’ lasses, blythely bent To mind baith saul an’ body, Sit round the table, weel content, An’ steer about the toddy: On this ane’s dress, an’ that ane’s leuk, They’re makin observations; While some are cozie i’ the neuk, An’ forming assignations To meet some day.
But now the L—’s ain trumpet touts, Till a’ the hills are rairin, And echoes back return the shouts; Black Russell is na sparin: His piercin words, like Highlan’ swords, Divide the joints an’ marrow; His talk o’ Hell, whare devils dwell, Our vera “sauls does harrow” Wi’ fright that day! A vast, unbottom’d, boundless pit, Fill’d fou o’ lowin brunstane, Whase raging flame, an’ scorching heat, Wad melt the hardest whun-stane! The half-asleep start up wi’ fear, An’ think they hear it roarin; When presently it does appear, ’Twas but some neibor snorin Asleep that day.
’Twad be owre lang a tale to tell, How mony stories past; An’ how they crouded to the yill, When they were a’ dismist; How drink gaed round, in cogs an’ caups, Amang the furms an’ benches; An’ cheese an’ bread, frae women’s laps, Was dealt about in lunches An’ dawds that day.
In comes a gawsie, gash guidwife, An’ sits down by the fire, Syne draws her kebbuck an’ her knife; The lasses they are shyer: The auld guidmen, about the grace Frae side to side they bother; Till some ane by his bonnet lays, An’ gies them’t like a tether, Fu’ lang that day.
Waesucks! for him that gets nae lass, Or lasses that hae naething! Sma’ need has he to say a grace, Or melvie his braw claithing! O wives, be mindfu’ ance yoursel’ How bonie lads ye wanted; An’ dinna for a kebbuck-heel Let lasses be affronted On sic a day! Now Clinkumbell, wi’ rattlin tow, Begins to jow an’ croon; Some swagger hame the best they dow, Some wait the afternoon.
At slaps the billies halt a blink, Till lasses strip their shoon: Wi’ faith an’ hope, an’ love an’ drink, They’re a’ in famous tune For crack that day.
How mony hearts this day converts O’ sinners and o’ lasses! Their hearts o’ stane, gin night, are gane As saft as ony flesh is: There’s some are fou o’ love divine; There’s some are fou o’ brandy; An’ mony jobs that day begin, May end in houghmagandie Some ither day.
Note 1.
“Holy Fair” is a common phrase in the west of Scotland for a sacramental occasion.
—R.
B.
[back] Note 2.
Racer Jess (d.
1813) was a half-witted daughter of Poosie Nansie.
She was a great pedestrian.
[back] Note 3.
Rev.
Alexander Moodie of Riccarton.
[back] Note 4.
Rev.
George Smith of Galston.
[back] Note 5.
Rev.
Wm.
Peebles of Newton-upon-Ayr.
[back] Note 6.
A street so called which faces the tent in Mauchline.
—R.
B.
[back] Note 7.
Rev.
Alex.
Miller, afterward of Kilmaurs.
[back]
Written by Rg Gregory | Create an image from this poem

absinthe and stained glass

 (i)
absinthe makes the hurt grow fonder
the green fairy burbles what's this 'ere
when vincent (sozzled) knifes his lug off
all spirits then succumb to fear
depression takes the gloss off wonder
and people (lost) tell god to bug off
the twentieth century drowns in sheer
excuse that life is comic blunder
temporality dons its gear
forbidden thought soon rips its gag off

stained glass (you think) must be bystander
its leaded eyes seek far not near
the day's bleak dirt it learns to shrug off

(ii)
the history of the race confuses
heady spirit with bloody need
nothing can stop the sky from tingling
intrinsic hope rewords its screed
assumes it must outlive its bruises

stained glass deigns to face the mingling
of atavistic search for creed
with each desire gets what it chooses
it tries to suck out truth from greed
and calmly pacifies the wrangling

lasting spirit allows no ruses
what's bottled dreads to pay much heed
between the two meek life is dangling

(from le trianon - stained glass window by berge)
Written by Amy Lowell | Create an image from this poem

New York at Night

 A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud.
I hear the sigh The goaded city gives, not day Nor night can ease her heart, her anguished labours stay.
Below, straight streets, monotonous, From north and south, from east and west, Stretch glittering; and luminous Above, one tower tops the rest And holds aloft man's constant quest: Time! Joyless emblem of the greed Of millions, robber of the best Which earth can give, the vulgar creed Has seared upon the night its flaming ruthless screed.
O Night! Whose soothing presence brings The quiet shining of the stars.
O Night! Whose cloak of darkness clings So intimately close that scars Are hid from our own eyes.
Beggars By day, our wealth is having night To burn our souls before altars Dim and tree-shadowed, where the light Is shed from a young moon, mysteriously bright.
Where art thou hiding, where thy peace? This is the hour, but thou art not.
Will waking tumult never cease? Hast thou thy votary forgot? Nature forsakes this man-begot And festering wilderness, and now The long still hours are here, no jot Of dear communing do I know; Instead the glaring, man-filled city groans below!
Written by Robert Burns | Create an image from this poem

62. Epistle to William Simson

 I GAT your letter, winsome Willie;
Wi’ gratefu’ heart I thank you brawlie;
Tho’ I maun say’t, I wad be silly,
 And unco vain,
Should I believe, my coaxin billie
 Your flatterin strain.
But I’se believe ye kindly meant it: I sud be laith to think ye hinted Ironic satire, sidelins sklented On my poor Musie; Tho’ in sic phraisin terms ye’ve penn’d it, I scarce excuse ye.
My senses wad be in a creel, Should I but dare a hope to speel Wi’ Allan, or wi’ Gilbertfield, The braes o’ fame; Or Fergusson, the writer-chiel, A deathless name.
(O Fergusson! thy glorious parts Ill suited law’s dry, musty arts! My curse upon your whunstane hearts, Ye E’nbrugh gentry! The tithe o’ what ye waste at cartes Wad stow’d his pantry!) Yet when a tale comes i’ my head, Or lassies gie my heart a screed— As whiles they’re like to be my dead, (O sad disease!) I kittle up my rustic reed; It gies me ease.
Auld Coila now may fidge fu’ fain, She’s gotten poets o’ her ain; Chiels wha their chanters winna hain, But tune their lays, Till echoes a’ resound again Her weel-sung praise.
Nae poet thought her worth his while, To set her name in measur’d style; She lay like some unkenn’d-of-isle Beside New Holland, Or whare wild-meeting oceans boil Besouth Magellan.
Ramsay an’ famous Fergusson Gied Forth an’ Tay a lift aboon; Yarrow an’ Tweed, to monie a tune, Owre Scotland rings; While Irwin, Lugar, Ayr, an’ Doon Naebody sings.
Th’ Illissus, Tiber, Thames, an’ Seine, Glide sweet in monie a tunefu’ line: But Willie, set your fit to mine, An’ cock your crest; We’ll gar our streams an’ burnies shine Up wi’ the best! We’ll sing auld Coila’s plains an’ fells, Her moors red-brown wi’ heather bells, Her banks an’ braes, her dens and dells, Whare glorious Wallace Aft bure the gree, as story tells, Frae Suthron billies.
At Wallace’ name, what Scottish blood But boils up in a spring-tide flood! Oft have our fearless fathers strode By Wallace’ side, Still pressing onward, red-wat-shod, Or glorious died! O, sweet are Coila’s haughs an’ woods, When lintwhites chant amang the buds, And jinkin hares, in amorous whids, Their loves enjoy; While thro’ the braes the cushat croods With wailfu’ cry! Ev’n winter bleak has charms to me, When winds rave thro’ the naked tree; Or frosts on hills of Ochiltree Are hoary gray; Or blinding drifts wild-furious flee, Dark’ning the day! O Nature! a’ thy shews an’ forms To feeling, pensive hearts hae charms! Whether the summer kindly warms, Wi’ life an light; Or winter howls, in gusty storms, The lang, dark night! The muse, nae poet ever fand her, Till by himsel he learn’d to wander, Adown some trottin burn’s meander, An’ no think lang: O sweet to stray, an’ pensive ponder A heart-felt sang! The war’ly race may drudge an’ drive, Hog-shouther, jundie, stretch, an’ strive; Let me fair Nature’s face descrive, And I, wi’ pleasure, Shall let the busy, grumbling hive Bum owre their treasure.
Fareweel, “my rhyme-composing” brither! We’ve been owre lang unkenn’d to ither: Now let us lay our heads thegither, In love fraternal: May envy wallop in a tether, Black fiend, infernal! While Highlandmen hate tools an’ taxes; While moorlan’s herds like guid, fat braxies; While terra firma, on her axis, Diurnal turns; Count on a friend, in faith an’ practice, In Robert Burns.
POSTCRIPTMY memory’s no worth a preen; I had amaist forgotten clean, Ye bade me write you what they mean By this “new-light,” ’Bout which our herds sae aft hae been Maist like to fight.
In days when mankind were but callans At grammar, logic, an’ sic talents, They took nae pains their speech to balance, Or rules to gie; But spak their thoughts in plain, braid lallans, Like you or me.
In thae auld times, they thought the moon, Just like a sark, or pair o’ shoon, Wore by degrees, till her last roon Gaed past their viewin; An’ shortly after she was done They gat a new ane.
This passed for certain, undisputed; It ne’er cam i’ their heads to doubt it, Till chiels gat up an’ wad confute it, An’ ca’d it wrang; An’ muckle din there was about it, Baith loud an’ lang.
Some herds, weel learn’d upo’ the beuk, Wad threap auld folk the thing misteuk; For ’twas the auld moon turn’d a neuk An’ out of’ sight, An’ backlins-comin to the leuk She grew mair bright.
This was deny’d, it was affirm’d; The herds and hissels were alarm’d The rev’rend gray-beards rav’d an’ storm’d, That beardless laddies Should think they better wer inform’d, Than their auld daddies.
Frae less to mair, it gaed to sticks; Frae words an’ aiths to clours an’ nicks; An monie a fallow gat his licks, Wi’ hearty crunt; An’ some, to learn them for their tricks, Were hang’d an’ brunt.
This game was play’d in mony lands, An’ auld-light caddies bure sic hands, That faith, the youngsters took the sands Wi’ nimble shanks; Till lairds forbad, by strict commands, Sic bluidy pranks.
But new-light herds gat sic a cowe, Folk thought them ruin’d stick-an-stowe; Till now, amaist on ev’ry knowe Ye’ll find ane plac’d; An’ some their new-light fair avow, Just quite barefac’d.
Nae doubt the auld-light flocks are bleatin; Their zealous herds are vex’d an’ sweatin; Mysel’, I’ve even seen them greetin Wi’ girnin spite, To hear the moon sae sadly lied on By word an’ write.
But shortly they will cowe the louns! Some auld-light herds in neebor touns Are mind’t, in things they ca’ balloons, To tak a flight; An’ stay ae month amang the moons An’ see them right.
Guid observation they will gie them; An’ when the auld moon’s gaun to lea’e them, The hindmaist shaird, they’ll fetch it wi’ them Just i’ their pouch; An’ when the new-light billies see them, I think they’ll crouch! Sae, ye observe that a’ this clatter Is naething but a “moonshine matter”; But tho’ dull prose-folk Latin splatter In logic tulyie, I hope we bardies ken some better Than mind sic brulyie.


Written by Emma Lazarus | Create an image from this poem

The Cranes of Ibicus

 Here was a man who watched the river flow 
Past the huge town, one gray November day.
Round him in narrow high-piled streets at play The boys made merry as they saw him go, Murmuring half-loud, with eyes upon the stream, The immortal screed he held within his hand.
For he was walking in an April land With Faust and Helen.
Shadowy as a dream Was the prose-world, the river and the town.
Wild joy possessed him; through enchanted skies He saw the cranes of Ibycus swoop down.
He closed the page, he lifted up his eyes, Lo--a black line of birds in wavering thread Bore him the greetings of the deathless dead!
Written by Ezra Pound | Create an image from this poem

Statement of Being

 I am a grave poetic hen
That lays poetic eggs
And to enhance my temperament
A little quiet begs.
We make the yolk philosophy, True beauty the albumen.
And then gum on a shell of form To make the screed sound human.
Written by Robert Burns | Create an image from this poem

96. The Inventory

 SIR, as your mandate did request,
I send you here a faithfu’ list,
O’ gudes an’ gear, an’ a’ my graith,
To which I’m clear to gi’e my aith.
Imprimis, then, for carriage cattle, I hae four brutes o’ gallant mettle, As ever drew afore a pettle.
My hand-afore ’s a guid auld has-been, An’ wight an’ wilfu’ a’ his days been: My hand-ahin ’s a weel gaun fillie, That aft has borne me hame frae Killie.
2 An’ your auld borough mony a time In days when riding was nae crime.
But ance, when in my wooing pride I, like a blockhead, boost to ride, The wilfu’ creature sae I pat to, (L—d pardon a’ my sins, an’ that too!) I play’d my fillie sic a shavie, She’s a’ bedevil’d wi’ the spavie.
My furr-ahin ’s a wordy beast, As e’er in tug or tow was traced.
The fourth’s a Highland Donald hastle, A d—n’d red-wud Kilburnie blastie! Foreby a cowt, o’ cowts the wale, As ever ran afore a tail: Gin he be spar’d to be a beast, He’ll draw me fifteen pund at least.
Wheel-carriages I ha’e but few, Three carts, an’ twa are feckly new; An auld wheelbarrow, mair for token, Ae leg an’ baith the trams are broken; I made a poker o’ the spin’le, An’ my auld mither brunt the trin’le.
For men, I’ve three mischievous boys, Run-deils for ranting an’ for noise; A gaudsman ane, a thrasher t’ other: Wee Davock hauds the nowt in fother.
I rule them as I ought, discreetly, An’ aften labour them completely; An’ aye on Sundays duly, nightly, I on the Questions targe them tightly; Till, faith! wee Davock’s grown sae gleg, Tho’ scarcely langer than your leg, He’ll screed you aff Effectual Calling, As fast as ony in the dwalling.
I’ve nane in female servant station, (L—d keep me aye frae a’ temptation!) I hae nae wife-and thay my bliss is, An’ ye have laid nae tax on misses; An’ then, if kirk folks dinna clutch me, I ken the deevils darena touch me.
Wi’ weans I’m mair than weel contented, Heav’n sent me ane mae than I wanted! My sonsie, smirking, dear-bought Bess, She stares the daddy in her face, Enough of ought ye like but grace; But her, my bonie, sweet wee lady, I’ve paid enough for her already; An’ gin ye tax her or her mither, By the L—d, ye’se get them a’ thegither! And now, remember, Mr.
Aiken, Nae kind of licence out I’m takin: Frae this time forth, I do declare I’se ne’er ride horse nor hizzie mair; Thro’ dirt and dub for life I’ll paidle, Ere I sae dear pay for a saddle; My travel a’ on foot I’ll shank it, I’ve sturdy bearers, Gude the thankit! The kirk and you may tak you that, It puts but little in your pat; Sae dinna put me in your beuk, Nor for my ten white shillings leuk.
This list, wi’ my ain hand I wrote it, The day and date as under noted; Then know all ye whom it concerns, Subscripsi huic, ROBERT BURNS.
MOSSGIEL, February 22, 1786.
Note 1.
The “Inventory” was addressed to Mr.
Aitken of Ayr, surveyor of taxes for the district.
[back] Note 2.
Kilmarnock.
—R.
B.
[back]
Written by Andrew Barton Paterson | Create an image from this poem

Typographical

 The Editor wrote his political screed 
In ink that was fainter and fainter; 
He rose to the call of his country's need, 
And in spiderish characters wrote with speed, 
A column on "Cutting the Painter".
The "reader" sat in his high-backed chair, For literals he was a hunter; But he stared aghast at the column long Of the editorial hot and strong, For the comp.
inspired by some sense of wrong Had headed it "Gutting the Punter".
Written by John Clare | Create an image from this poem

The Maple Tree

 The Maple with its tassell flowers of green
That turns to red, a stag horn shapèd seed
Just spreading out its scallopped leaves is seen,
Of yellowish hue yet beautifully green.
Bark ribb'd like corderoy in seamy screed That farther up the stem is smoother seen, Where the white hemlock with white umbel flowers Up each spread stoven to the branches towers And mossy round the stoven spread dark green And blotched leaved orchis and the blue-bell flowers— Thickly they grow and neath the leaves are seen.
I love to see them gemm'd with morning hours.
I love the lone green places where they be And the sweet clothing of the Maple tree.

Book: Shattered Sighs