10 Best Famous Screams Poems

Here is a collection of the top 10 all-time best famous Screams poems. This is a select list of the best famous Screams poetry. Reading, writing, and enjoying famous Screams poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of screams poems.

• All Famous Screams Poems

 The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky— blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.

The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.

Yet but awhile the slumbering weather flings
Its murky prison round— then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song— cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.

At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.—
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.

The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.

The boy, that scareth from the spiry wheat
The melancholy crow—in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.

Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms—
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.

At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds—then Toil hath time for play,
And nought but threshers' flails awake the dreary day.

 call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the 
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and 
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain 
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the 
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a 
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in 
strange places.
the jobless men went mad 
confined with
their once beautiful wives.
there were terrible arguments
as notices of foreclosure
fell into the mailbox.
rain and hail, cans of beans,
bread without butter;fried
eggs, boiled eggs, poached
eggs; peanut butter
sandwiches, and an invisible 
chicken in every pot.
my father, never a good man
at best, beat my mother
when it rained
as I threw myself
between them,
the legs, the knees, the
screams
until they
seperated.
"I'll kill you," I screamed
at him. "You hit her again
and I'll kill you!"
"Get that son-of-a-bitching
kid out of here!"
"no, Henry, you stay with
your mother!"
all the households were under 
seige but I believe that ours
held more terror than the
average.
and at night
as we attempted to sleep
the rains still came down
and it was in bed
in the dark
watching the moon against 
the scarred window
so bravely
holding out 
most of the rain,
I thought of Noah and the
Ark
and I thought, it has come
again.
we all thought
that.
and then, at once, it would 
stop.
and it always seemed to 
stop
around 5 or 6 a.m.,
peaceful then,
but not an exact silence
because things continued to
drip
 drip
 drip


and there was no smog then
and by 8 a.m.
there was a
blazing yellow sunlight,
Van Gogh yellow-
crazy, blinding!
and then
the roof drains
relieved of the rush of 
water
began to expand in the warmth:
PANG!PANG!PANG!
and everybody got up and looked outside
and there were all the lawns
still soaked
greener than green will ever
be
and there were birds
on the lawn
CHIRPING like mad,
they hadn't eaten decently 
for 7 days and 7 nights
and they were weary of 
berries
and
they waited as the worms
rose to the top,
half drowned worms.
the birds plucked them 
up
and gobbled them
down;there were
blackbirds and sparrows.
the blackbirds tried to
drive the sparrows off
but the sparrows,
maddened with hunger,
smaller and quicker,
got their
due.
the men stood on their porches
smoking cigarettes,
now knowing
they'd have to go out
there
to look for that job
that probably wasn't 
there, to start that car 
that probably wouldn't
start.
and the once beautiful
wives
stood in their bathrooms
combing their hair,
applying makeup,
trying to put their world back
together again,
trying to forget that
awful sadness that
gripped them,
wondering what they could
fix for 
breakfast.
and on the radio
we were told that
school was now
open.
and
soon
there I was
on the way to school,
massive puddles in the 
street,
the sun like a new
world,
my parents back in that
house,
I arrived at my classroom
on time.
Mrs. Sorenson greeted us
with, "we won't have our
usual recess, the grounds 
are too wet."
"AW!" most of the boys 
went.
"but we are going to do
something special at
recess," she went on,
"and it will be
fun!"
well, we all wondered
what that would
be
and the two hour wait
seemed a long time
as Mrs.Sorenson
went about
teaching her
lessons.
I looked at the little
girls, they looked so 
pretty and clean and
alert,
they sat still and
straight
and their hair was 
beautiful
in the California
sunshine.
the the recess bells rang 
and we all waited for the 
fun.
then Mrs. Sorenson told us:
"now, what we are going to
do is we are going to tell
each other what we did 
during the rainstorm!
we'll begin in the front row
and go right around!
now, Michael, you're first!. . ."
well, we all began to tell
our stories, Michael began
and it went on and on,
and soon we realized that
we were all lying, not
exactly lying but mostly
lying and some of the boys
began to snicker and some 
of the girls began to give
them dirty looks and
Mrs.Sorenson said,
"all right! I demand a
modicum of silence
here!
I am interested in what
you did
during the rainstorm
even if you
aren't!"
so we had to tell our 
stories and they were
stories.
one girl said that
when the rainbow first
came 
she saw God's face
at the end of it.
only she didn't say which end.
one boy said he stuck
his fishing pole
out the window
and caught a little
fish
and fed it to his
cat.
almost everybody told
a lie.
the truth was just
too awful and
embarassing to tell.
then the bell rang
and recess was 
over.
"thank you," said Mrs.
Sorenson, "that was very
nice.
and tomorrow the grounds 
will be dry
and we will put them
to use
again."
most of the boys
cheered
and the little girls 
sat very straight and
still,
looking so pretty and 
clean and
alert,
their hair beautiful in a sunshine that 
the world might never see 
again.
and

Speak the truth to the people
Talk sense to the people
Free them with honesty
Free the people with Love and Courage for their Being
Spare them the fantasy
Fantasy enslaves
A slave is enslaved
Can be enslaved by unwisdom
Can be re-enslaved while in flight from the enemy
Can be enslaved by his brother whom he loves
His brother whom he trusts whom he loves
His brother whom he trusts
His brother with the loud voice
And the unwisdom
Speak the truth to the people
It is not necessary to green the heart
Only to identify the enemy
It is not necessary to blow the mind
Only to free the mind
To identify the enemy is to free the mind
A free mind has no need to scream

A free mind is ready for other things

To BUILD black schools
To BUILD black children
To BUILD black minds
To BUILD black love
To BUILD black impregnability
To BUILD a strong black nation
To BUILD

Speak the truth to the people
Spare them the opium of devil-hate
They need no trips on honky-chants.

Move them instead to a BLACK ONENESS.

A black strength which will defend its own
Needing no cacophony of screams for activation
A black strength which will attack the laws
exposes the lies, disassembles the structure
and ravages the very foundation of evil.
Speak the truth to the people
To identify the enemy is to free the mind
Free the mind of the people
Speak to the mind of the people
Speak Truth

 The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love: it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun, -
It shall be, I said, for eternity
'Twixt you and me!
Dear friend, those times are over and done;
Love's web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy, -
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the breasts of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty, - you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.

 I, too, at length discerned great Hercules' energy mighty,--
Saw his shade. He himself was not, alas, to be seen.
Round him were heard, like the screaming of birds,
the screams of tragedians,
And, with the baying of dogs, barked dramaturgists around.
There stood the giant in all his terrors; his bow was extended,
And the bolt, fixed on the string, steadily aimed at the heart.
"What still hardier action, unhappy one, dost thou now venture,
Thus to descend to the grave of the departed souls here?"--
"'Tis to see Tiresias I come, to ask of the prophet
Where I the buskin of old, that now has vanished, may find?"
"If they believe not in Nature, nor the old Grecian, but vainly
Wilt thou convey up from hence that dramaturgy to them."
"Oh, as for Nature, once more to tread our stage she has ventured,
Ay, and stark-naked beside, so that each rib we count."
"What? Is the buskin of old to be seen in truth on your stage, then,
Which even I came to fetch, out of mid-Tartarus' gloom?"--
"There is now no more of that tragic bustle, for scarcely
Once in a year on the boards moves thy great soul, harness-clad."
"Doubtless 'tis well! Philosophy now has refined your sensations,
And from the humor so bright fly the affections so black."--
"Ay, there is nothing that beats a jest that is stolid and barren,
But then e'en sorrow can please, if 'tis sufficiently moist."
"But do ye also exhibit the graceful dance of Thalia,
Joined to the solemn step with which Melpomene moves?"--
"Neither! For naught we love but what is Christian and moral;
And what is popular, too, homely, domestic, and plain."
"What? Does no Caesar, does no Achilles, appear on your stage now,
Not an Andromache e'en, not an Orestes, my friend?"
"No! there is naught to be seen there but parsons,
and syndics of commerce,
Secretaries perchance, ensigns, and majors of horse."
"But, my good friend, pray tell me, what can such people e'er meet with
That can be truly called great?--what that is great can they do?"
"What? Why they form cabals, they lend upon mortgage, they pocket
Silver spoons, and fear not e'en in the stocks to be placed."
"Whence do ye, then, derive the destiny, great and gigantic,
Which raises man up on high, e'en when it grinds him to dust?"--
"All mere nonsense! Ourselves, our worthy acquaintances also,
And our sorrows and wants, seek we, and find we, too, here."
"But all this ye possess at home both apter and better,--
Wherefore, then, fly from yourselves, if 'tis yourselves that ye seek?"
"Be not offended, great hero, for that is a different question;
Ever is destiny blind,--ever is righteous the bard."
"Then one meets on your stage your own contemptible nature,
While 'tis in vain one seeks there nature enduring and great?"
"There the poet is host, and act the fifth is the reckoning;
And, when crime becomes sick, virtue sits down to the feast!"

 He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway 
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews 
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face

 it gets run over by a van. 
you find it at the side of the road 
and bury it. 
you feel bad about it. 
you feel bad personally, 
but you feel bad for your daughter 
because it was her pet, 
and she loved it so. 
she used to croon to it 
and let it sleep in her bed. 
you write a poem about it. 
you call it a poem for your daughter, 
about the dog getting run over by a van 
and how you looked after it, 
took it out into the woods 
and buried it deep, deep, 
and that poem turns out so good 
you're almost glad the little dog 
was run over, or else you'd never 
have written that good poem. 
then you sit down to write 
a poem about writing a poem 
about the death of that dog, 
but while you're writing you 
hear a woman scream 
your name, your first name, 
both syllables, 
and your heart stops. 
after a minute, you continue writing. 
she screams again. 
you wonder how long this can go on.

 (France -- Ancient Regime.) 

I.

Go away! 
Go away; I will not confess to you! 
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click, 
As he mumbles in his corner, the shadow deepens upon him; 
I will not confess! . . . 

Is he there or is it intenser shadow? 
Dark huddled coilings from the obscene depths, 
Black, formless shadow, 
Shadow. 
Doors creak; from secret parts of the chateau come the scuffle and worry of rats. 

Orange light drips from the guttering candles, 
Eddying over the vast embroideries of the bed 
Stirring the monstrous tapestries, 
Retreating before the sable impending gloom of the canopy 
With a swift thrust and sparkle of gold, 
Lipping my hands, 
Then 
Rippling back abashed before the ominous silences 
Like the swift turns and starts of an overpowered fencer 
Who sees before him Horror 
Behind him darkness, 
Shadow. 

The clock jars and strikes, a thin, sudden note like the sob of a child. 
Clock, buhl clock that ticked out the tortuous hours of my birth, 
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured, 
Yardstick of my stifling shroud? 

I am Aumaury de Montreuil; once quick, soon to be eaten of worms. 
You hear, Father? Hsh, he is asleep in the night's cloak. 

Over me too steals sleep. 
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling; 
Sleep on the carven shields and knots at the foot of the bed, 
Oozing, blurring outlines, obliterating colors, 
Death. 

Father, Father, I must not sleep! 
It does not hear -- that shadow crouched in the corner . . . 
Is it a shadow? 
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness. 


II.

Out of the drowsy fog my body creeps back to me. 
It is the white time before dawn. 
Moonlight, watery, pellucid, lifeless, ripples over the world. 
The grass beneath it is gray; the stars pale in the sky. 
The night dew has fallen; 
An infinity of little drops, crystals from which all light has been taken, 
Glint on the sighing branches. 
All is purity, without color, without stir, without passion. 

Suddenly a peacock screams. 

My heart shocks and stops; 
Sweat, cold corpse-sweat 
Covers my rigid body. 
My hair stands on end. I cannot stir. I cannot speak. 
It is terror, terror that is walking the pale sick gardens 
And the eyeless face no man may see and live! 
Ah-h-h-h-h! 
Father, Father, wake! wake and save me! 
In his corner all is shadow. 

Dead things creep from the ground. 
It is so long ago that she died, so long ago! 
Dust crushes her, earth holds her, mold grips her. 
Fiends, do you not know that she is dead? . . . 
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor. 
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra, 
From the white shoulders of girls and the white powdered wigs of men . . . 
All life was that dance. 
The mocking, resistless current, 
The beauty, the passion, the perilous madness -- 
As she took my hand, released it and spread her dresses like petals, 
Turning, swaying in beauty, 
A lily, bowed by the rain, -- 
Moonlight she was, and her body of moonlight and foam, 
And her eyes stars. 
Oh the dance has a pattern! 
But the clear grace of her thrilled through the notes of the viols, 
Tremulous, pleading, escaping, immortal, untamed, 
And, as we ended, 
She blew me a kiss from her hand like a drifting white blossom -- 
And the starshine was gone; and she fled like a bird up the stair. 

Underneath the window a peacock screams, 
And claws click, scrape 
Like little lacquered boots on the rough stone. 

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased! 
The aching presence of the beloved's beauty! 
The wisdom, the incense, the brightness! 

Once more on the ice-bright floor they danced the pavon 
But I turned to the garden and her from the lighted candles. 
Softly I trod the lush grass between the black hedges of box. 
Softly, for I should take her unawares and catch her arms, 
And embrace her, dear and startled. 

By the arbor all the moonlight flowed in silver 
And her head was on his breast. 
She did not scream or shudder 
When my sword was where her head had lain 
In the quiet moonlight; 
But turned to me with one pale hand uplifted, 
All her satins fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
Like the quivering plumage of a peacock . . . 
Then her head drooped and I gripped her hair, 
Oh soft, scented cloud across my fingers! -- 
Bending her white neck back. . . . 

Blood writhed on my hands; I trod in blood. . . . 
Stupidly agaze 
At that crumpled heap of silk and moonlight, 
Where like twitching pinions, an arm twisted, 
Palely, and was still 
As the face of chalk. 

The buhl clock strikes. 
Thirty years. Christ, thirty years! 
Agony. Agony. 

Something stirs in the window, 
Shattering the moonlight. 
White wings fan. 
Father, Father! 

All its plumage fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
It drifts across the floor and mounts the bed, 
To the tap of little satin shoes. 
Gazing with infernal eyes. 
Its quick beak thrusting, rending, devil's crimson . . . 
Screams, great tortured screams shake the dark canopy. 
The light flickers, the shadow in the corner stirs; 
The wax face lifts; the eyes open. 

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.

 I thought he was dumb, said he was dumb,
Yet I've heard him cry.
First faint scream,
Out of life's unfathomable dawn,
Far off, so far, like a madness, under the horizon's dawning rim,
Far, far off, far scream.
Tortoise in extremis.
Why were we crucified into sex?
Why were we not left rounded off, and finished in ourselves,
As we began,
As he certainly began, so perfectly alone?

A far, was-it-audible scream,
Or did it sound on the plasm direct?

Worse than the cry of the new-born,
A scream,
A yell,
A shout,
A paean,
A death-agony,
A birth-cry,
A submission,
All tiny, tiny, far away, reptile under the first dawn.

War-cry, triumph, acute-delight, death-scream reptilian,
Why was the veil torn?
The silken shriek of the soul's torn membrane?
The male soul's membrane
Torn with a shriek half music, half horror.

Crucifixion.
Male tortoise, cleaving behind the hovel-wall of that dense female,
Mounted and tense, spread-eagle, out-reaching out of the shell
In tortoise-nakedness,

Long neck, and long vulnerable limbs extruded, spreadeagle over her house-roof,
And the deep, secret, all-penetrating tail curved beneath her walls,
Reaching and gripping tense, more reaching anguish in uttermost tension
Till suddenly, in the spasm of coition, tupping like a jerking leap, and oh!
Opening its clenched face from his outstretched neck
And giving that fragile yell, that scream,
Super-audible,
From his pink, cleft, old-man's mouth,
Giving up the ghost,
Or screaming in Pentecost, receiving the ghost.

His scream, and his moment's subsidence,
The moment of eternal silence,
Yet unreleased, and after the moment, the sudden, startling jerk of coition, and at once
The inexpressible faint yell --
And so on, till the last plasm of my body was melted back
To the primeval rudiments of life, and the secret.

So he tups, and screams
Time after time that frail, torn scream
After each jerk, the longish interval,
The tortoise eternity,
Age-long, reptilian persistence,
Heart-throb, slow heart-throb, persistent for the next spasm.

I remember, when I was a boy,
I heard the scream of a frog, which was caught with his foot in the mouth of an up-starting snake;
I remember when I first heard bull-frogs break into sound in the spring;
I remember hearing a wild goose out of the throat of night
Cry loudly, beyond the lake of waters;
I remember the first time, out of a bush in the darkness, a nightingale's piercing cries and gurgles startled the depths of my soul;
I remember the scream of a rabbit as I went through a wood at midnight;
I remember the heifer in her heat, blorting and blorting through the hours, persistent and irrepressible,
I remember my first terror hearing the howl of weird, amorous cats;
I remember the scream of a terrified, injured horse, the sheet-lightning,
And running away from the sound of a woman in labour, something like an owl whooing,
And listening inwardly to the first bleat of a lamb,
The first wail of an infant,
And my mother singing to herself,
And the first tenor singing of the passionate throat of a young collier, who has long since drunk himself to death,
The first elements of foreign speech
On wild dark lips.

And more than all these,
And less than all these,
This last,
Strange, faint coition yell
Of the male tortoise at extremity,
Tiny from under the very edge of the farthest far-off horizon of life.

The cross,
The wheel on which our silence first is broken,
Sex, which breaks up our integrity, our single inviolability, our deep silence,
Tearing a cry from us.

Sex, which breaks us into voice, sets us calling across the deeps, calling, calling for the complement,
Singing, and calling, and singing again, being answered, having found.

Torn, to become whole again, after long seeking for what is lost,
The same cry from the tortoise as from Christ, the Osiris-cry of abandonment,
That which is whole, torn asunder,
That which is in part, finding its whole again throughout the universe.

 Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.

Thy face is as a sword smiting in sunder
Shadows and chains and dreams and iron things;
The sea is dumb before thy face, the thunder
Silent, the skies are narrower than thy wings.

Angels and Gods, spirit and sense, thou takest
In thy right hand as drops of dust or dew;
The temples and the towers of time thou breakest,
His thoughts and words and works, to make them new.

All we have wandered from thy ways, have hidden
Eyes from thy glory and ears from calls they heard;
Called of thy trumpets vainly, called and chidden,
Scourged of thy speech and wounded of thy word.

We have known thee and have not known thee; stood beside thee,
Felt thy lips breathe, set foot where thy feet trod,
Loved and renounced and worshipped and denied thee,
As though thou wert but as another God,

"One hour for sleep," we said, "and yet one other;
All day we served her, and who shall serve by night?"
Not knowing of thee, thy face not knowing, O mother,
O light wherethrough the darkness is as light.

Men that forsook thee hast thou not forsaken,
Races of men that knew not hast thou known;
Nations that slept thou hast doubted not to waken,
Worshippers of strange Gods to make thine own.

All old grey histories hiding thy clear features,
O secret spirit and sovereign, all men's tales,
Creeds woven of men thy children and thy creatures,
They have woven for vestures of thee and for veils.

Thine hands, without election or exemption,
Feed all men fainting from false peace or strife,
O thou, the resurrection and redemption,
The godhead and the manhood and the life.

Thy wings shadow the waters; thine eyes lighten
The horror of the hollows of the night;
The depths of the earth and the dark places brighten
Under thy feet, whiter than fire is white.

Death is subdued to thee, and hell's bands broken;
Where thou art only is heaven; who hears not thee,
Time shall not hear him; when men's names are spoken,
A nameless sign of death shall his name be.

Deathless shall be the death, the name be nameless;
Sterile of stars his twilight time of breath;
With fire of hell shall shame consume him shameless,
And dying, all the night darken his death.

The years are as thy garments, the world's ages
As sandals bound and loosed from thy swift feet;
Time serves before thee, as one that hath for wages
Praise or shame only, bitter words or sweet.

Thou sayest "Well done," and all a century kindles;
Again thou sayest "Depart from sight of me,"
And all the light of face of all men dwindles,
And the age is as the broken glass of thee.

The night is as a seal set on men's faces,
On faces fallen of men that take no light,
Nor give light in the deeps of the dark places,
Blind things, incorporate with the body of night.

Their souls are serpents winterbound and frozen,
Their shame is as a tame beast, at their feet
Couched; their cold lips deride thee and thy chosen,
Their lying lips made grey with dust for meat.

Then when their time is full and days run over,
The splendour of thy sudden brow made bare
Darkens the morning; thy bared hands uncover
The veils of light and night and the awful air.

And the world naked as a new-born maiden
Stands virginal and splendid as at birth,
With all thine heaven of all its light unladen,
Of all its love unburdened all thine earth.

For the utter earth and the utter air of heaven
And the extreme depth is thine and the extreme height;
Shadows of things and veils of ages riven
Are as men's kings unkingdomed in thy sight.

Through the iron years, the centuries brazen-gated,
By the ages' barred impenetrable doors,
From the evening to the morning have we waited,
Should thy foot haply sound on the awful floors.

The floors untrodden of the sun's feet glimmer,
The star-unstricken pavements of the night;
Do the lights burn inside? the lights wax dimmer
On festal faces withering out of sight.

The crowned heads lose the light on them; it may be
Dawn is at hand to smite the loud feast dumb;
To blind the torch-lit centuries till the day be,
The feasting kingdoms till thy kingdom come.

Shall it not come? deny they or dissemble,
Is it not even as lightning from on high
Now? and though many a soul close eyes and tremble,
How should they tremble at all who love thee as I?

I am thine harp between thine hands, O mother!
All my strong chords are strained with love of thee.
We grapple in love and wrestle, as each with other
Wrestle the wind and the unreluctant sea.

I am no courtier of thee sober-suited,
Who loves a little for a little pay.
Me not thy winds and storms nor thrones disrooted
Nor molten crowns nor thine own sins dismay.

Sinned hast thou sometime, therefore art thou sinless;
Stained hast thou been, who art therefore without stain;
Even as man's soul is kin to thee, but kinless
Thou, in whose womb Time sows the all-various grain.

I do not bid thee spare me, O dreadful mother!
I pray thee that thou spare not, of thy grace.
How were it with me then, if ever another
Should come to stand before thee in this my place?

I am the trumpet at thy lips, thy clarion
Full of thy cry, sonorous with thy breath;
The graves of souls born worms and creeds grown carrion
Thy blast of judgment fills with fires of death.

Thou art the player whose organ-keys are thunders,
And I beneath thy foot the pedal prest;
Thou art the ray whereat the rent night sunders,
And I the cloudlet borne upon thy breast.

I shall burn up before thee, pass and perish,
As haze in sunrise on the red sea-line;
But thou from dawn to sunsetting shalt cherish
The thoughts that led and souls that lighted mine.

Reared between night and noon and truth and error,
Each twilight-travelling bird that trills and screams
Sickens at midday, nor can face for terror
The imperious heaven's inevitable extremes.

I have no spirit of skill with equal fingers
At sign to sharpen or to slacken strings;
I keep no time of song with gold-perched singers
And chirp of linnets on the wrists of kings.

I am thy storm-thrush of the days that darken,
Thy petrel in the foam that bears thy bark
To port through night and tempest; if thou hearken,
My voice is in thy heaven before the lark.

My song is in the mist that hides thy morning,
My cry is up before the day for thee;
I have heard thee and beheld thee and give warning,
Before thy wheels divide the sky and sea.

Birds shall wake with thee voiced and feathered fairer,
To see in summer what I see in spring;
I have eyes and heart to endure thee, O thunder-bearer,
And they shall be who shall have tongues to sing.

I have love at least, and have not fear, and part not
From thine unnavigable and wingless way;
Thou tarriest, and I have not said thou art not,
Nor all thy night long have denied thy day.

Darkness to daylight shall lift up thy paean,
Hill to hill thunder, vale cry back to vale,
With wind-notes as of eagles AEschylean,
And Sappho singing in the nightingale.

Sung to by mighty sons of dawn and daughters,
Of this night's songs thine ear shall keep but one;
That supreme song which shook the channelled waters,
And called thee skyward as God calls the sun.

Come, though all heaven again be fire above thee;
Though death before thee come to clear thy sky;
Let us but see in his thy face who love thee;
Yea, though thou slay us, arise and let us die.