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Best Famous Russell Poems

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Written by George William Russell | Create an image from this poem

Forgiveness

 My heart was heavy, for its trust had been 
Abused, its kindness answered with foul wrong; 
So, turning gloomily from my fellow-men, 
One summer Sabbath day I strolled among 
The green mounds of the village burial-place; 
Where, pondering how all human love and hate 
Find one sad level; and how, soon or late, 
Wronged and wrongdoer, each with meekened face, 
And cold hands folded over a still heart, 
Pass the green threshold of our common grave, 
Whither all footsteps tend, whence none depart, 
Awed for myself, and pitying my race, 
Our common sorrow, like a mighty wave, 
Swept all my pride away, and trembling I forgave!


Written by David Lehman | Create an image from this poem

Wittgensteins Ladder

 "My propositions serve as elucidations in the following way: 
 anyone who understands them eventually recognizes them as 
 nonsensical, when he has used them -- as steps -- to climb 
 up beyond them. (He must, so to speak, throw away the ladder 
 after he has climbed up it.)" -- Ludwig Wittgenstein, Tractatus 

1. 

The first time I met Wittgenstein, I was 
late. "The traffic was murder," I explained. 
He spent the next forty-five minutes 
analyzing this sentence. Then he was silent. 
I wondered why he had chosen a water tower
for our meeting. I also wondered how
I would leave, since the ladder I had used 
to climb up here had fallen to the ground. 

2. 

Wittgenstein served as a machine-gunner 
in the Austrian Army in World War I. 
Before the war he studied logic in Cambridge 
with Bertrand Russell. Having inherited 
his father's fortune (iron and steel), he 
gave away his money, not to the poor, whom 
it would corrupt, but to relations so rich 
it would not thus affect them. 

3. 

On leave in Vienna in August 1918 
he assembled his notebook entries 
into the Tractatus, Since it provided 
the definitive solution to all the problems 
of philosophy, he decided to broaden 
his interests. He became a schoolteacher, 
then a gardener's assistant at a monastery 
near Vienna. He dabbled in architecture. 

4. 

He returned to Cambridge in 1929, 
receiving his doctorate for the Tractatus, 
"a work of genius," in G. E. Moore's opinion. 
Starting in 1930 he gave a weekly lecture 
and led a weekly discussion group. He spoke 
without notes amid long periods of silence. 
Afterwards, exhausted, he went to the movies 
and sat in the front row. He liked Carmen Miranda. 

5. 

He would visit Russell's rooms at midnight 
and pace back and forth "like a caged tiger. 
On arrival, he would announce that when
he left he would commit suicide. So, in spite 
of getting sleepy, I did not like to turn him out." On 
such a night, after hours of dead silence, Russell said, 
"Wittgenstein, are you thinking about logic or about 
yours sins?" "Both," he said, and resumed his silence.

6. 

Philosophy was an activity, not a doctrine. 
"Solipsism, when its implications are followed out 
strictly, coincides with pure realism," he wrote. 
Dozens of dons wondered what he meant. Asked 
how he knew that "this color is red," he smiled
and said, "because I have learnt English." There 
were no other questions. Wittgenstein let the 
silence gather. Then he said, "this itself is the answer." 

7. 

Religion went beyond the boundaries of language, 
yet the impulse to run against "the walls of our cage," 
though "perfectly, absolutely useless," was not to be 
dismissed. A. J. Ayer, one of Oxford's ablest minds, 
was puzzled. If logic cannot prove a nonsensical 
conclusion, why didn't Wittgenstein abandon it, 
"along with the rest of metaphysics, as not worth 
serious attention, except perhaps for sociologists"? 

8. 

Because God does not reveal himself in this world, and 
"the value of this work," Wittgenstein wrote, "is that 
it shows how little is achieved when these problems 
are solved." When I quoted Gertrude Stein's line 
about Oakland, "there's no there there," he nodded. 
Was there a there, I persisted. His answer: Yes and No.
It was as impossible to feel another's person's pain 
as to suffer another person's toothache.

9. 

At Cambridge the dons quoted him reverently. 
I asked them what they thought was his biggest
contribution to philosophy. "Whereof one cannot 
speak, thereof one must be silent," one said.
Others spoke of his conception of important 
nonsense. But I liked best the answer John 
Wisdom gave: "His asking of the question 
`Can one play chess without the queen?'" 

10. 

Wittgenstein preferred American detective 
stories to British philosophy. He liked lunch 
and didn't care what it was, "so long as it was 
always the same," noted Professor Malcolm 
of Cornell, a former student, in whose house 
in Ithaca Wittgenstein spent hours doing 
handyman chores. He was happy then. 
There was no need to say a word.
Written by George William Russell | Create an image from this poem

Unity

 ONE thing in all things have I seen:
One thought has haunted earth and air:
Clangour and silence both have been
Its palace chambers. Everywhere


I saw the mystic vision flow
And live in men and woods and streams,
Until I could no longer know
The dream of life from my own dreams.


Sometimes it rose like fire in me
Within the depths of my own mind,
And spreading to infinity,
It took the voices of the wind:


It scrawled the human mystery—
Dim heraldry—on light and air;
Wavering along the starry sea
I saw the flying vision there.


Each fire that in God’s temple lit
Burns fierce before the inner shrine,
Dimmed as my fire grew near to it
And darkened at the light of mine.


At last, at last, the meaning caught—
The spirit wears its diadem;
It shakes its wondrous plumes of thought
And trails the stars along with them.
Written by Russell Edson | Create an image from this poem

You

 Out of nothing there comes a time called childhood, which 
is simply a path leading through an archway called 
adolescence. A small town there, past the arch called youth.
 Soon, down the road, where one almost misses the life 
lived beyond the flower, is a small shack labeled, you.
 And it is here the future lives in the several postures of 
arm on windowsill, cheek on this; elbows on knees, face in 
the hands; sometimes the head thrown back, eyes staring into 
the ceiling . . . This into nothing down the long day's arc . . .
Written by C S Lewis | Create an image from this poem

Cliche Came Out of its Cage

 1

You said 'The world is going back to Paganism'. 
Oh bright Vision! I saw our dynasty in the bar of the House 
Spill from their tumblers a libation to the Erinyes, 
And Leavis with Lord Russell wreathed in flowers, heralded with flutes, 
Leading white bulls to the cathedral of the solemn Muses 
To pay where due the glory of their latest theorem. 
Hestia's fire in every flat, rekindled, burned before 
The Lardergods. Unmarried daughters with obedient hands 
Tended it By the hearth the white-armd venerable mother 
Domum servabat, lanam faciebat. at the hour 
Of sacrifice their brothers came, silent, corrected, grave 
Before their elders; on their downy cheeks easily the blush 
Arose (it is the mark of freemen's children) as they trooped, 
Gleaming with oil, demurely home from the palaestra or the dance. 
Walk carefully, do not wake the envy of the happy gods, 
Shun Hubris. The middle of the road, the middle sort of men, 
Are best. Aidos surpasses gold. Reverence for the aged 
Is wholesome as seasonable rain, and for a man to die 
Defending the city in battle is a harmonious thing. 
Thus with magistral hand the Puritan Sophrosune 
Cooled and schooled and tempered our uneasy motions; 
Heathendom came again, the circumspection and the holy fears ... 
You said it. Did you mean it? Oh inordinate liar, stop.

2

Or did you mean another kind of heathenry? 
Think, then, that under heaven-roof the little disc of the earth, 
Fortified Midgard, lies encircled by the ravening Worm. 
Over its icy bastions faces of giant and troll 
Look in, ready to invade it. The Wolf, admittedly, is bound; 
But the bond wil1 break, the Beast run free. The weary gods, 
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, 
Will limp to their stations for the Last defence. Make it your hope 
To be counted worthy on that day to stand beside them; 
For the end of man is to partake of their defeat and die 
His second, final death in good company. The stupid, strong 
Unteachable monsters are certain to be victorious at last, 
And every man of decent blood is on the losing side. 
Take as your model the tall women with yellow hair in plaits 
Who walked back into burning houses to die with men, 
Or him who as the death spear entered into his vitals 
Made critical comments on its workmanship and aim. 
Are these the Pagans you spoke of? Know your betters and crouch, dogs; 
You that have Vichy water in your veins and worship the event 
Your goddess History (whom your fathers called the strumpet Fortune).


Written by Russell Edson | Create an image from this poem

The Changeling

 A man had a son who was an anvil. And then sometimes 
he was an automobile tire.
 I do wish you would sit still, said the father.
 Sometimes his son was a rock.
 I realize that you have quite lost boundary, where no 
excess seems excessive, nor to where poverty roots hunger to 
need. But should you allow time to embrace you to its bosom 
of dust, that velvet sleep, then were you served even beyond 
your need; and desire in sate was properly spilling from its 
borders, said the father. 
 Then his son became the corner of a room.
 Don't don't, cried the father.
 And then his son became a floorboard.
 Don't don't, the moon falls there and curdles your wits into 
the grain of the wood, cried the father.
 What shall I do? screamed his son.
 Sit until time embraces you into the bosom of its velvet 
quiet, cried the father.
 Like this? Cried his son as his son became dust.
 Ah, that is more pleasant, and speaks well of him, who 
having required much in his neglect of proper choice, turns 
now, on good advice, to a more advantageous social stance, 
said the father. 

 But then his son became his father.
 Behold, the son is become as one of us, said the father.
 His son said, behold, the son is become as one of us.
 Will you stop repeating me, screamed the father.
 Will you stop repeating me, screamed his son.
 Oh well, I suppose imitation is the sincerest form of 
flattery, sighed the father.
 Oh well, I suppose imitation is the sincerest form of 
flattery, sighed his son.
Written by George William Russell | Create an image from this poem

Endurance

 HE bent above: so still her breath
What air she breathed he could not say,
Whether in worlds of life or death:
So softly ebbed away, away,
The life that had been light to him,
So fled her beauty leaving dim
The emptying chambers of his heart
Thrilled only by the pang and smart,
The dull and throbbing agony
That suffers still, yet knows not why.
Love’s immortality so blind
Dreams that all things with it conjoined
Must share with it immortal day:
But not of this—but not of this—
The touch, the eyes, the laugh, the kiss,
Fall from it and it goes its way.
So blind he wept above her clay,
“I did not think that you could die.
Only some veil would cover you
Our loving eyes could still pierce through;
And see through dusky shadows still
Move as of old your wild sweet will,
Impatient every heart to win
And flash its heavenly radiance in.”
Though all the worlds were sunk in rest
The ruddy star within his breast
Would croon its tale of ancient pain,
Its sorrow that would never wane,
Its memory of the days of yore
Moulded in beauty evermore.
Ah, immortality so blind,
To dream all things with it conjoined
Must follow it from star to star
And share with it immortal years.
The memory, yearning, grief, and tears,
Fall from it and it goes afar.
He walked at night along the sands,
He saw the stars dance overhead,
He had no memory of the dead,
But lifted up exultant hands
To hail the future like a boy,
The myriad paths his feet might press.
Unhaunted by old tenderness
He felt an inner secret joy—
A spirit of unfettered will
Through light and darkness moving still
Within the All to find its own,
To be immortal and alone.
Written by Russell Edson | Create an image from this poem

One Lonely Afternoon

 Since the fern can't go to the sink for a drink of
water, I graciously submit myself to the task, bringing two
glasses from the sink.
 And so we sit, the fern and I, sipping water together.


 Of course I'm more complex than a fern, full of deep
thoughts as I am. But I lay this aside for the easy company
of an afternoon friendship.

 I don't mind sipping water with a fern, even though,
had I my druthers, I'd be speeding through the sky for
Stockholm, sipping a bloody mary with a wedge of lime.

 And so we sit one lonely afternoon sipping water
together. The fern looking out of its fronds, and I, looking
out of mine . . .
Written by Russell Edson | Create an image from this poem

Ape

 You haven't finished your ape, said mother to father, 
who had monkey hair and blood on his whiskers.

 I've had enough monkey, cried father.

 You didn't eat the hands, and I went to all the 
trouble to make onion rings for its fingers, said mother.

 I'll just nibble on its forehead, and then I've had enough, 
said father.

 I stuffed its nose with garlic, just like you like it, said 
mother.

 Why don't you have the butcher cut these apes up? You lay 
the whole thing on the table every night; the same fractured 
skull, the same singed fur; like someone who died horribly. These 
aren't dinners, these are post-mortem dissections.

 Try a piece of its gum, I've stuffed its mouth with bread, 
said mother.

 Ugh, it looks like a mouth full of vomit. How can I bite into 
its cheek with bread spilling out of its mouth? cried father.

 Break one of the ears off, they're so crispy, said mother.

 I wish to hell you'd put underpants on these apes; even a 
jockstrap, screamed father.

 Father, how dare you insinuate that I see the ape as anything 
more thn simple meat, screamed mother. 

 Well what's with this ribbon tied in a bow on its privates? 
screamed father.

 Are you saying that I am in love with this vicious creature? 
That I would submit my female opening to this brute? That after 
we had love on the kitchen floor I would put him in the oven, after 
breaking his head with a frying pan; and then serve him to my husband, 
that my husband might eat the evidence of my infidelity . . . ?

 I'm just saying that I'm damn sick of ape every night, 
cried father.
Written by George William Russell | Create an image from this poem

Symbolism

 NOW when the spirit in us wakes and broods,
Filled with home yearnings, drowsily it flings
From its deep heart high dreams and mystic moods,
Mixed with the memory of the loved earth things:
Clothing the vast with a familiar face;
Reaching its right hand forth to greet the starry race.


Wondrously near and clear the great warm fires
Stare from the blue; so shows the cottage light
To the field labourer whose heart desires
The old folk by the nook, the welcome bright
From the house-wife long parted from at dawn—
So the star villages in God’s great depths withdrawn.


Nearer to Thee, not by delusion led,
Though there no house fires burn nor bright eyes gaze:
We rise, but by the symbol charioted,
Through loved things rising up to Love’s own ways:
By these the soul unto the vast has wings
And sets the seal celestial on all mortal things.

Book: Radiant Verses: A Journey Through Inspiring Poetry