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Best Famous Revised Poems

Here is a collection of the all-time best famous Revised poems. This is a select list of the best famous Revised poetry. Reading, writing, and enjoying famous Revised poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of revised poems.

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found. 

During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along 
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple, 
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump 
Thirty feet down the mountain’s granite foot. 

Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range 
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view. 
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.


Written by Ralph Waldo Emerson | Create an image from this poem

Account Of A Visit From St. Nicholas

 'Twas the night before Christmas, when all thro' the house, 
Not a creature was stirring, not even a mouse;

The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar plums danc'd in their heads,

And Mama in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap—

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.

Away to the window I flew like a flash,
Tore open the shutters, and threw up the sash.

The moon on the breast of the new fallen snow,
Gave the lustre of mid-day to objects below;

When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny rein-deer,

With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.

More rapid than eagles his coursers they came,
And he whistled, and shouted, and call'd them by name:

"Now! Dasher, now! Dancer, now! Prancer, and Vixen,
"On! Comet, on! Cupid, on! Dunder and Blixem1;

"To the top of the porch! to the top of the wall!
"Now dash away! dash away! dash away all!"

As dry leaves before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;

So up to the house-top the coursers they flew,
With the sleigh full of Toys—and St. Nicholas too:

And then in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.

As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound:

He was dress'd all in fur, from his head to his foot,
And his clothes were all tarnish'd with ashes and soot;

A bundle of toys was flung on his back,
And he look'd like a peddler just opening his pack:

His eyes—how they twinkled! his dimples how merry,
His cheeks were like roses, his nose like a cherry;

His droll little mouth was drawn up like a bow.
And the beard of his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.

He had a broad face, and a little round belly
That shook when he laugh'd, like a bowl full of jelly:

He was chubby and plump, a right jolly old elf,
And I laugh'd when I saw him in spite of myself;

A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread.

He spoke not a word, but went straight to his work,
And fill'd all the stockings; then turn'd with a jerk,

And laying his finger aside of his nose
And giving a nod, up the chimney he rose.

He sprung to his sleigh, to his team gave a whistle,
And away they all flew, like the down of a thistle:

But I heard him exclaim, ere he drove out of sight—
Happy Christmas to all, and to all a good night. 




NOTES: 

In the year 2000, Don Foster, an English professor at Vassar College
in Poughkeepsie, New York, used external and internal evidence to show
that Clement Clarke Moore could not have been the author of this poem,
but that it was probably the work of Livingston, and that Moore had
written another, and almost forgotten, Christmas piece, "Old
Santeclaus." Foster's analysis of this deception appears in his Author
Unknown: On the Trail of Anonymous (New York: Henry Holt, 2000):
221-75. 22.


1Later revised to "Donder and Blitzen" by Clement Clarke
Moore when he took credit for the poem in Poems (New York: Bartlett
and Welford, 1844).


Source:
http://www.library.utoronto.ca/utel/rp/poems/livingston1.html
Written by Heather McHugh | Create an image from this poem

Stroke

 The literate are ill-prepared for this
snap in the line of life:
the day turns a trick 
of twisted tongues and is
untiable, the month by no mere root
moon-ridden, and the yearly eloquences yielding more
than summer's part of speech times four. We better learn

the buried meaning in the grave: here
all we see of its alphabet is tracks
of predators, all we know of its tense
the slow seconds and quick centuries
of sex. Unletter the past and then 
the future comes to terms. One late fall day
I stumbled from the study and I found
the easy symbols of the living room revised:

my shocked senses flocked to the window's reference
where now all backyard attitudes were deep
in memory: the landscapes I had known too well-
the picnic table and the hoe, the tricycle, the stubborn
shrub-the homegrown syllables
of shapely living-all

lay sanded and camelled by foreign snow...
Written by Robert Burns | Create an image from this poem

397. Song—Wandering Willie (Revised Version)

 HERE awa, there awa, wandering Willie,
 Here awa, there awa, haud awa hame;
Come to my bosom, my ain only dearie,
 Tell me thou bring’st me my Willie the same.
Winter winds blew loud and cauld at our parting,
 Fears for my Willie brought tears in my e’e,
Welcome nowhSimmer, and welcome, my Willie,
 The Simmer to Nature, my Willie to me!


Rest, ye wild storms, in the cave of your slumbers,
 How your dread howling a lover alarms!
Wauken, ye breezes, row gently, ye billows,
 And waft my dear laddie ance mair to my arms.
But oh, if he’s faithless, and minds na his Nannie,
 Flow still between us, thou wide roaring main!
May I never see it, may I never trow it,
 But, dying, believe that my Willie’s my ain!

Book: Reflection on the Important Things