Written by
Eliza Cook |
THE worm, the rich worm, has a noble domain
In the field that is stored with its millions of slain ;
The charnel-grounds widen, to me they belong,
With the vaults of the sepulchre, sculptured and strong.
The tower of ages in fragments is laid,
Moss grows on the stones, and I lurk in its shade ;
And the hand of the giant and heart of the brave
Must turn weak and submit to the worm and the grave.
Daughters of earth, if I happen to meet
Your bloom-plucking fingers and sod-treading feet--
Oh ! turn not away with the shriek of disgust
From the thing you must mate with in darkness and dust.
Your eyes may be flashing in pleasure and pride,
'Neath the crown of a Queen or the wreath of a bride ;
Your lips may be fresh and your cheeks may be fair--
Let a few years pass over, and I shall be there.
Cities of splendour, where palace and gate,
Where the marble of strength and the purple of state ;
Where the mart and arena, the olive and vine,
Once flourished in glory ; oh ! are ye not mine ?
Go look for famed Carthage, and I shall be found
In the desolate ruin and weed-covered mound ;
And the slime of my trailing discovers my home,
'Mid the pillars of Tyre and the temples of Rome.
I am sacredly sheltered and daintily fed
Where the velvet bedecks, and the white lawn is spread ;
I may feast undisturbed, I may dwell and carouse
On the sweetest of lips and the smoothest of brows.
The voice of the sexton, the chink of the spade,
Sound merrily under the willow's dank shade.
They are carnival notes, and I travel with glee
To learn what the churchyard has given to me.
Oh ! the worm, the rich worm, has a noble domain,
For where monarchs are voiceless I revel and reign ;
I delve at my ease and regale where I may ;
None dispute with the worm in his will or his way.
The high and the bright for my feasting must fall--
Youth, Beauty, and Manhood, I prey on ye all :
The Prince and the peasant, the despot and slave ;
All, all must bow down to the worm and the grave.
|
Written by
Luis G. Dato |
I am sweetly perplexed by love sallies, releases,
By the countless retreats and the numberless captures,
By the petulant coldness and agreeable raptures,
By the whisper of phrases that hurts and then pleases,
I am drunk by the prodigal total of leases
From her body and spirit, her soul and her senses,
I revel in approaches and artless offenses,
In her challenging taunts and her tenderly teases.
Now will I disengage a red flower from her tresses,
And uplift her lithe form from a divan of roses,
For the zephyr of night too much passion opposes,
And in delicate folds now has rumpled her dresses.
On tomorrow’s new ventures the heart eager presses,
I repose now to ponder on life-soothing losses.
|
Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Vachel Lindsay |
DEDICATED TO LUCY BATES
(Being a reminiscence of certain private theatricals.)
Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.
Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,
I know a dancer, I know a dancer,
Whose laughter and weeping are spiritual gain,
A pure-hearted, high-hearted maiden evangel,
With strength the dark cynical earth to disdain.
Flowers of bright Broadway, you of the chorus,
Who sing in the hope of forgetting your pain:
I turn to a sister of Sainted Cecilia,
A white bird escaping the earth's tangled skein:—
The music of God is her innermost brooding,
The whispering angels her footsteps sustain.
Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion,
A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit
More white than Apollo and all of his train.
I know a dancer who finds the true Godhead,
Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer,
Who lifts us toward peace, from this earth that is vain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.
|
Written by
Andrew Barton Paterson |
Awake, of Muse, the echoes of a day
Long past, the ghosts of mem'ries manifold --
Youth's memories that once were green and gold
But now, alas, are grim and ashen grey.
The drowsy schoolboy wakened up from sleep,
First stays his system with substantial food,
Then off for school with tasks half understood,
Alas, alas, that cribs should be so cheap!
The journey down to town -- 'twere long to tell
The storm and riot of the rabble rout;
The wild Walpurgis revel in and out
That made the ferry boat a floating hell.
What time the captive locusts fairly roared:
And bulldog ants, made stingless with a knife,
Climbed up the seats and scared the very life
From timid folk, who near jumped overboard.
The hours of lessons -- hours with feet of clay
Each hour a day, each day more like a week:
While hapless urchins heard with blanched cheek
The words of doom "Come in on Saturday".
The master gowned and spectacled, precise,
Trying to rule by methods firm and kind
But always just a little bit behind
The latest villainy, the last device,
Born of some smoothfaced urchin's fertile brain
To irritate the hapless pedagogue,
And first involve him in a mental fog
Then "have" him with the same old tale again.
The "bogus" fight that brought the sergeant down
To that dark corner by the old brick wall,
Where mimic combat and theatric brawl
Made noise enough to terrify the town.
But on wet days the fray was genuine,
When small boys pushed each other in the mud
And fought in silence till thin streams of blood
Their dirty faces would incarnadine.
The football match or practice in the park
With rampant hoodlums joining in the game
Till on one famous holiday there came
A gang that seized the football for a lark.
Then raged the combat without rest or pause,
Till one, a hero, Hawkins unafraid
Regained the ball, and later on displayed
His nose knocked sideways in his country's cause.
Before the mind quaint visions rise and fall,
Old jokes, old students dead and gone:
And some that lead us still, while some toil on
As rank and file, but "Grammar" children all.
And he, the pilot, who has laid the course
For all to steer by, honest, unafraid --
Truth is his beacon light, so he has made
The name of the old School a living force.
|
Written by
Alfred Lord Tennyson |
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
|
Written by
Duncan Campbell Scott |
Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibwa cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence. The fires burn low
With just sufficient glow
To light the flakes of ash that play
At being moths, and flutter away
To fall in the dark and die as ashes:
Here there is peace in the lofty air,
And Something comes by flashes
Deeper than peace: --
The spruces have retired a little space
And left a field of sky in violet shadow
With stars like marigolds in a water-meadow.
Now the Indian guides are dead asleep;
There is no sound unless the soul can hear
The gathering of the waters in their sources.
We have come up through the spreading lakes
From level to level, --
Pitching our tents sometimes over a revel
Of roses that nodded all night,
Dreaming within our dreams,
To wake at dawn and find that they were captured
With no dew on their leaves;
Sometimes mid sheaves
Of bracken and dwarf-cornel, and again
On a wide blueberry plain
Brushed with the shimmer of a bluebird's wing;
A rocky islet followed
With one lone poplar and a single nest
Of white-throat-sparrows that took no rest
But sang in dreams or woke to sing, --
To the last portage and the height of land --:
Upon one hand
The lonely north enlaced with lakes and streams,
And the enormous targe of Hudson Bay,
Glimmering all night
In the cold arctic light;
On the other hand
The crowded southern land
With all the welter of the lives of men.
But here is peace, and again
That Something comes by flashes
Deeper than peace, -- a spell
Golden and inappellable
That gives the inarticulate part
Of our strange being one moment of release
That seems more native than the touch of time,
And we must answer in chime;
Though yet no man may tell
The secret of that spell
Golden and inappellable.
Now are there sounds walking in the wood,
And all the spruces shiver and tremble,
And the stars move a little in their courses.
The ancient disturber of solitude
Breathes a pervasive sigh,
And the soul seems to hear
The gathering of the waters at their sources;
Then quiet ensues and pure starlight and dark;
The region-spirit murmurs in meditation,
The heart replies in exaltation
And echoes faintly like an inland shell
Ghost tremors of the spell;
Thought reawakens and is linked again
With all the welter of the lives of men.
Here on the uplands where the air is clear
We think of life as of a stormy scene, --
Of tempest, of revolt and desperate shock;
And here, where we can think, on the brights uplands
Where the air is clear, we deeply brood on life
Until the tempest parts, and it appears
As simple as to the shepherd seems his flock:
A Something to be guided by ideals --
That in themselves are simple and serene --
Of noble deed to foster noble thought,
And noble thought to image noble deed,
Till deed and thought shall interpenetrate,
Making life lovelier, till we come to doubt
Whether the perfect beauty that escapes
Is beauty of deed or thought or some high thing
Mingled of both, a greater boon than either:
Thus we have seen in the retreating tempest
The victor-sunlight merge with the ruined rain,
And from the rain and sunlight spring the rainbow.
The ancient disturber of solitude
Stirs his ancestral potion in the gloom,
And the dark wood
Is stifled with the pungent fume
Of charred earth burnt to the bone
That takes the place of air.
Then sudden I remember when and where, --
The last weird lakelet foul with weedy growths
And slimy viscid things the spirit loathes,
Skin of vile water over viler mud
Where the paddle stirred unutterable stenches,
And the canoes seemed heavy with fear,
Not to be urged toward the fatal shore
Where a bush fire, smouldering, with sudden roar
Leaped on a cedar and smothered it with light
And terror. It had left the portage-height
A tangle of slanted spruces burned to the roots,
Covered still with patches of bright fire
Smoking with incense of the fragment resin
That even then began to thin and lessen
Into the gloom and glimmer of ruin.
'Tis overpast. How strange the stars have grown;
The presage of extinction glows on their crests
And they are beautied with impermanence;
They shall be after the race of men
And mourn for them who snared their fiery pinions,
Entangled in the meshes of bright words.
A lemming stirs the fern and in the mosses
Eft-minded things feel the air change, and dawn
Tolls out from the dark belfries of the spruces.
How often in the autumn of the world
Shall the crystal shrine of dawning be rebuilt
With deeper meaning! Shall the poet then,
Wrapped in his mantle on the height of land,
Brood on the welter of the lives of men
And dream of his ideal hope and promise
In the blush sunrise? Shall he base his flight
Upon a more compelling law than Love
As Life's atonement; shall the vision
Of noble deed and noble thought immingled
Seem as uncouth to him as the pictograph
Scratched on the cave side by the cave-dweller
To us of the Christ-time? Shall he stand
With deeper joy, with more complex emotion,
In closer commune with divinity,
With the deep fathomed, with the firmament charted,
With life as simple as a sheep-boy's song,
What lies beyond a romaunt that was read
Once on a morn of storm and laid aside
Memorious with strange immortal memories?
Or shall he see the sunrise as I see it
In shoals of misty fire the deluge-light
Dashes upon and whelms with purer radiance,
And feel the lulled earth, older in pulse and motion,
Turn the rich lands and inundant oceans
To the flushed color, and hear as now I hear
The thrill of life beat up the planet's margin
And break in the clear susurrus of deep joy
That echoes and reëchoes in my being?
O Life is intuition the measure of knowledge
And do I stand with heart entranced and burning
At the zenith of our wisdom when I feel
The long light flow, the long wind pause, the deep
Influx of spirit, of which no man may tell
The Secret, golden and inappellable?
|
Written by
Geoffrey Chaucer |
THE PROLOGUE.
THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk. *trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."
Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit."<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.
Notes to the Prologue to the Cook's Tale
1. Jack of Dover: an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)
2. Sooth play quad play: true jest is no jest.
3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.
4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.
THE TALE.
A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy. *although
For theft and riot they be convertible,
All can they play on *gitern or ribible.* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see. *at variance
This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place. *corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*. *refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance. *prostituted herself
. . . . . . . <4>
Notes to the Cook's Tale
1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.
2. His paper: his certificate of completion of his apprenticeship.
3. Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".
4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Rudyard Kipling |
So long as 'neath the Kalka hills
The tonga-horn shall ring,
So long as down the Solon dip
The hard-held ponies swing,
So long as Tara Devi sees
The lights of Simla town,
So long as Pleasure calls us up,
Or Duty drivese us down,
If you love me as I love you
What pair so happy as we two?
So long as Aces take the King,
Or backers take the bet,
So long as debt leads men to wed,
Or marriage leads to debt,
So long as little luncheons, Love,
And scandal hold their vogue,
While there is sport at Annandale
Or whisky at Jutogh,
If you love me as I love you
What knife can cut our love in two?
So long as down the rocking floor
The raving polka spins,
So long as Kitchen Lancers spur
The maddened violins,
So long as through the whirling smoke
We hear the oft-told tale --
"Twelve hundred in the Lotteries,"
And Whatshername for sale?
If you love me as I love you
We'll play the game and win it too.
So long as Lust or Lucre tempt
Straight riders from the course,
So long as with each drink we pour
Black brewage of Remorse,
So long as those unloaded guns
We keep beside the bed,
Blow off, by obvious accident,
The lucky owner's head,
If you love me as I love you
What can Life kill of Death undo?
So long as Death 'twixt dance and dance
Chills best and bravest blood,
And drops the reckless rider down
The rotten, rain-soaked khud,
So long as rumours from the North
Make loving wives afraid,
So long as Burma takes the boy
Or typhoid kills the maid,
If you love me as I love you
What knife can cut our love in two?
By all that lights our daily life
Or works our lifelong woe,
From Boileaugunge to Simla Downs
And those grim glades below,
Where, heedless of the flying hoof
And clamour overhead,
Sleep, with the grey langur for guard
Our very scornful Dead,
If you love me as I love you
All Earth is servant to us two!
By Docket, Billetdoux, and File,
By Mountain, Cliff, and Fir,
By Fan and Sword and Office-box,
By Corset, Plume, and Spur
By Riot, Revel, Waltz, and War,
By Women, Work, and Bills,
By all the life that fizzes in
The everlasting Hills,
If you love me as I love you
What pair so happy as we two?
|