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Best Famous Resources Poems

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Written by Allen Ginsberg | Create an image from this poem

America

 America I've given you all and now I'm nothing. 
America two dollars and twentyseven cents January 
 17, 1956. 
I can't stand my own mind. 
America when will we end the human war? 
Go **** yourself with your atom bomb. 
I don't feel good don't bother me. 
I won't write my poem till I'm in my right mind. 
America when will you be angelic? 
When will you take off your clothes? 
When will you look at yourself through the grave? 
When will you be worthy of your million Trotskyites? 
America why are your libraries full of tears? 
America when will you send your eggs to India? 
I'm sick of your insane demands. 
When can I go into the supermarket and buy what I 
 need with my good looks? 
America after all it is you and I who are perfect not 
 the next world. 
Your machinery is too much for me. 
You made me want to be a saint. 
There must be some other way to settle this argument. 
Burroughs is in Tangiers I don't think he'll come back 
 it's sinister. 
Are you being sinister or is this some form of practical 
 joke? 
I'm trying to come to the point. 
I refuse to give up my obsession. 
America stop pushing I know what I'm doing. 
America the plum blossoms are falling. 
I haven't read the newspapers for months, everyday 
 somebody goes on trial for murder. 
America I feel sentimental about the Wobblies. 
America I used to be a communist when I was a kid 
 I'm not sorry. 
I smoke marijuana every chance I get. 
I sit in my house for days on end and stare at the roses 
 in the closet. 
When I go to Chinatown I get drunk and never get laid. 
My mind is made up there's going to be trouble. 
You should have seen me reading Marx. 
My psychoanalyst thinks I'm perfectly right. 
I won't say the Lord's Prayer. 
I have mystical visions and cosmic vibrations. 
America I still haven't told you what you did to Uncle 
 Max after he came over from Russia.

I'm addressing you. 
Are you going to let your emotional life be run by 
 Time Magazine? 
I'm obsessed by Time Magazine. 
I read it every week. 
Its cover stares at me every time I slink past the corner 
 candystore. 
I read it in the basement of the Berkeley Public Library. 
It's always telling me about responsibility. Business-
 men are serious. Movie producers are serious. 
 Everybody's serious but me. 
It occurs to me that I am America. 
I am talking to myself again. 

Asia is rising against me. 
I haven't got a chinaman's chance. 
I'd better consider my national resources. 
My national resources consist of two joints of 
 marijuana millions of genitals an unpublishable 
 private literature that goes 1400 miles an hour 
 and twenty-five-thousand mental institutions. 
I say nothing about my prisons nor the millions of 
 underprivileged who live in my flowerpots 
 under the light of five hundred suns. 
I have abolished the whorehouses of France, Tangiers 
 is the next to go. 
My ambition is to be President despite the fact that 
 I'm a Catholic. 
America how can I write a holy litany in your silly 
 mood? 
I will continue like Henry Ford my strophes are as 
 individual as his automobiles more so they're 
 all different sexes. 
America I will sell you strophes $2500 apiece $500 
 down on your old strophe 
America free Tom Mooney 
America save the Spanish Loyalists 
America Sacco & Vanzetti must not die 
America I am the Scottsboro boys. 
America when I was seven momma took me to Com-
 munist Cell meetings they sold us garbanzos a 
 handful per ticket a ticket costs a nickel and the 
 speeches were free everybody was angelic and 
 sentimental about the workers it was all so sin-
 cere you have no idea what a good thing the 
 party was in 1835 Scott Nearing was a grand 
 old man a real mensch Mother Bloor made me 
 cry I once saw Israel Amter plain. Everybody 
 must have been a spy. 
America you don't really want to go to war. 
America it's them bad Russians. 
Them Russians them Russians and them Chinamen. 
 And them Russians. 
The Russia wants to eat us alive. The Russia's power 
 mad. She wants to take our cars from out our 
 garages. 
Her wants to grab Chicago. Her needs a Red Readers' 
 Digest. Her wants our auto plants in Siberia. 
 Him big bureaucracy running our fillingsta-
 tions. 
That no good. Ugh. Him make Indians learn read. 
 Him need big black niggers. Hah. Her make us 
 all work sixteen hours a day. Help. 
America this is quite serious. 
America this is the impression I get from looking in 
 the television set. 
America is this correct? 
I'd better get right down to the job. 
It's true I don't want to join the Army or turn lathes 
 in precision parts factories, I'm nearsighted and 
 psychopathic anyway. 
America I'm putting my ***** shoulder to the wheel. 

 Berkeley, January 17, 1956


Written by Carl Sandburg | Create an image from this poem

Fellow Citizens

 I DRANK musty ale at the Illinois Athletic Club with
the millionaire manufacturer of Green River butter
one night
And his face had the shining light of an old-time Quaker,
he spoke of a beautiful daughter, and I knew he had
a peace and a happiness up his sleeve somewhere.
Then I heard Jim Kirch make a speech to the Advertising
Association on the trade resources of South America.
And the way he lighted a three-for-a-nickel stogie and
cocked it at an angle regardless of the manners of
our best people,
I knew he had a clutch on a real happiness even though
some of the reporters on his newspaper say he is
the living double of Jack London's Sea Wolf.
In the mayor's office the mayor himself told me he was
happy though it is a hard job to satisfy all the office-
seekers and eat all the dinners he is asked to eat.
Down in Gilpin Place, near Hull House, was a man with
his jaw wrapped for a bad toothache,
And he had it all over the butter millionaire, Jim Kirch
and the mayor when it came to happiness.
He is a maker of accordions and guitars and not only
makes them from start to finish, but plays them
after he makes them.
And he had a guitar of mahogany with a walnut bottom
he offered for seven dollars and a half if I wanted it,
And another just like it, only smaller, for six dollars,
though he never mentioned the price till I asked him,
And he stated the price in a sorry way, as though the
music and the make of an instrument count for a
million times more than the price in money.
I thought he had a real soul and knew a lot about God.
There was light in his eyes of one who has conquered
sorrow in so far as sorrow is conquerable or worth
conquering.
Anyway he is the only Chicago citizen I was jealous of
that day.
He played a dance they play in some parts of Italy
when the harvest of grapes is over and the wine
presses are ready for work.
Written by Robert Creeley | Create an image from this poem

Clementes Images

 1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.

In the dark night
sight frightens me.


2)

Who is it nuzzles there
with furred, round headed stare?

Who, perched on the skin,
body's float, is holding on?

What other one stares still,
plays still, on and on?


3)

Stand upright, prehensile,
squat, determined,

small guardians of the painful
outside coming in --

in stuck in vials with needles,
bleeding life in, particular, heedless.


4)

Matrix of world
upon a turtle's broad back,

carried on like that,
eggs as pearls,

flesh and blood and bone
all borne along.


5)

I'll tell you what you want,
to say a word, 

to know the letters in yourself,
a skin falls off,

a big eared head appears,
an eye and mouth.


6)

Under watery here,
under breath, under duress,

understand a pain
has threaded a needle with a little man --

gone fishing. 
And fish appear.


7)

If small were big,
if then were now,

if here were there,
if find were found,

if mind were all there was,
would the animals still save us?


8)

A head was put
upon the shelf got took


by animal's hand and stuck
upon a vacant corpse

who, blurred, could nonetheless
not ever be the quietly standing bird it watched.


9)

Not lost,
not better or worse,

much must of necessity depend on resources,
the pipes and bags brought with us

inside, all the sacks
and how and to what they are or were attached.


10)

Everybody's child 
walks the same winding road,

laughs and cries, dies.
That's "everybody's child,"

the one who's in between
the others who have come and gone.


11)

Turn as one will, the sky will always be
far up above the place he thinks to dream as earth.

There float the heavenly
archaic persons of primordial birth,

held in the scan of ancient serpent's tooth,
locked in the mind as when it first began.


12)

Inside I am the other of a self,
who feels a presence always close at hand,

one side or the other, knows another one
unlocks the door and quickly enters in.

Either as or, we live a common person.
Two is still one. It cannot live apart.


13)

Oh, weep for me --
all from whom life has stolen

hopes of a happiness stored
in gold's ubiquitous pattern,

in tinkle of commodious, enduring money,
else the bee's industry in hives of golden honey.


14)

He is safely put
in a container, head to foot,

and there, on his upper part, wears still
remnants of a life he lived at will --

but, lower down, he probes at that doubled sack
holds all his random virtues in a mindless fact.


15)

The forms wait, swan,
elephant, crab, rabbit, horse, monkey, cow,

squirrel and crocodile. From the one
sits in empty consciousness, all seemingly has come

and now it goes, to regather,
to tell another story to its patient mother.


16)

Reflection reforms, each man's a life,
makes its stumbling way from mother to wife --

cast as a gesture from ignorant flesh,
here writes in fumbling words to touch,

say, how can I be,
when she is all that was ever me?


17)

Around and in --
And up and down again,

and far and near --
and here and there,

in the middle is
a great round nothingness.


18)

Not metaphoric,
flesh is literal earth.

turns to dust
as all the body must,

becomes the ground
wherein the seed's passed on.


19)

Entries, each foot feels its own way,
echoes passage in persons,

holds the body upright,
the secret of thresholds, lintels,

opening body above it,
looks up, looks down, moves forward.


20)

Necessity, the mother of invention,
father of intention,

sister to brother to sister, to innumerable others,
all one as the time comes,

death's appointment,
in the echoing head, in the breaking heart.


21)

In self one's place defined,
in heart the other find.

In mind discover I,
in body find the sky.

Sleep in the dream as one,
wake to the others there found.


22)

Emptying out
each complicating part,

each little twist of mind inside,
each clenched fist,

each locked, particularizing thought,
forgotten, emptying out.


23)

What did it feel like
to be one at a time --

to be caught in a mind
in the body you'd found

in yourself alone --
in each other one?


24)

Broken hearts, a curious round of echoes --
and there behind them the old garden

with its faded, familiar flowers,
where all was seemingly laced together --

a trueness of true,
a blueness of blue. 


25)

The truth is in a container
of no size or situation.

It has nothing
inside.

Worship --
Warship. Sail away.
Written by Marge Piercy | Create an image from this poem

To the Pay Toilet

 You strop my anger, especially
when I find you in restaurant or bar
and pay for the same liquid, coming and going.
In bus depots and airports and turnpike plazas
some woman is dragging in with three kids hung off her
shrieking their simple urgency like gulls.
She's supposed to pay for each of them
and the privilege of not dirtying the corporate floor.
Sometimes a woman in a uniform's on duty
black or whatever the prevailing bottom is
getting thirty cents an hour to make sure
no woman sneaks her full bladder under a door.
Most blatantly you shout that waste of resources
for the greatest good of the smallest number
where twenty pay toilets line up glinty clean
and at the end of the row one free toilet
oozes from under its crooked door,
while a row of weary women carrying packages and babies
wait and wait and wait to do
what only the dead find unnecessary.
Written by John Berryman | Create an image from this poem

Dream Song 14: Life friends is boring

 Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) 'Ever to confess you're bored
means you have no

Inner Resources.' I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,

Who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.



Book: Reflection on the Important Things