Written by
Adrienne Rich |
Good-by to you whom I shall see tomorrow,
Next year and when I'm fifty; still good-by.
This is the leave we never really take.
If you were dead or gone to live in China
The event might draw your stature in my mind.
I should be forced to look upon you whole
The way we look upon the things we lose.
We see each other daily and in segments;
Parting might make us meet anew, entire.
You asked me once, and I could give no answer,
How far dare we throw off the daily ruse,
Official treacheries of face and name,
Have out our true identity? I could hazard
An answer now, if you are asking still.
We are a small and lonely human race
Showing no sign of mastering solitude
Out on this stony planet that we farm.
The most that we can do for one another
Is let our blunders and our blind mischances
Argue a certain brusque abrupt compassion.
We might as well be truthful. I should say
They're luckiest who know they're not unique;
But only art or common interchange
Can teach that kindest truth. And even art
Can only hint at what disturbed a Melville
Or calmed a Mahler's frenzy; you and I
Still look from separate windows every morning
Upon the same white daylight in the square.
And when we come into each other's rooms
Once in awhile, encumbered and self-conscious,
We hover awkwardly about the threshold
And usually regret the visit later.
Perhaps the harshest fact is, only lovers--
And once in a while two with the grace of lovers--
Unlearn that clumsiness of rare intrusion
And let each other freely come and go.
Most of us shut too quickly into cupboards
The margin-scribbled books, the dried geranium,
The penny horoscope, letters never mailed.
The door may open, but the room is altered;
Not the same room we look from night and day.
It takes a late and slowly blooming wisdom
To learn that those we marked infallible
Are tragi-comic stumblers like ourselves.
The knowledge breeds reserve. We walk on tiptoe,
Demanding more than we know how to render.
Two-edged discovery hunts us finally down;
The human act will make us real again,
And then perhaps we come to know each other.
Let us return to imperfection's school.
No longer wandering after Plato's ghost,
Seeking the garden where all fruit is flawless,
We must at last renounce that ultimate blue
And take a walk in other kinds of weather.
The sourest apple makes its wry announcement
That imperfection has a certain tang.
Maybe we shouldn't turn our pockets out
To the last crumb or lingering bit of fluff,
But all we can confess of what we are
Has in it the defeat of isolation--
If not our own, then someone's, anyway.
So I come back to saying this good-by,
A sort of ceremony of my own,
This stepping backward for another glance.
Perhaps you'll say we need no ceremony,
Because we know each other, crack and flaw,
Like two irregular stones that fit together.
Yet still good-by, because we live by inches
And only sometimes see the full dimension.
Your stature's one I want to memorize--
Your whole level of being, to impose
On any other comers, man or woman.
I'd ask them that they carry what they are
With your particular bearing, as you wear
The flaws that make you both yourself and human.
|
Written by
T S (Thomas Stearns) Eliot |
I
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
II
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.
III
At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.
At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.
At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.
Lord, I am not worthy
Lord, I am not worthy
but speak the word only.
IV
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs
Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos
Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing
White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word
But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken
Till the wind shake a thousand whispers from the yew
And after this our exile
V
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice
Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose
O my people, what have I done unto thee.
Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn
Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings
And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
|
Written by
Anne Bronte |
Music I love - but never strain
Could kindle raptures so divine,
So grief assuage, so conquer pain,
And rouse this pensive heart of mine -
As that we hear on Christmas morn,
Upon the wintry breezes borne.
Though Darkness still her empire keep,
And hours must pass, ere morning break;
From troubled dreams, or slumbers deep,
That music kindly bids us wake:
It calls us, with an angel's voice,
To wake, and worship, and rejoice;
To greet with joy the glorious morn,
Which angels welcomed long ago,
When our redeeming Lord was born,
To bring the light of Heaven below;
The Powers of Darkness to dispel,
And rescue Earth from Death and Hell.
While listening to that sacred strain,
My raptured spirit soars on high;
I seem to hear those songs again
Resounding through the open sky,
That kindled such divine delight,
In those who watched their flocks by night.
With them, I celebrate His birth -
Glory to God, in highest Heaven,
Good-will to men, and peace on Earth,
To us a Saviour-king is given;
Our God is come to claim His own,
And Satan's power is overthrown!
A sinless God, for sinful men,
Descends to suffer and to bleed;
Hell must renounce its empire then;
The price is paid, the world is freed,
And Satan's self must now confess,
That Christ has earned a Right to bless:
Now holy Peace may smile from heaven,
And heavenly Truth from earth shall spring:
The captive's galling bonds are riven,
For our Redeemer is our king;
And He that gave his blood for men
Will lead us home to God again.
|
Written by
John Donne |
Oh, let me not serve so, as those men serve
Whom honour's smokes at once fatten and starve;
Poorly enrich't with great men's words or looks;
Nor so write my name in thy loving books
As those idolatrous flatterers, which still
Their Prince's styles, with many realms fulfil
Whence they no tribute have, and where no sway.
Such services I offer as shall pay
Themselves, I hate dead names: Oh then let me
Favourite in Ordinary, or no favourite be.
When my soul was in her own body sheathed,
Nor yet by oaths betrothed, nor kisses breathed
Into my Purgatory, faithless thee,
Thy heart seemed wax, and steel thy constancy:
So, careless flowers strowed on the waters face
The curled whirlpools suck, smack, and embrace,
Yet drown them; so, the taper's beamy eye
Amorously twinkling beckons the giddy fly,
Yet burns his wings; and such the devil is,
Scarce visiting them who are entirely his.
When I behold a stream which, from the spring,
Doth with doubtful melodious murmuring,
Or in a speechless slumber, calmly ride
Her wedded channels' bosom, and then chide
And bend her brows, and swell if any bough
Do but stoop down, or kiss her upmost brow:
Yet, if her often gnawing kisses win
The traiterous bank to gape, and let her in,
She rusheth violently, and doth divorce
Her from her native, and her long-kept course,
And roars, and braves it, and in gallant scorn,
In flattering eddies promising retorn,
She flouts the channel, who thenceforth is dry;
Then say I, That is she, and this am I.
Yet let not thy deep bitterness beget
Careless despair in me, for that will whet
My mind to scorn; and Oh, love dulled with pain
Was ne'er so wise, nor well armed as disdain.
Then with new eyes I shall survey thee, and spy
Death in thy cheeks, and darkness in thine eye.
Though hope bred faith and love: thus taught, I shall,
As nations do from Rome, from thy love fall.
My hate shall outgrow thine, and utterly
I will renounce thy dalliance: and when I
Am the recusant, in that resolute state,
What hurts it me to be excommunicate?
|
Written by
Vachel Lindsay |
(Note: — Pocahontas is buried at Gravesend, England. )
"Pocahontas' body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May — did she wonder? does she remember — in the dust — in the cool tombs?"
CARL SANDBURG.
I
Powhatan was conqueror,
Powhatan was emperor.
He was akin to wolf and bee,
Brother of the hickory tree.
Son of the red lightning stroke
And the lightning-shivered oak.
His panther-grace bloomed in the maid
Who laughed among the winds and played
In excellence of savage pride,
Wooing the forest, open-eyed,
In the springtime,
In Virginia,
Our Mother, Pocahontas.
Her skin was rosy copper-red.
And high she held her beauteous head.
Her step was like a rustling leaf:
Her heart a nest, untouched of grief.
She dreamed of sons like Powhatan,
And through her blood the lightning ran.
Love-cries with the birds she sung,
Birdlike
In the grape-vine swung.
The Forest, arching low and wide
Gloried in its Indian bride.
Rolfe, that dim adventurer
Had not come a courtier.
John Rolfe is not our ancestor.
We rise from out the soul of her
Held in native wonderland,
While the sun's rays kissed her hand,
In the springtime,
In Virginia,
Our Mother, Pocahontas.
II
She heard the forest talking,
Across the sea came walking,
And traced the paths of Daniel Boone,
Then westward chased the painted moon.
She passed with wild young feet
On to Kansas wheat,
On to the miners' west,
The echoing cañons' guest,
Then the Pacific sand,
Waking,
Thrilling,
The midnight land. . . .
On Adams street and Jefferson —
Flames coming up from the ground!
On Jackson street and Washington —
Flames coming up from the ground!
And why, until the dawning sun
Are flames coming up from the ground?
Because, through drowsy Springfield sped
This red-skin queen, with feathered head,
With winds and stars, that pay her court
And leaping beasts, that make her sport;
Because, gray Europe's rags august
She tramples in the dust;
Because we are her fields of corn;
Because our fires are all reborn
From her bosom's deathless embers,
Flaming
As she remembers
The springtime
And Virginia,
Our Mother, Pocahontas.
III
We here renounce our Saxon blood.
Tomorrow's hopes, an April flood
Come roaring in. The newest race
Is born of her resilient grace.
We here renounce our Teuton pride:
Our Norse and Slavic boasts have died:
Italian dreams are swept away,
And Celtic feuds are lost today. . . .
She sings of lilacs, maples, wheat,
Her own soil sings beneath her feet,
Of springtime
And Virginia,
Our Mother, Pocahontas.
|
Written by
Jalal ad-Din Muhammad Rumi |
This is love: to fly to heaven, every moment to rend a hundred veils;
At first instance, to break away from breath –
first step, to renounce feet;
To disregard this world, to see only that which you yourself have seen I said, “Heart, congratulations on entering the circle of lovers,
“On gazing beyond the range of the eye,
on running into the alley of the breasts. ”
Whence came this breath, O heart?
Whence came this throbbing, O heart?
Bird, speak the tongue of birds: I can heed your cipher!
The heart said, “I was in the factory whilst the home of water and clay was abaking.
“I was flying from the workshop whilst the workshop was being created.
“When I could no more resist, they dragged me; how shall I
tell the manner of that dragging?” “Mystical Poems of Rumi 1?, A. J. Arberry
The University of Chicago Press, 1968 Links
|
Written by
Erica Jong |
You open to me
a little,
then grow afraid
and close again,
a small boy
fearing to be hurt,
a toe stubbed
in the dark,
a finger cut
on paper.
I think I am free
of fears,
enraptured, abandoned
to the call
of the Bacchae,
my own siren,
tied to my own
mast,
both Circe
and her swine.
But I too
am afraid:
I know where
life leads.
The impulse
to join,
to confess all,
is followed
by the impulse
to renounce,
and love--
imperishable love--
must die,
in order
to be reborn.
We come
to each other
tentatively,
veterans of other
wars,
divorce warrants
in our hands
which we would beat
into blossoms.
But blossoms
will not withstand
our beatings.
We come
to each other
with hope
in our hands--
the very thing
Pandora kept
in her casket
when all the ills
and woes of the world
escaped.
|
Written by
Emily Dickinson |
I taste a liquor never brewed --
From Tankards scooped in Pearl --
Not all the Vats upon the Rhine
Yield such an Alcohol!
Inebriate of Air -- am I --
And Debauchee of Dew --
Reeling -- thro endless summer days --
From inns of Molten Blue --
When "Landlords" turn the drunken Bee
Out of the Foxglove's door --
When Butterflies -- renounce their "drams" --
I shall but drink the more!
Till Seraphs swing their snowy Hats --
And Saints -- to windows run --
To see the little Tippler
Leaning against the -- Sun --
|
Written by
Mary Darby Robinson |
LOVE, I renounce thy tyrant sway,
I mock thy fascinating art,
MINE, be the calm unruffled day,
That brings no torment to the heart;
The tranquil mind, the noiseless scene,
Where FANCY, with enchanting mien,
Shall in her right-hand lead along
The graceful patroness of Song;
Where HARMONY shall softly fling
Her light tones o'er the dulcet string;
And with her magic LYRE compose
Each pang that throbs, each pulse that glows;
Till her resistless strains dispense,
The balm of blest INDIFFERENCE.
LOVE, I defy thy vaunted pow'r!
In still Retirement's sober bow'r
I'll rest secure;no fev'rish pain
Shall dart its hot-shafts thro' my brain,
No start'ling dreams invade my mind
No spells my stagnate pulses bind;
No jealous agonies impart
Their madd'ning poisons to my heart
But sweetly lull'd to placid rest,
The sensate tenant of my breast
Shall one unshaken course pursue,
Such as thy vot'ries never knew.
SWEET SOLITUDE ! pure Nature's child,
Fair pensive daughter of the wild;
Nymph of the Forest; thee I press
My weary sick'ning soul to bless;
To give my heart the dear repose,
That smiles unmov'd at transient woes;
That shelter'd from Life's trivial cares,
Each calm delicious comfort shares;
While conscious rectitude of mind,
Blends with each thought a bliss refin'd,
And scorning fear's soul-chilling pow'r,
Dares court REFLECTION'S dang'rous hour,
To scrutinize with cautious art,
Each hidden channel of the heart.
Ah, gentle maiden, let me stray,
Where Innocence for ever gay,
Shall lead me to her loveliest bow'rs
And crown my brow with thornless flow'rs;
And strew the weedy paths of time
With Resignation's balm sublime;
While Rosy SPRING, shall smiling haste,
On light steps o'er the dewy waste,
Eager her brightest gems to shed
Around my verdant perfum'd bed;
And in her train the glowing hours
Shall bathe their wings in scented show'rs;
And shake the fost'ring drops to earth,
To nurse meek blossoms into birth;
And when autumnal zephyrs fly
Sportive, beneath the sapphire sky,
Or in the stream their pinions lave,
Or teach the golden sheaves to wave;
I'll watch the ruby eye of day
In awful lustre glide away,
And closing sink to transient rest,
On panting Ocean's pearly breast.
O SOLITUDE ! how blest the lot
Of her who shares thy silent cot!
Who with celestial peace, pursues
The pensive wand'rings of the MUSE;
To stray unseen where'er she leads,
O'er grassy hills and sunny meads,
Or at the still of Night's cold noon
To gaze upon the chilly Moon,
While PHILOMELA'S mournful Song
Meanders fairy haunts among,
To tell the hopeless LOVER'S ear,
That SYMPATHY'S FOND BIRD is near;
Whose note shall soothe his aching heart,
Whose grief shall emulate his smart;
And by its sadly proud excess,
Make every pang he suffers less;
For oft in passion's direst woes,
The veriest wretch can yield repose;
While from the voice of kindred grief,
We gain a sad, but kind relief.
AH LOVE! thou barb'rous fickle boy,
Thou semblance of delusive joy,
Too long my heart has been thy slave:
For thou hast seen me wildly rave,
And with impetuous frenzy haste,
Heedless across the thorny waste,
And drink the cold dews, ere they fell
On my bare bosom's burning swell;
When bleak the wintry whirlwinds blew;
And swift the sultry meteors flew;
Yes, thou hast seen me, tyrant pow'r,
At freezing midnight's witching hour,
Start from my couch, subdu'd, oppres'd,
While jealous anguish wrung my breast,
While round my eager senses flew,
Dark brow'd Suspicion's wily crew,
Taunting my soul with restless ire,
That set my pulsate brain on fire.
What didst thou then ? Inhuman Boy!
Didst thou not paint each well-feign'd joy,
Each artful smile, each study'd grace
That deck'd some sordid rival's face;
Didst thou not feed my madd'ning sense
With Love's delicious eloquence,
While on my ear thy accents pour'd
The voice of him my soul ador'd,
His rapt'rous toneshis strains divine,
And all those vows that once were mine.
But mild Reflection's piercing ray,
Soon chas'd the fatal dream away,
And with it all my rending woes,
While in its place majestic rose
The Angel TRUTH !her stedfast mien
Bespoke the conscious breast serene;
Her eye more radiant than the day
Beam'd with persuasion's temper'd ray;
Sweet was her voice, and while she sung
Myriads of Seraphs hover'd round,
Eager to iterate the sound,
That on her heav'n-taught accents hung.
Wond'ring I gaz'd! my throbbing breast,
Celestial energies confest;
Transports, before unfelt, unknown,
Throng'd round my bosom's tremb'ling throne,
While ev'ry nerve with rapture strange,
Seem'd to partake the blissful change.
Now with unmov'd and dauntless Eye,
I mark thy winged arrows fly;
No more thy baneful spells shall bind
The purer passions of my mind;
No more, false Love, shall jealous fears
Inflame my check with scalding tears;
Or shake my vanquish'd sense, or rend
My aching heart with poignant throes,
Or with tumultuous fevers blend,
Self-wounding, visionary woes.
No more I'll waste the midnight hour
In expectation's silent bow'r;
And musing o'er thy transcripts dear,
Efface their sorrows with a tear.
No more with timid fondness wait
Till morn unfolds her glitt'ring gate,
When thy lov'd song's seraphic sound,
Wou'd on my quiv'ring nerves rebound
With proud delight;no more thy blush
Shall o'er my cheek unbidden rush,
And scorning ev'ry strong controul,
Unveil the tumults of my soul.
No more when in retirement blest,
Shalt thou obtrude upon my rest;
And tho' encircled with delight,
Absorb my sense, obscure my sight,
Give to my eye the vacant glance,
The mien that marks the mental trance;
The fault'ring tonethe sudden start,
The trembling hand, the bursting heart;
The devious step, that strolls along
Unmindful of the gazing throng;
The feign'd indiff'rence prone to chide;
That blazonswhat it seeks to hide.
Nor do I dread thy vengeful wiles,
Thy soothing voice, thy winning smiles,
Thy trick'ling tear, thy mien forlorn,
Thy pray'r, thy sighs, thy oaths I scorn;
No more on ME thy arrows show'r,
Capricious Love! I BRAVE THY POW'R.
|
Written by
Johann Wolfgang von Goethe |
IF the loved one, the well-known one,
Should return as he departed,
On his lips would ring my kisses,
Though the wolf's blood might have dyed them;
And a hearty grasp I'd give him,
Though his finger-ends were serpents.
Wind! Oh, if thou hadst but reason,
Word for word in turns thou'dst carry,
E'en though some perchance might perish
'Tween two lovers so far distant.
All choice morsels I'd dispense with,
Table-flesh of priests neglect too,
Sooner than renounce my lover,
Whom, in Summer having vanquish'd,
I in Winter tamed still longer.
1810.
|