by
John Ashbery
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
by
Robert Browning
A MIDDLE-AGE INTERLUDE.
ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, _Virgilius._
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, _Jessides._
(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)
[Molay was Grand Master of the Templars
when that order was suppressed in 1312.]
I.
PREADMONISHETH THE ABBOT DEODAET.
The Lord, we look to once for all,
Is the Lord we should look at, all at once:
He knows not to vary, saith Saint Paul,
Nor the shadow of turning, for the nonce.
See him no other than as he is!
Give both the infinitudes their due---
Infinite mercy, but, I wis,
As infinite a justice too.
[_Organ: plagal-cadence._
As infinite a justice too.
II.
ONE SINGETH.
John, Master of the Temple of God,
Falling to sin the Unknown Sin,
What he bought of Emperor Aldabrod,
He sold it to Sultan Saladin:
Till, caught by Pope Clement, a-buzzing there,
Hornet-prince of the mad wasps' hive,
And clipt of his wings in Paris square,
They bring him now to be burned alive.
[_And wanteth there grace of lute or
clavicithern, ye shall say to confirm
him who singeth---_
We bring John now to be burned alive.
III.
In the midst is a goodly gallows built;
'Twixt fork and fork, a stake is stuck;
But first they set divers tumbrils a-tilt,
Make a trench all round with the city muck;
Inside they pile log upon log, good store;
Faggots no few, blocks great and small,
Reach a man's mid-thigh, no less, no more,---
For they mean he should roast in the sight of all.
CHORUS.
We mean he should roast in the sight of all.
IV.
Good sappy bavins that kindle forthwith;
Billets that blaze substantial and slow;
Pine-stump split deftly, dry as pith;
Larch-heart that chars to a chalk-white glow:
Then up they hoist me John in a chafe,
Sling him fast like a hog to scorch,
Spit in his face, then leap back safe,
Sing ``Laudes'' and bid clap-to the torch.
CHORUS.
_Laus Deo_---who bids clap-to the torch.
V.
John of the Temple, whose fame so bragged,
Is burning alive in Paris square!
How can he curse, if his mouth is gagged?
Or wriggle his neck, with a collar there?
Or heave his chest, which a band goes round?
Or threat with his fist, since his arms are spliced?
Or kick with his feet, now his legs are bound?
---Thinks John, I will call upon Jesus Christ.
[_Here one crosseth himself_
VI.
Jesus Christ---John had bought and sold,
Jesus Christ---John had eaten and drunk;
To him, the Flesh meant silver and gold.
(_Salv reverenti._)
Now it was, ``Saviour, bountiful lamb,
``I have roasted thee Turks, though men roast me!
``See thy servant, the plight wherein I am!
``Art thou a saviour? Save thou me!''
CHORUS.
'Tis John the mocker cries, ``Save thou me!''
VII.
Who maketh God's menace an idle word?
---Saith, it no more means what it proclaims,
Than a damsel's threat to her wanton bird?---
For she too prattles of ugly names.
---Saith, he knoweth but one thing,---what he knows?
That God is good and the rest is breath;
Why else is the same styled Sharon's rose?
Once a rose, ever a rose, he saith.
CHORUS.
O, John shall yet find a rose, he saith!
VIII.
Alack, there be roses and roses, John!
Some, honied of taste like your leman's tongue:
Some, bitter; for why? (roast gaily on!)
Their tree struck root in devil's-dung.
When Paul once reasoned of righteousness
And of temperance and of judgment to come,
Good Felix trembled, he could no less:
John, snickering, crook'd his wicked thumb.
CHORUS.
What cometh to John of the wicked thumb?
IX.
Ha ha, John plucketh now at his rose
To rid himself of a sorrow at heart!
Lo,---petal on petal, fierce rays unclose;
Anther on anther, sharp spikes outstart;
And with blood for dew, the bosom boils;
And a gust of sulphur is all its smell;
And lo, he is horribly in the toils
Of a coal-black giant flower of hell!
CHORUS.
What maketh heaven, That maketh hell.
X.
So, as John called now, through the fire amain.
On the Name, he had cursed with, all his life---
To the Person, he bought and sold again---
For the Face, with his daily buffets rife---
Feature by feature It took its place:
And his voice, like a mad dog's choking bark,
At the steady whole of the Judge's face---
Died. Forth John's soul flared into the dark.
SUBJOINETH THE ABBOT DEODAET.
God help all poor souls lost in the dark!
*1: Fagots.
|
by
Edwin Arlington Robinson
“Gawaine, Gawaine, what look ye for to see,
So far beyond the faint edge of the world?
D’ye look to see the lady Vivian,
Pursued by divers ominous vile demons
That have another king more fierce than ours?
Or think ye that if ye look far enough
And hard enough into the feathery west
Ye’ll have a glimmer of the Grail itself?
And if ye look for neither Grail nor lady,
What look ye for to see, Gawaine, Gawaine?”
So Dagonet, whom Arthur made a knight
Because he loved him as he laughed at him,
Intoned his idle presence on a day
To Gawaine, who had thought himself alone,
Had there been in him thought of anything
Save what was murmured now in Camelot
Of Merlin’s hushed and all but unconfirmed
Appearance out of Brittany. It was heard
At first there was a ghost in Arthur’s palace,
But soon among the scullions and anon
Among the knights a firmer credit held
All tongues from uttering what all glances told—
Though not for long. Gawaine, this afternoon,
Fearing he might say more to Lancelot
Of Merlin’s rumor-laden resurrection
Than Lancelot would have an ear to cherish,
Had sauntered off with his imagination
To Merlin’s Rock, where now there was no Merlin
To meditate upon a whispering town
Below him in the silence.—Once he said
To Gawaine: “You are young; and that being so,
Behold the shining city of our dreams
And of our King.”—“Long live the King,” said Gawaine.—
“Long live the King,” said Merlin after him;
“Better for me that I shall not be King;
Wherefore I say again, Long live the King,
And add, God save him, also, and all kings—
All kings and queens. I speak in general.
Kings have I known that were but weary men
With no stout appetite for more than peace
That was not made for them.”—“Nor were they made
For kings,” Gawaine said, laughing.—“You are young,
Gawaine, and you may one day hold the world
Between your fingers, knowing not what it is
That you are holding. Better for you and me,
I think, that we shall not be kings.”
Gawaine,
Remembering Merlin’s words of long ago,
Frowned as he thought, and having frowned again,
He smiled and threw an acorn at a lizard:
“There’s more afoot and in the air to-day
Than what is good for Camelot. Merlin
May or may not know all, but he said well
To say to me that he would not be King.
Nor more would I be King.” Far down he gazed
On Camelot, until he made of it
A phantom town of many stillnesses,
Not reared for men to dwell in, or for kings
To reign in, without omens and obscure
Familiars to bring terror to their days;
For though a knight, and one as hard at arms
As any, save the fate-begotten few
That all acknowledged or in envy loathed,
He felt a foreign sort of creeping up
And down him, as of moist things in the dark,—
When Dagonet, coming on him unawares,
Presuming on his title of Sir Fool,
Addressed him and crooned on till he was done:
“What look ye for to see, Gawaine, Gawaine?”
“Sir Dagonet, you best and wariest
Of all dishonest men, I look through Time,
For sight of what it is that is to be.
I look to see it, though I see it not.
I see a town down there that holds a king,
And over it I see a few small clouds—
Like feathers in the west, as you observe;
And I shall see no more this afternoon
Than what there is around us every day,
Unless you have a skill that I have not
To ferret the invisible for rats.”
“If you see what’s around us every day,
You need no other showing to go mad.
Remember that and take it home with you;
And say tonight, ‘I had it of a fool—
With no immediate obliquity
For this one or for that one, or for me.’”
Gawaine, having risen, eyed the fool curiously:
“I’ll not forget I had it of a knight,
Whose only folly is to fool himself;
And as for making other men to laugh,
And so forget their sins and selves a little,
There’s no great folly there. So keep it up,
As long as you’ve a legend or a song,
And have whatever sport of us you like
Till havoc is the word and we fall howling.
For I’ve a guess there may not be so loud
A sound of laughing here in Camelot
When Merlin goes again to his gay grave
In Brittany. To mention lesser terrors,
Men say his beard is gone.”
“Do men say that?”
A twitch of an impatient weariness
Played for a moment over the lean face
Of Dagonet, who reasoned inwardly:
“The friendly zeal of this inquiring knight
Will overtake his tact and leave it squealing,
One of these days.”—Gawaine looked hard at him:
“If I be too familiar with a fool,
I’m on the way to be another fool,”
He mused, and owned a rueful qualm within him:
“Yes, Dagonet,” he ventured, with a laugh,
“Men tell me that his beard has vanished wholly,
And that he shines now as the Lord’s anointed,
And wears the valiance of an ageless youth
Crowned with a glory of eternal peace.”
Dagonet, smiling strangely, shook his head:
“I grant your valiance of a kind of youth
To Merlin, but your crown of peace I question;
For, though I know no more than any churl
Who pinches any chambermaid soever
In the King’s palace, I look not to Merlin
For peace, when out of his peculiar tomb
He comes again to Camelot. Time swings
A mighty scythe, and some day all your peace
Goes down before its edge like so much clover.
No, it is not for peace that Merlin comes,
Without a trumpet—and without a beard,
If what you say men say of him be true—
Nor yet for sudden war.”
Gawaine, for a moment,
Met then the ambiguous gaze of Dagonet,
And, making nothing of it, looked abroad
As if at something cheerful on all sides,
And back again to the fool’s unasking eyes:
“Well, Dagonet, if Merlin would have peace,
Let Merlin stay away from Brittany,”
Said he, with admiration for the man
Whom Folly called a fool: “And we have known him;
We knew him once when he knew everything.”
“He knew as much as God would let him know
Until he met the lady Vivian.
I tell you that, for the world knows all that;
Also it knows he told the King one day
That he was to be buried, and alive,
In Brittany; and that the King should see
The face of him no more. Then Merlin sailed
Away to Vivian in Broceliande,
Where now she crowns him and herself with flowers
And feeds him fruits and wines and many foods
Of many savors, and sweet ortolans.
Wise books of every lore of every land
Are there to fill his days, if he require them,
And there are players of all instruments—
Flutes, hautboys, drums, and viols; and she sings
To Merlin, till he trembles in her arms
And there forgets that any town alive
Had ever such a name as Camelot.
So Vivian holds him with her love, they say,
And he, who has no age, has not grown old.
I swear to nothing, but that’s what they say.
That’s being buried in Broceliande
For too much wisdom and clairvoyancy.
But you and all who live, Gawaine, have heard
This tale, or many like it, more than once;
And you must know that Love, when Love invites
Philosophy to play, plays high and wins,
Or low and loses. And you say to me,
‘If Merlin would have peace, let Merlin stay
Away from Brittany.’ Gawaine, you are young,
And Merlin’s in his grave.”
“Merlin said once
That I was young, and it’s a joy for me
That I am here to listen while you say it.
Young or not young, if that be burial,
May I be buried long before I die.
I might be worse than young; I might be old.”—
Dagonet answered, and without a smile:
“Somehow I fancy Merlin saying that;
A fancy—a mere fancy.” Then he smiled:
“And such a doom as his may be for you,
Gawaine, should your untiring divination
Delve in the veiled eternal mysteries
Too far to be a pleasure for the Lord.
And when you stake your wisdom for a woman,
Compute the woman to be worth a grave,
As Merlin did, and say no more about it.
But Vivian, she played high. Oh, very high!
Flutes, hautboys, drums, and viols,—and her love.
Gawaine, farewell.”
“Farewell, Sir Dagonet,
And may the devil take you presently.”
He followed with a vexed and envious eye,
And with an arid laugh, Sir Dagonet’s
Departure, till his gaunt obscurity
Was cloaked and lost amid the glimmering trees.
“Poor fool!” he murmured. “Or am I the fool?
With all my fast ascendency in arms,
That ominous clown is nearer to the King
Than I am—yet; and God knows what he knows,
And what his wits infer from what he sees
And feels and hears. I wonder what he knows
Of Lancelot, or what I might know now,
Could I have sunk myself to sound a fool
To springe a friend.… No, I like not this day.
There’s a cloud coming over Camelot
Larger than any that is in the sky,—
Or Merlin would be still in Brittany,
With Vivian and the viols. It’s all too strange.”
And later, when descending to the city,
Through unavailing casements he could hear
The roaring of a mighty voice within,
Confirming fervidly his own conviction:
“It’s all too strange, and half the world’s half crazy!”—
He scowled: “Well, I agree with Lamorak.”
He frowned, and passed: “And I like not this day.”
|
by
Duncan Campbell Scott
The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.
O stern, implacable Muse,
Giving to Keats so richly dowered,
Only the thought that he should be
Among the English poets after death;
Letting him fade with that expectancy,
All powerless to unfold the future!
What boots it that our age has snatched him free
From thy too harsh embrace,
Has given his fame the certainty
Of comradeship with Shakespeare's?
He lies alone
Beneath the frown of the old Roman stone
And the cold Roman violets;
And not our wildest incantation
Of his most sacred lines,
Nor all the praise that sets
Towards his pale grave,
Like oceans towards the moon,
Will move the Shadow with the pensive brow
To break his dream,
And give unto him now
One word! --
When the young master reasoned
That our puissant England
Reared her great poets by neglect,
Trampling them down in the by-paths of Life
And fostering them with glory after death,
Did any flame of triumph from his own fame
Fall swift upon his mind; the glow
Cast back upon the bleak and aching air
Blown around his days -- ?
Happily so!
But he, whose soul was mighty as the soul
Of Milton, who held the vision of the world
As an irradiant orb self-filled with light,
Who schooled his heart with passionate control
To compass knowledge, to unravel the dense
Web of this tangled life, he would weigh slight
As thistledown blown from his most fairy fancy
That pale self-glory, against the mystery,
The wonder of the various world, the power
Of "seeing great things in loneliness."
Where bloodroot in the clearing dwells
Along the edge of snow;
Where, trembling all their trailing bells,
The sensitive twinflowers blow;
Where, searching through the ferny breaks,
The moose-fawns find the springs;
Where the loon laughs and diving takes
Her young beneath her wings;
Where flash the fields of arctic moss
With myriad golden light;
Where no dream-shadows ever cross
The lidless eyes of night;
Where, cleaving a mountain storm, the proud
Eagles, the clear sky won,
Mount the thin air between the loud
Slow thunder and the sun;
Where, to the high tarn tranced and still
No eye has ever seen,
Comes the first star its flame to chill
In the cool deeps of green; --
Spirit of Keats, unfurl thy wings,
Far from the toil and press,
Teach us by these pure-hearted things,
Beauty in loneliness.
Where, in the realm of thought, dwell those
Who oft in pain and penury
Work in the void,
Searching the infinite dark between the stars,
The infinite little of the atom,
Gathering the tears and terrors of this life,
Distilling them to a medicine for the soul;
(And hated for their thought
Die for it calmly;
For not their fears,
Nor the cold scorn of men,
Fright them who hold to truth:)
They brood alone in the intense serene
Air of their passion,
Until on some chill dawn
Breaks the immortal form foreshadowed in their dream,
And the distracted world and men
Are no more what they were.
Spirit of Keats, unfurl thy deathless wings,
Far from the wayward toil, the vain excess,
Teach us by such soul-haunting things
Beauty in loneliness.
The minds of men grow numb, their vision narrows,
The clogs of Empire and the dust of ages,
The lust of power that fogs the fairest pages,
Of the romance that eager life would write,
These war on Beauty with their spears and arrows.
But still is Beauty and of constant power;
Even in the whirl of Time's most sordid hour,
Banished from the great highways,
Afflighted by the tramp of insolent feet,
She hangs her garlands in the by-ways;
Lissome and sweet
Bending her head to hearken and learn
Melody shadowed with melody,
Softer than shadow of sea-fern,
In the green-shadowed sea:
Then, nourished by quietude,
And if the world's mood
Change, she may return
Even lovelier than before. --
The white reflection in the mountain lake
Falls from the white stream
Silent in the high distance;
The mirrored mountains guard
The profile of the goddess of the height,
Floating in water with a curve of crystal light;
When the air, envious of the loveliness,
Rushes downward to surprise,
Confusion plays in the contact,
The picture is overdrawn
With ardent ripples,
But when the breeze, warned of intrusion,
Draws breathless upward in flight,
The vision reassembles in tranquillity,
Reforming with a gesture of delight,
Reborn with the rebirth of calm.
Spirit of Keats, lend us thy voice,
Breaking like surge in some enchanted cave
On a dream-sea-coast,
To summon Beauty to her desolate world.
For Beauty has taken refuge from our life
That grew too loud and wounding;
Beauty withdraws beyond the bitter strife,
Beauty is gone, (Oh where?)
To dwell within a precinct of pure air
Where moments turn to months of solitude;
To live on roots of fern and tips of fern,
On tender berries flushed with the earth's blood.
Beauty shall stain her feet with moss
And dye her cheek with deep nut-juices,
Laving her hands in the pure sluices
Where rainbows are dissolved.
Beauty shall view herself in pools of amber sheen
Dappled with peacock-tints from the green screen
That mingles liquid light with liquid shadow.
Beauty shall breathe the fairy hush
With the chill orchids in their cells of shade,
And hear the invocation of the thrush
That calls the stars into their heaven,
And after even
Beauty shall take the night into her soul.
When the thrill voice goes crying through the wood,
(Oh, Beauty, Beauty!)
Troubling the solitude
With echoes from the lonely world,
Beauty will tremble like a cloistered thing
That hears temptation in the outlands singing,
Will steel her dedicated heart and breathe
Into her inner ear to firm her vow: --
"Let me restore the soul that ye have marred.
O mortals, cry no more on Beauty,
Leave me alone, lone mortals,
Until my shaken soul comes to its own,
Lone mortals, leave me alone!"
(Oh Beauty, Beauty, Beauty!)
All the dim wood is silent as a dream
That dreams of silence.
|
by
John Crowe Ransom
The friar had said his paternosters duly
And scourged his limbs, and afterwards would have slept;
But with much riddling his head became unruly,
He arose, from the quiet monastery he crept.
Dawn lightened the place where the battle had been won.
The people were dead -- it is easy he thought to die --
These dead remained, but the living were all gone,
Gone with the wailing trumps of victory.
The dead men wore no raiment against the air,
Bartholomew's men had spoiled them where they fell;
In defeat the heroes' bodies were whitely bare,
The field was white like meads of asphodel.
Not all were white; some gory and fabulous
Whom the sword had pierced and then the grey wolf eaten;
But the brother reasoned that heroes' flesh was thus.
Flesh fails, and the postured bones lie weather-beaten.
The lords of chivalry lay prone and shattered.
The gentle and the bodyguard of yeomen;
Bartholomew's stroke went home -- but little it mattered,
Bartholomew went to be stricken of other foemen.
Beneath the blue ogive of the firmament
Was a dead warrior, clutching whose mighty knees
Was a leman, who with her flame had warmed his tent,
For him enduring all men's pleasantries.
Close by the sable stream that purged the plain
Lay the white stallion and his rider thrown,
The great beast had spilled there his little brain,
And the little groin of the knight was spilled by a stone.
The youth possessed him then of a crooked blade
Deep in the belly of a lugubrious wight;
He fingered it well, and it was cunningly made;
But strange apparatus was if for a Carmelite.
Then he sat upon a hill and bowed his head
As under a riddle, and in deep surmise
So still that he likened himself unto those dead
Whom the kites of Heaven solicited with sweet cries.
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by
Wilfred Owen
"I will to the King,
And offer him consolation in his trouble,
For that man there has set his teeth to die,
And being one that hates obedience,
Discipline, and orderliness of life,
I cannot mourn him."
W. B. Yeats.
Patting goodbye, doubtless they told the lad
He'd always show the Hun a brave man's face;
Father would sooner him dead than in disgrace, --
Was proud to see him going, aye, and glad.
Perhaps his Mother whimpered how she'd fret
Until he got a nice, safe wound to nurse.
Sisters would wish girls too could shoot, charge, curse, . . .
Brothers -- would send his favourite cigarette,
Each week, month after month, they wrote the same,
Thinking him sheltered in some Y.M. Hut,
Where once an hour a bullet missed its aim
And misses teased the hunger of his brain.
His eyes grew old with wincing, and his hand
Reckless with ague. Courage leaked, as sand
From the best sandbags after years of rain.
But never leave, wound, fever, trench-foot, shock,
Untrapped the wretch. And death seemed still withheld
For torture of lying machinally shelled,
At the pleasure of this world's Powers who'd run amok.
He'd seen men shoot their hands, on night patrol,
Their people never knew. Yet they were vile.
"Death sooner than dishonour, that's the style!"
So Father said.
One dawn, our wire patrol
Carried him. This time, Death had not missed.
We could do nothing, but wipe his bleeding cough.
Could it be accident? -- Rifles go off . . .
Not sniped? No. (Later they found the English ball.)
It was the reasoned crisis of his soul.
Against the fires that would not burn him whole
But kept him for death's perjury and scoff
And life's half-promising, and both their riling.
With him they buried the muzzle his teeth had kissed,
And truthfully wrote the Mother "Tim died smiling."
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by
Ehsan Sehgal
"molten gold thrown of ground solidifies into an ungainly mass but put in moulds becomes attractive jewelry. Similarly unarticulated thoughts reduced to writing will be nothing but meaningless jumble where as properly reasoned and structured thoughts expressed in writing become meaningful and if well written, can become masterpieces of literature." Ehsan Sehgal
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by
Edwin Arlington Robinson
The miller's wife had waited long,
The tea was cold, the fire was dead;
And there might yet be nothing wrong
In how he went and what he said:
"There are no millers any more,"
Was all that she had heard him say;
And he had lingered at the door
So long that it seemed yesterday.
Sick with a fear that had no form
She knew that she was there at last;
And in the mill there was a warm
And mealy fragrance of the past.
What else there was would only seem
To say again what he had meant;
And what was hanging from a beam
Would not have heeded where she went.
And if she thought it followed her,
She may have reasoned in the dark
That one way of the few there were
Would hide her and would leave no mark:
Black water, smooth above the weir
Like starry velvet in the night,
Though ruffled once, would soon appear
The same as ever to the sight.
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