Written by
Anne Sexton |
You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.
Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.
Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.
Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.
Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.
Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.
Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.
As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.
At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.
Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
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Written by
Erin Belieu |
Writing from Boston, where sky is simply
property, a flourish topping crowds
of condos and historic real estate,
I'm trying to imagine blue sky:
the first time, where it happened,
what I was becoming. Being taken there
by car, from a town so newly born that grass
still accounted all distance, an explanation
drawn in measureless yellows, a tone
stubbling the whole world, ten minutes away.
Consider now how the single pussy willow
edging a cattle pond in winter becomes
a wind-shivered monument to what this mean
a placid loneliness asking nothing, nothing?...
Not knowing then the proper name for things
green chubs of milo, the husbandry of soy,
bovine patience, the rhythm of the cud,
sea green foam washing round
a cow's mouth, its tender udders,
the surprise of an animal's dignity...
but something comes before
Before car or cow, before
sky becomes...
That sky, I mean, disregarded
as buried memory ...
Yes. There was a time before.
Remember when the tiny sightless hand
could not know, not say hand, but knew it
in its straying, knew it in the cool
condensation steaming the station wagon windows,
thrums of heat blowing a brand of idiot's safety
over the brightly-wrapped package
that was then your body, well-loved?
This must have been you, looking out at that world
of flat, buttered fields and blackbirds ascending... '
But what was sky then?
Today, I receive a postcard of
a blue guitar. Here, snow falls with wings,
tumbling in its feathered body, melting
on the window glass. How each evening becomes
another beautiful woman holding
the color of expensive sapphires
against her throat, I'll never know.
It is an ordinary clarity.
So then was it music?
Something like love or
words, a sentimental moment once
years ago, that blue sky?
How soon the sky and I have grown apart.
On the postcard, an old man hangs
half-dead, strung over his instrument, and what
I have imagined is half-dead, too. Our bones
end hollow, sky blue; the flute comes untuned.
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Written by
Nazim Hikmet |
I have no silver-saddled horse to ride,
no inheritance to live on,
neither riches no real-estate --
a pot of honey is all I own.
A pot of honey
red as fire!
My honey is my everything.
I guard
my riches and my real-estate
-- my honey pot, I mean --
from pests of every species,
Brother, just wait...
As long as I've got
honey in my pot,
bees will come to it
from Timbuktu...
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Written by
Edgar Lee Masters |
I never saw any difference
Between playing cards for money
And selling real estate,
Practicing law, banking, or anything else.
For everything is chance.
Nevertheless
Seest thou a man diligent in business?
He shall stand before Kings!
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Written by
Carl Sandburg |
ARMOUR AVENUE was the name of this street and door signs on empty houses read “The Silver Dollar,” “Swede Annie” and the Christian names of madams such as “Myrtle” and “Jenny.”
Scrap iron, rags and bottles fill the front rooms hither and yon and signs in Yiddish say Abe Kaplan & Co. are running junk shops in whore houses of former times.
The segregated district, the Tenderloin, is here no more; the red-lights are gone; the ring of shovels handling scrap iron replaces the banging of pianos and the bawling songs of pimps.Chicago, 1915.
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Written by
William Stafford |
Paw marks near one burrow show Graydigger
at home, I bend low, from down there swivel
my head, grasstop level--the world
goes on forever, the mountains a bigger
burrow, their snow like last winter. From a room
inside the world even the strongest wind
has a soft sound: a new house will hide
in the grass; footsteps are only the summer people.
The real estate agent is saying, "Utilities . . .
easy payments, a view." I see
my prints in the dirt. Out there
in the wind we talk about credit, security--
there on the bank by Graydigger's home.
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Written by
Badger Clark |
I rode across a valley range
I hadn't seen for years.
The trail was all so spoilt and strange
It nearly fetched the tears.
I had to let ten fences down
(The fussy lanes ran wrong)
And each new line would make me frown
And hum a mournin' song.
_Oh, it's squeak! squeak! squeak!_
_Hear 'em stretchin' of the wire!_
_The nester brand is on the land;_
_I reckon I'll retire,_
_While progress toots her brassy horn_
_And makes her motor buzz,_
_I thank the Lord I wasn't born_
_No later than I was._
'Twas good to live when all the sod,
Without no fence nor fuss,
Belonged in pardnership to God,
The Gover'ment and us.
With skyline bounds from east to west
And room to go and come,
I loved my fellow man the best
When he was scattered some.
_Oh, it's squeak! squeak! squeak!_
_Close and closer cramps the wire._
_There's hardly play to back away_
_And call a man a liar._
_Their house has locks on every door;_
_Their land is in a crate._
_These ain't the plains of God no more,_
_They're only real estate._
There's land where yet no ditchers dig
Nor cranks experiment;
It's only lovely, free and big
And isn't worth a cent.
I pray that them who come to spoil
May wait till I am dead
Before they foul that blessed soil
With fence and cabbage head.
_Yet it's squeak! squeak! squeak!_
_Far and farther crawls the wire._
_To crowd and pinch another inch_
_Is all their heart's desire._
_The world is overstocked with men_
_And some will see the day_
_When each must keep his little pen,_
_But I'll be far away._
When my old soul hunts range and rest
Beyond the last divide,
Just plant me in some stretch of West
That's sunny, lone and wide.
Let cattle rub my tombstone down
And coyotes mourn their kin,
Let hawses paw and tromp the moun'
But don't you fence it in!
_Oh, it's squeak! squeak! squeak!_
_And they pen the land with wire._
_They figure fence and copper cents_
_Where we laughed 'round the fire._
_Job cussed his birthday, night and morn._
_In his old land of Uz,_
_But I'm just glad I wasn't born_
_No later than I was!_
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Written by
Carl Sandburg |
FLAT lands on the end of town where real estate men are crying new subdivisions,
The sunsets pour blood and fire over you hundreds and hundreds of nights, flat lands—blood and fire of sunsets thousands of years have been pouring over you.
And the stars follow the sunsets. One gold star. A shower of blue stars. Blurs of white and gray stars. Vast marching processions of stars arching over you flat lands where frogs sob this April night.
“Lots for Sale—Easy Terms” run letters painted on a board—and the stars wheel onward, the frogs sob this April night.
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