Written by
Sidney Lanier |
To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving.
Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.
I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.
As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
|
Written by
Robert Frost |
"You ought to have seen what I saw on my way
To the village, through Mortenson's pasture to-day:
Blueberries as big as the end of your thumb,
Real sky-blue, and heavy, and ready to drum
In the cavernous pail of the first one to come!
And all ripe together, not some of them green
And some of them ripe! You ought to have seen!"
"I don't know what part of the pasture you mean.
"
"You know where they cut off the woods--let me see--
It was two years ago--or no!--can it be
No longer than that?--and the following fall
The fire ran and burned it all up but the wall.
"
"Why, there hasn't been time for the bushes to grow.
That's always the way with the blueberries, though:
There may not have been the ghost of a sign
Of them anywhere under the shade of the pine,
But get the pine out of the way, you may burn
The pasture all over until not a fern
Or grass-blade is left, not to mention a stick,
And presto, they're up all around you as thick
And hard to explain as a conjuror's trick.
"
"It must be on charcoal they fatten their fruit.
I taste in them sometimes the flavour of soot.
And after all really they're ebony skinned:
The blue's but a mist from the breath of the wind,
A tarnish that goes at a touch of the hand,
And less than the tan with which pickers are tanned.
"
"Does Mortenson know what he has, do you think?"
"He may and not care and so leave the chewink
To gather them for him--you know what he is.
He won't make the fact that they're rightfully his
An excuse for keeping us other folk out.
"
"I wonder you didn't see Loren about.
"
"The best of it was that I did.
Do you know,
I was just getting through what the field had to show
And over the wall and into the road,
When who should come by, with a democrat-load
Of all the young chattering Lorens alive,
But Loren, the fatherly, out for a drive.
"
"He saw you, then? What did he do? Did he frown?"
"He just kept nodding his head up and down.
You know how politely he always goes by.
But he thought a big thought--I could tell by his eye--
Which being expressed, might be this in effect:
'I have left those there berries, I shrewdly suspect,
To ripen too long.
I am greatly to blame.
'"
"He's a thriftier person than some I could name.
"
"He seems to be thrifty; and hasn't he need,
With the mouths of all those young Lorens to feed?
He has brought them all up on wild berries, they say,
Like birds.
They store a great many away.
They eat them the year round, and those they don't eat
They sell in the store and buy shoes for their feet.
"
"Who cares what they say? It's a nice way to live,
Just taking what Nature is willing to give,
Not forcing her hand with harrow and plow.
"
"I wish you had seen his perpetual bow--
And the air of the youngsters! Not one of them turned,
And they looked so solemn-absurdly concerned.
"
"I wish I knew half what the flock of them know
Of where all the berries and other things grow,
Cranberries in bogs and raspberries on top
Of the boulder-strewn mountain, and when they will crop.
I met them one day and each had a flower
Stuck into his berries as fresh as a shower;
Some strange kind--they told me it hadn't a name.
"
"I've told you how once not long after we came,
I almost provoked poor Loren to mirth
By going to him of all people on earth
To ask if he knew any fruit to be had
For the picking.
The rascal, he said he'd be glad
To tell if he knew.
But the year had been bad.
There had been some berries--but those were all gone.
He didn't say where they had been.
He went on:
'I'm sure--I'm sure'--as polite as could be.
He spoke to his wife in the door, 'Let me see,
Mame, we don't know any good berrying place?'
It was all he could do to keep a straight face.
"If he thinks all the fruit that grows wild is for him,
He'll find he's mistaken.
See here, for a whim,
We'll pick in the Mortensons' pasture this year.
We'll go in the morning, that is, if it's clear,
And the sun shines out warm: the vines must be wet.
It's so long since I picked I almost forget
How we used to pick berries: we took one look round,
Then sank out of sight like trolls underground,
And saw nothing more of each other, or heard,
Unless when you said I was keeping a bird
Away from its nest, and I said it was you.
'Well, one of us is.
' For complaining it flew
Around and around us.
And then for a while
We picked, till I feared you had wandered a mile,
And I thought I had lost you.
I lifted a shout
Too loud for the distance you were, it turned out,
For when you made answer, your voice was as low
As talking--you stood up beside me, you know.
"
"We sha'n't have the place to ourselves to enjoy--
Not likely, when all the young Lorens deploy.
They'll be there to-morrow, or even to-night.
They won't be too friendly--they may be polite--
To people they look on as having no right
To pick where they're picking.
But we won't complain.
You ought to have seen how it looked in the rain,
The fruit mixed with water in layers of leaves,
Like two kinds of jewels, a vision for thieves.
"
|
Written by
George Meredith |
Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.
We've travelled times to this old common:
Often we've hung our pots in the gorse.
We've had a stirring life, old woman!
You, and I, and the old grey horse.
Races, and fairs, and royal occasions,
Found us coming to their call:
Now they'll miss us at our stations:
There's a Juggler outjuggles all!
Up goes the lark, as if all were jolly!
Over the duck-pond the willow shakes.
Easy to think that grieving's folly,
When the hand's firm as driven stakes!
Ay, when we're strong, and braced, and manful,
Life's a sweet fiddle: but we're a batch
Born to become the Great Juggler's han'ful:
Balls he shies up, and is safe to catch.
Here's where the lads of the village cricket:
I was a lad not wide from here:
Couldn't I whip off the bale from the wicket?
Like an old world those days appear!
Donkey, sheep, geese, and thatch'd ale-house--I know them!
They are old friends of my halts, and seem,
Somehow, as if kind thanks I owe them:
Juggling don't hinder the heart's esteem.
Juggling's no sin, for we must have victual:
Nature allows us to bait for the fool.
Holding one's own makes us juggle no little;
But, to increase it, hard juggling's the rule.
You that are sneering at my profession,
Haven't you juggled a vast amount?
There's the Prime Minister, in one Session,
Juggles more games than my sins'll count.
I've murdered insects with mock thunder:
Conscience, for that, in men don't quail.
I've made bread from the bump of wonder:
That's my business, and there's my tale.
Fashion and rank all praised the professor:
Ay! and I've had my smile from the Queen:
Bravo, Jerry! she meant: God bless her!
Ain't this a sermon on that scene?
I've studied men from my topsy-turvy
Close, and, I reckon, rather true.
Some are fine fellows: some, right scurvy:
Most, a dash between the two.
But it's a woman, old girl, that makes me
Think more kindly of the race:
And it's a woman, old girl, that shakes me
When the Great Juggler I must face.
We two were married, due and legal:
Honest we've lived since we've been one.
Lord! I could then jump like an eagle:
You danced bright as a bit o' the sun.
Birds in a May-bush we were! right merry!
All night we kiss'd, we juggled all day.
Joy was the heart of Juggling Jerry!
Now from his old girl he's juggled away.
It's past parsons to console us:
No, nor no doctor fetch for me:
I can die without my bolus;
Two of a trade, lass, never agree!
Parson and Doctor!--don't they love rarely
Fighting the devil in other men's fields!
Stand up yourself and match him fairly:
Then see how the rascal yields!
I, lass, have lived no gipsy, flaunting
Finery while his poor helpmate grubs:
Coin I've stored, and you won't be wanting:
You shan't beg from the troughs and tubs.
Nobly you've stuck to me, though in his kitchen
Many a Marquis would hail you Cook!
Palaces you could have ruled and grown rich in,
But your old Jerry you never forsook.
Hand up the chirper! ripe ale winks in it;
Let's have comfort and be at peace.
Once a stout draught made me light as a linnet.
Cheer up! the Lord must have his lease.
May be--for none see in that black hollow--
It's just a place where we're held in pawn,
And, when the Great Juggler makes as to swallow,
It's just the sword-trick--I ain't quite gone!
Yonder came smells of the gorse, so nutty,
Gold-like and warm: it's the prime of May.
Better than mortar, brick and putty
Is God's house on a blowing day.
Lean me more up the mound; now I feel it:
All the old heath-smells! Ain't it strange?
There's the world laughing, as if to conceal it,
But He's by us, juggling the change.
I mind it well, by the sea-beach lying,
Once--it's long gone--when two gulls we beheld,
Which, as the moon got up, were flying
Down a big wave that sparked and swell'd.
Crack, went a gun: one fell: the second
Wheeled round him twice, and was off for new luck:
There in the dark her white wing beckon'd:--
Drop me a kiss--I'm the bird dead-struck!
|
Written by
Robert Burns |
HEAR, Land o’ Cakes, and brither Scots,
Frae Maidenkirk to Johnie Groat’s;—
If there’s a hole in a’ your coats,
I rede you tent it:
A chield’s amang you takin notes,
And, faith, he’ll prent it:
If in your bounds ye chance to light
Upon a fine, fat fodgel wight,
O’ stature short, but genius bright,
That’s he, mark weel;
And wow! he has an unco sleight
O’ cauk and keel.
By some auld, houlet-haunted biggin,
Or kirk deserted by its riggin,
It’s ten to ane ye’ll find him snug in
Some eldritch part,
Wi’ deils, they say, L—d save’s! colleaguin
At some black art.
Ilk ghaist that haunts auld ha’ or chaumer,
Ye gipsy-gang that deal in glamour,
And you, deep-read in hell’s black grammar,
Warlocks and witches,
Ye’ll quake at his conjuring hammer,
Ye midnight bitches.
It’s tauld he was a sodger bred,
And ane wad rather fa’n than fled;
But now he’s quat the spurtle-blade,
And dog-skin wallet,
And taen the—Antiquarian trade,
I think they call it.
He has a fouth o’ auld nick-nackets:
Rusty airn caps and jinglin jackets,
Wad haud the Lothians three in tackets,
A towmont gude;
And parritch-pats and auld saut-backets,
Before the flood.
Of Eve’s first fire he has a cinder;
Auld Tubalcain’s fire-shool and fender;
That which distinguished the gender
O’ Balaam’s ass:
A broomstick o’ the witch of Endor,
Weel shod wi’ brass.
Forbye, he’ll shape you aff fu’ gleg
The cut of Adam’s philibeg;
The knife that nickit Abel’s craig
He’ll prove you fully,
It was a faulding jocteleg,
Or lang-kail gullie.
But wad ye see him in his glee,
For meikle glee and fun has he,
Then set him down, and twa or three
Gude fellows wi’ him:
And port, O port! shine thou a wee,
And THEN ye’ll see him!
Now, by the Pow’rs o’ verse and prose!
Thou art a dainty chield, O Grose!—
Whae’er o’ thee shall ill suppose,
They sair misca’ thee;
I’d take the rascal by the nose,
Wad say, “Shame fa’ thee!”
|
Written by
Robert Burns |
FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?
A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
|
Written by
Paul Laurence Dunbar |
Whut you say, dah? huh, uh! chile,
You 's enough to dribe me wile.
Want a sto'y; jes' hyeah dat!
Whah' 'll I git a sto'y at?
Di'n' I tell you th'ee las' night?
Go 'way, honey, you ain't right.
I got somep'n' else to do,
'Cides jes' tellin' tales to you.
Tell you jes' one? Lem me see
Whut dat one's a-gwine to be.[Pg 154]
When you 's ole, yo membry fails;
Seems lak I do' know no tales.
Well, set down dah in dat cheer,
Keep still ef you wants to hyeah.
Tek dat chin up off yo' han's,
Set up nice now. Goodness lan's!
Hol' yo'se'f up lak yo' pa.
Bet nobidy evah saw
Him scrunched down lak you was den—
High-tone boys meks high-tone men.
Once dey was a ole black bah,
Used to live 'roun' hyeah some whah
In a cave. He was so big
He could ca'y off a pig
Lak you picks a chicken up,
Er yo' leetles' bit o' pup.
An' he had two gread big eyes,
Jes' erbout a saucer's size.
Why, dey looked lak balls o' fiah
Jumpin' 'roun' erpon a wiah
W'en dat bah was mad; an' laws!
But you ought to seen his paws!
Did I see 'em? How you 'spec
I 's a-gwine to ricollec'
Dis hyeah ya'n I 's try'n' to spin
Ef you keeps on puttin' in?
You keep still an' don't you cheep
Less I 'll sen' you off to sleep.
Dis hyeah bah 'd go trompin' 'roun'
Eatin' evahthing he foun';
No one could n't have a fa'm
But dat bah 'u'd do' em ha'm;
And dey could n't ketch de scamp.
Anywhah he wan'ed to tramp.
Dah de scoun'el 'd mek his track,
Do his du't an' come on back.
He was sich a sly ole limb,
Traps was jes' lak fun to him.
Now, down neah whah Mistah Bah
Lived, dey was a weasel dah;
But dey was n't fren's a-tall
Case de weasel was so small.
An' de bah 'u'd, jes' fu' sass,
Tu'n his nose up w'en he 'd pass.
Weasels 's small o' cose, but my!
Dem air animiles is sly.
So dis hyeah one says, says he,
"I 'll jes' fix dat bah, you see."
So he fixes up his plan
An' hunts up de fa'merman.
When de fa'mer see him come,
He 'mence lookin' mighty glum,
An' he ketches up a stick;
But de weasel speak up quick:
"Hol' on, Mistah Fa'mer man,
I wan' 'splain a little plan.
Ef you waits, I 'll tell you whah
An' jes' how to ketch ol' Bah.
But I tell yow now you mus'
Gin me one fat chicken fus'."
Den de man he scratch his haid,
Las' he say, "I'll mek de trade."
So de weasel et his hen,
Smacked his mouf and says, "Well, den,
Set yo' trap an' bait ternight,
An' I 'll ketch de bah all right."[Pg 155]
Den he ups an' goes to see
Mistah Bah, an' says, says he:
"Well, fren' Bah, we ain't been fren's,
But ternight ha'd feelin' 'en's.
Ef you ain't too proud to steal,
We kin git a splendid meal.
Cose I would n't come to you,
But it mus' be done by two;
Hit's a trap, but we kin beat
All dey tricks an' git de meat."
"Cose I 's wif you," says de bah,
"Come on, weasel, show me whah."
Well, dey trots erlong ontwell
Dat air meat beginned to smell
In de trap. Den weasel say:
"Now you put yo' paw dis way
While I hol' de spring back so,
Den you grab de meat an' go."
Well, de bah he had to grin
Ez he put his big paw in,
Den he juked up, but—kerbing!
Weasel done let go de spring.
"Dah now," says de weasel, "dah,
I done cotched you, Mistah Bah!"
O, dat bah did sno't and spout,
Try'n' his bestes' to git out,
But de weasel say, "Goo'-bye!
Weasel small, but weasel sly."
Den he tu'ned his back an' run
Tol' de fa'mer whut he done.
So de fa'mer come down dah,
Wif a axe and killed de bah.
Dah now, ain't dat sto'y fine?
Run erlong now, nevah min'.
Want some mo', you rascal, you?
No, suh! no, suh! dat 'll do.
|
Written by
Paul Laurence Dunbar |
Air a-gittin' cool an' coolah,
Frost a-comin' in de night,
Hicka' nuts an' wa'nuts fallin',
Possum keepin' out o' sight.
Tu'key struttin' in de ba'nya'd,
Nary a step so proud ez his;
Keep on struttin', Mistah Tu'key,
Yo' do' know whut time it is.
Cidah press commence a-squeakin'
Eatin' apples sto'ed away,
Chillun swa'min' 'roun' lak ho'nets,
Huntin' aigs ermung de hay.
Mistah Tu'key keep on gobblin'
At de geese a-flyin' souf,
Oomph! dat bird do' know whut's comin';
Ef he did he'd shet his mouf.
Pumpkin gittin' good an' yallah
Mek me open up my eyes;
Seems lak it's a-lookin' at me
Jes' a-la'in' dah sayin' "Pies.
"
Tu'key gobbler gwine 'roun' blowin',
Gwine 'roun' gibbin' sass an' slack;
Keep on talkin', Mistah Tu'key,
You ain't seed no almanac.
Fa'mer walkin' th'oo de ba'nya'd
Seein' how things is comin' on,
Sees ef all de fowls is fatt'nin' --
Good times comin' sho's you bo'n.
Hyeahs dat tu'key gobbler braggin',
Den his face break in a smile --
Nebbah min', you sassy rascal,
He's gwine nab you atter while.
Choppin' suet in de kitchen,
Stonin' raisins in de hall,
Beef a-cookin' fu' de mince meat,
Spices groun' -- I smell 'em all.
Look hyeah, Tu'key, stop dat gobblin',
You ain' luned de sense ob feah,
You ol' fool, yo' naik's in dangah,
Do' you know Thanksgibbin's hyeah?
|
Written by
Victor Hugo |
("Sur une barricade.")
{June, 1871.}
Like Casabianca on the devastated deck,
In years yet younger, but the selfsame core.
Beside the battered barricado's restless wreck,
A lad stood splashed with gouts of guilty gore,
But gemmed with purest blood of patriot more.
Upon his fragile form the troopers' bloody grip
Was deeply dug, while sharply challenged they:
"Were you one of this currish crew?"—pride pursed his lip,
As firm as bandog's, brought the bull to bay—
While answered he: "I fought with others. Yea!"
"Prepare then to be shot! Go join that death-doomed row."
As paced he pertly past, a volley rang—
And as he fell in line, mock mercies once more flow
Of man's lead-lightning's sudden scathing pang,
But to his home-turned thoughts the balls but sang.
"Here's half-a-franc I saved to buy my mother's bread!"—
The captain started—who mourns not a dear,
The dearest! mother!—"Where is she, wolf-cub?" he said
Still gruffly. "There, d'ye see? not far from here."
"Haste! make it hers! then back to swell their bier."
He sprang aloof as springald from detested school,
Or ocean-rover from protected port.
"The little rascal has the laugh on us! no fool
To breast our bullets!"—but the scoff was short,
For soon! the rogue is racing from his court;
And with still fearless front he faces them and calls:
"READY! but level low—she's kissed these eyes!"
From cooling hands of men each rifle falls,
And their gray officer, in grave surprise,
Life grants the lad whilst his last comrade dies.
Brave youth! I know not well what urged thy act,
Whether thou'lt pass in palace, or die rackt;
But then, shone on the guns, a sublime soul.—
A Bayard-boy's, bound by his pure parole!
Honor redeemed though paid by parlous price,
Though lost be sunlit sports, wild boyhood's spice,
The Gates, the cheers of mates for bright device!
Greeks would, whilom, have choicely clasped and circled thee,
Set thee the first to shield some new Thermopylae;
Thy deed had touched and tuned their true Tyrtaeus tongue,
And staged by Aeschylus, grouped thee grand gods among.
And thy lost name (now known no more) been gilt and graved
On cloud-kissed column, by the sweet south ocean laved.
From us no crown! no honors from the civic sheaf—
Purely this poet's tear-bejewelled, aye-green leaf!
H.L.W.
|
Written by
Paul Laurence Dunbar |
Yes, my ha't 's ez ha'd ez stone—
Go 'way, Sam, an' lemme 'lone.
No; I ain't gwine change my min'—
Ain't gwine ma'y you—nuffin' de kin'.
Phiny loves you true an' deah?
Go ma'y Phiny; whut I keer?
Oh, you need n't mou'n an' cry—
I don't keer how soon you die.
Got a present! Whut you got?
Somef'n fu' de pan er pot!
Huh! yo' sass do sholy beat—
Think I don't git 'nough to eat?
Whut's dat un'neaf yo' coat?
Looks des lak a little shoat.
'T ain't no possum! Bless de Lamb!
Yes, it is, you rascal, Sam!
Gin it to me; whut you say?
Ain't you sma't now! Oh, go 'way!
Possum do look mighty nice,
But you ax too big a price.
Tell me, is you talkin' true,
Dat 's de gal's whut ma'ies you?
Come back, Sam; now whah 's you gwine?
Co'se you knows dat possum's mine!
|
Written by
Vachel Lindsay |
I.
THE DOLL UPON THE TOPMOST BOUGH
This doll upon the topmost bough,
This playmate-gift, in Christmas dress,
Was taken down and brought to me
One sleety night most comfortless.
Her hair was gold, her dolly-sash
Was gray brocade, most good to see.
The dear toy laughed, and I forgot
The ill the new year promised me.
II.
ON SUDDENLY RECEIVING A CURL LONG REFUSED
Oh, saucy gold circle of fairyland silk —
Impudent, intimate, delicate treasure:
A noose for my heart and a ring for my finger: —
Here in my study you sing me a measure.
Whimsy and song in my little gray study!
Words out of wonderland, praising her fineness,
Touched with her pulsating, delicate laughter,
Saying, "The girl is all daring and kindness!"
Saying, "Her soul is all feminine gameness,
Trusting her insights, ardent for living;
She would be weeping with me and be laughing,
A thoroughbred, joyous receiving and giving!"
III.
ON RECEIVING ONE OF GLORIANA'S LETTERS
Your pen needs but a ruffle
To be Pavlova whirling.
It surely is a scalawag
A-scamping down the page.
A pretty little May-wind
The morning buds uncurling.
And then the white sweet Russian,
The dancer of the age.
Your pen's the Queen of Sheba,
Such serious questions bringing,
That merry rascal Solomon
Would show a sober face: —
And then again Pavlova
To set our spirits singing,
The snowy-swan bacchante
All glamour, glee and grace.
IV.
IN PRAISE OF GLORIANA'S REMARKABLE GOLDEN HAIR
The gleaming head of one fine friend
Is bent above my little song,
So through the treasure-pits of Heaven
In fancy's shoes, I march along.
I wander, seek and peer and ponder
In Splendor's last ensnaring lair—
'Mid burnished harps and burnished crowns
Where noble chariots gleam and flare:
Amid the spirit-coins and gems,
The plates and cups and helms of fire—
The gorgeous-treasure-pits of Heaven—
Where angel-misers slake desire!
O endless treasure-pits of gold
Where silly angel-men make mirth—
I think that I am there this hour,
Though walking in the ways of earth!
|