Written by
Thomas Hardy |
I
I have lived with shades so long,
And talked to them so oft,
Since forth from cot and croft
I went mankind among,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," spake they to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee.
" -
--"Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.
IV
"He moves me not at all;
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him.
"
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine -
Thy mould and his define
A likeness each to each -
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
"O memory, where is now my youth,
Who used to say that life was truth?"
"I saw him in a crumbled cot
Beneath a tottering tree;
That he as phantom lingers there
Is only known to me.
"
"O Memory, where is now my joy,
Who lived with me in sweet employ?"
"I saw him in gaunt gardens lone,
Where laughter used to be;
That he as phantom wanders there
Is known to none but me.
"
"O Memory, where is now my hope,
Who charged with deeds my skill and scope?"
"I saw her in a tomb of tomes,
Where dreams are wont to be;
That she as spectre haunteth there
Is only known to me.
"
"O Memory, where is now my faith,
One time a champion, now a wraith?"
"I saw her in a ravaged aisle,
Bowed down on bended knee;
That her poor ghost outflickers there
Is known to none but me.
"
"O Memory, where is now my love,
That rayed me as a god above?"
"I saw him by an ageing shape
Where beauty used to be;
That his fond phantom lingers there
Is only known to me.
"
|
Written by
Elizabeth Barrett Browning |
Yet, my pretty sportive friend,
Little is't to such an end
That I praise thy rareness!
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary—
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning.
This dog only, waited on,
Knowing that when light is gone
Love remains for shining.
Other dogs in thymy dew
Tracked the hares, and followed through
Sunny moor or meadow.
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.
Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing.
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.
And if one or two quick tears
Dropped upon his glossy ears,
Or a sigh came double—
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.
And this dog was satisfied
If a pale thin hand would glide
Down his dewlaps sloping—
Which he pushed his nose within,
After—platforming his chin
On the palm left open.
|
Written by
William Browne |
WELCOME, welcome! do I sing,
Far more welcome than the spring;
He that parteth from you never
Shall enjoy a spring for ever.
He that to the voice is near
Breaking from your iv'ry pale,
Need not walk abroad to hear
The delightful nightingale.
Welcome, welcome, then.
.
.
He that looks still on your eyes,
Though the winter have begun
To benumb our arteries,
Shall not want the summer's sun.
Welcome, welcome, then.
.
.
He that still may see your cheeks,
Where all rareness still reposes,
Is a fool if e'er he seeks
Other lilies, other roses.
Welcome, welcome, then.
.
.
He to whom your soft lip yields,
And perceives your breath in kissing,
All the odours of the fields
Never, never shall be missing.
Welcome, welcome, then.
.
.
He that question would anew
What fair Eden was of old,
Let him rightly study you,
And a brief of that behold.
Welcome, welcome, then.
.
.
|
Written by
Robert Graves |
Children, if you dare to think
Of the greatness, rareness, muchness
Fewness of this precious only
Endless world in which you say
You live, you think of things like this:
Blocks of slate enclosing dappled
Red and green, enclosing tawny
Yellow nets, enclosing white
And black acres of dominoes,
Where a neat brown paper parcel
Tempts you to untie the string.
In the parcel a small island,
On the island a large tree,
On the tree a husky fruit.
Strip the husk and pare the rind off:
In the kernel you will see
Blocks of slate enclosed by dappled
Red and green, enclosed by tawny
Yellow nets, enclosed by white
And black acres of dominoes,
Where the same brown paper parcel -
Children, leave the string alone!
For who dares undo the parcel
Finds himself at once inside it,
On the island, in the fruit,
Blocks of slate about his head,
Finds himself enclosed by dappled
Green and red, enclosed by yellow
Tawny nets, enclosed by black
And white acres of dominoes,
With the same brown paper parcel
Still untied upon his knee.
And, if he then should dare to think
Of the fewness, muchness, rareness,
Greatness of this endless only
Precious world in which he says
he lives - he then unties the string.
|
Written by
Sylvia Plath |
You said you would kill it this morning.
Do not kill it.
It startles me still,
The jut of that odd, dark head, pacing
Through the uncut grass on the elm's hill.
It is something to own a pheasant,
Or just to be visited at all.
I am not mystical: it isn't
As if I thought it had a spirit.
It is simply in its element.
That gives it a kingliness, a right.
The print of its big foot last winter,
The trail-track, on the snow in our court
The wonder of it, in that pallor,
Through crosshatch of sparrow and starling.
Is it its rareness, then? It is rare.
But a dozen would be worth having,
A hundred, on that hill-green and red,
Crossing and recrossing: a fine thing!
It is such a good shape, so vivid.
It's a little cornucopia.
It unclaps, brown as a leaf, and loud,
Settles in the elm, and is easy.
It was sunning in the narcissi.
I trespass stupidly.
Let be, let be.
|
Written by
Thomas Hardy |
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.
"
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him.
"
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
|