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Best Famous Rapacious Poems

Here is a collection of the all-time best famous Rapacious poems. This is a select list of the best famous Rapacious poetry. Reading, writing, and enjoying famous Rapacious poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rapacious poems.

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Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire.
The FATES conspir'd their ills to twine, About thy heart's infected shrine; They gave thee each disastrous spell, Each desolating pow'r, To blast the fairest hopes of man.
Soon as thy fatal birth was known, From her unhallow'd throne With ghastly smile pale Hecate sprung; Thy hideous form the Sorc'ress press'd With kindred fondness to her breast; Her haggard eye Short forth a ray of transient joy, Whilst thro' th' infernal shades exulting clamours rung.
Above thy fellow fiends thy tyrant hand Grasp'd with resistless force supreme command: The dread terrific crowd Before thy iron sceptre bow'd.
Now, seated in thy ebon cave, Around thy throne relentless furies rave: A wreath of ever-wounding thorn Thy scowling brows encompass round, Thy heart by knawing Vultures torn, Thy meagre limbs with deathless scorpions bound.
Thy black associates, torpid IGNORANCE, And pining JEALOUSY­with eye askance, With savage rapture execute thy will, And strew the paths of life with every torturing ill Nor can the sainted dead escape thy rage; Thy vengeance haunts the silent grave, Thy taunts insult the ashes of the brave; While proud AMBITION weeps thy rancour to assuage.
The laurels round the POET's bust, Twin'd by the liberal hand of Taste, By thy malignant grasp defac'd, Fade to their native dust: Thy ever-watchful eye no labour tires, Beneath thy venom'd touch the angel TRUTH expires.
When in thy petrifying car Thy scaly dragons waft thy form, Then, swifter, deadlier far Than the keen lightning's lance, That wings its way across the yelling storm, Thy barbed shafts fly whizzing round, While every with'ring glance Inflicts a cureless wound.
Thy giant arm with pond'rous blow Hurls genius from her glorious height, Bends the fair front of Virtue low, And meanly pilfers every pure delight.
Thy hollow voice the sense appalls, Thy vigilance the mind enthralls; Rest hast thou none,­by night, by day, Thy jealous ardour seeks for prey­ Nought can restrain thy swift career; Thy smile derides the suff'rer's wrongs; Thy tongue the sland'rers tale prolongs; Thy thirst imbibes the victim's tear; Thy breast recoils from friendship's flame; Sick'ning thou hear'st the trump of Fame; Worth gives to thee, the direst pang; The Lover's rapture wounds thy heart, The proudest efforts of prolific art Shrink from thy poisonous fang.
In vain the Sculptor's lab'ring hand Calls fine proportion from the Parian stone; In vain the Minstrel's chords command The soft vibrations of seraphic tone; For swift thy violating arm Tears from perfection ev'ry charm; Nor rosy YOUTH, nor BEAUTY's smiles Thy unrelenting rage beguiles, Thy breath contaminates the fairest name, And binds the guiltless brow with ever-blist'ring shame.


Written by Marianne Moore | Create an image from this poem

A Grave

 Man looking into the sea,
taking the view from those who have as much right to it as
 you have to it yourself,
it is human nature to stand in the middle of a thing,
but you cannot stand in the middle of this;
the sea has nothing to give but a well excavated grave.
The firs stand in a procession, each with an emerald turkey— foot at the top, reserved as their contours, saying nothing; repression, however, is not the most obvious characteristic of the sea; the sea is a collector, quick to return a rapacious look.
There are others besides you who have worn that look— whose expression is no longer a protest; the fish no longer investigate them for their bones have not lasted: men lower nets, unconscious of the fact that they are desecrating a grave, and row quickly away-the blades of the oars moving together like the feet of water-spiders as if there were no such thing as death.
The wrinkles progress among themselves in a phalanx— beautiful under networks of foam, and fade breathlessly while the sea rustles in and out of the seaweed; the birds swim through the air at top speed, emitting cat-calls as heretofore— the tortoise-shell scourges about the feet of the cliffs, in motion beneath them; and the ocean, under the pulsation of lighthouses and noise of bell-bouys, advances as usual, looking as if it were not that ocean in which dropped things are bound to sink— in which if they turn and twist, it is neither with volition nor consciousness.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 4

 But anxious cares the pensive nymph oppress'd, 
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome, And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows, The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air, And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place, But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs, for mornings, nights, and noons, Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, Practis'd to lisp, and hang the head aside, Faints into airs, and languishes with pride, On the rich quilt sinks with becoming woe, Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these, When each new night-dress gives a new disease.
A constant vapour o'er the palace flies; Strange phantoms, rising as the mists arise; Dreadful, as hermit's dreams in haunted shades, Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires: Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen, Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out, One bent; the handle this, and that the spout: A pipkin there, like Homer's tripod walks; Here sighs a jar, and there a goose pie talks; Men prove with child, as pow'rful fancy works, And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band, A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen! Who rule the sex to fifty from fifteen: Parent of vapours and of female wit, Who give th' hysteric, or poetic fit, On various tempers act by various ways, Make some take physic, others scribble plays; Who cause the proud their visits to delay, And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains, And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace, Or raise a pimple on a beauteous face, Like citron waters matrons' cheeks inflame, Or change complexions at a losing game; If e'er with airy horns I planted heads, Or rumpled petticoats, or tumbled beds, Or caus'd suspicion when no soul was rude, Or discompos'd the head-dress of a prude, Or e'er to costive lap-dog gave disease, Which not the tears of brightest eyes could ease: Hear me, and touch Belinda with chagrin; That single act gives half the world the spleen.
" The goddess with a discontented air Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds, Like that where once Ulysses held the winds; There she collects the force of female lungs, Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears, Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away, Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found, Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent, And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire, And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried, (While Hampton's echoes, "Wretched maid!" replied, "Was it for this you took such constant care The bodkin, comb, and essence to prepare? For this your locks in paper durance bound, For this with tort'ring irons wreath'd around? For this with fillets strain'd your tender head, And bravely bore the double loads of lead? Gods! shall the ravisher display your hair, While the fops envy, and the ladies stare! Honour forbid! at whose unrivall'd shrine Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost! How shall I, then, your helpless fame defend? 'Twill then be infamy to seem your friend! And shall this prize, th' inestimable prize, Expos'd through crystal to the gazing eyes, And heighten'd by the diamond's circling rays, On that rapacious hand for ever blaze? Sooner shall grass in Hyde Park Circus grow, And wits take lodgings in the sound of Bow; Sooner let earth, air, sea, to chaos fall, Men, monkeys, lap-dogs, parrots, perish all!" She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane) With earnest eyes, and round unthinking face, He first the snuffbox open'd, then the case, And thus broke out--"My Lord, why, what the devil? Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil! Plague on't! 'tis past a jest--nay prithee, pox! Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again, "Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear, (Which never more shall join its parted hair; Which never more its honours shall renew, Clipp'd from the lovely head where late it grew) That while my nostrils draw the vital air, This hand, which won it, shall for ever wear.
" He spoke, and speaking, in proud triumph spread The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so; He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears, Her eyes half-languishing, half-drown'd in tears; On her heav'd bosom hung her drooping head, Which, with a sigh, she rais'd; and thus she said: "For ever curs'd be this detested day, Which snatch'd my best, my fav'rite curl away! Happy! ah ten times happy, had I been, If Hampton Court these eyes had never seen! Yet am not I the first mistaken maid, By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd In some lone isle, or distant northern land; Where the gilt chariot never marks the way, Where none learn ombre, none e'er taste bohea! There kept my charms conceal'd from mortal eye, Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam? Oh had I stay'd, and said my pray'rs at home! 'Twas this, the morning omens seem'd to tell, Thrice from my trembling hand the patch-box fell; The tott'ring china shook without a wind, Nay, Poll sat mute, and Shock was most unkind! A Sylph too warn'd me of the threats of fate, In mystic visions, now believ'd too late! See the poor remnants of these slighted hairs! My hands shall rend what ev'n thy rapine spares: These, in two sable ringlets taught to break, Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone, And in its fellow's fate foresees its own; Uncurl'd it hangs, the fatal shears demands And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize Hairs less in sight, or any hairs but these!"
Written by Thomas Moore | Create an image from this poem

The Parallel

 Yes, sad one of Sion, if closely resembling, 
In shame and in sorrow, thy wither'd-up heart -- 
If drinking deep, deep, of the same "cup of trembling" 
Could make us thy children, our parent thou art.
Like thee doth our nation lie conquer'd and broken, And fall'n from her head is the once royal crown; In her streets, in her halls, Desolation hath spoken, And "while it is day yet, her sun hath gone down.
" Like thine doth her exile, 'mid dreams of returning, Die far from the home it were life to behold; Like thine do her sons, in the day of their mourning Remember the bright things that bless'd them of old.
Ah, well may we call her, like thee, "the Forsaken," Her boldest are vanquish'd, her proudest are slaves; And the harps of her minstrels, when gayest they waken, Have tones 'mid their mirth like the wind over graves! Yet hadst thou thy vengeance -- yet came there the morrow, That shines out, at last, on the longest dark night, When the sceptre, that smote thee with slavery and sorrow, Was shiver'd at once, like a reed, in thy sight.
When that cup, which for others the proud Golden City Had brimm'd full of bitterness, drench'd her own lips; And the world she had trampled on heard, without pity, The howl in her halls, and the cry from her ships.
When the curse Heaven keeps for the haughty came over, Her merchants rapacious, her rulers unjust, And a ruin at last for the earthworm to cover, The Lady of Kingdoms lay low in the dust.

Book: Reflection on the Important Things