Written by
Vachel Lindsay |
I.
EDWIN BOOTH
An old actor at the Player's Club told me that Edwin Booth first impersonated Hamlet when a barnstormer in California.
There were few theatres, but the hotels were provided with crude assembly rooms for strolling players.
The youth played in the blear hotel.
The rafters gleamed with glories strange.
And winds of mourning Elsinore
Howling at chance and fate and change;
Voices of old Europe's dead
Disturbed the new-built cattle-shed,
The street, the high and solemn range.
The while the coyote barked afar
All shadowy was the battlement.
The ranch-boys huddled and grew pale,
Youths who had come on riot bent.
Forgot were pranks well-planned to sting.
Behold there rose a ghostly king,
And veils of smoking Hell were rent.
When Edwin Booth played Hamlet, then
The camp-drab's tears could not but flow.
Then Romance lived and breathed and burned.
She felt the frail queen-mother's woe,
Thrilled for Ophelia, fond and blind,
And Hamlet, cruel, yet so kind,
And moaned, his proud words hurt her so.
A haunted place, though new and harsh!
The Indian and the Chinaman
And Mexican were fain to learn
What had subdued the Saxon clan.
Why did they mumble, brood, and stare
When the court-players curtsied fair
And the Gonzago scene began?
And ah, the duel scene at last!
They cheered their prince with stamping feet.
A death-fight in a palace! Yea,
With velvet hangings incomplete,
A pasteboard throne, a pasteboard crown,
And yet a monarch tumbled down,
A brave lad fought in splendor meet.
Was it a palace or a barn?
Immortal as the gods he flamed.
There in his last great hour of rage
His foil avenged a mother shamed.
In duty stern, in purpose deep
He drove that king to his black sleep
And died, all godlike and untamed.
I was not born in that far day.
I hear the tale from heads grown white.
And then I walk that earlier street,
The mining camp at candle-light.
I meet him wrapped in musings fine
Upon some whispering silvery line
He yet resolves to speak aright.
II.
EPITAPH FOR JOHN BUNNY, MOTION PICTURE COMEDIAN
In which he is remembered in similitude, by reference to Yorick, the king's jester, who died when Hamlet and Ophelia were children.
Yorick is dead.
Boy Hamlet walks forlorn
Beneath the battlements of Elsinore.
Where are those oddities and capers now
That used to "set the table on a roar"?
And do his bauble-bells beyond the clouds
Ring out, and shake with mirth the planets bright?
No doubt he brings the blessed dead good cheer,
But silence broods on Elsinore tonight.
That little elf, Ophelia, eight years old,
Upon her battered doll's staunch bosom weeps.
("O best of men, that wove glad fairy-tales.
")
With tear-burned face, at last the darling sleeps.
Hamlet himself could not give cheer or help,
Though firm and brave, with his boy-face controlled.
For every game they started out to play
Yorick invented, in the days of old.
The times are out of joint! O cursed spite!
The noble jester Yorick comes no more.
And Hamlet hides his tears in boyish pride
By some lone turret-stair of Elsinore.
|
Written by
Philip Levine |
Is it long as a noodle
or fat as an egg? Is it
lumpy like a potato or
ringed like an oak or an
onion and like the onion
the same as you go toward
the core? That would be
suitable, for is it not
the human core and the rest
meant either to keep it
warm or cold depending
on the season or just who
you're talking to, the rest
a means of getting it from
one place to another, for it
must go on two legs down
the stairs and out the front
door, it must greet the sun
with a sigh of pleasure as
it stands on the front porch
considering the day's agenda.
Whether to go straight ahead
passing through the ranch houses
of the rich, living rooms
panelled with a veneer of fake
Philippine mahogany and bedrooms
with ermined floors and tangled
seas of silk sheets, through
adobe walls and secret gardens
of sweet corn and marijuana
until it crosses several sets
of tracks, four freeways, and
a mountain range and faces
a great ocean each drop of
which is known and like
no other, each with its own
particular tang, one suitable
to bring forth the flavor
of a noodle, still another
when dried on an open palm,
sparkling and tiny, just right
for a bite of ripe tomato
or to incite a heavy tongue
that dragged across a brow
could utter the awful words,
"Oh, my love!" and mean them.
The more one considers
the more puzzling become
these shapes.
I stare out
at the Pacific and wonder --
noodle, onion, lump, double
yolked egg on two legs,
a star as perfect as salt --
and my own shape a compound
of so many lengths, lumps,
and flat palms.
And while I'm
here at the shore I bow to
take a few handfuls of water
which run between my fingers,
those poor noodles good for
holding nothing for long, and
I speak in a tongue hungering
for salt and water without salt,
I give a shape to the air going
out and the air coming in,
and the sea winds scatter it
like so many burning crystals
settling on the evening ocean.
|
Written by
Ella Wheeler Wilcox |
Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!
Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no.
"
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.
You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.
She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented---
I'm not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---
I felt such a ***** sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.
And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover
A questioning, strange surprise.
Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.
|
Written by
Eugene Field |
What conversazzhyonies wuz I really did not know,
For that, you must remember, wuz a powerful spell ago;
The camp wuz new 'nd noisy, 'nd only modrit sized,
So fashionable sossiety wuz hardly crystallized.
There hadn't been no grand events to interest the men,
But a lynchin', or a inquest, or a jackpot now an' then.
The wimmin-folks wuz mighty scarce, for wimmin, ez a rool,
Don't go to Colorado much, excep' for teachin' school,
An' bein' scarce an' chipper and pretty (like as not),
The bachelors perpose, 'nd air accepted on the spot.
Now Sorry Tom wuz owner uv the Gosh-all-Hemlock mine,
The wich allowed his better haff to dress all-fired fine;
For Sorry Tom wuz mighty proud uv her, an' she uv him,
Though she wuz short an' tacky, an' he wuz tall an' slim,
An' she wuz edjicated, an' Sorry Tom wuz not,
Yet, for her sake, he'd whack up every cussid cent he'd got!
Waal, jest by way uv celebratin' matrimonial joys,
She thought she'd give a conversazzhyony to the boys,--
A peert an' likely lady, 'nd ez full uv 'cute idees
'Nd uv etiquettish notions ez a fyste is full uv fleas.
Three-fingered Hoover kind uv kicked, an' said they might be durned
So far ez any conversazzhyony was concerned;
He'd come to Red Hoss Mountain to tunnel for the ore,
An' not to go to parties,--quite another kind uv bore!
But, bein' he wuz candidate for marshal uv the camp,
I rayther had the upper holts in arguin' with the scamp;
Sez I, "Three-fingered Hoover, can't ye see it is yer game
To go for all the votes ye kin an' collar uv the same?"
The wich perceivin', Hoover sez, "Waal, ef I must, I must;
So I'll frequent that conversazzhyony, ef I bust!"
Three-fingered Hoover wuz a trump! Ez fine a man wuz he
Ez ever caused an inquest or blossomed on a tree!--
A big, broad man, whose face bespoke a honest heart within,--
With a bunch uv yaller whiskers appertainin' to his chin,
'Nd a fierce mustache turnt up so fur that both his ears wuz hid,
Like the picture that you always see in the "Life uv Cap'n Kidd.
"
His hair wuz long an' wavy an' fine as Southdown fleece,--
Oh, it shone an' smelt like Eden when he slicked it down with grease!
I'll bet there wuzn't anywhere a man, all round, ez fine
Ez wuz Three-fingered Hoover in the spring uv '69!
The conversazzhyony wuz a notable affair,
The bong tong deckolett 'nd en regaly bein' there;
The ranch where Sorry Tom hung out wuz fitted up immense,--
The Denver papers called it a "palashal residence.
"
There wuz mountain pines an' fern an' flowers a-hangin' on the walls,
An' cheers an' hoss-hair sofies wuz a-settin' in the halls;
An' there wuz heaps uv pictures uv folks that lived down East,
Sech ez poets an' perfessers, an' last, but not the least,
Wuz a chromo uv old Fremont,--we liked that best, you bet,
For there's lots uv us old miners that is votin' for him yet!
When Sorry Tom received the gang perlitely at the door,
He said that keerds would be allowed upon the second floor;
And then he asked us would we like a drop uv ody vee.
Connivin' at his meanin', we responded promptly, "Wee.
"
A conversazzhyony is a thing where people speak
The langwidge in the which they air partickulerly weak:
"I see," sez Sorry Tom, "you grasp what that 'ere lingo means.
"
"You bet yer boots," sez Hoover; "I've lived at Noo Orleens,
An', though I ain't no Frenchie, nor kin unto the same,
I kin parly voo, an' git there, too, like Eli, toot lee mame!"
As speakin' French wuz not my forte,--not even oovry poo,--
I stuck to keerds ez played by them ez did not parly voo,
An' bein' how that poker wuz my most perficient game,
I poneyed up for 20 blues an' set into the same.
Three-fingered Hoover stayed behind an' parly-vood so well
That all the kramy delly krame allowed he wuz the belle.
The other candidate for marshal didn't have a show;
For, while Three-fingered Hoover parlyed, ez they said, tray bow,
Bill Goslin didn't know enough uv French to git along,
'Nd I reckon that he had what folks might call a movy tong.
From Denver they had freighted up a real pianny-fort
Uv the warty-leg and pearl-around-the-keys-an'-kivver sort,
An', later in the evenin', Perfesser Vere de Blaw
Performed on that pianny, with considerble eclaw,
Sech high-toned opry airs ez one is apt to hear, you know,
When he rounds up down to Denver at a Emmy Abbitt show;
An' Barber Jim (a talented but ornery galoot)
Discoursed a obligatter, conny mory, on the floot,
'Till we, ez sot up-stairs indulgin' in a quiet game,
Conveyed to Barber Jim our wish to compromise the same.
The maynoo that wuz spread that night wuz mighty hard to beat,--
Though somewhat awkward to pernounce, it was not so to eat:
There wuz puddin's, pies, an' sandwidges, an' forty kinds uv sass,
An' floatin' Irelands, custards, tarts, an' patty dee foy grass;
An' millions uv cove oysters wuz a-settin' round in pans,
'Nd other native fruits an' things that grow out West in cans.
But I wuz all kufflummuxed when Hoover said he'd choose
"Oon peety morso, see voo play, de la cette Charlotte Rooze;"
I'd knowed Three-fingered Hoover for fifteen years or more,
'Nd I'd never heern him speak so light uv wimmin folks before!
Bill Goslin heern him say it, 'nd uv course he spread the news
Uv how Three-fingered Hoover had insulted Charlotte Rooze
At the conversazzhyony down at Sorry Tom's that night,
An' when they asked me, I allowed that Bill for once wuz right;
Although it broke my heart to see my friend go up the fluke,
We all opined his treatment uv the girl deserved rebuke.
It warn't no use for Sorry Tom to nail it for a lie,--
When it come to sassin' wimmin, there wuz blood in every eye;
The boom for Charlotte Rooze swep' on an' took the polls by storm,
An' so Three-fingered Hoover fell a martyr to reform!
Three-fingered Hoover said it was a terrible mistake,
An' when the votes wuz in, he cried ez if his heart would break.
We never knew who Charlotte wuz, but Goslin's brother Dick
Allowed she wuz the teacher from the camp on Roarin' Crick,
That had come to pass some foreign tongue with them uv our alite
Ez wuz at the high-toned party down at Sorry Tom's that night.
We let it drop--this matter uv the lady--there an' then,
An' we never heerd, nor wanted to, of Charlotte Rooze again,
An' the Colorado wimmin-folks, ez like ez not, don't know
How we vindicated all their sex a twenty year ago.
For in these wondrous twenty years has come a mighty change,
An' most of them old pioneers have gone acrosst the range,
Way out into the silver land beyond the peaks uv snow,--
The land uv rest an' sunshine, where all good miners go.
I reckon that they love to look, from out the silver haze,
Upon that God's own country where they spent sech happy days;
Upon the noble cities that have risen since they went;
Upon the camps an' ranches that are prosperous and content;
An' best uv all, upon those hills that reach into the air,
Ez if to clasp the loved ones that are waitin' over there.
|
Written by
Robert William Service |
The clover was in blossom, an' the year was at the June,
When Flap-jack Billy hit the town, likewise O'Flynn's saloon.
The frost was on the fodder an' the wind was growin' keen,
When Billy got to seein' snakes in Sullivan's shebeen.
Then in meandered Deep-hole Dan, once comrade of the cup:
"Oh Billy, for the love of Mike, why don't ye sober up?
I've got the gorgus recipay, 'tis smooth an' slick as silk --
Jest quit yer strangle-holt on hooch, an' irrigate with milk.
Lackteeal flooid is the lubrication you require;
Yer nervus frame-up's like a bunch of snarled piano wire.
You want to get it coated up with addypose tishoo,
So's it will work elastic-like, an' milk's the dope for you.
"
Well, Billy was complyable, an' in a month it's strange,
That cow-juice seemed to oppyrate a most amazin' change.
"Call up the water-wagon, Dan, an' book my seat," sez he.
"'Tis mighty *****," sez Deep-hole Dan, "'twas just the same with
me.
"
They shanghaied little Tim O'Shane, they cached him safe away,
An' though he objurgated some, they "cured" him night an' day;
An' pretty soon there came the change amazin' to explain:
"I'll never take another drink," sez Timothy O'Shane.
They tried it out on Spike Muldoon, that toper of renown;
They put it over Grouch McGraw, the terror of the town.
They roped in "tanks" from far and near, an' every test was sure,
An' like a flame there ran the fame of Deep-hole's Cow-juice Cure.
"It's mighty *****," sez Deep-hole Dan, "I'm puzzled through and through;
It's only milk from Riley's ranch, no other milk will do.
"
An' it jest happened on that night with no predictive plan,
He left some milk from Riley's ranch a-settin' in a pan;
An' picture his amazement when he poured that milk next day --
There in the bottom of the pan a dozen "colours" lay.
"Well, what d'ye know 'bout that," sez Dan; "Gosh ding my dasted eyes,
We've been an' had the Gold Cure, Bill, an' none of us was wise.
The milk's free-millin' that's a cinch; there's colours everywhere.
Now, let us figger this thing out -- how does the dust git there?
`Gold from the grass-roots down', they say -- why, Bill! we've got it cold --
Them cows what nibbles up the grass, jest nibbles up the gold.
We're blasted, bloomin' millionaires; dissemble an' lie low:
We'll follow them gold-bearin' cows, an' prospect where they go.
"
An' so it came to pass, fer weeks them miners might be found
A-sneakin' round on Riley's ranch, an' snipin' at the ground;
Till even Riley stops an' stares, an' presently allows:
"Them boys appear to take a mighty interest in cows.
"
An' night an' day they shadowed each auriferous bovine,
An' panned the grass-roots on their trail, yet nivver gold they seen.
An' all that season, secret-like, they worked an' nothin' found;
An' there was colours in the milk, but none was in the ground.
An' mighty desperate was they, an' down upon their luck,
When sudden, inspirationlike, the source of it they struck.
An' where d'ye think they traced it to? it grieves my heart to tell --
In the black sand at the bottom of that wicked milkman's well.
|
Written by
Robert William Service |
This is the pay-day up at the mines, when the bearded brutes come down;
There's money to burn in the streets to-night, so I've sent my klooch to town,
With a haggard face and a ribband of red entwined in her hair of brown.
And I know at the dawn she'll come reeling home with the bottles, one, two, three --
One for herself, to drown her shame, and two big bottles for me,
To make me forget the thing I am and the man I used to be.
To make me forget the brand of the dog, as I crouch in this hideous place;
To make me forget once I kindled the light of love in a lady's face,
Where even the squalid Siwash now holds me a black disgrace.
Oh, I have guarded my secret well! And who would dream as I speak
In a tribal tongue like a rogue unhung, 'mid the ranch-house filth and reek,
I could roll to bed with a Latin phrase and rise with a verse of Greek?
Yet I was a senior prizeman once, and the pride of a college eight;
Called to the bar -- my friends were true! but they could not keep me straight;
Then came the divorce, and I went abroad and "died" on the River Plate.
But I'm not dead yet; though with half a lung there isn't time to spare,
And I hope that the year will see me out, and, thank God, no one will care --
Save maybe the little slim Siwash girl with the rose of shame in her hair.
She will come with the dawn, and the dawn is near; I can see its evil glow,
Like a corpse-light seen through a frosty pane in a night of want and woe;
And yonder she comes by the bleak bull-pines, swift staggering through the snow.
|
Written by
Badger Clark |
There is some that likes the city--
Grass that's curried smooth and green,
Theaytres and stranglin' collars,
Wagons run by gasoline--
But for me it's hawse and saddle
Every day without a change,
And a desert sun a-blazin'
On a hundred miles of range.
_Just a-ridin', a-ridin'--_
_Desert ripplin' in the sun,_
_Mountains blue along the skyline--_
_I don't envy anyone_
_When I'm ridin'._
When my feet is in the stirrups
And my hawse is on the bust,
With his hoofs a-flashin' lightnin'
From a cloud of golden dust,
And the bawlin' of the cattle
Is a-coming' down the wind
Then a finer life than ridin'
Would be mighty hard to find.
_Just a-ridin, a-ridin'--_
_Splittin' long cracks through the air,_
_Stirrin' up a baby cyclone,_
_Rippin' up the prickly pear_
_As I'm ridin'._
I don't need no art exhibits
When the sunset does her best,
Paintin' everlastin' glory
On the mountains to the west
And your opery looks foolish
When the night-bird starts his tune
And the desert's silver mounted
By the touches of the moon.
_Just a-ridin', a-ridin',_
_Who kin envy kings and czars_
_When the coyotes down the valley_
_Are a-singin' to the stars,_
_If he's ridin'?_
When my earthly trail is ended
And my final bacon curled
And the last great roundup's finished
At the Home Ranch of the world
I don't want no harps nor haloes,
Robes nor other dressed up things--
Let me ride the starry ranges
On a pinto hawse with wings!
_Just a-ridin', a-ridin'--_
_Nothin' I'd like half so well_
_As a-roundin' up the sinners_
_That have wandered out of Hell,_
_And a-ridin'._
|
Written by
Badger Clark |
There is some that likes the city--
Grass that's curried smooth and green,
Theaytres and stranglin' collars,
Wagons run by gasoline--
But for me it's hawse and saddle
Every day without a change,
And a desert sun a-blazin'
On a hundred miles of range.
_Just a-ridin', a-ridin'--_
_Desert ripplin' in the sun,_
_Mountains blue along the skyline--_
_I don't envy anyone_
_When I'm ridin'._
When my feet is in the stirrups
And my hawse is on the bust,
With his hoofs a-flashin' lightnin'
From a cloud of golden dust,
And the bawlin' of the cattle
Is a-coming' down the wind
Then a finer life than ridin'
Would be mighty hard to find.
_Just a-ridin, a-ridin'--_
_Splittin' long cracks through the air,_
_Stirrin' up a baby cyclone,_
_Rippin' up the prickly pear_
_As I'm ridin'._
I don't need no art exhibits
When the sunset does her best,
Paintin' everlastin' glory
On the mountains to the west
And your opery looks foolish
When the night-bird starts his tune
And the desert's silver mounted
By the touches of the moon.
_Just a-ridin', a-ridin',_
_Who kin envy kings and czars_
_When the coyotes down the valley_
_Are a-singin' to the stars,_
_If he's ridin'?_
When my earthly trail is ended
And my final bacon curled
And the last great roundup's finished
At the Home Ranch of the world
I don't want no harps nor haloes,
Robes nor other dressed up things--
Let me ride the starry ranges
On a pinto hawse with wings!
_Just a-ridin', a-ridin'--_
_Nothin' I'd like half so well_
_As a-roundin' up the sinners_
_That have wandered out of Hell,_
_And a-ridin'._
|