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Best Famous Rack Poems

Here is a collection of the all-time best famous Rack poems. This is a select list of the best famous Rack poetry. Reading, writing, and enjoying famous Rack poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rack poems.

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Written by Walt Whitman | Create an image from this poem

O Captain! My Captain!

O Captain! my Captain! our fearful trip is done, The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells; Rise up- for you the flag is flung- for you the bugle trills, For you bouquets and ribbon'd wreaths- for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead.
My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.


Written by Langston Hughes | Create an image from this poem

Let America Be America Again

 Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain Seeking a home where he himself is free.
(America never was America to me.
) Let America be the dream the dreamers dreamed-- Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above.
(It never was America to me.
) O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
(There's never been equality for me, Nor freedom in this "homeland of the free.
") Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars? I am the poor white, fooled and pushed apart, I am the ***** bearing slavery's scars.
I am the red man driven from the land, I am the immigrant clutching the hope I seek-- And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one's own greed! I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the *****, servant to you all.
I am the people, humble, hungry, mean-- Hungry yet today despite the dream.
Beaten yet today--O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years.
Yet I'm the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That's made America the land it has become.
O, I'm the man who sailed those early seas In search of what I meant to be my home-- For I'm the one who left dark Ireland's shore, And Poland's plain, and England's grassy lea, And torn from Black Africa's strand I came To build a "homeland of the free.
" The free? Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we've dreamed And all the songs we've sung And all the hopes we've held And all the flags we've hung, The millions who have nothing for our pay-- Except the dream that's almost dead today.
O, let America be America again-- The land that never has been yet-- And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, *****'s, ME-- Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again.
Sure, call me any ugly name you choose-- The steel of freedom does not stain.
From those who live like leeches on the people's lives, We must take back our land again, America! O, yes, I say it plain, America never was America to me, And yet I swear this oath-- America will be! Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers.
The mountains and the endless plain-- All, all the stretch of these great green states-- And make America again!
Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.
Written by Sylvia Plath | Create an image from this poem

Daddy

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.
Daddy, I have had to kill you.
You died before I had time--- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off the beautiful Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars.
But the name of the town is common.
My Polack friend Says there are a dozen or two.
So I never could tell where you Put your foot, your root, I never could talk to you.
The tongue stuck in my jaw.
It stuck in a barb wire snare.
Ich, ich, ich, ich, I could hardly speak.
I thought every German was you.
And the language obscene An engine, an engine, Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna Are not very pure or true.
With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew.
I have always been sacred of you, With your Luftwaffe, your gobbledygoo.
And your neat mustache And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You---- Not God but a swastika So black no sky could squeak through.
Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.
You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack, And they stuck me together with glue.
And then I knew what to do.
I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root, The voices just can't worm through.
If I've killed one man, I've killed two--- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know.
Daddy, you can lie back now.
There's a stake in your fat black heart And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through.
(1962)
Written by Dylan Thomas | Create an image from this poem

Before I Knocked

 Before I knocked and flesh let enter,
With liquid hands tapped on the womb,
I who was as shapeless as the water
That shaped the Jordan near my home
Was brother to Mnetha's daughter
And sister to the fathering worm.
I who was deaf to spring and summer, Who knew not sun nor moon by name, Felt thud beneath my flesh's armour, As yet was in a molten form The leaden stars, the rainy hammer Swung by my father from his dome.
I knew the message of the winter, The darted hail, the childish snow, And the wind was my sister suitor; Wind in me leaped, the hellborn dew; My veins flowed with the Eastern weather; Ungotten I knew night and day.
As yet ungotten, I did suffer; The rack of dreams my lily bones Did twist into a living cipher, And flesh was snipped to cross the lines Of gallow crosses on the liver And brambles in the wringing brains.
My throat knew thirst before the structure Of skin and vein around the well Where words and water make a mixture Unfailing till the blood runs foul; My heart knew love, my belly hunger; I smelt the maggot in my stool.
And time cast forth my mortal creature To drift or drown upon the seas Acquainted with the salt adventure Of tides that never touch the shores.
I who was rich was made the richer By sipping at the vine of days.
I, born of flesh and ghost, was neither A ghost nor man, but mortal ghost.
And I was struck down by death's feather.
I was a mortal to the last Long breath that carried to my father The message of his dying christ.
You who bow down at cross and altar, Remember me and pity Him Who took my flesh and bone for armour And doublecrossed my mother's womb.


Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse.
II Yet Spade reminded me of Angel, unloading a bus, dressed in blue overalls black face official Angel's work- man cap, pushing with his belly a huge tin horse piled high with black baggage, looking up as he passed the yellow light bulb of the loft and holding high on his arm an iron shepherd's crook.
III It was the racks, I realized, sitting myself on top of them now as is my wont at lunchtime to rest my tired foot, it was the racks, great wooden shelves and stanchions posts and beams assembled floor to roof jumbled with baggage, --the Japanese white metal postwar trunk gaudily flowered & headed for Fort Bragg, one Mexican green paper package in purple rope adorned with names for Nogales, hundreds of radiators all at once for Eureka, crates of Hawaiian underwear, rolls of posters scattered over the Peninsula, nuts to Sacramento, one human eye for Napa, an aluminum box of human blood for Stockton and a little red package of teeth for Calistoga- it was the racks and these on the racks I saw naked in electric light the night before I quit, the racks were created to hang our possessions, to keep us together, a temporary shift in space, God's only way of building the rickety structure of Time, to hold the bags to send on the roads, to carry our luggage from place to place looking for a bus to ride us back home to Eternity where the heart was left and farewell tears began.
IV A swarm of baggage sitting by the counter as the trans- continental bus pulls in.
The clock registering 12:15 A.
M.
, May 9, 1956, the second hand moving forward, red.
Getting ready to load my last bus.
-Farewell, Walnut Creek Richmond Vallejo Portland Pacific Highway Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out of the Coast rack high as the dusty fluorescent light.
The wage they pay us is too low to live on.
Tragedy reduced to numbers.
This for the poor shepherds.
I am a communist.
Farewell ye Greyhound where I suffered so much, hurt my knee and scraped my hand and built my pectoral muscles big as a vagina.
May 9, 1956
Written by Mark Twain | Create an image from this poem

Ode to Stephen Bowling Dots Decd

 And did young Stephen sicken,
And did young Stephen die?
And did the sad hearts thicken,
And did the mourners cry?

No; such was not the fate of
Young Stephen Dowling Bots;
Though sad hearts round him thickened,
'Twas not from sickness' shots.
No whooping-cough did rack his frame, Nor measles drear, with spots; Not these impaired the sacred name Of Stephen Dowling Bots.
Despised love struck not with woe That head of curly knots, Nor stomach troubles laid him low, Young Stephen Dowling Bots.
O no.
Then list with tearful eye, Whilst I his fate do tell.
His soul did from this cold world fly, By falling down a well.
They got him out and emptied him; Alas it was too late; His spirit was gone for to sport aloft In the realms of the good and great.
Written by Edna St Vincent Millay | Create an image from this poem

Interim

 The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,— The very essence, hush-distilled, of Death— Has strangled that habitual breath of home Whose expiration leaves all houses dead; And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate Had opened at my touch, and I had stepped Into some long-forgot, enchanted, strange, Sweet garden of a thousand years ago And suddenly thought, "I have been here before!" You are not here.
I know that you are gone, And will not ever enter here again.
And yet it seems to me, if I should speak, Your silent step must wake across the hall; If I should turn my head, that your sweet eyes Would kiss me from the door.
—So short a time To teach my life its transposition to This difficult and unaccustomed key!— The room is as you left it; your last touch— A thoughtless pressure, knowing not itself As saintly—hallows now each simple thing; Hallows and glorifies, and glows between The dust's grey fingers like a shielded light.
There is your book, just as you laid it down, Face to the table,—I cannot believe That you are gone!—Just then it seemed to me You must be here.
I almost laughed to think How like reality the dream had been; Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down! Perhaps you thought, "I wonder what comes next, And whether this or this will be the end"; So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed Out of the room, rocked silently a while Ere it again was still.
When you were gone Forever from the room, perhaps that chair, Stirred by your movement, rocked a little while, Silently, to and fro.
.
.
And here are the last words your fingers wrote, Scrawled in broad characters across a page In this brown book I gave you.
Here your hand, Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t," And here another like it, just beyond These two eccentric "e's.
" You were so small, And wrote so brave a hand! How strange it seems That of all words these are the words you chose! And yet a simple choice; you did not know You would not write again.
If you had known— But then, it does not matter,—and indeed If you had known there was so little time You would have dropped your pen and come to me And this page would be empty, and some phrase Other than this would hold my wonder now.
Yet, since you could not know, and it befell That these are the last words your fingers wrote, There is a dignity some might not see In this, "I picked the first sweet-pea to-day.
" To-day! Was there an opening bud beside it You left until to-morrow?—O my love, The things that withered,—and you came not back That day you filled this circle of my arms That now is empty.
(O my empty life!) That day—that day you picked the first sweet-pea,— And brought it in to show me! I recall With terrible distinctness how the smell Of your cool gardens drifted in with you.
I know, you held it up for me to see And flushed because I looked not at the flower, But at your face; and when behind my look You saw such unmistakable intent You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made, I think.
) And then your hands above my heart Drew down its stem into a fastening, And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands! Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust In your bright hair.
) What is the need of Heaven When earth can be so sweet?—If only God Had let us love,—and show the world the way! Strange cancellings must ink th' eternal books When love-crossed-out will bring the answer right! That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere, And yet,—I am not sure.
I am not sure, Even, if it was white or pink; for then 'Twas much like any other flower to me Save that it was the first.
I did not know Then, that it was the last.
If I had known— But then, it does not matter.
Strange how few, After all's said and done, the things that are Of moment.
Few indeed! When I can make Of ten small words a rope to hang the world! "I had you and I have you now no more.
" There, there it dangles,—where's the little truth That can for long keep footing under that When its slack syllables tighten to a thought? Here, let me write it down! I wish to see Just how a thing like that will look on paper! "I had you and I have you now no more.
" O little words, how can you run so straight Across the page, beneath the weight you bear? How can you fall apart, whom such a theme Has bound together, and hereafter aid In trivial expression, that have been So hideously dignified?—Would God That tearing you apart would tear the thread I strung you on! Would God—O God, my mind Stretches asunder on this merciless rack Of imagery! O, let me sleep a while! Would I could sleep, and wake to find me back In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar! How easily could God, if He so willed, Set back the world a little turn or two! Correct its griefs, and bring its joys again! We were so wholly one I had not thought That we could die apart.
I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
And to-day The shining strip is rent; the exquisite Fine pattern is destroyed; part of your heart Aches in my breast; part of my heart lies chilled In the damp earth with you.
I have been tom In two, and suffer for the rest of me.
What is my life to me? And what am I To life,—a ship whose star has guttered out? A Fear that in the deep night starts awake Perpetually, to find its senses strained Against the taut strings of the quivering air, Awaiting the return of some dread chord? Dark, Dark, is all I find for metaphor; All else were contrast,—save that contrast's wall Is down, and all opposed things flow together Into a vast monotony, where night And day, and frost and thaw, and death and life, Are synonyms.
What now—what now to me Are all the jabbering birds and foolish flowers That clutter up the world? You were my song! Now, let discord scream! You were my flower! Now let the world grow weeds! For I shall not Plant things above your grave—(the common balm Of the conventional woe for its own wound!) Amid sensations rendered negative By your elimination stands to-day, Certain, unmixed, the element of grief; I sorrow; and I shall not mock my truth With travesties of suffering, nor seek To effigy its incorporeal bulk In little wry-faced images of woe.
I cannot call you back; and I desire No utterance of my immaterial voice.
I cannot even turn my face this way Or that, and say, "My face is turned to you"; I know not where you are, I do not know If Heaven hold you or if earth transmute, Body and soul, you into earth again; But this I know:—not for one second's space Shall I insult my sight with visionings Such as the credulous crowd so eager-eyed Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears! My sorrow shall be dumb! —What do I say? God! God!—God pity me! Am I gone mad That I should spit upon a rosary? Am I become so shrunken? Would to God I too might feel that frenzied faith whose touch Makes temporal the most enduring grief; Though it must walk a while, as is its wont, With wild lamenting! Would I too might weep Where weeps the world and hangs its piteous wreaths For its new dead! Not Truth, but Faith, it is That keeps the world alive.
If all at once Faith were to slacken,—that unconscious faith Which must, I know, yet be the corner-stone Of all believing,—birds now flying fearless Across would drop in terror to the earth; Fishes would drown; and the all-governing reins Would tangle in the frantic hands of God And the worlds gallop headlong to destruction! O God, I see it now, and my sick brain Staggers and swoons! How often over me Flashes this breathlessness of sudden sight In which I see the universe unrolled Before me like a scroll and read thereon Chaos and Doom, where helpless planets whirl Dizzily round and round and round and round, Like tops across a table, gathering speed With every spin, to waver on the edge One instant—looking over—and the next To shudder and lurch forward out of sight— * * * * * * * Ah, I am worn out—I am wearied out— It is too much—I am but flesh and blood, And I must sleep.
Though you were dead again, I am but flesh and blood and I must sleep.
Written by Stephen Vincent Benet | Create an image from this poem

The Quality of Courage

 Black trees against an orange sky, 
Trees that the wind shook terribly, 
Like a harsh spume along the road, 
Quavering up like withered arms, 
Writhing like streams, like twisted charms 
Of hot lead flung in snow.
Below The iron ice stung like a goad, Slashing the torn shoes from my feet, And all the air was bitter sleet.
And all the land was cramped with snow, Steel-strong and fierce and glimmering wan, Like pale plains of obsidian.
-- And yet I strove -- and I was fire And ice -- and fire and ice were one In one vast hunger of desire.
A dim desire, of pleasant places, And lush fields in the summer sun, And logs aflame, and walls, and faces, -- And wine, and old ambrosial talk, A golden ball in fountains dancing, And unforgotten hands.
(Ah, God, I trod them down where I have trod, And they remain, and they remain, Etched in unutterable pain, Loved lips and faces now apart, That once were closer than my heart -- In agony, in agony, And horribly a part of me.
.
.
.
For Lethe is for no man set, And in Hell may no man forget.
) And there were flowers, and jugs, bright-glancing, And old Italian swords -- and looks, A moment's glance of fire, of fire, Spiring, leaping, flaming higher, Into the intense, the cloudless blue, Until two souls were one, and flame, And very flesh, and yet the same! As if all springs were crushed anew Into one globed drop of dew! But for the most I thought of heat, Desiring greatly.
.
.
.
Hot white sand The lazy body lies at rest in, Or sun-dried, scented grass to nest in, And fires, innumerable fires, Great fagots hurling golden gyres Of sparks far up, and the red heart In sea-coals, crashing as they part To tiny flares, and kindling snapping, Bunched sticks that burst their string and wrapping And fall like jackstraws; green and blue The evil flames of driftwood too, And heavy, sullen lumps of coke With still, fierce heat and ugly smoke.
.
.
.
.
.
.
And then the vision of his face, And theirs, all theirs, came like a sword, Thrice, to the heart -- and as I fell I thought I saw a light before.
I woke.
My hands were blue and sore, Torn on the ice.
I scarcely felt The frozen sleet begin to melt Upon my face as I breathed deeper, But lay there warmly, like a sleeper Who shifts his arm once, and moans low, And then sinks back to night.
Slow, slow, And still as Death, came Sleep and Death And looked at me with quiet breath.
Unbending figures, black and stark Against the intense deeps of the dark.
Tall and like trees.
Like sweet and fire Rest crept and crept along my veins, Gently.
And there were no more pains.
.
.
.
Was it not better so to lie? The fight was done.
Even gods tire Of fighting.
.
.
.
My way was the wrong.
Now I should drift and drift along To endless quiet, golden peace .
.
.
And let the tortured body cease.
And then a light winked like an eye.
.
.
.
And very many miles away A girl stood at a warm, lit door, Holding a lamp.
Ray upon ray It cloaked the snow with perfect light.
And where she was there was no night Nor could be, ever.
God is sure, And in his hands are things secure.
It is not given me to trace The lovely laughter of that face, Like a clear brook most full of light, Or olives swaying on a height, So silver they have wings, almost; Like a great word once known and lost And meaning all things.
Nor her voice A happy sound where larks rejoice, Her body, that great loveliness, The tender fashion of her dress, I may not paint them.
These I see, Blazing through all eternity, A fire-winged sign, a glorious tree! She stood there, and at once I knew The bitter thing that I must do.
There could be no surrender now; Though Sleep and Death were whispering low.
My way was wrong.
So.
Would it mend If I shrank back before the end? And sank to death and cowardice? No, the last lees must be drained up, Base wine from an ignoble cup; (Yet not so base as sleek content When I had shrunk from punishment) The wretched body strain anew! Life was a storm to wander through.
I took the wrong way.
Good and well, At least my feet sought out not Hell! Though night were one consuming flame I must go on for my base aim, And so, perhaps, make evil grow To something clean by agony .
.
.
And reach that light upon the snow .
.
.
And touch her dress at last .
.
.
So, so, I crawled.
I could not speak or see Save dimly.
The ice glared like fire, A long bright Hell of choking cold, And each vein was a tautened wire, Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained The second Hell.
The snow was stained I thought, and shook my head at it How red it was! Black tree-roots clutched And tore -- and soon the snow was smutched Anew; and I lurched babbling on, And then fell down to rest a bit, And came upon another Hell .
.
.
Loose stones that ice made terrible, That rolled and gashed men as they fell.
I stumbled, slipped .
.
.
and all was gone That I had gained.
Once more I lay Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes Or I could tell you how I went Across the swaying firmament, A glittering torture of cold stars, And how I fought in Titan wars .
.
.
And died .
.
.
and lived again upon The rack .
.
.
and how the horses strain When their red task is nearly done.
.
.
.
I only know that there was Pain, Infinite and eternal Pain.
And that I fell -- and rose again.
So she was walking in the road.
And I stood upright like a man, Once, and fell blind, and heard her cry .
.
.
And then there came long agony.
There was no pain when I awoke, No pain at all.
Rest, like a goad, Spurred my eyes open -- and light broke Upon them like a million swords: And she was there.
There are no words.
Heaven is for a moment's span.
And ever.
So I spoke and said, "My honor stands up unbetrayed, And I have seen you.
Dear .
.
.
" Sharp pain Closed like a cloak.
.
.
.
I moaned and died.
Here, even here, these things remain.
I shall draw nearer to her side.
Oh dear and laughing, lost to me, Hidden in grey Eternity, I shall attain, with burning feet, To you and to the mercy-seat! The ages crumble down like dust, Dark roses, deviously thrust And scattered in sweet wine -- but I, I shall lift up to you my cry, And kiss your wet lips presently Beneath the ever-living Tree.
This in my heart I keep for goad! Somewhere, in Heaven she walks that road.
Somewhere .
.
.
in Heaven .
.
.
she walks .
.
.
that .
.
.
road.
.
.
.
Written by Anne Sexton | Create an image from this poem

The Ballad Of The Lonely Masturbator

 The end of the affair is always death.
She's my workshop.
Slippery eye, out of the tribe of myself my breath finds you gone.
I horrify those who stand by.
I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far.
She's my encounter.
I beat her like a bell.
I recline in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way, an annoying miracle.
Could I put the dream market on display? I am spread out.
I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses.
They unzip flies.
They take off shoes.
They turn off the light.
The glimmering creatures are full of lies.
They are eating each other.
They are overfed.
At night, alone, I marry the bed.

Book: Shattered Sighs