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Best Famous Question Is Poems

Here is a collection of the all-time best famous Question Is poems. This is a select list of the best famous Question Is poetry. Reading, writing, and enjoying famous Question Is poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of question is poems.

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Written by Wystan Hugh (W H) Auden | Create an image from this poem

The Unknown Citizen

He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content
That he held the proper opinions for the time of year;
When there was peace, he was for peace: when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
generation.
And our teachers report that he never interfered with their
education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.


Written by Bertolt Brecht | Create an image from this poem

Solidarity Song

 Peoples of the world, together
Join to serve the common cause!
So it feeds us all for ever
See to it that it's now yours.
Forward, without forgetting Where our strength can be seen now to be! When starving or when eating Forward, not forgetting Our solidarity! Black or white or brown or yellow Leave your old disputes behind.
Once start talking with your fellow Men, you'll soon be of one mind.
Forward, without forgetting Where our strength can be seen now to be! When starving or when eating Forward, not forgetting Our solidarity! If we want to make this certain We'll need you and your support.
It's yourselves you'll be deserting if you rat your own sort.
Forward, without forgetting Where our strength can be seen now to be! When starving or when eating Forward, not forgetting Our solidarity! All the gang of those who rule us Hope our quarrels never stop Helping them to split and fool us So they can remain on top.
Forward, without forgetting Where our strength can be seen now to be! When starving or when eating Forward, not forgetting Our solidarity! Workers of the world, uniting Thats the way to lose your chains.
Mighty regiments now are fighting That no tyrrany remains! Forward, without forgetting Till the concrete question is hurled When starving or when eating: Whose tomorrow is tomorrow? And whose world is the world?
Written by Jorie Graham | Create an image from this poem

Le Manteau De Pascal

 I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
* It has a fine inner lining but it is as an exterior that you see it — a grace.
* I have a coat I am wearing.
It is a fine admixture.
The woman who threw the threads in the two directions has made, skillfully, something dark-true, as the evening calls the bird up into the branches of the shaven hedgerows, to twitter bodily a makeshift coat — the boxelder cut back stringently by the owner that more might grow next year, and thicker, you know — the birds tucked gestures on the inner branches — and space in the heart, not shade-giving, not chronological.
.
.
Oh transformer, logic, where are you here in this fold, my name being called-out now but back, behind, in the upper world.
.
.
.
* I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star? Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside their stirring rhetoric — this is your land, this is my my — * You do understanding, don't you, by looking? The coat, which is itself a ramification, a city, floats vulnerably above another city, ours, the city on the hill (only with hill gone), floats in illustration of what once was believed, and thus was visible — (all things believed are visible) — floats a Jacob's ladder with hovering empty arms, an open throat, a place where a heart might beat if it wishes, pockets that hang awaiting the sandy whirr of a small secret, folds where the legs could be, with their kneeling mechanism, the floating fatigue of an after-dinner herald, not guilty of any treason towards life except fatigue, a skillfully cut coat, without chronology, filled with the sensation of being suddenly completed — as then it is, abruptly, the last stitch laid in, the knot bit off — hung there in Gravity, as if its innermost desire, numberless the awaitings flickering around it, the other created things also floating but not of the same order, no, not like this form, built so perfectly to mantle the body, the neck like a vase awaiting its cut flower, a skirting barely visible where the tucks indicate the mild loss of bearing in the small of the back, the grammar, so strict, of the two exact shoulders — and the law of the shouldering — and the chill allowed to skitter up through, and those crucial spots where the fit cannot be perfect — oh skirted loosening aswarm with lessenings, with the mild pallors of unaccomplishment, flaps night-air collects in, folds.
.
.
But the night does not annul its belief in, the night preserves its love for, this one narrowing of infinity, that floats up into the royal starpocked blue its ripped, distracted supervisor — this coat awaiting recollection, this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill, and then the moment when the prize is lost, and the erotic tinglings of the dream of reason are left to linger mildly in the weave of the fabric according to the rules, the wool gabardine mix, with its grammatical weave, never never destined to lose its elasticity, its openness to abandonment, its willingness to be disturbed.
* July 11 .
.
.
Oaks: the organization of this tree is difficult.
Speaking generally no doubt the determining planes are concentric, a system of brief contiguous and continuous tangents, whereas those of the cedar wd.
roughly be called horizontals and those of the beech radiating but modified by droop and by a screw-set towards jutting points.
But beyond this since the normal growth of the boughs is radiating there is a system of spoke-wise clubs of green — sleeve-pieces.
And since the end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I have seen also pieces in profile with chiseled outlines, the blocks thus made detached and lessening towards the end.
However the knot-star is the chief thing: it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced mailed or chard-covered ones, in wh.
it is possible to see composition in dips, etc.
But I shall study them further.
It was this night I believe but possibly the next that I saw clearly the impossibility of staying in the Church of England.
* How many coats do you think it will take? The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take? The undercoat is dry.
What we now want is? The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
* I take off my coat and carry it.
* There is no emergency.
* I only made that up.
* Behind everything the sound of something dripping The sound of something: I will vanish, others will come here, what is that? The canvas flapping in the wind like the first notes of our absence An origin is not an action though it occurs at the very start Desire goes travelling into the total dark of another's soul looking for where it breaks off I was a hard thing to undo * The life of a customer What came on the paper plate overheard nearby an impermanence of structure watching the lip-reading had loved but couldn't now recognize * What are the objects, then, that man should consider most important? What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn, offering "we must think about objects at the very moment when all their meaning is abandoning them" and "the title provides a protection from significance" and "we are responsible for the universe.
" * I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering, so coarse and woolen, also of unknown origin, a barely apprehensible dilution of evening into an outer garment, or, conversely a natural covering, to twitter bodily a makeshift coat, that more might grow next year, and thicker, you know, not shade-giving, not chronological, my name being called out now but from out back, behind, an outer garment, so coarse and woolen, also of unknown origin, not shade-giving, not chronological, each harm with its planeloads folded up in the sleeves, you do understand, don't you, by looking? the jacob's ladder with its floating arms its open throat, that more might grow next year, and thicker, you know, filled with the sensation of being suddenly completed, the other created things also floating but not of the same order, not shade-giving, not chronological, you do understand, don't you, by looking? a neck like a vase awaiting its cut flower, filled with the sensation of being suddenly completed, the moment the prize is lost, the erotic tingling, the wool-gabardine mix, its grammatical weave — you do understand, don't you, by looking? — never never destined to lose its elasticity, it was this night I believe but possibly the next I saw clearly the impossibility of staying filled with the sensation of being suddenly completed, also of unknown origin, not shade-giving, not chronological since the normal growth of boughs is radiating a system of spoke-wise clubs of green — sleeve pieces — never never destined to lose its elasticity my name being called out now but back, behind, hissing how many coats do you think it will take "or try with eyesight to divide" (there is no quarrel) behind everything the sound of something dripping a system of spoke-wise clubs of green — sleeve pieces filled with the sensation of suddenly being completed the wool gabardine mix, the grammatical weave, the never-never-to-lose-its-elasticity: my name flapping in the wind like the first note of my absence hissing how many coats do you think it will take are you a test case is it an emergency flapping in the wind the first note of something overheard nearby an impermanence of structure watching the lip-reading, there is no quarrel, I will vanish, others will come here, what is that, never never to lose the sensation of suddenly being completed in the wind — the first note of our quarrel — it was this night I believe or possibly the next filled with the sensation of being suddenly completed, I will vanish, others will come here, what is that now floating in the air before us with stars a test case that I saw clearly the impossibility of staying
Written by Friedrich von Schiller | Create an image from this poem

The Driver

 "What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me, May keep it henceforward,--his own it shall be.
" Thus speaks the king, and he hurls from the height Of the cliffs that, rugged and steep, Hang over the boundless sea, with strong might, The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,-- As to plunge in these billows that wildly roar?" And the vassals and knights of high degree Hear his words, but silent remain.
They cast their eyes on the raging sea, And none will attempt the goblet to gain.
And a third time the question is asked by the king: "Is there none that will dare in the gulf now to spring?" Yet all as before in silence stand, When a page, with a modest pride, Steps out of the timorous squirely band, And his girdle and mantle soon throws aside, And all the knights, and the ladies too, The noble stripling with wonderment view.
And when he draws nigh to the rocky brow, And looks in the gulf so black, The waters that she had swallowed but now, The howling Charybdis is giving back; And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.
And it boils and it roars, and it hisses and seethes, As when water and fire first blend; To the sky spurts the foam in steam-laden wreaths, And wave presses hard upon wave without end.
And the ocean will never exhausted be, As if striving to bring forth another sea.
But at length the wild tumult seems pacified, And blackly amid the white swell A gaping chasm its jaws opens wide, As if leading down to the depths of hell: And the howling billows are seen by each eye Down the whirling funnel all madly to fly.
Then quickly, before the breakers rebound, The stripling commends him to Heaven, And--a scream of horror is heard around,-- And now by the whirlpool away he is driven, And secretly over the swimmer brave Close the jaws, and he vanishes 'neath the dark wave.
O'er the watery gulf dread silence now lies, But the deep sends up a dull yell, And from mouth to mouth thus trembling it flies: "Courageous stripling, oh, fare thee well!" And duller and duller the howls recommence, While they pause in anxious and fearful suspense.
"If even thy crown in the gulf thou shouldst fling, And shouldst say, 'He who brings it to me Shall wear it henceforward, and be the king,' Thou couldst tempt me not e'en with that precious foe; What under the howling deep is concealed To no happy living soul is revealed!" Full many a ship, by the whirlpool held fast, Shoots straightway beneath the mad wave, And, dashed to pieces, the hull and the mast Emerge from the all-devouring grave,-- And the roaring approaches still nearer and nearer, Like the howl of the tempest, still clearer and clearer.
And it boils and it roars, and it hisses and seethes, As when water and fire first blend; To the sky spurts the foam in steam-laden wreaths, And wave passes hard upon wave without end.
And, with the distant thunder's dull sound, From the ocean-womb they all-bellowing bound.
And lo! from the darkly flowing tide Comes a vision white as a swan, And an arm and a glistening neck are descried, With might and with active zeal steering on; And 'tis he, and behold! his left hand on high Waves the goblet, while beaming with joy is his eye.
Then breathes he deeply, then breathes he long, And blesses the light of the day; While gladly exclaim to each other the throng: "He lives! he is here! he is not the sea's prey! From the tomb, from the eddying waters' control, The brave one has rescued his living soul!" And he comes, and they joyously round him stand; At the feet of the monarch he falls,-- The goblet he, kneeling, puts in his hand, And the king to his beauteous daughter calls, Who fills it with sparkling wine to the brim; The youth turns to the monarch, and speaks thus to him: "Long life to the king! Let all those be glad Who breathe in the light of the sky! For below all is fearful, of moment sad; Let not man to tempt the immortals e'er try, Let him never desire the thing to see That with terror and night they veil graciously.
" "I was torn below with the speed of light, When out of a cavern of rock Rushed towards me a spring with furious might; I was seized by the twofold torrent's wild shock, And like a top, with a whirl and a bound, Despite all resistance, was whirled around.
" "Then God pointed out,--for to Him I cried In that terrible moment of need,-- A craggy reef in the gulf's dark side; I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,-- The fathomless pit had else swallowed it up.
" "For under me lay it, still mountain-deep, In a darkness of purple-tinged dye, And though to the ear all might seem then asleep With shuddering awe 'twas seen by the eye How the salamanders' and dragons' dread forms Filled those terrible jaws of hell with their swarms.
" "There crowded, in union fearful and black, In a horrible mass entwined, The rock-fish, the ray with the thorny back, And the hammer-fish's misshapen kind, And the shark, the hyena dread of the sea, With his angry teeth, grinned fiercely on me.
" "There hung I, by fulness of terror possessed, Where all human aid was unknown, Amongst phantoms, the only sensitive breast, In that fearful solitude all alone, Where the voice of mankind could not reach to mine ear, 'Mid the monsters foul of that wilderness drear.
" "Thus shuddering methought--when a something crawled near, And a hundred limbs it out-flung, And at me it snapped;--in my mortal fear, I left hold of the coral to which I had clung; Then the whirlpool seized on me with maddened roar, Yet 'twas well, for it brought me to light once more.
" The story in wonderment hears the king, And he says, "The cup is thine own, And I purpose also to give thee this ring, Adorned with a costly, a priceless stone, If thou'lt try once again, and bring word to me What thou saw'st in the nethermost depths of the sea.
" His daughter hears this with emotions soft, And with flattering accent prays she: "That fearful sport, father, attempt not too oft! What none other would dare, he hath ventured for thee; If thy heart's wild longings thou canst not tame, Let the knights, if they can, put the squire to shame.
" The king then seizes the goblet in haste, In the gulf he hurls it with might: "When the goblet once more in my hands thou hast placed, Thou shalt rank at my court as the noblest knight, And her as a bride thou shalt clasp e'en to-day, Who for thee with tender compassion doth pray.
" Then a force, as from Heaven, descends on him there, And lightning gleams in his eye, And blushes he sees on her features so fair, And he sees her turn pale, and swooning lie; Then eager the precious guerdon to win, For life or for death, lo! he plunges him in! The breakers they hear, and the breakers return, Proclaimed by a thundering sound; They bend o'er the gulf with glances that yearn, And the waters are pouring in fast around; Though upwards and downwards they rush and they rave, The youth is brought back by no kindly wave.
Written by Duncan Campbell Scott | Create an image from this poem

From Shadow

 Now the November skies,
And the clouds that are thin and gray,
That drop with the wind away;
A flood of sunlight rolls,
In a tide of shallow light,
Gold on the land and white
On the water, dim and warm in the wood;
Then it is gone, and the wan
Clear of the shade
Covers fields and barren and glade.
The peace of labor done, Is wide in the gracious earth; The harvest is won; Past are the tears and the mirth; And we feel in the tenuous air How far beyond thought or prayer Is the grace of silent things, That work for the world alway, Neither for fear nor for pay, And when labor is over, rest.
The moil of our fretted life Is borne anew to the soul, Borne with its cark and strife, Its burden of care and dread, Its glories elusive and strange; And the weight of the weary whole Presses it down, till we cry: Where is the fruit of our deeds? Why should we struggle to build Towers against death on the plain? All things possess their lives Save man, whose task and desire Transcend his power and his will.
The question is over and still; Nothing replies: but the earth Takes on a lovelier hue From a cloud that neighbored the sun, That the sun burned down and through, Till it glowed like a seraph's wing; The fields that were gray and dun Are warm in the flowing light; Fair in the west the night Strikes in with vibrant star.
Something has stirred afar In the shadow that winter flings; A message comes up to the soul From the soul of inanimate things: A message that widens and grows Till it touches the deeds of man, Till we see in the torturous throes Some dawning glimmer of plan; Till we feel in the deepening night The hand of the angel Content, That stranger of calmness and light, With his brow over us bent, Who moves with his eyes on the earth, Whose robe of lambent green, A tissue of herb and its sheen, Tells the mother who gave him birth.
The message plays through his power, Till it flames exultant in thought, As the quince-tree triumphs in flower.
The fruit that is checked and marred Goes under the sod: The good lives here in the world; It persists,-- it is God.


Written by Lewis Carroll | Create an image from this poem

Atalanta In Camden -Town

 AY, 'twas here, on this spot,
In that summer of yore,
Atalanta did not
Vote my presence a bore,
Nor reply to my tenderest talk "She had
heard all that nonsense before.
" She'd the brooch I had bought And the necklace and sash on, And her heart, as I thought, Was alive to my passion; And she'd done up her hair in the style that the Empress had brought into fashion.
I had been to the play With my pearl of a Peri - But, for all I could say, She declared she was weary, That "the place was so crowded and hot, and she couldn't abide that Dundreary.
" Then I thought "Lucky boy! 'Tis for YOU that she whimpers!" And I noted with joy Those sensational simpers: And I said "This is scrumptious!" - a phrase I had learned from the Devonshire shrimpers.
And I vowed "'Twill be said I'm a fortunate fellow, When the breakfast is spread, When the topers are mellow, When the foam of the bride-cake is white, and the fierce orange-blossoms are yellow!" O that languishing yawn! O those eloquent eyes! I was drunk with the dawn Of a splendid surmise - I was stung by a look, I was slain by a tear, by a tempest of sighs.
Then I whispered "I see The sweet secret thou keepest.
And the yearning for ME That thou wistfully weepest! And the question is 'License or Banns?', though undoubtedly Banns are the cheapest.
" "Be my Hero," said I, "And let ME be Leander!" But I lost her reply - Something ending with "gander" - For the omnibus rattled so loud that no mortal could quite understand her.
Written by Ella Wheeler Wilcox | Create an image from this poem

An Inspiration

 However the battle is ended,
Though proudly the victor comes
With fluttering flags and prancing nags
And echoing roll of drums.
Still truth proclaims this motto, In letters of living light, - No Question is ever settled, Until it is settled right.
Though the heel of the strong oppressor May grind the weak to dust, And the voices of fame with one acclaim May call him great and just, Let those who applaud take warning, And keep this motto in sight, - No question is ever settled Until it is settled right.
Let those who have failed take courage; Tho' the enemy seems to have won, Tho' his ranks are strong, if he be in the wrong The battle is not yet done; For, as sure as the morning follows The darkest hour of the night, No question is ever settled Until it is settled right.
O man bowed down with labor! O woman, young, yet old! O heart oppressed in the toiler's breast And crushed by the power of gold! Keep on with your weary battle Against triumphant might; No question is ever settled Until it is settled right.
Written by Ella Wheeler Wilcox | Create an image from this poem

Settle The Question Right

 However the battle is ended, 
Though proudly the victor comes, 
With flaunting flags and neighing nags
And echoing roll of drums; 
Still truth proclaims this motto
In letters of living light, 
No question is ever settled
Until it is settled right.
Though the heel of the strong oppressor May grind the weak in the dust, And the voices of fame with one acclaim May call him great and just; Let those who applaud take warning And keep this motto in sight, No question is ever settled Until it is settled right.
Let those who have failed take courage, Though the enemy seem to have won; If he be in the wrong, though his ranks are strong, The battle is not yet done.
For sure as the morning follows The darkest hour of night, No question is ever settled Until it is settled right.
O men, bowed down with labour, O women, young yet old, O heart, oppressed in the toiler’s breast And crushed by the power of gold, Keep on with your weary battle Against triumphant might; No question is ever settled Until it is settled right.

Book: Reflection on the Important Things