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Best Famous Quagmire Poems

Here is a collection of the all-time best famous Quagmire poems. This is a select list of the best famous Quagmire poetry. Reading, writing, and enjoying famous Quagmire poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of quagmire poems.

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Written by Theodore Roethke | Create an image from this poem

The Far Field

 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken. 

II

At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.

I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, -- 
Cape May, Blackburnian, Cerulean, -- 
Moving, elusive as fish, fearless, 
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.

-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.

I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.


II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, -- 
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, -- 
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.

I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air. 


IV

The lost self changes,
Turning toward the sea,
A sea-shape turning around, -- 
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.

All finite things reveal infinitude: 
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow, 
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree : 
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.


Written by Mihai Eminescu | Create an image from this poem

Mortua Est

Two candles, tall sentry, beside an earth mound, 
A dream with wings broken that trail to the ground,  
Loud flung from the belfry calamitous chime... 
'Tis thus that you passed o'er the bound'ries of time. 

Gone by are the hours when the heavens entire 
Flowed rivers of milk and grew flowers of fire, 
When the thunderous clouds were but castles erect 
Which the moon like a queen each in turn did inspect. 

I see you a shadow bright silver transcending, 
With wings high uplifted to heaven ascending, 
I see you slow climbing through the sky's scaffold bars 
Midst a tempest of light and a snowstorm of stars; 

While the witches the sound of their spinning prolong, 
Exalted in sunshine, swept up by a song, 
O'er your breast like a saint you white arms crossed in prayer, 
And gold on the water, and silver in the air. 

I see your soul's parting, its flight I behold; 
Then glaze at the clay that remains ... mute and cold, 
At the winding-sheet clung to the coffin's rude sill, 
At your smile sweet and candid, that seems alive still. 

And i ask times unending my soul torn with doubt, 
O why, pallid angel, your light has gone out, 
For were you not blameless and wonderfully fair ? 
Have you gone to rekindle a star in despair ? 

I fancy on high there are wings without name, 
Broad rivers of fire spanned by bridges of flame, 
Strange castles that spires till the zenith up fling, 
With stairways of incense and flowers that sing. 

And you wonder among them, a worshipful queen, 
With hair of bright starlight and eyes vespertine, 
In a tunic of turquoise bespattered with gold, 
While a wreath of green laurels does your forehead enfold. 

O, death is a chaos, an ocean of stars gleaming,  
While life is a quagmire of doubts and of dreaming, 
Oh, death is an aeon of sun-blazoned spheres, 
While life but a legend of wailing and tears. 

Trough my head beats a whirlwind, a clamorous wrangle 
Of thoughts and of dreams that despair does entangle; 
For when suns are extinguished and meteors fail 
The whole universe seems to mean nothing at all. 

Maybe that one day the arched heavens will sunder, 
And down through their break all the emptiness thunder, 
Void's night o'er the earth its vast nothing extending, 
The loot of an instant of death without ending.  

If so, then forever your flame did succumb, 
And forever your voice from today will be dumb. 
If so, then hereafter can bring no rebirth. 
If so, then this angel was nothing but earth. 

And thus, lovely soil that breath has departed, 
I stand by your coffin alone broken-hearted; 
And yet i don't weep, rather praise for its fleeing 
Your ray softly crept from this chaos of being. 

For who shell declare which is ill and which well, 
The is, or the isn't ? Can anyone tell ? 
For he who is not, even grief can't destroy, 
And oft is the grieving, and seldom the joy. 

To exist! O, what nonsense, what foolish conceit; 
Our eyes but deceive us, our ears but cheat, 
What this age discovers, the next will deny, 
For better just nothing than naught a lie. 

I see dreams in men's clothing that after dreams chase, 
But that tumble in tombs ere the end of the race, 
And i search in may soul how this horror to fly, 
To laugh like a madman ? To curse ? Or to cry ? 

O, what is the meaning ? What sense does agree ? 
The end of such beauty, had that what to be ? 
Sweet seraph of clay where still lingers life's smile, 
Just in order to die did you live for a while ? 

O, tell me the meaning. This angel or clod ? 
I find on her forehead no witness of God. 

English version by Corneliu M. Popescu
Transcribed by Ana- Maria Ene
School No. 10, Focsani, Romania
Written by Robert Burns | Create an image from this poem

307. Elegy on Captain Matthew Henderson

 O DEATH! thou tyrant fell and bloody!
The meikle devil wi’ a woodie
Haurl thee hame to his black smiddie,
 O’er hurcheon hides,
And like stock-fish come o’er his studdie
 Wi’ thy auld sides!


He’s gane, he’s gane! he’s frae us torn,
The ae best fellow e’er was born!
Thee, Matthew, Nature’s sel’ shall mourn,
 By wood and wild,
Where haply, Pity strays forlorn,
 Frae man exil’d.


Ye hills, near neighbours o’ the starns,
That proudly cock your cresting cairns!
Ye cliffs, the haunts of sailing earns,
 Where Echo slumbers!
Come join, ye Nature’s sturdiest bairns,
 My wailing numbers!


Mourn, ilka grove the cushat kens!
Ye haz’ly shaws and briery dens!
Ye burnies, wimplin’ down your glens,
 Wi’ toddlin din,
Or foaming, strang, wi’ hasty stens,
 Frae lin to lin.


Mourn, little harebells o’er the lea;
Ye stately foxgloves, fair to see;
Ye woodbines hanging bonilie,
 In scented bow’rs;
Ye roses on your thorny tree,
 The first o’ flow’rs.


At dawn, when ev’ry grassy blade
Droops with a diamond at his head,
At ev’n, when beans their fragrance shed,
 I’ th’ rustling gale,
Ye maukins, whiddin thro’ the glade,
 Come join my wail.


Mourn, ye wee songsters o’ the wood;
Ye grouse that crap the heather bud;
Ye curlews, calling thro’ a clud;
 Ye whistling plover;
And mourn, we whirring paitrick brood;
 He’s gane for ever!


Mourn, sooty coots, and speckled teals;
Ye fisher herons, watching eels;
Ye duck and drake, wi’ airy wheels
 Circling the lake;
Ye bitterns, till the quagmire reels,
 Rair for his sake.


Mourn, clam’ring craiks at close o’ day,
’Mang fields o’ flow’ring clover gay;
And when ye wing your annual way
 Frae our claud shore,
Tell thae far warlds wha lies in clay,
 Wham we deplore.


Ye houlets, frae your ivy bow’r
In some auld tree, or eldritch tow’r,
What time the moon, wi’ silent glow’r,
 Sets up her horn,
Wail thro’ the dreary midnight hour,
 Till waukrife morn!


O rivers, forests, hills, and plains!
Oft have ye heard my canty strains;
But now, what else for me remains
 But tales of woe;
And frae my een the drapping rains
 Maun ever flow.


Mourn, Spring, thou darling of the year!
Ilk cowslip cup shall kep a tear:
Thou, Simmer, while each corny spear
 Shoots up its head,
Thy gay, green, flow’ry tresses shear,
 For him that’s dead!


Thou, Autumn, wi’ thy yellow hair,
In grief thy sallow mantle tear!
Thou, Winter, hurling thro’ the air
 The roaring blast,
Wide o’er the naked world declare
 The worth we’ve lost!


Mourn him, thou Sun, great source of light!
Mourn, Empress of the silent night!
And you, ye twinkling starnies bright,
 My Matthew mourn!
For through your orbs he’s ta’en his flight,
 Ne’er to return.


O Henderson! the man! the brother!
And art thou gone, and gone for ever!
And hast thou crost that unknown river,
 Life’s dreary bound!
Like thee, where shall I find another,
 The world around!


Go to your sculptur’d tombs, ye Great,
In a’ the tinsel trash o’ state!
But by thy honest turf I’ll wait,
 Thou man of worth!
And weep the ae best fellow’s fate
 E’er lay in earth.
Written by Thomas Flatman | Create an image from this poem

The Batchelors Song

 Like a Dog with a bottle, fast ti'd to his tail,
Like Vermin in a trap, or a Thief in a Jail,
 Or like a Tory in a Bog,
 Or an Ape with a Clog:
Such is the man, who when he might go free,
 Does his liberty loose,
 For a Matrimony noose,
 And sels himself into Captivity;
The Dog he do's howl, when his bottle do's jog,
The Vermin, the Theif, and the Tory in vain
Of the trap, of the Jail, of the Quagmire complain.
But welfare poor Pug! for he playes with his Clog;
And tho' he would be rid on't rather than his life,
Yet he lugg's it, and he hug's it, as a man does his wife.

Book: Reflection on the Important Things